Opinion

Producer Profile: Liberator Wines

Liberator Wines is the brainchild of Englishman Richard Kelley under his alter ego Rick. After I was kindly sent a couple of bottles to try by Irish distributor Boutique Wines I was interested in finding out more about the operation.

Much of the detail below is sourced from an interview he did with my friend Lee Isaacs aka WineMan147 – you can watch the whole thing on his website Freestyle Wines.

Richard Kelley MW

Richard Kelley MW
Rick the Chenin Evangelist (source: Liberator Wines Twitter)

 

If you were to choose a hypothetical background for a Master of Wine, you probably wouldn’t dream that he or she came from a family of teetotallers. However, for Richard Kelley MW that was precisely the case – his parents didn’t drink at all. Leaving school at 16 might not be expected either, but the following nine years he spent as a chef makes perfect sense; food is often a gateway to wine.

Fast forward to the end of Kelley’s MW studies and his thesis was on the importance of temperature control in red wine making in the Old World versus the New World, with South Africa used as the New World example.  Two weeks after finishing his MW course he moved to South Africa to live and work, initially for a six month contract which ended up lasting seven years. He even met his expat Welsh wife in the Republic. He built up a fantastic network of contacts down there and of course receives respect from his MW qualification.

Liberator Wines

The premise of Liberator Wines is that some talented winemakers have a special wine in their cellar but don’t know what to do with it. The wine could be in barrel, tank, or bottle, labelled or not labelled. Kelley terms them “vinous orphans looking for a home”, and rather than being blended away or sold as bulk wine they are allowed to shine. The producer gets a better price and the consumer gets a good wine at a good price. 

Each wine – or “episode” – gets a different label which reflects the story behind it. After all, as Kelley notes, consumers respond to storytelling, not pH levels. In this regard I think there are strong parallels with Pieter H Walser’s BlankBottle wines (though of course they are all vinified and matured in house).

The wines are sourced from some of the best winemakers in the country – Eden Sadie and André van Rensburg are given as examples – though their identity is sometimes kept off the label. Quantities also differ for each episode, ranging from a single barrel (30 cases) up to 1,600 cases. The sources, styles, varieties and price points can all vary, but the wines will always be under the Liberator label and be from South Africa. 

It took five years to get to Episode No. 5, but the pace has since picked up considerably. Kelley now has winemakers contacting him (“we have something you might be interested in”) rather than him having to hunt for everything.

Below are my notes on two Episodes I tried earlier this year:

Liberator Wines Episode 29 Chenin No. 5 2019

The Liberator Episode 29 Chenin No 5 Chenin Blanc

As the fifth Chenin Blanc release, the name Chenin No. 5 came easily, of course riffing on the name of Coco Chanel’s iconic perfume. The source of this wine is a closely guarded secret (“a very good address”), and given how good it is that’s no surprise. This is classic South African Chenin, true to its variety and location. The nose shows a combination of fresh and baked apples with a hint of honey. The orchard theme continues onto the palate where stone fruits such as peaches also shine. There’s great texture here – this would make a superb and versatile food wine – with fresh acidity that cuts through the fruit and honey sweetness. The finish is dry but not austere.

Interestingly this is one of the Liberator wines chosen for release as “Rick in a Tin” – great for picnics and a midweek sip.

Liberator Wines Episode 24: Four and Twenty Blackbirds

The Liberator Episode 24 Four and Twenty Blackbirds

If you tilt your head sideways you will notice the French term “Le Merle Noir” – meaning blackbird – after which the black skinned Merlot grape is supposedly named. This being the 24th Episode, the third line of the nursery rhyme “Sing a Song of Sixpence” sprang to mind:

Sing a song of sixpence,
A pocket full of rye.
Four and twenty blackbirds,
Baked in a pie.

This is a 100% Merlot which, to my great surprise, was harvested over 12 years ago; the vintage is written on the back label but not the front. Opening the wine reveals a Nederburg stamp on the cork, so the origins of this wine are very much not a secret.

The wine pours almost an opaque black, with only faint hints as to its age at the rim; if you know the age you might spot the reddy-brown rim it but it doesn’t pop out to the unknowing eye. The nose has intense aromas of plum, blackberry, blackcurrant and vanilla – really enticing. The palate showcases all these notes on the tongue, with a touch of leather and perhaps a slight hint of volatile acidity. The tannins are present yet supple and there’s enough acidity to keep the fruit from running away with itself.

In style I would liked this wine to a top-notch Saint-Emilion satellite village wine – perhaps a touch more extraction than is common from the vast majority of wines from Saint-Emilion proper but arguably better balanced than some of those wines are nowadays. This was an excellent, tasty drop.

Conclusion

Too often these days there is often a choice between well-marketed but lower quality wines on one hand versus well-made but obscure wines on the other. Liberator Wines does both things well; the story of the company is interesting, the labels and wine names are original and the wines themselves are excellent. The two wines tasted are both great value, tasty wines…of the two it’s the Blackbird which really excels.

 

Make Mine A Double

Big and Bold from Boutique [Make Mine a Double #69]

On this 69th installment of Make Mine a Double (the favourite installment of Bill S. Preston Esq. and Ted “Theodore” Logan of course1) we look at two big and bold reds from Boutique Wines, a small wine importer based in Dublin.  One is from South West France made (primarily) with a grape that has found fame in Argentina: Malbec.  Outside of south western France, Malbec is used in the Loire and as a minor blending grape in Bordeaux (though its ability to thrive in warmer weather is likely to see its importance there rise again.)

Another Bordeaux blending grape that has found success in Argentina, though on a much smaller scale, is Petit Verdot.  The Bordelais use it as a seasoning grape, adding a dash of colour and tannin when 5% or so is added into a blend.  The second wine below is 100% Petit Verdot but from a different warm, Spanish speaking country – Spain itself!

Disclosure: the Cahors was a sample but opinions remain my own (the Petit Verdot was an unrelated gift2)

Château Nozières Ambroise de l’Her Cahors Malbec 2016

Château Nozières owns 55 hectares in total spread close to its home in Vire-sur-Lot.  They are on a continuous journey to understand the nuances of each site.  For this “Ambroise de l’Her” the fruit is selected from older parcels of Malbec (90%) and Merlot (10%) grown on clay / limestone terraces of the Lot River.  Yields are kept at 40 hl/ha and canopy management is by hand.  Harvesting is by a combination of machine and hand followed by fermentation in temperature controlled vats over three weeks.  MLF takes place in the same vats followed by maturation in used (between one and five years) oak barrels for 12 to 14 months.

Whether it’s climate change or the rise of Argentine Malbec that has a bigger influence on Cahors is unclear, but their effects are reflected in this ripe, fruit driven bottle from Château Nozières.  Although ripe and full-bodied, it’s not at all jammy as tannins keep exuberance in check.  The balance is enough for it to be quaffed on its own, enjoying the sweet black fruits, but it also works superbly with hearty winter food.

  • ABV: 14.5%
  • RRP: €16.95 (down from €21.00)
  • Stockists: Boutique Wines, Barnhill stores Killaney/Dalkey; Mortons, Ranalagh; Listons, Camden street; The Wine House Trim; Emilie’s, Glenbeigh Co. Kerry; Pat Fitzgerald’s (Centra), Dingle Co. Kerry; Grape and Bean, Portlaois; The Wine Pair, Clanbrassil Street; Blackrock Cellars; Gleeson’s, Booterstown Ave

Bodegas Señorio de Iniesta “Colección 34”  La Tierra de Castilla Petit Verdot 2018

Bodega Iniesta is a relatively new venture – very new in Spanish terms! – as the winery was only built in 2010.  Located an hour an a half’s drive west of Valencia, the Bodega has in excess of 300 hectares of vines, including both Spanish and international varieties.  They make a wide range of styles and quality levels – and even offer olive oil.  Petit Verdot is an unusual variety to plant, but I’m glad they did because it really works!

In the glass it pours a dark red with a purple rim.  On the nose it shows an array of ripe black fruit: blackberries, blueberries and blackcurrant, but with delightful violet aromas floating over the top.  These notes all continue onto the velvety palate with vanilla also appearing.  Pleasant, slightly drying tannins integrate well into the long finish.  Although it’s not sweet like a dessert, for me this wine evokes blackberry crumble with vanilla custard – just delicious!

  • ABV: 14.5%
  • RRP: €14.95
  • Stockists: Boutique Wines, Barnhill stores Killaney/Dalkey; Mortons, Ranalagh; Listons, Camden street; The Wine House Trim; Emilie’s, Glenbeigh Co. Kerry; Pat Fitzgerald’s (Centra), Dingle Co. Kerry; Grape and Bean, Portlaois; The Wine Pair, Clanbrassil Street; Blackrock Cellars; Gleeson’s, Booterstown Ave

Conclusion

These are both well-made wines – at any price point.  When the prices are taken into account then they offer remarkable value for money.  I’d be very happy with either wine but the Petit Verdot is outrageously good for €15 in Ireland, so that would be my pick of the two.

 

1 Bill S. Preston Esq. and Ted “Theodore” Logan are – of course – known better as just Bill and Ted

2 Thanks Sinéad!


 

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Make Mine A Double

Domaine Les Yeuses [Make Mine a Double #64]

Domaine Les Yeuses is located in the heart of Picpoul de Pinet country, only eight minutes drive from the village of Pinet itself.  Lying between the coast and the Mediterranean heartland gives it plenty of sun but not too much heat.  It was the Knights Templar who constructed the Domaine on the site of an old Roman villa, though the buildings were put to several different uses over the centuries.  The name comes from a forest of evergreen oaks, “les yeuses” in French (not to be confused with “les yeux” which means eyes).

The Domaine and its wines are nowadays in the hands of the Dardé family, with brothers Jean-Paul and Michel Dardé looking after both viticulture and winemaking, plus JP’s son Sylvain and Michel’s daughter Magali also on board.  Land under vine extends to over 80 hectares, mainly on limestone.

The Domaine makes a wide range of wines:

  • Whites: Chardonnay, Viognier, Sauvignon, Vermentino, Muscat à Petits Grains, Ô d’Yeuses (Viognier/Chardonnay blend), Délicieuse (Colombard/Viognier blend)
  • Rosés: Ô d’Yeuses (Syrah/Grenache/Cinsault blend), Délicieuse (Grenache), Cuvée la Gazelle (Grenache/Syrah blend), Rosé Muscaté (Muscat Hamburg), Cinsault
  • Reds: Ô d’Yeuses (Marselan/Cabernet Franc blend), L’allée d’Oliviers (Merlot/Syrah/Cabernet Franc blend), Syrah Les Epices, Grenache Les Fruits Mûrs, La Soure (Merlot/Syrah blend), Carignan, Délicieuse (Merlot/Syrah/Cabernet Franc blend), La petite Syrah, Le petit Merlot

Here are two Les Yeuses reds that I tried and enjoyed recently:

Disclosure: both bottles were kindly provided as samples, opinions remain my own

Domaine Les Yeuses Pays d’Oc Merlot Réserve 2017

One of the things I noticed when researching this piece is that the Merlot Réserve does not feature on Les Yeuses’ website – whether it is a new or recently discontinued wine, or just an oversight, I do not know.  However, as it costs slightly more than the Syrah below – a variety which is usually regarded as more prestigious – it merits our consideration.  In fact, there is a Merlot varietal on the Domaine’s website but it is their “Petit Merlot” which (to me at least) signifies younger vines and a simpler wine.  This Réserve is therefore from older vines and is kept a little longer before release.

On the nose there are ripe red and black fruits, but also a strong graphite tang – which is often present in Cabernet Sauvignon and / or vines planted on gravel, but obviously neither of these are true for this wine.  These notes continue onto the super-smooth palate with hints of leather.  Fine tannins add structure and make this a well-rounded wine.

  • ABV: 13.5%
  • RRP: €16.95
  • Stockists: Boutique Wines; Barnhill stores Killaney/Dalkey; Mortons, Ranalagh; Listons, Camden street; The Wine House Trim; Emilie’s, Glenbeigh Co. Kerry; Pat Fitzgerald’s (Centra), Dingle Co. Kerry; Grape and Bean, Portlaois; The Wine Pair, Clanbrassil Street; Blackrock Cellars; Gleeson’s, Booterstown Ave

Domaine Les Yeuses Pays d’Oc Syrah “Les Epices” 2017

The eagle-eyed among you may well have noticed that this post is not the first appearance of this wine on my blog; however, as it was the delightful Avril Kirrane McMorrough who wrote that piece I can legitimately say I’m not repeating myself.  Les Epices is a selection from the Domaine’s oldest and lowest yielding Syrah parcels.

The nose is pure Syrah – spicy, red and black fruit, pepper and black olive, (parma) violets.  The palate has more red fruit than I expected from the nose – the coastal breezes keeping the wine fresh, but without the outright savouriness of the northern Rhône.  There’s a definite softness to this wine, without the jammy fruit of new world Shiraz; it’s eminently drinkable, yet doesn’t overwhelm your palate so much that you’ll hesitate at a second (or third!) glass.

  • ABV: 13.5%
  • RRP: €15.95
  • Stockists: Boutique Wines; Barnhill stores Killaney/Dalkey; Mortons, Ranalagh; Listons, Camden street; The Wine House Trim; Emilie’s, Glenbeigh Co. Kerry; Pat Fitzgerald’s (Centra), Dingle Co. Kerry; Grape and Bean, Portlaois; The Wine Pair, Clanbrassil Street; Blackrock Cellars; Gleeson’s, Booterstown Ave; Nectar Wines, Sandyford

**Click here to see more posts in the Make Mine a Double Series**

Make Mine A Double

Kiss From a Rosé [Make Mine a Double #63]

Wine drinkers’ thirst for rosé appears to be boundless, with pink wines from all major wine producing nations experiencing growth.  In French supermarkets there are far more rosé wines than whites on the shelves, and rosé is even the category driving growth in Champagne.

The increase in rosé volume has also been accompanied by an increase in the number of premium rosés on the market.  Some are made with a firm eye on quality, some are marketing-led trendy wines with celebrity producers getting in on the game.  Provence rosé is the most fashionable style at present: pale in colour, lightly fruity and dry, with mineral and / or herbal notes.  Producers from other areas are emulating this style; of course they can’t call it “Provence rosé” but they can mention it is similar in style.

I’m a rosé skeptic; I’m very hard to please when it comes to rosé and I am suspicious of wines with a hefty advertising budget behind them.  There are two styles I have found myself enjoying in the past:

  1. simple, fruit forward (though still dry) rosés, especially Pinot Noir rosés
  2. serious styles which are made to age and come close to a light red, such as Bandol’s Domaine Tempier.

Among many that I’ve been luck to try recently, two in particular stood out for me.  One is from Provence and the home of the very trendy Whispering Angel – Château d’Esclans – and the other is from further west in the Languedoc, south west of Monpellier.  Below is a map showing their respective locations on the French coast.

Morin-Langaran and Château d’Esclans in the South Of France: Languedoc to the left and Provence to the right (Source: Google Maps)

Disclosure: both bottles were kindly given as samples, opinions remain my own

Domaine Morin-Langaran IGP Pays d’Oc Rosé Prestige 2018

Domaine Morin-Langaran is in Picpoul de Pinet country, right by the Étang de Thau between Béziers and Montpelier.  In fact, the vineyard’s borders are entirely within the Picpoul de Pinet AOC limits, with 36 hectares of the total 58 being planted to white grapes and the remaining 22 black.  The vineyard was created right back in 1330 by a religious order who eventually lost it during the wars of religion.  After changing hands several times over the centuries, it was bought by the Morin family in 1966.  They themselves had been making wine down the generations since 1830.

The vines for the Rosé Prestige are mainly Syrah plus a few Cinsault, all on limestone-clay soils.  Harvesting takes place in the cool of night and the must is cold-settled after pressing.  Bâtonnage is used to add creaminess and body to the wine without the need for excessive extraction in the press.

On pouring, the wine is a little darker than the ultra pale rosés which are so en vogue at the moment, but all the better for it. The nose shows strawberry and redcurrant plus some brioche notes from the bâtonnage.  The palate is full of sweet red fruits, but finishes crisp and clean.  This is an unpretentious wine which goes down well on its own or perhaps with lightly spiced food.

  • ABV: 12.0%
  • RRP: €14.95
  • Stockists: Boutique Wines; Barnhill stores Killaney/Dalkey; Mortons, Ranalagh; Listons, Camden street; The Wine House Trim; Emilie’s, Glenbeigh Co. Kerry; Pat Fitzgerald’s (Centra), Dingle Co. Kerry; Grape and Bean, Portlaois; The Wine Pair, Clanbrassil Street; Blackrock Cellars; Gleeson’s, Booterstown Ave

Château d’Esclans Rock Angel Côtes de Provence 2018 

Sacha Lichine was born into Bordeaux royalty – his family owned the Margaux Châteaux Prieuré Lichine and Lascombes – but also became an entrepreneur in the USA where he studied at university.  His big move into rosé was the purchase of Château d’Esclans in 2006, which he transformed with the help of the late Patrick Léon (a consultant winemaker and formerly the Technical Director of Mouton Rothschild).

By pricing its top wine “Garrus”at £60 in 2008, Château d’Esclans essentially created the super-premium rosé category – and prices have obviously risen since then.  From the top down, the range is:

  • Château d’Esclans Garrus
  • Château d’Esclans Les Clans
  • Château d’Esclans (ROI RRP €45)
  • Caves d’Esclans Rock Angel (ROI RRP €40)
  • Caves d’Esclans Whispering Angel (ROI RRP €25)

My presumption is that the Caves wines are from bought in fruit whereas the Château bottlings are from estate grapes.

Over the past decade Whispering Angel has become one of the trendiest rosés around, one that some people are very happy to flash in front of their friends: wine as a luxury or fashion statement.  A change of gear kicked in from the late 2019 acquisition of a 55% stake in Château d’Esclans by Moët Hennessy – part of LVMH, one of the leading luxury groups in the world (and with some amazing wines in their portfolio).

But enough about the image, what about the wine?  The 2018 Rock Angel is a blend of 85% Grenache and 15% Rolle (the local name for Vermentino).  The vines are 20 to 25 years old and are planted on clay and limestone soils.  Vinification and maturation take place in stainless steel (60%) and 600 litre French oak demi-muids, with bâtonnage of both formats then blending before bottling.

This is a very pale rosé, so the juice has had very little contact with the skins.  The nose has soft red fruits, flowers and spicy vanilla from the oak.  Red fruit comes to the fore on the palate, which is rich yet racy; fresh acidity is paired with mineral notes and even a kiss of tannin on the finish.  This is a serious, grown-up wine that belongs more at the table than on its own.

  • ABV: 13.5%
  • RRP: €40
  • Stockists: The Corkscrew, Chatham Street; Morton’s; The Wine Centre, Kilkenny; Eldons, Clonmel; Dicey Reillys, Donegal; Baggot Street Wines

Conclusion

There’s obviously a huge price difference between these two rosés, and this is after the price reductions brought on by the LVMH purchase and change in distribution.  I find both of them have more character than the junior Whispering Angel, which is around half way between the two prices.  The Domaine Morin-Langaran is excellent value for money so I heartily recommend it.  The Rock Angel isn’t quite as good value – premium wine rarely is – but it exceeded my expectations so I think it’s definitely worth splashing out on if you’re a rosé fan.

 

**Click here to see more posts in the Make Mine a Double Series**

Make Mine A Double

Puglia in your Pocket [Make Mine a Double #59]

Puglia Map

Like many European wine regions, Puglia has several different quality levels which overlap when shown on a map.  In general, the lower quality regions (IGP in the map above) are the largest in area and the highest quality regions are the smallest (DOCG).

In a recent post on Puglian wines I reviewed two red wines which were quite rich and even a little sweetness, so perfect for barbecues.  They were both IGT wines from Salento; now we have two DOC wines which are still fruity a little more serious:

Disclosure: bottles were kindly provided as samples, but opinions remain my own

Marchese di Borgosole Salice Salentino Riserva 2016

Marchese-di-Borgasole

The grapes for this wine – over 85% Negroamaro – are fully destemmed before undergoing seven to eight days maceration.  Alcoholic and malolactic fermentation take place in temperature controlled stainless steel tanks, with 24 months maturation mixed between tank and wooden barrels.

In the glass this wine is still dark in the body but is already a little light at the rim.  The nose has wonderful bramble fruit and exotic spice.  The palate is all about fresh morello cherry and raspberry, giving a pleasant tartness, and rich black fruits.  The body is full but not huge, and fine tannins help to give a savoury edge.

This is a lovely example of Salice Salentino, an easy drinking wine which is well put together.

Corte Ottone Brindisi Riserva 2016

Corte-Ortoni

From Salice Salentino we head slightly north to Brindisi.  Vinification is similar to its southern neighbour except that the 24 months maturation is entirely in wood.  Negroamaro is again the principal grape, backed up by Malvasia Nera and Sangiovese.

The nose has sweet – ripe, not sugary – black fruit such as blackberry and black cherry, with some hints of wild herbs.  The palate has a nervous energy to it; tart cherry and cranberry and lively raspberry plus some exotic spice and cedarwood.  The acidity is marked and thus the wine remains fresh.  This would be great with some charcuterie or tomato based dishes.

 

 

**Click here to see more posts in the Make Mine a Double Series**

Single Bottle Review

Wine Review: Tor del Colle Montepulciano d’Abruzzo Riserva

Boutique Montepulciano d’Abruzzo?

The Abruzzo region is geographically in the centre of Italy* but is considered to be part of southern Italy for cultural and historical reasons.  Grapes are grown throughout all four provinces of this hilly region: L’Aquila, Teramo, Pescara, and Chieti – with the last being the most productive, ranking as the fifth highest wine producing province in Italy.

2000px-Map_Region_of_Abruzzo.svg
Abruzzo within Italy (Credit: Gigillo83 (Wikipedia))

Trebbiano d’Abruzzo is the main white wine of the region and Montepulciano d’Abruzzo is the main red.  At this point I feel duty bound to include the standard remark that the latter is not to be confused with the Sangiovese-based Vino Nobile di Montepulciano.

Montepulciano_wine_regions_in_Italy

Under DOC regulations Montepulciano d’Abruzzo must be composed of a minimum of 85% Montepulciano with up to 15% Sangiovese for the balance.  Standard DOC wines must be aged for a minimum of 5 months prior to release with Riservas requiring 24 months, of which at least 9 months must be in wood barrels.

Although we think of Abruzzo as being the home of Montepulciano, it is in fact used throughout a large swathe of Italy from Emilia-Romagna to Puglia (see left).

It’s success is due to it being relatively easy to grow and producing high yields, yet still plenty of colour from the thin skins.  Acidity tends to be moderate and tannins are present but not too harsh.

Here’s a cracking Montepulciano d’Abruzzo which I tried recently:

Disclosure: bottle was kindly provided as a sample, opinions remain my own

Tor del Colle Montepulciano d’Abruzzo Riserva 2016

TOR_DEL_COLLE_Montepulciano_DAbruzzo_Doc_Riserva

Tor del Colle is a label used for wines from Abruzzo, Molise and Puglia, three regions along the Adriatic Coast.  The brand is owned by the Botter group who trace their origins to 1928 Venice.

Grapes were fully destemmed and macerated for 7 to 8 days before temperature-controlled alcoholic and malolactic fermentation in stainless steel tanks.  Maturation is for 12 months in barrels (size & age not given) and 12 months in steel tanks.

The wine pours a bright cherry red, though not that deep.  The nose is intensely aromatic with alpine strawberries and cherry, plus cinnamon and other spices in the background.  The palate is rich and lithe, full of red and black fruit.  It’s a soft and supple wine; tannins are present but ripe.

Due to its ubiquity and relatively low price we are used to Montepulciano d’Abruzzo as a great glugging wine – probably the first wine that springs to mind when we’re asked to suggest a wine to go with pizza.  Although it’s not expensive, this wine shows that it can be so much more than that.  It retains the fresh flavours, balanced acidity and soft tannins of an everyday Montepulciano d’Abruzzo but adds additional layers of complexity which don’t weigh it down.

This is a lip-smackingly good wine, the best value red wine I’ve had so far this year!

*Just like the Mid-West of the USA is actually in the eastern half of the country**

**No I don’t know why either, ask them!

Make Mine A Double

Puglia Pair for BBQ Season [Make Mine a Double #56]

With the current restrictions on being able to visit restaurants in many countries, eating – and drinking – at home has become the new dining out.  As we have been lucky with the weather in Ireland so far this summer the siren call of the barbecue has been heard throughout the land.

How should we choose the wines to drink with our charcoal cooked food?  For me there are a few key criteria:

  1. Drinkability: this doesn’t mean a dichotomy between wine that is either palatable enough to be drunk or wine to be poured down the sink, it means a BBQ wine should be approachable, gluggable, and not austere.
  2. Robustness: barbecue food has lots of strong flavours and needs wines that can stand up to it and take it on.  There’s little point drinking a delicate Tasmanian Pinot Noir with flame-grilled burgers or sticky ribs
  3. Affordability: barbecues are an informal affair – you’re often eating without utensils, possibly on paper plates, and quaffing multiple glasses, so reasonably priced wine makes the most sense.

Here are a couple of wines I tried recently that perfectly fit the bill – and as it happens they are both from Puglia in Italy.

Disclosure: Both bottles kindly provided as samples, opinions remain my own.

Old True Zin Barrel Aged Zinfandel Salento IGT 2018

Old-True-Zin-Organic-Zinfandel

The name and label design of this wine are more reminiscent of a beer than a wine, and using the better known term Zinfandel rather than its Puglian name Primitivo give it an American image.  Is this misleading?  Perhaps a little, but the most important aspect of any bottle of wine is the liquid, and its that which I am assessing.

The bright purple colour in the glass gives you an idea of what you’re in for.  The nose showcases an intense collection of fruits – plum, black cherry, blackberry and blackcurrant among them – plus notes of coffee and chocolate – mocha anyone – and vanilla from the barrel ageing.  The flavours on the palate are a continuation, so no surprises there, but even given the richness of the nose the full-on explosion of flavour might take you back.  It’s the richness and sweetness together which make this such a mouthful.

On reflection, if this wine suggests that it is a Californian Zinfandel then that it is fair enough as it is exactly in that style!

  • ABV: 13.5%
  • RRP: €17.95
  • Stockists: Mortons, Ranelagh; Listons Camden Street; Barnhill Stores, Dalkey; La Touche, Greystones; Gleeson’s, Booterstown; Molloys Liquor Stores; The Old Orchard Off Licence, Rathfarnham

Bacca Nera Negroamaro Primitivo Salento IGT 2018

Bacca Nera Negroamaro Primitivo

The Bacca Nera is from the same place as the Old True Zin and is the same vintage, but differs in two main respects; firstly, it has (attractive) conventional packaging with an Italian name, and secondly that Puglia’s other main grape: Negroamaro.  It’s a little less deep in colour than the Zin, but we’re not talking Pinot Noir here.

The nose is delightfully spicy at first, then revealing dark berry fruits.  In fact “Bacca Nera” means “Black Berry” according to google translate, so the name is apt.  On tasting this wine is a big mouthful – round and powerful with sweet and rich fruit – very more-ish.  The fruit flavours are both red (strawberry, raspberry and red cherry) and black (blackberry and black cherry), tamed by a touch of bitterness (that would be the Amaro) which adds interest and partially offsets the sweetness.

  • ABV: 13.5%
  • RRP: €17.95
  • Stockists: Mortons Ranelagh; Listons Camden Street; Barnhill Stores, Dalkey; La Touche, Greystones; Gleeson’s, Booterstown; Molloys Liquor Stores; The Old Orchard Off Licence, Rathfarnham

Conclusion

These wines both fit the bill perfectly.  There’s little to choose between them in quality and just a slight difference in style.  With my BBQ ribs I would narrowly choose the Bacca Nera!  Now where are my coals…

 

 

**Click here to see more posts in the Make Mine a Double Series**

Wine + Music

The Frankly Wines & Friends Wine & Music Series #1 – Sinéad Smyth

In these unusual times, we all need a lift from time to time.  As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –>  they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!)  Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

Kicking off the series is Sinéad Smyth, a fellow Dubliner (see her bio below).  For Sinéad’s wine I chose Mullineux Syrah from South Africa; this was one of the highlights of the Mullineux tasting I attended at the South African Embassy in Dublin last year with Kinnegar Wines, and it also showed very well at the DNS Wine Club South African tasting.

The track I chose for Sinéad was the French club hit “Music Sounds Better With You” by Stardust, an offshoot of Daft Punk.  I loved this song when it came out and it remains one of the songs which will call me onto the dancefloor, no questions asked!.

Mullineux Syrah

Mullineux Range Syrah

Hailing from Swartland just an hour away from Cape Town, Mullineux Syrah is a multi award-winning wine. Located in the Western Cape of South Africa, Swartland is renowned for its Syrah & Chenin Blanc. Winemaker Andrea Mullineux was awarded Wine Enthusiast’s International Wine Maker of the Year in 2016. Mullineux Syrah gives a true expression of the terroir of the area; Schist, Shale, Granite, Quartz & Iron soils make up the vineyards. Their approach to winemaking involves minimal intervention, with only minimal amounts of sulphur added in the cellar. Mullineux wines are unfined and unfiltered, which I think is a little like jazz music. Sometimes it can be a little bit underappreciated which is why I choose Baby I’m a Fool by Melody Gardot to pair with this wine.

It’s a smooth jazz number that at first listen, sounds like a simple refined tune, but if you listen back you’ll hear layers upon layers of individual elements that combine to make one easy listening song.

This silky Syrah is elegance defined. Half its grapes have been whole bunch fermented, giving it a strong backbone of tannins. Open an hour before you drink and allow this supple wine to open up fully, and while you do let yourself listen back to Melody Gardot’s mellow voice envelope your mind. Mullineux Syrah is a wine to be savoured, it’s a special wine that deserves your full attention, so I think this song is the perfect match!

The song begins with the most wonderful arrangement of strings, with soft notes gently rising and falling until a brief pause before a solo guitar plays, gently plucking its strings as the singer’s raspy voice joins.

Andrea Mullineux said she believes Syrah expresses the site on which it’s grown unlike any other variety, and that’s exactly what good jazz does. It makes you feel the emotions of the music. So uncork that bottle and pop on your favourite records.

Stardust – Music Sounds Better With You

When this song was released I was just 8 years old! I remember hearing it on the radio and throughout my house as my 3 older brothers made mix tapes (remember mix tapes? Waiting for your favourite song to come on the radio and the race to press record!). Every time I hear this song it makes me want to dance. The heavy beat of the drum and the repeating upstrokes on the guitar, it’s almost impossible not to bob your head or tap your feet along to the music.

To pair with this dancey, upbeat tune I thought of a tipple that would be perfect for parties and is a crowd-pleaser. Something that you can easily sip and raise a glass with while boogying down on the dance floor. I’ve chosen Casa di Malia Prosecco DOC from Boutique Wines. Produced in the Botter Winery (close to Venice) the grapes for their wines come from Tenuta Divici which is a collection of family-owned vineyards (all certified organic), on the hills around the area of Treviso.

Botter Prosecco

It’s crisp and full of refreshing citrus flavours of lemon zest and crisp green apple on the nose. Made with 100% Glera grapes this wine is organic with an ABV of 11% – so you won’t trip over your dancing shoes anytime soon.

While it would be nice with light appetisers or shellfish I think it’s the perfect aperitif. It’s light, fresh and well balanced. I also love the easy to reseal closure on the bottle, plus the label is absolutely beautiful.

Sinéad Smyth

Sinéad is a freelance food & travel writer from Dublin. With a BA in Culinary Arts and a Wine Spirit Education Trust Level 2 qualification this girl knows her food and wine. When she’s not feasting she’s exploring the world, seeking out the next great adventure. She has travelled extensively throughout Europe and even further afield to China and the Caribbean. You can find delicious food and travel inspiration on her site over at glamorousglobetrotting.com. You can also follow Sinéad’s adventures on Instagram and Twitter.


The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah
Single Bottle Review

Wine Review: Joseph Cattin Alsace Riesling

Even as a passionate fan of Alsace and a reasonable French speaker, I’m not confident of my ability to pronounce Voegtlinshoffen, the home village of Maison Joseph Cattin.  The firm’s origins lie at the end of the 17th century with Francois Cattin, a Swiss builder who subsequently turned winemaker in 1720.  “Depuis 1720” thus surrounds the family’s crest on their bottles.

130 years later his descendant Antoine Cattin became a full time vigneron; it was common then for grape growers to also have other crops or animals, so this was a significant step.  Antoine’s son Joseph followed in his father’s footsteps and became a major figure in Alsace wine.  The firm’s success was helped by being featured in Parisian Alsace-themed restaurant La Cigogne, run by Joseph’s brother Théodore.

Major expansion took place in the last quarter of the 20th century; holdings of 7 hectares were expanded to over 60 by Joseph’s grandsons Jacques and Jean-Marie.  Cattin is now run by Jacques Cattin junior and his wife Anaïs – the eleventh generation of the Cattin family.

Cattin AOC Alsace wines consist of:

  • 2 Rieslings (the regular Riesling below plus Lieu-dit Elsbourg
  • 2 Pinot Noirs (red and rosé)
  • Gewurztraminer
  • Muscat
  • Pinot Blanc
  • Pinot Gris
  • Sylvaner

They also make several VTs and SGNS, Crémants and other special bottlings.  Their Grand Cru holdings are all in the Hatschbourg, where they make wines from all four noble varieties.

Joseph Cattin Alsace Riesling Réserve 2016

Joseph Cattin Alsace Riesling

Although a few years on from release, this Riesling is still pale in colour, very light gold with flecks of green.  The nose combines citrus with mineral and floral notes.  The palate is crisp and fresh, full of racy lime and lemon, a hint of peach and a long mineral finish.  If this 2016 doesn’t exhibit the rapier-sharp freshness that it would have had on release, then perhaps sabre-sharp freshness, if such a term exists, is the best descriptor.  Maison Cattin suggest an ageing potential of five years, but I think this will be lovely well after that.  A delicious Alsace Riesling!

  • ABV: 12.0%
  • RS: 3.9 g/L
  • RRP: ~ €20
  • Stockists: contact Boutique Wines for availability
Make Mine A Double, Opinion, Tasting Events

Earth Angel – Domaine des Anges [Make Mine a Double #49]

An Englishman, and Irishman and a Frenchman climb up a mountain…and make some great wine!  Domaine des Anges was established on the slopes of Mont Ventoux by English couple Malcolm and Janet Swan in 1973.  At that point grapes were mainly being processed by the local cooperative, so it was a bold venture, but help and advice was surprisingly forthcoming from the famous but less-than-approachable Jacques Rayas of Châteauneuf-du-Pape.

The Swans had variable levels of success, and after 20 or so years they sold the estate to Irishman Gay McGuinness.  He increased investment and hired professional winemakers – fellow Irishman Ciaran Rooney and after a decade Florent Chave.  Quality has continually increased and Domaine des Anges has received a plethora of praise from critics and consumers.

I recently had the opportunity to taste through the Domaine des Anges range thanks to a kind invitation from Boutique Wines, their Irish representative.  The wines were presented by historian and oenophile Giles MacDonogh – a close friend of the proprietors – and whose notes I have cribbed for background information.  While I liked all the wines I tried, two in particular stood out for me: the white and red AOC Ventoux “Archange” wines:

Domaine des Anges Archange Ventoux Blanc 2016 (14.5%, RRP €21 at La Touche, Greystones; Sweeney’s D3, Fairview; Blackrock Cellar; Grape and Grain, Stillorgan; The Winehouse, Trim; Browns Vineyard, Portlaoise; Bakers Corner, Kill of the Grange; Mortons, Ranelagh)

Domaine des Anges archange Ventoux blanc

Whereas the regular Domaine des Anges Ventoux Blanc is a third each of Grenache Blanc, Roussanne and Bourboulenc, the Archange is 100% Roussanne – a grape that rarely gets the limelight all to itself.  In fact the winemaking is as much the star of the show here, with techniques very reminiscent of Burgundy.  The wine is aged in small oak barrels, giving notes of toast, toffee and vanilla.  Malolactic fermentation is blocked to preserve freshness, and regular lees stirring gives a wonderful creamy aspect.  The varietal character does come through the middle of all of this as an intriguing peachy tanginess…it’s like Burgundy but with a bit more going on.  The only downside to this wine is that it’s perhaps too good to drink every day – perhaps just save it for the weekend?

Domaine des Anges Archange Ventoux Rouge 2015 (14.5%, RRP €21 at La Touche, Greystones; Sweeney’s D3, Fairview; Blackrock Cellar; Grape and Grain, Stillorgan; The Winehouse, Trim; Browns Vineyard, Portlaoise; Bakers Corner, Kill of the Grange; Mortons, Ranelagh)

Domaine des Anges archange Ventoux rouge

Although the Rhône Méridional is known for its Grenache-based blends, in the cooler heights of Mont Ventoux Syrah can play a much bigger role.  In this blend it accounts for a full 90% with the balance being Grenache.  As the 14.5% alcohol indicates this is a powerful wine, but it does not have the sweetness of a Barossa Shiraz, for example. There’s a distinct richness, but with smoky notes, black pepper, black fruits and leather, with an altogether savoury finish.  My “go-to” Rhône appellation is Saint-Joseph with its savoury Syrahs, but this Ventoux presents a great alternative – and at a great price.

Conclusion

These two wines are an outstanding pair and really over-deliver for the price tag.  They won’t fade in a hurry, either, so it would be well-worth putting a few (dozen) down to see how they evolve over time.

 

 

And for you film buffs out there, here’s a clip from the film which inspired part of the title of this post: