Wine + Music

The Frankly Wines & Friends Wine & Music Series #8 – James Hubbard

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –> they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

Part 8 of this series is in the capable hands of James Hubbard, a fellow wine tweeter who also wrote a guest piece for me in 2017.  The track I chose for him is a modern blues-rock classic from the onetime Thin Lizzy guitarist Gary Moore (who I saw “support” BB King in 2006).  Parisienne Walkways contains the lines:

I remember Paris in ’49
The Champs Elysee, Saint Michel
And old Beaujolais wine

which was a chance for James to run with a Beaujolais, but he resisted the easy score as you will see below. 

James posts up some cracking Australian wines on Twitter and Instagram so I though I’d go with a real big-hitter: Penfolds Bin 707 Cabernet Sauvignon, one of their very top red wines and named after the Boeing 707.  The 1998 707 is still the best red wine I have ever tasted.

Gary Moore – Parisienne Walkways

So when Frankie contacted me to ask if I would like to take part in his Wine and music series, I jumped at the chance. What fun! I’ll get a piece of Italian opera, maybe. Easy, right?

Then Frankie sent me the song: Parisienne Walkways, by Gary Moore. Mind. Blown. What on earth can I pair with this?? A 9-minute opus (well, live anyway) full of ridiculously long guitar notes. I mean it’s iconic, it’s brilliant but at the same time rather self-indulgent (or at least that’s how I remembered it).

However, as I listened to it several times, it all fell into place. I could easily have gone with a Beaujolais – Paris, steak frites and some bojo, right? I mean he even mentions it in the song, for goodness’ sake! And my goodness I love Beaujolais. Gamay rocks, as apparently does Gary Moore. But that would be too easy. Come on, James. Work a bit harder than that. As I delved deeper, I realised that what I used to think of as self-indulgence is actually self-knowing. Yes it’s a serious piece of music but it’s actually not taking itself too seriously. Then the penny dropped.

Bonny Doon ‘Le Cigare Volant’, from the amazing Randall Grahm.

Bonny Doon Le Cigare Volant

Just like the song, there’s a bit of everything in there (usually about 5 different grapes, a real Rhône Ranger) but the blend is just spot-on. It opens up so early and so well and it hits all the right notes throughout (unlike Morecambe and Wise, in the right order as well). This is an incredible wine. It’s earthy, rich yet playful, full-bodied yet perfectly balanced. Above all, it’s a wine that demands your attention but ultimately doesn’t take itself too seriously.

Penfolds Bin 707 Cabernet Sauvignon

Penfolds Bin 707 Cabernet Sauvignon

For my music choice, I was invited to find an appropriate accompaniment to Penfolds Bin 707 Cabernet Sauvignon. Wow. This is a wine that can live forever and is somewhat in the shadows of its more-famous sibling, but sorry Oasis you’re not coming in on this occasion. I need something more refined. Bin 707 is Tom Finney to Stanley Matthews’ Grange. Less lauded but the professionals always knew who was the greater.

Step forward the one, the only Bob Dylan. ‘One More Cup of Coffee’.

A song about unrequited love, taken from one of Dylan’s lesser-known albums. As with wine tastings, this is best enjoyed live and the version from Dylan’s Bootleg Series 5, The Rolling Thunder Revue is my personal favourite. Just like the 707, this has such a rich tapestry. It’s long and hauntingly beautiful. Once heard, never forgotten yet rarely spoken about in the same breath of some of Dylan’s other work.

Oh and whilst you’re at it, come for one more cup of coffee and stay for the entirety of the Bootleg live album. Just like delving into Penfolds’ catalogue and discovering other incredible wines you’d never realised were there, you’ll discover genius that truly will live forever.

James Hubbard

James Hubbard is a passionate wine amateur with an eclectic collection and a vastly inferior palate to that of his wife. A Europhile, he works for a major FMCG company as their EMEA Head of Talent Acquisition (a fancy way of saying ‘recruitment’). Lover of virtually all sports (particularly cricket, rugby union and American Football). You can follow him under @jameshubbard113 on both Twitter and Instagram.


The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah
Wine + Music

The Frankly Wines & Friends Wine & Music Series #7 – Paul Moran

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –> they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

Paul Moran is a personal friend and former colleague of mine.  When working together I was always happy to let Paul choose the music we listened to as our tastes have a significant overlap; furthermore, as Paul did not have the same eight years of sleep deprivation (aka “kids”) he was always able to introduce me to new things.

The track I chose for Paul is one of my favourite dance music tracks (Rez) from a band (Underworld) who both performed live and released albums (not the norm on the dance music scene).  Funnily enough Rez was not originally included on an Underworld album, but was on 1994’s Junior Boy’s Own Collection.  One of the criticisms levelled at dance music by people who don’t like it has been that it lacks the emotion of music made by “real” instruments; Rez obliterates this judgement as it’s one of the most emotive pieces of music I’ve ever heard – judge for yourself below!

The wine I chose is also something of a rule breaker.  This time it’s my own rule of thumb: if a wine region or grape is known for making something different, e.g. sparkling or fortified wine, or even brandy, then the chances are that the regular wines from the region or grape are pretty ordinary.  Suertes del Marqués’s white wines are predominantly made from Listán Blanco which is treasured in Jerez for its neutrality under the synonym Palomino.  However, in Tenerife’s Valle de La Orotava it produces wine such as Trenzado, an amazingly complex wine which, while it might not be to everyone’s taste, can be everything to those who like it.


A moment of sensory reflection, the nostalgia of a forgotten tune or half remembered flavour. Whether it’s wine or music, both pursuits seem like they flex the same mental muscles.

The similarities between music and wine have struck me before: having studied music at university and now, a decade later, working in wine, I’ve often considered the parallels. But when actually requested to pair a wine with a piece of music (and vice versa), then explain my rationale, I initially found it a little hard to articulate.

Underworld – Rez

The track Frankie has asked me to pair is the devastatingly simple rave classic Rez by Underworld. Starting with an arpeggiated chord progression, it builds and builds to a series of monstrous climaxes but never loses the iron focus at its core. My first instinct, when seeking a wine to accompany it, was that acid was required — lots of it. Rez needs a wine that’s layered and complex but also fun and thrilling in equal measure, something to make the hair on your arms stand on end and send a shiver down your spine.

My mind immediately went to Jura Savagnin and, in particular, Premice from Les Dolomies. Much like those opening chords in Rez, as the wine hits your palate the mouth-watering acidity shocks your taste buds to attention. That’s followed by layer after layer of citrus peel, crushed rocks, nutty oxidation and struck match reduction. Each is perfectly in balance; as soon as you notice one aroma or taste, it is beautifully eclipsed by something else — only to shift back into focus later on.

Premice Savagnin Jura

Both the track and wine exhibit a certain alchemy, a masterclass in nerve and poise that adds up to more than the sum of its parts. I can’t think of a better wine to drink while imagining reaching for those lasers.

Suertes del Marqués Trenzado

trenzado

The wine I was asked to match to a piece of music is the excellent Trenzado from Suertes del Marqués in Tenerife. It’s a fascinatingly complex wine that I think takes people aback at first; those that it converts tend to become devoted fans. There is a huge amount going on in the glass here and as with the wine above, it’s distinctive in terms of how many layers of complexity there are. This is where the similarities end however; this wine opens up to reveals itself very differently.

The first thing that strikes me on the nose is an intense smokiness, followed by citrus. The palate is then surprisingly broad and I’m immediately struck by the texture rather than any single flavour. There is green apple and butter, a bit like a weird, edgy cousin of white Burgundy. I take my first sip straight from the fridge but over the next hour it opens up to reveal stone fruits, salty seaweed, honey, herbs and a persistent smoky finish.

It took over an hour for this wine to open fully so it felt only appropriate to pick a piece of music that takes time to show its true form. Steve Reich’s Music for 18 Musicians is a rich tapestry of instruments and voices, layered into a constantly shifting and undulating soundscape. When I saw this piece performed live by Reich a few years ago, I was completely awestruck by the experience.

Wine and music both represent a journey through the senses. A moving piece or magical bottle takes you to another place psychologically. An otherworldly plain, where the normal world momentarily melts away.

Paul Moran

Paul Moran is Business Development Manager for Findlater & Co in North Dublin.

Having originally studied music, Paul spent ten years working in Project Management before jumping into wine full time last year. Despite feeling out of his depth much of the time he’s not come to regret the decision (yet).

You can follow him on instagram under the moniker @selected_ambient_yeasts [itself a reference to both wine and music].


 

The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah
Wine + Music

The Frankly Wines & Friends Wine & Music Series #6 – Nirina Plunkett

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –> they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

For Part 6 of the Frankly Wines & Friends Wine & Music Series we return to Dublin and the choices of the bubbly (-lover) Nirina Plunkett.  The song I chose for Nirina is Jamiroquai’s Space Cowboy, though not the original version; while that has its appeal as a funky, soulful track it’s rather downbeat – if I want depressing I’ll listen to The Cure or The Smiths, thank you very much!  Instead this is the result of a major reworking by the legendary David Morales of Def Mix Productions, turning in into upbeat, uplifting dance floor classic.

The wine choice for Nirina was dead easy – she was an enthusiastic participant in Alsace Wine Week in Ireland last year, including the live Twitter tasting where she extolled the virtues of Wolfberger Crémant d’Alsace!


My good friend and fellow wine enthusiast Frankie invited me to take part in his new Frankly Wines & Friends: Wine and Music Series, and naturally I accepted! It’s no secret that I am a big wine fan, and always love exploring and learning more, and also that I LOVE music. I literally listen to music every day, when I’m blogging, writing, cooking, doing my makeup and even as I fall asleep. I’m kinda obsessed!

Therefore this series is pretty ideal for me as it brings together two of my favourite things. Today I’ll feature two different songs matched with two wines and a little chat about them. One of each has been chosen for me by Frankie, and I’ve then paired them with my own choices.

“Space Cowboy” (David Morales Classic Club Remix) By Jamiroquai

This remixed song choice from Frankie sure takes me back to when I was in my early twenties, and seems like it’d be hard to match with wine. But because of its party vibe, it’s got to be a bubbly choice for me. This Bottega Gold Prosecco, which hails from the Valdobbiadene hills in Northern Italy, is one of my favourites.

Bottega Gold Prosecco Cookie FM Frankly Wines

This sparker is made from a tasty blend of the varieties Moscato, Glera (Prosecco), Pinot Nero, and Raboso Piave, and together they give this Prosecco a fresh and fruity aroma. And then there’s the sweet fizz and the gorgeous gold bottle – ideal for any party occasion! I can picture myself and the gals with a bottle of Bottega Gold Prosecco as the club soaks up the atmosphere with this song blasting away. Plus popping any bottle of bubbly instantly puts a smile on my face, it’s my favourite sound!

Wolfberger Crémant d’Alsace Brut

Wolfberger Brut Crémant d'Alsace Cookie FM Frankly Wines

I do love a good bottle of fizz, and this Wolfberger Brut Crémant d’Alsace is such a beauty. I was fortunate enough to try this last year but I will always remember it for its lively and light floral notes. It’s made with five traditional varieties of the Alsace region as well as the Chardonnay grape, that altogether give a slight apple finish. I do find this Wolfberger more elegant than the aforementioned Prosecco, and therefore with such a bubbly brut, I’ve chosen this classic Rihanna song “Diamonds”

I feel it’s the right song to sip on this sparkling wine, played extra loud, of course. I can picture myself out the back garden as dusk settles, with my best friend, chatting the night away and pouring glass after glass of this Wolfberger with a minimal cheese & cracker platter.

Nirina Plunkett

Nirina Plunkett, 29, is from Dublin and of Irish and Malagasy ethnicity and has been a blogger and website owner since she was 10 years old! Nirina’s blog Killer Fashion celebrates 10 years this year, while she started Cookie FM in 2015, a food & lifestyle blog, to explore her love for food, music and adventures even more. Nirina loves trying new recipes, dining out, tasting new cuisines, learning about wine and having delicious cocktails. If you want to drop Nirina an email about anything contact KillerFashionNP@gmail.com


The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah
Wine + Music

The Frankly Wines & Friends Wine & Music Series #5 – Penny Sadler

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –> they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

Part 5 of the Frankly Wines & Friends Wine & Music Series is in the capable hands of Penny Sadler. As the wines available in her home city of Dallas differ a fair amount to those in my home city of Dublin, I wanted to choose a nice, recognisable and widely available wine. Bollinger’s excellent Special Cuvée Non-Vintage Champagne fit the bill perfectly!

One of the albums I recently included in my all-time top 10 list is the seminal Rumours by Fleetwood Mac. It has been a favourite of mine since the early ’80s, and most people of my age from the UK will remember John McVie’s bass riff introducing Formula 1 coverage. The band’s line-up has changed frequently over their 53 year (and counting) but retained the same rhythm section. I had the pleasure of seeing them live in November 2003 and June 2019.

Just as an aside, Deep Dish (two fantastic deep house artists / DJs from Washington DC) did a “cover version” of Dreams but kept it authentic by having Stevie Nicks rerecord her vocals for their version – check it out here.

Bollinger Special Cuvée NV

Bollinger Special Cuvée NV

The wine Frankie chose for me is Bollinger Special Cuvée NV. I have to say that I wondered for a moment if Frankie had hacked my email, because at the time I was writing a newsletter and blog about sparkling wine.

Bollinger is one of the oldest and most revered champagne houses in France. All of their wines are aged twice as long as is required by the rules of the AOC. They’ve survived phylloxera, WW2, and a lot more. The Special Cuvée is made with 65% Pinot Noir grapes. I feel the dominant Pinot Noir gives the wine more depth, more layers, and more fruit forward aromatics, which I like.

The Bollinger Special Cuvée is meant to be drunk young, though you can cellar it for a few years. But, as it’s already aged for at least thirty months instead of the minimum fifteen, I say, go for it.

I had a hard time choosing between a song that was fun, energetic and bubbly, like Champagne, or a song that was a classic, just as Champagne is a classic drink, marking so many important events in our lives.

As it turns out, I got both, in the song Dancing In The Street. Originally written by Marvin Gaye and performed by Martha Reeves and the Vandellas in 1964, it’s a catchy song that reminds me of travel and good times. It’s just a fun song! It became a number one hit in the U.S and the UK, and is one of only fifty sound recordings preserved in the Library of Congress National Recording Registry. Just like the Bollinger Special Cuvée, this is a special song.

Dancing In The Street has been recorded by a number of different artists over the years. Mick Jagger and the late, great, David Bowie recorded it as a duet for Live Aid, in 1985. These two iconic singers put their own riff on the song calling out the names of places around the world––Tokyo, South America, Australia, France, Germany – challenging everyone, to dance in the street. I’m pretty sure we’re going to see a lot of that when we’re all able to travel freely again!

They’ll be dancing, dancing in the street
(Dancing in the street)
It’s an invitation across the nation, a chance for folks to meet
They’ll be laughing and singing and music swinging
Dancing in the street

Can’t you just see yourself drinking a class of Bollinger Special Cuvée and then, no matter where you are, “dancing in the street.”

Dreams by Fleetwood Mac

Fleetwood Mac, a British American pop band released the album Rumours in 1977, with four singles. One of them, Dreams, became the #1 selling single from the album and the only #1 song for the band in America. 40 years later, the album is still wildly successful and has sold over 45,000,000 copies.

Frankie asked me what kind of music I liked and though I gave him quite a few options, he picked one of my all time favorites. Dreams is a beautiful melody written and sung by Stevie Nicks. She said she wrote it in about ten minutes with just her keyboard. The song is about her breakup with band member and boyfriend Lindsey Buckingham. Nicks also said that even though they were both really pissed at each other at the time, when he heard the song, he smiled at her.

I remember listening to Rumours obsessively as my BFF and I primped and crimped ourselves for a night out. It wasn’t uncommon for us to leave a few broken hearts in our wake, which fits with the theme of the album. Not only Dreams, but every single song on the album is about relationships gone awry between the band members. It remains to this day a ’70s rock classic.

When I started thinking about what wine to pair with Dreams, I thought, well, what was I drinking in 1977. Wine wasn’t a big thing in my life in those days, and frankly (Frankie), there wasn’t much available that fit the budget of a high school girl. However, instead of taking a different approach to the wine pairing, I stuck with the period theme. I recall the only wine we drank was Soave, a light, Italian white wine. Aptly, as an adult I’ve become a frequent traveler to Italy and lover of great Italian wine. But in high school I was drinking the cheap stuff, by Bolla.

bolla soave classico

I wouldn’t call Bolla Soave a great Italian wine, but it has stood the test of time; for only 10 dollars a bottle it is quaffable. But, no, I haven’t had it since 1978.

Penny Sadler

Penny Sadler is a travel and wine writer and student of the Wine and Spirits Education Trust, an internationally recognized certification and credential in wine and spirits.

Penny has traveled extensively to some of the world’s most interesting wine regions. She’s picked grapes in Barolo and Emilia Romagna, visited a 2000 year old wine cave in France, and led winery tours in Napa Valley.

A native Dallasite, Penny spent a year in Napa Valley learning the ins and outs of the wine tourism industry. She writes creative content for the travel and hospitality trade as well as assisting others with travel planning and hosting wine tastings. You can keep in touch with Penny via her website, Adventures of a Carry-on, a travel and lifestyle blog. Or follow her on Instagram @Adventureofacarryon or Twitter @PennySadler


The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah
Wine + Music

The Frankly Wines & Friends Wine & Music Series #4 – Jim Dunlop

In these unusual times, we all need a lift from time to time.  As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –>  they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!)  Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

The fourth part in this series is in the capable hands of Jim Dunlop, a canny Scotsman who loves wine but doesn’t take it too seriously.  The wine I chose for him was a New Zealand Chardonnay that I love (and have recommended many times in these pages) and that he had enjoyed on a recent trip to New Zealand: Man O’War’s Valhalla Chardonnay.

The song I chose for Jim was one that holds a dear place in my heart due to hearing it played many times on family holidays when I was young: The Long And Winding Road by The Beatles.  It’s only in the last decade that I’ve learned that Paul McCartney hated the additional strings and choir added by Phil Spector – and even cited it as a reason for leaving The Beatles.  However, it remains my favourite version and – in my opinion – one of the best songs ever made by the Fab Four.

Man O’ War Valhalla Chardonnay

When Frankie asked me to put music to wine and wine to music, it seemed a good thing as usually our preference is open a bottle and have memories of the area it has come from.

Man-O_War-Valhalla-Chardonnay

The wine I know is one of Frankie’s favourites and we would not have tasted it had he not mentioned while on our recent (non wine holiday) circumnavigation to visit Waiheke island while stopping over in Auckland. We will ever be grateful for that tip as Waiheke is a rather special island and it was there at lunch we selected Valhalla from Man O’ War winery. The winery is located in a distant spot on the island and we did not have time to visit it. This is probably the finest example of Chardonnay we have ever tasted but there again maybe the view out to sea and the sunshine helped a lot. Frankie has assured me that in wet grey Dublin it is still a magical wine.

So I had many songs to choose from but in the end I came down for Sing a Song of Love to me by Chris Rea.

https://www.youtube.com/watch?v=-Zop885RABk

The second verse is just right for this Chardonnay:

Cause if you sing a song of love to me

I will always find a smile

That will warm my cold cold heart

Just for a while

The Beatles – The Long And Winding Road

The song Frankie selected was The Long and winding Road

Here it was easy to make a choice for it is truly a long and very winding road to get to the winery from any direction, coming from the north taking the Spluga Pass from near the source of the Rhine over into to Italy and down to Valchiavenna there to find the glorious Nebbiolo of Valtellina.

spluga
Credit: Jim Dunlop

If you come at it from the east then you have the even more amazing Stelvio Pass. Both are squeaky bottom drives but most enjoyable. There are so many fine wines in this area but I have to make it one from our friend Mamete Prevostini and his wonderful Valtellina Superiore Riserva.

WP_20180907_13_54_09_Pro (2)
Credit: Jim Dunlop

Words fail me on this beauty which should be given time to sleep and not many have heard me propose that about wine.

mamete prevostini riserva valtellina superiore
Credit: Mamete Prevostini

Jim Dunlop

Jim is retired from a life involved with printing presses and packaging. He now enjoys the beauty of the world in “travels with Julia”, groundwork for a possible travel blog (that might happen if he ever gets round to it). Pre-COVID19 he seemed to be away on holiday more than at home, and even “non-wine” trips involved wine. Jim has semi-professional tasting experience in the wines of Northern Italy, Germany, New Zealand and the Canaries which he often shares on his Twitter and Instagram accounts.


The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah
Wine + Music

The Frankly Wines & Friends Wine & Music Series #3 – Avril Kirrane McMorrough

In these unusual times, we all need a lift from time to time.  As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –>  they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!)  Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

For the third installment in this series we are back to Dublin with the well-travelled Avril Kirrane McMorrough (see her bio below). For Avril’s wine there was an obvious choice – the Joseph Cattin Riesling Reserve that I recently wrote about myself and which Avril mentioned she is a fan of.

The track I selected for Avril is one of my favourites: “Don’t Know Why” from Norah Jones‘s debut album Come Away With Me.  I could ramble on about this song for ages with its understated elegance, but really all I need to do is show the chorus lyrics:

My heart is drenched in wine

But you’ll be on my mind

Forever

Joseph Cattin Riesling Reserve

Joseph Cattin Alsace Riesling

Riesling is arguably one of the world’s finest white wine grape variety. It can produce a range of styles to suit every palate ranging from light and floral to dry and spicy, rich and fruity or absolutely bone dry. It is also a wine with amazing cellaring potential. The North Eastern French region of Alsace produces some of the world’s best aromatic wines.

The Cattin family of Swiss descent have a long history in the Alsace, dating back to 1720. With knowledge and experience that has been passed down through the generations, the family now own 60 hectares of vines around Voegtlinshoffen, 10 kms South of the Alsatian wine capital of Colmar. Joseph Cattin became renowned for his pioneering work in grafting and is widely credited for saving some of Alsace’s best vineyards from Phylloxera.

Joseph Cattin Riesling Reserve fits into the dry, minerally, floral with lots of citrus lemon and lime category. On the palate there are expressions of apple and peach with a vibrant acidity and a long finish.

Our sense of taste, smell, hearing and sight can lead one to a magical memory that especially in these times can seem like a very long time ago. This Riesling reminds me of days spent in balmy summer evenings, out in the open air, carefree and laughing with loved ones while cooking seafood over an open fire. The liveliness of this wine is a perfect accompaniment not only to the food but to a happy atmosphere.

The track I have chosen “Time of the season” by The Zombies, with its psychedelic keyboard and vague jazzy feeling summons those exact joyful and warm memories. Its heady ambiance would make you get up, glass of Riesling in hand and boogie your way around that open fire. Both bring a sense of carefree gaiety, they are my perfect music/wine duet.

Norah Jones – Don’t Know Why

“Don’t Know Why” was recorded in one take in October 2000 for it was deemed good enough. The producer used the original demo as the final vocal take and added guitars and vocal harmonies to make it sound as if Jones was harmonizing with herself.  I have chosen to pair this song with Domaine Les Yeuses Syrah ‘Les Epices’.

Located in Mèze in the Languedoc region of France, between the Mediterranean and the Etang de Thau, Domaine Les Yeuses was built in the 13th century by the Templars at the site of an ancient Roman villa. The estate gets its name from a forest of evergreen oak trees (‘Yeuses’ in the local dialect). Today they have nearly disappeared, replaced by a path of olive trees. The estate has been in the Dardé family for more than 30 years. Jean Paul and Michel, brothers, share the vineyard and winemaking responsibilities. Their winery is continually recognised for its wide range of varietal wines; indeed, the geography of their vineyard gives their wines a lively acidity and distinctive profile.

Domaine Les Yeuses Syrah Les Epices

Their Syrah ‘Les Epices’ has been compared by some critics to a young Crozes-Hermitage, so value for money is achieved with this wine. A luscious dark garnet colour with purple hues, Les Epices is round and harmonious with an elegant softness. Hints of spice and notes of ripe black fruits, cherries and sweet liquorice and toffee lends itself to a velvety, sensual feeling in the mouth.

Elegant, soft ,round and structured can describe both wine and song. My perfect wine & song pairing.

Avril Kirrane McMorrough

Avril is the business development manager and in house sommelier for Boutique Wines and is WEST 3 qualified. Having previously gained 20 years experience working in the restaurant business, most notably St John (London) and The Vintage Kitchen (Dublin), she provides a unique understanding of people’s needs with an emphasis on customer service and thrives on guiding people through their wine selections. Contact avril@boutiquewines.ie for more information.


The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah
Wine + Music

The Frankly Wines & Friends Wine & Music Series #2 – Tim of Soliciting Flavours

In these unusual times, we all need a lift from time to time.  As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –>  they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!)  Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

For our seconding outing into the world of wine and music matching I am delighted to present the musings of Tim from Soliciting Flavours.  I don’t know what it is about his writing style but I could enjoy reading his review of the opening of a door or a glass of water. 

With my suggestions to people in this series I have tried to be kind rather than obscure – after all, they are doing me a massive favour by writing for me – so I picked a Spanish wine for Tim as he is such a hispanophile.  What I didn’t specify was the vintage; I’ve only tasted the most recent release (2005 I believe) available in Ireland but Tim has gone back much further!

As Tim professed to be somewhat old-fashioned in his musical taste I picked something orchestral for him, a piece which I know best from the film Platoon.  Another interesting take is William Orbit’s version taken from his album “Pieces in a Modern Style” or the dancey-trancy Ferry Corsten remix which – I’d imagine – features on many a gym bunny’s playlist.


“When I was asked by Frankie to participate in this exercise, I was rather daunted. My musical taste is somewhat dated, with nothing remotely contemporary on my quite small “what I listen to” list. Would I recognise the piece of music and what on earth would I pair music wise with the wine Frankie chose? Would I end up pairing a Breaky Bottom wine with the Cheeky Girl’s ” Touch my bum” 😱?

As it happened both the music piece and the wine came to me pretty much instantly on receiving my instructions from Frankie.

Viña Tondonia Blanco

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Viña Tondonia Blanco is certainly a unique wine. Made by arch traditionalist R. Lopez de Heredia, whose cellars are thick with mould and cobwebs, it has a glorious golden hue and the gran reservas can age for probably as long as the sun shines. To my mind never has the quote from Galileo (who knew a thing or two) that “wine is sunlight held together by water” been more apt for a wine.

The piece I have paired with this wine is Golden Brown by the Stranglers. It is a quirky number with a quite oldie worldie feel to it (like Tondonia) from the liberal use by David Greenfield (RIP) of the harpsichord. I saw someone refer to it as a song that could be a hit in 1981 and 1681. Timeless like Tondonia.

It is a song about passion (for a girl and heroin – not a missing “e” there I am afraid) and once I acquired a taste for Vina Tondonia Blanco it became a wine I am quite passionate about.

The first verse goes as follows:

“Golden brown, texture like sun

Lays me down, with my mind she runs

Throughout the night, no need to fight

Never a frown with golden brown.”

This verse sums up Vina Tondonia Blanco to me, a wine that looks like bottled sunlight, that can be laid down for eons. Not one to fight its golden embrace, it is a wine never brings a frown to my face (other than, perhaps, when I had to pay the bill for the 1991 Gran Reservas of it I have in the wine room).

Samuel Barber’s Adagio for Strings

In terms of the piece of music Frankie chose for me, Adagio for Strings is hauntingly beautiful piece. It builds layer upon layer with multiple climaxes before gently fading to an end. It is a piece that has been described by a critic as “…something as perfect in mass and detail as his craftsmanship permits”.

This is how I feel about Bodegas Muga’s Prado Enea. I love Rioja and out of all Riojas I probably love Prado Enea the most. At a tasting earlier this year lead by Jorge Muga, which included Prados from 1985 to 2011 (as well as various Torre Muga and Aro wines), the 2001 Prado was the star of the show.

Screenshot_20200506-155405_Chrome

It is a magical wine that makes me thank the gods/the randomness of the universe for placing geniuses amongst us and giving them the tools to make such great wine. Beautifully elegant, with primary, secondary and tertiary notes of dark fruit, spice, cigar box, tobacco, dried meat and citrus in the mix. Gloriously complex on the nose and the palate.

It had great length, lingering and developing on the palate for an age, with multiple climaxes of flavour, before slowly fading into the night.

Drinking this wine whilst listen to Adagio for Strings seems perfect to me.

Soliciting Flavours

Tim is a food and wine obsessed Cardiff based lawyer, with a particular passion for Spanish food and wine, who blogs under the pseudonym “Soliciting Flavours“. Catch him on Twitter and Instagram.”


The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah
Wine + Music

The Frankly Wines & Friends Wine & Music Series #1 – Sinéad Smyth

In these unusual times, we all need a lift from time to time.  As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –>  they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!)  Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

Kicking off the series is Sinéad Smyth, a fellow Dubliner (see her bio below).  For Sinéad’s wine I chose Mullineux Syrah from South Africa; this was one of the highlights of the Mullineux tasting I attended at the South African Embassy in Dublin last year with Kinnegar Wines, and it also showed very well at the DNS Wine Club South African tasting.

The track I chose for Sinéad was the French club hit “Music Sounds Better With You” by Stardust, an offshoot of Daft Punk.  I loved this song when it came out and it remains one of the songs which will call me onto the dancefloor, no questions asked!.

Mullineux Syrah

Mullineux Range Syrah

Hailing from Swartland just an hour away from Cape Town, Mullineux Syrah is a multi award-winning wine. Located in the Western Cape of South Africa, Swartland is renowned for its Syrah & Chenin Blanc. Winemaker Andrea Mullineux was awarded Wine Enthusiast’s International Wine Maker of the Year in 2016. Mullineux Syrah gives a true expression of the terroir of the area; Schist, Shale, Granite, Quartz & Iron soils make up the vineyards. Their approach to winemaking involves minimal intervention, with only minimal amounts of sulphur added in the cellar. Mullineux wines are unfined and unfiltered, which I think is a little like jazz music. Sometimes it can be a little bit underappreciated which is why I choose Baby I’m a Fool by Melody Gardot to pair with this wine.

It’s a smooth jazz number that at first listen, sounds like a simple refined tune, but if you listen back you’ll hear layers upon layers of individual elements that combine to make one easy listening song.

This silky Syrah is elegance defined. Half its grapes have been whole bunch fermented, giving it a strong backbone of tannins. Open an hour before you drink and allow this supple wine to open up fully, and while you do let yourself listen back to Melody Gardot’s mellow voice envelope your mind. Mullineux Syrah is a wine to be savoured, it’s a special wine that deserves your full attention, so I think this song is the perfect match!

The song begins with the most wonderful arrangement of strings, with soft notes gently rising and falling until a brief pause before a solo guitar plays, gently plucking its strings as the singer’s raspy voice joins.

Andrea Mullineux said she believes Syrah expresses the site on which it’s grown unlike any other variety, and that’s exactly what good jazz does. It makes you feel the emotions of the music. So uncork that bottle and pop on your favourite records.

Stardust – Music Sounds Better With You

When this song was released I was just 8 years old! I remember hearing it on the radio and throughout my house as my 3 older brothers made mix tapes (remember mix tapes? Waiting for your favourite song to come on the radio and the race to press record!). Every time I hear this song it makes me want to dance. The heavy beat of the drum and the repeating upstrokes on the guitar, it’s almost impossible not to bob your head or tap your feet along to the music.

To pair with this dancey, upbeat tune I thought of a tipple that would be perfect for parties and is a crowd-pleaser. Something that you can easily sip and raise a glass with while boogying down on the dance floor. I’ve chosen Casa di Malia Prosecco DOC from Boutique Wines. Produced in the Botter Winery (close to Venice) the grapes for their wines come from Tenuta Divici which is a collection of family-owned vineyards (all certified organic), on the hills around the area of Treviso.

Botter Prosecco

It’s crisp and full of refreshing citrus flavours of lemon zest and crisp green apple on the nose. Made with 100% Glera grapes this wine is organic with an ABV of 11% – so you won’t trip over your dancing shoes anytime soon.

While it would be nice with light appetisers or shellfish I think it’s the perfect aperitif. It’s light, fresh and well balanced. I also love the easy to reseal closure on the bottle, plus the label is absolutely beautiful.

Sinéad Smyth

Sinéad is a freelance food & travel writer from Dublin. With a BA in Culinary Arts and a Wine Spirit Education Trust Level 2 qualification this girl knows her food and wine. When she’s not feasting she’s exploring the world, seeking out the next great adventure. She has travelled extensively throughout Europe and even further afield to China and the Caribbean. You can find delicious food and travel inspiration on her site over at glamorousglobetrotting.com. You can also follow Sinéad’s adventures on Instagram and Twitter.


The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah