Book Review

Book Review: The Wines of New Zealand by Rebecca Gibb MW

The Wines of New Zealand by Rebecca Gibb

Introduction

New Zealand is a country whose wines I like and am fairly familiar with – even encompassed by the tag line of my website (“A Wine Blog with a Focus on Fizz, Alsace and Australasia“) – so an in depth guide was always likely to garner a favourable reception chez moi.  Rebecca Gibb MW is a specialist in New Zealand wines, having lived there from 2010 to 2016 and even marrying a Kiwi.  This book was published in 2018 by Infinite Ideas as part of their Classic Wines Library series (and who kindly sent me this review copy).

My wife and I did a self-guided wine tour of New Zealand on our honeymoon in 2009 (more on which below) which is not that long ago in the grand scheme of things, but as New Zealand is still emerging as a wine producing country there are producers in this book who were established within the last decade.

Part One

A short history section gives a very welcome explanation of the NZ wine scene before the Sauvignon Blanc explosion on the 1980s. Up to that time most wine production was on the North Island, especially around Auckland and Hawke’s Bay when vines were harvested in Marlborough they had to be trucked to Hawke’s Bay for vinification.

This section also covers the impact that European immigrants have had on Kiwi wine, particularly those from the Balkans; Nobilo, Babich, Villa Maria and Kumeu River were among those founded by Dalmatian pioneers and proud of their roots.

Also covered in part one are an overview of New Zealand’s climate (cleverly called “an umbrella view”!) and the key grape varieties grown in the country. Of course Sauvignon Blanc is the most important grape grown in New Zealand, but its importance overseas is magnified as it accounts for a much larger proportion of wines exported than wine produced; there are lots of other excellent varieties made in Aotearoa which rarely make it onto the shelves up here.

Parts Two and Three

The second and third parts of the book make up the bulk of its contents and its interest, being an exposition of the  ten largest wine regions:

Part two looks at the North Island, from north to south:

  • Northland
  • Auckland
  • Gisborne
  • Hawke’s Bay
  • Wairarapa

Part three looks at the South Island, also from north to south (but in less of a straight line):

  • Marlborough
  • Nelson
  • Canterbury and North Canterbury
  • Waitiki Valley
  • Central Otago

Each chapter includes:

  • A history of the region
  • Its geography and climate
  • An explanation of wine styles
  • Producers profiles, including a key wine to try for each

As you might imagine, these themes are directly interwoven – the producers are part of the region’s history, the wine styles depend on the geography, climate and aims of the producer, and so on.  What strikes me is that there are well established combinations, but there is still so much to be experimented with.  Perhaps future generations will pioneer new regions (Waitiki Valley is probably the youngest) and new grape varieties.  Gisborne Godello or Nelson Nebbiolo?

Part Four

The final main part of the book is titled “Contemporary New Zealand” covers two subtopics; “Current Issues” looks at innovation, sustainability and the maturation of the country’s wine industry – in commercial terms it really is a baby compared to that of most other nations.  The final subtopic is “Tourism”; wine tours are now a third pillar of Kiwi tourism on top of Lord of the Rings pilgrimages and hiking/trekking/tramping.  Gibb drops in several references to show how well she knows certain locations, but this is a useful starting point.

Conclusion

Despite my tardy full review, this book remains the most important book available on New Zealand wines.  Of course in such a young wine producing nation there will be new producers and new grape / region combinations that flourish, but the best producers outlined in the book are likely to remain a reference.  It’s well-written, both approachable and engaging, yet comprehensive and authoritative.  This is a book which every winelover should have in their collection.

To buy this book on Amazon.co.uk click here [affiliate link]: The wines of New Zealand (The Infinite Ideas Classic Wine Library)


My Visit to New Zealand

I got married in 2009 and chose New Zealand as our honeymoon destination.  The amazing landscape was a key draw, along with a little whale- and fjord-spotting, but the fact that there are so many excellent wines made in Kiwiland was the clincher.  In fact, we had NZ wines poured at our wedding and the tables were named after prominent wines and wineries.1

From a wine point of view, our trip took in Waipara, Central Otago, Nelson, Marlborough, Martinborough and Hawke’s Bay.  If we ever get the opportunity to go back I would happily visit all of those regions again, but perhaps Central Otago and Marlborough would be top of the list.  Of the regions that we didn’t visit, I’d like to take a trip up to Northland – as much for the beaches as the wine, to be honest – and spend more time in the Auckland area so that I could get to Kumeu River and Man O’War, among others.

I will write up my cellar door recommendations in a future article.

1My parents friends were on a table called “Craggy Range”, the vicar was on a table called “Vicar’s Choice” and we made a late change to swap out “Mount Difficulty” as we didn’t want to jinx our honeymoon.

Book Review

Root Cause by Steven Laine [Book Review]

Root Cause

Root Cause is a wine-themed thriller, a subcategory with meagre extant examples.  The title itself is just one of several wine-themed puns, as the main characters are in a race to find out what has led to the reappearance of phylloxera, an aphid which eats and eventually destroys the roots of vines.  Furthermore, the heroine of the tale is called Corvina which is an important grape in the Veneto (at least she wasn’t called Chardonnay!)

It has the requisite twists and turns* and changes of location for a thriller, somewhat akin to a Dan Brown novel, but with symbology replaced by wine references.


With zero expertise in symbology I find Brown’s asides interesting, but as someone with a reasonable amount of wine knowledge it’s difficult to place myself in the shoes of a reader who doesn’t have that background.  Is there too much side chat and exposition?  Or does wine make for an interesting theme?  I’d go for the latter option, but each reader must make their own determination.


In certain facets Root Cause is like a James Bond novel, moving from one glamourous or famous location to another: London, Chile, Canada, Dubai, South Africa, Hong Kong and Champagne are among the places visited.  In fact, Corvina’s employer – Universal Wines – is named as a nod to James Bond’s fictional employer Universal Exports.

Of course, as this is fiction there is no issue for our heroes in booking lots of international flights – and paying for them – at very short notice.  It does make me think that a lost, stolen or stopped credit card would have been sufficient to leave them stranded in a far-flung location!  But what would have been the fun in that?

And fun is the operative word, mainly from the interaction between the heroine Corvina and her sidekick Brian, plus some interesting characters they meet on their journey.  A few of them are flagged as potentially being important to the plot but ultimately they are minor diversions – the author keeps you engaged and guessing, two critical attributes for a thriller!

This book is unlikely to win any prizes for high literature, but it’s not trying to be that.  Whether you have an interest in wine or not (and if you’re reading this, you probably do) then it’s well worth a read!

 

Disclosure: I was sent an “uncorrected proof copy” to review, but opinions remain my own


* like a twisty-turny thing, per E. Blackadder 

Book Review, Tasting Events

DNS host Wilson on Wine (Part 2)

How does the 2019 edition of Wilson on Wine compare to the first from 2015?  Well it’s a different colour for a start, but the changes have been subtle improvements with each edition.  The indices in the back are very helpful, so you can look up particular wines or see which wines are listed from your favourite wine merchants.  For the first time there’s a natural wine section – wines that can be a little different so might not suit the unprepared – but what better way to prepare than having someone recommend a few!

Wilson On Wine 2019

Part 1 looked at the wines we tasted that were particularly good value for money; now we look at some which were just exceedingly good:

Granzamy Brut Champagne NV (12.0%, RRP €34.95 at O’Briens)

granzamy brut-nv champagne

This Champagne has a few unusual facets considering its distribution through a multiple retailer:

  1. It’s a “Grower Champagne”, i.e. the grapes used are the producer’s own rather than being bought in (see this post on Champagne types for more background).
  2. It’s made from 100% Pinot Meunier, the third Champagne grape which is often unfairly looked down upon.
  3. It’s totally delicious!!

Granzamy fully deserves its normal price of €34.95 but is sometime on promotion at €5 or even €10 less, making it an absolute steal.  When Champagnes are discounted this low they aren’t usually that nice, but this is an exception.  Looks out for promotions and fill your boots!

Gaia Wild Ferment Assyrtiko 2016 (13.0%, RRP €24.95 at O’Briens)

gaia assyrtiko wild ferment

Gaia’s Wild Ferment Assyrtiko is a regular on Frankly Wines and the 2016 vintage is now singing sweetly.  It manages to reflect both its volcanic and maritime origins with thrilling acidity and soft stone fruit.  As always, the Wild Ferment makes itself known through an attractive funkiness on the nose.  The simpler little brother Monograph gives a good introduction to the grape, but this is still one of the finest examples I’ve tried.

Stonier Mornington Peninsula Chardonnay 2016 (13.5%, RRP €26.95 at O’Briens)

stonier mornington peninsula chardonnay

The Mornington Peninsula is one of the most southerly wine regions in mainland Australia, giving cool conditions which are great for Chardonnay and Pinot Noir.  For me, this wine is the proof that natural wine is not the only way to make good wine.  I do like plenty of wines which are considered natural, but judicious intervention in terms of wine making choices can add interest, without artificial chemicals in the vineyard or winery.  The grapes are sourced from different sites around the region, and then around half (from the coolest sites) are allowed to go through malolactic fermentation which softens and rounds the wine.  Some oak is used in various formats, but only 15% is new.

With its struck match reductive funky nose and fleshy citrus mouthfeel, this is the sort of wine that would have a €60+ price tag on it if it was from Burgundy!

Weingut Rabl Grüner Veltliner Käferberg 2015 (13.5%, RRP €24.95 at O’Briens)

rabl gruner kaferberg

I like “regular” Grüners, whether from Austria, New Zealand or elsewhere, but special ones like this make a really good ambassador for the grape.  It has texture, richness and a depth of flavour that place “Beetle Mountain” ahead of the rest.  For Alsace fans this has quite a lot in common with a superior Pinot Gris (perhaps one from Kaefferkopf which is “Beetle Head”).  I’d be very interested to see how this develops over the next half decade or so, but to be honest it’s so delicious now I don’t think I’d be able to keep my hands off it!

Domaine Tempier Bandol Rouge 2014 (14.5%, RRP €39.95 at Karwig Wines)

domaine tempier bandol rouge

Bandol is one of the most famous Provence AOCs and Domaine Tempier have been a leading producer since the nineteenth century.  Red, white and rosé are produced, but here we focus on the red, Mourvèdre dominated but augmented by a little Grenache and Cinsault.  Bandol is the only place in France with enough sun and heat to properly ripen Mourvèdre, and boy does it show – there are intensely concentrated black and red berries bursting out of the glass, and lifted, spicy aromatics.  This is a wine which could last decades but is already really special.

 

 

Book Review

Cork Dork by Bianca Bosker [Book Review]

Cork Dork front

The short note on the UK & Ireland cover of Bianca Bosker’s book “Cork Dork” already gives you most of the information you need to know before starting to read the book:

A wine-fueled journey into the art of sommeliers and the science of taste

You don’t need a deep interest in wine to appreciate this book, but it does help – especially when you catch yourself agreeing ruefully with some of the seemingly outlandish observations contained within.  Bianca Bosker has us laughing at situations which are wine-related, but are more importantly reflections of the absurdities which we all see in everyday life.

In many ways, Cork Dork strikes me as a platonic three way love affair between the author, her mentor Morgan, and wine – with wine playing VERY hard to get.  There’s also a very interesting excursion into the origins of the flavour / aroma wheel and the way it totally changed the way wines are professionally reviewed and assessed – something I have been subconsciously rebelling against in my own reviews.

Personally speaking, there are two ideas mentioned in the book which really spoke to me:

Morgan has always blazed through his passions like a forest fire, consuming everything in his path.  “My brain has a tendency to want to organize small differentiating units into systems,” he told me.  “Part of it is my desire to know a thing in its entirety, or as close to it as you can.”

[First came trading cards, then video games, then rock bands.]  And now, wine.  At last, Morgan had found a topic with an infinite number of expansion packs.

I feel something of a kindred spirit to Morgan – I was interested in cars as a kid, which was eclipsed by music; that co-existed with wine for a while, but with a family of my own something had to lose out, and it was never going to be wine.  I’m a cork Dork too!

I was curious to know how they judged if someone had been moved – really, truly moved – by a bottle, while trying to remember how I’d acted when I tasted the wines they’d opened that evening.  How could they tell that someone had not really appreciated a wine?

“Because,” said Morgan, all hopped-up on Chablis, “it doesn’t look like they’ve been harpooned in the fucking chest when they fucking drank the fucking thing.”

Yes, wine is just a drink, but it can be SUCH a drink.  For those who have never had such a moment with wine, it could also be thought of as akin to Anton Ego’s ratatouille flashback in the film of the same name:

Anton Ego Flashback.gif

 

Click below to find this book on amazon.co.uk:

//ws-eu.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=GB&source=ac&ref=qf_sp_asin_til&ad_type=product_link&tracking_id=franwine-21&marketplace=amazon&region=GB&placement=1760632201&asins=1760632201&linkId=07cab021683744961e007b61c0afbbb4&show_border=false&link_opens_in_new_window=true&price_color=333333&title_color=0066c0&bg_color=ffffff

 

Book Review

Amber Revolution by Simon J Woolf [Book Review]

Amber Revolution

In my not-so-humble opinion, the best wine books are those where the authorSJW-pub-shot-Apr2017-pc-sm-300x295 demonstrates three important qualities: a passion for the subject at hand, a deep understanding of the topic and an inviting writing style.  Even from the opening few pages of Amber Revolution, it is obvious that Simon J Woolf has all three of these in abundance.

 

The (main) title of this book might leave even the most wine-literate scratching their heads (“what the heck is ‘amber’?”) but the subtitle makes it clear that this book is about orange wine – a small but important category which has been lauded by many sommeliers and some critics but is still being discovered and appraised by numerous others.  A slightly less cryptic “Orange Revolution” would have been somewhat divisive in these parts…

The main narrative of the book is a damn good read.  Woolf moves technical notes and references to footnotes so that the text flows well, neither overly technical nor dumbed-down.  Side panels for additional information are used judiciously, and Ryan Opaz’s atmospheric photography illustrates what the words cannot.  75 pages of short producer profiles (by country) also serve as a useful reference.

A quick word about the quality of this book – it’s a proper hardback with quality paper and a bound bookmark, very legible text and high resolution images.  Woolf’s Morning Claret Productions have done a fantastic job.

As a taster, here are three of the things I learnt from this book:

  1. Although people look to Georgia and its millennia-old tradition of making orange wine in Qvevri, Soviet rule and subsequent geopolitical difficulties meant that the use of these amphorae had almost died out.  Inward investment is now seeing their use increasing significantly, with enough produced to cater for export demand from experimental winemakers overseas.
  2. One of the pioneers of skin contact wine in Collio – the formidable Joško Gravner – was actually a leading proponent of modern technical winemaking in north east Italy and was very influential amongst his peers – before seeing the (amber) light and choosing a different directions.
  3. Although new to many palates (mine included), orange wine has a long and distinguished history in north east Italy and adjacent regions – it was employed as a deliberate technique after much trial and error, rather than (as I naively assumed) due to blind adherence to tradition.

There are so many more interesting snippets that I would like to share, but I will leave them for you to discover.

Book available from Morning Claret Productions.

 

Note: I was proud to be one of the many (388!) people who pledged financial support for this book on the Kickstarter platform, but my opinions remain my own.

Book Review

Wine World Colouring Book [book review]

Adult Colouring Books are all the rage nowadays – meaning of course colouring books designed for adults rather than containing 18+ material.  Primarily they are used to aid relaxation and stress-reduction, though I think it would be fair to say that there is also an element of nostalgia.

51gasOSpVBL

Up to now I haven’t succumbed to this fashion, though I have been known to “help” my 4 1/2 year old son with his colouring.  However, my Twitter friend and fellow blogger Zelda Sydney has authored an adult colouring book that has me searching for colouring pencils – because the illustrations are all related to wine!

The first three pages explain (a brief) history of wine production, Zelda’s interest in wine and illustration, and why she thought to combine them.

There are 20 hand-drawn comic-style illustrations each of which has a wine-related theme.  It’s obvious that a great deal of thought has gone into their composition – they have (at times) quite technical wine themes but are approachable for those with only a passing interest in wine.  Don’t be fooled by the simplistic lettering, this lady knows her stuff!

Here is my overall favourite: before any colouring and after I have started work (Disclaimer: please bear in mind that I am partially colourblind and so the actual colours used may bear no resemblance to those intended to be used.)

 Before:beforeAnd after:

after

What fun!

Click on the image to buy the book on Amazon

Book Review

Port and the Douro by Richard Mayson (Third Edition) [Book Review]

Book Review – Port and the Douro – 3rd Edition – Richard Mayson

Front Cover

Most of us like Port, but few of us actually drink it – on a regular basis at least.  It’s possibly even more niche than the other great fortified style from the Iberian Peninsula, without Sherry’s trendiness in its favour.

Above all, many of us are curious about Port:

  • What’s the difference between Ruby, Tawny, LBV and other labels?
  • Why do so many producers have English names?
  • And for the very curious: What’s the connection between Dog Strangler (1) and the Bishop of Norwich? (2)

Richard Mayson’s excellent and authoritative book answers these questions and much more besides.  

The first chapter gives a condensed history of Portugal, Port and the Douro. Politics, religion, agriculture, industrialisation and international treaties all intertwined in the second millennium CE to create the fascinating landscape we have today.

The second chapter is a detailed exposition of the geography, climate and principal grapes of the Douro. This includes a map of the top 80 or so Quintas (farms or estates) with a review and contact details of each.  In conjunction with chapter 8 “Directions in the Douro” this makes a mini travel guide.  Would be visitors now have a valuable resource to help plan their trip.

The evolution of Port production methods is treated in chapter 3.  Whereas fine “light” wines can enjoy a long fermentation and maceration to extract flavour, colour and tannin from grape skins, Port has no such luxury.  With a maximum of 48 hours of skin contact before fermentation has to be arrested, firm and rapid extraction is key – and the tried and tested best method for this is foot treading in a lagare (a big, square, open-topped stone tank).

Throughout this third edition, the main text is interspersed with panels painting light-hearted pen pictures of the “Men (and women) who shaped the Douro”. In fact, these small pieces on their own give the reader some entertaining insights into the whole Port story.

As a patriotic Yorkshireman, I particularly enjoyed hearing of a bluff, straight-talking fellow Tyke (3) who devoted himself to exploring and documenting the vineyards of the Douro itself, rather than focusing on the blending, maturation and shipping from Villa Gaia de Nova. Joseph James Forrester produced some excellent maps of the region, and was also a vocal proponent of light (unfortified) Douro wines. Unfortunately, he was 150 years too early for consumer taste and shipping conditions, so these views were widely derided by the Port establishment.

A lack of available labour in the 1960s necessitated the introduction of mechanised alternative to the human foot, with varying degrees of success.  Much of the Douro was without a reliable (or any) electricity supply at that time.  Autovinification was an ingenious answer, as it used the pressure created by the natural production of carbon dioxide during fermentation  to pump the must over the cap (of floating grape skins).  More modern technology has since seen the use of robotic devices which attempt to reproduce the firm-but-not-too-firm extraction techniques of the foot.

Who invented Port? Although “light” wine had been made in the Douro for millennia, it was English Shippers who added spirit to large barrels of wine to stop them spoiling on the sea voyage to England. But that wasn’t the invention of Port! Port production depends on the addition of spirit before fermentation has finished, thereby retaining some of the grapes’ natural sugars as the spirit kills off the fermenting yeast. And that practice was first documented by a couple of wine merchants who found the Abbot of Lamego carrying it out on 1676.

The fourth chapter explains the different types of Port, from the well-established to the new.  The following table summarises the main styles:

Main Types of Port 3

The best of the best – Vintage Port – gets chapter 5 all to itself.  Each year from 1960 to 2015 (in the new paperback edition)  is given a mark from nil to five stars as an overall guide, plus a narrative explaining how the vintage unfolded – essentially the weather throughout the year – and the author’s pick of the best bottles.  Selected other years going back to 1844 (!) are also included in the vintage guide.  Whether this is a useful buying guide depends on the distance of your drinking horizon and/or the depths of your pockets.

Adulation and Adulteration. Without reference to quality, (young) Port’s defining characteristics are that it is sweet, strong in alcohol and dark in colour. Unscrupulous shippers based in Portugal and (especially) wine merchants in England would therefore bulk out real Port wine – or even wine from other regions – with sugar, raisin wine, cheap alcohol and elderberry juice.

Port Producers and Shippers are addressed in chapter 6, some now defunct and many now conjoined into large groups:

Major Port Groups

Joseph James Forester’s beloved light (everything is relative) Douro wines finally make an appearance in chapter 7.  They are made using essentially the same grapes as Port itself, but fermented to dryness, and skipping the addition of spirit.  Douro wines only gained their own DOC in 1979.  Usually big and bold, when well made they can perform well at the table with many courses, rather than just Port’s traditional role at the end.

As already mentioned, chapter 8 has travel information on hotels, restaurants and local dishes.

Chapter 9 is a short postscript on the future for Port and the Douro.  It would be an interesting exercise to look at the predictions in earlier editions!

Overall, this is an essential book for Port and Douro fans, and great reading for anyone with an interest in wine!

Click on the pic to buy directly from Amazon:

**********************************************************************

Footnotes
(1) The literal translation of the name “Esgana Cão”, the extremely acidic Port grape which also appears as Sercial in Madeira.
(2) Asking a person at the dinner table if they know the Bishop of Norwich is apparently a polite prod to keep the Port moving round the table!
(3) Peter Mayson is a resident of the other (dark) side of the Pennines, so was duty bound to use this description.

Book Review

Book Review: Wilson On Wine 2015: The Wines To Drink This Year

John Wilson
John Wilson

Wine consultant and Irish Times wine correspondent John Wilson has authored and edited numerous wine books over the past decade or so.  In the great tradition of Hugh Johnson, Oz Clarke and Blue Peter, his latest annual has been released just before the start of the year whose name it bears.  Of course, that makes it an ideal Christmas present…

Wilson On Wine 2015 (front cover)
Wilson On Wine 2015 (front cover)

Content

It covers the top 123 most interesting wines that he has tasted during the year and are available somewhere in Ireland, mainly from independent wine merchants.  Without beavering away to confirm the fact, I think that many of the wines will be available in other territories such as the UK and USA.

Format

Rather than a simple alphabetical or geographical listing, the wines are divided into the following categories:

  • Sparkling wines
  • Crisp refreshing white wines
  • Fresh and fruity white wines
  • Rich and rounded white wines
  • Light and elegant red wines
  • Rounded and fruity red wines
  • Rich and full-bodied red wines
  • Fortified wines

The heading on each wine is helpfully colour coordinated with the category for those of you who aren’t colour blind (I am!)

Example of a wine featured
Example of a wine featured

Each wine then gets two pages which contain:

  • Name, area of origin and vintage
  • A picture of the wine (to help you find it on the shelf!)
  • Price and stockists
  • Alcohol level
  • Tasting note (fairly concise, not flowery or obtuse, meaningful & helpful for most readers)
  • Drink with (i.e. food matching suggestion)
  • Style
  • Grape variety
  • Backstory (the story behind the grape, the area or the producer – accessible but definitely interesting to wine geeks such as myself)

Roadtest

A Book, A Bottle, A Glass
A Book, A Bottle, A Glass

To properly assess the book I thought it only right and proper to test it by pouring one of the featured wines and comparing my thoughts to the written entry.  I think it fair to say that there are some wines John likes that I’m not quite as keen on, and vice versa – but isn’t that the beauty of wine?

One type of wine we both adore is German Riesling, so I poured myself a glass of Geil Riesling Trocken 2013 from Rheinhessen.  The Tasting Note reads “Free-flowing fresh and spritzy with delicate apple fruits.  Summer in a glass.”  Although I am enjoying this wine on a cold December night he has it summed up perfectly.

Verdict

A useful and well-written book that will encourage me to drink 123 wines in 2015!

Book Review

Book Review: Sediment: Two Gentlemen and Their Mid-Life Terroirs

If Jack Dee wrote a wine blog, it might read something like this…

Charles Jennings and Paul Keers, writing as CJ and PK respectively, have been blogging together for half a decade, ostensibly on the subject on wine.  Their blog isn’t really about wine per se, it’s more about the everyday and absurdities of middle age middle class life refracted through an empty wine bottle.  And it will be empty because, as their motto goes, “I’ve bought it, so I’ll drink it”.

This book is a collection of some of their favourite posts.  You might not get any tips on interesting new wines to try, but you’re highly likely to find yourself grinning in recognition, wincing at some of the descriptions or laughing out loud at some of the situations. Befriending a wine merchant?  Joining a wine club?  Buying bin ends in supermarkets? They’re all in here.

There’s something for the casual tippler right up to serious wine lovers. Most of us wine drinkers are on a journey, and whether we are starting out on the road all freshly packed or seasoned travellers seeking the next thrill, we’re on all a similar path. We’ve all started somewhere, so we recognise the trials and tribulations that others have encountered.

Ladies don’t read this bit – look away now
Gents: This is the sort of book which might well find a home in your bathroom for times when you just want to read a few pages.  Nuff said.

Available from Amazon UK

Competition!

Frankly Wines has 2 copies to give away just in time for Christmas.  To enter, please answer the question below by email to frankiecook72 at gmail.com by noon on Friday 12/12/14 and put Sediment in the subject line.  If there are more than 2 correct answers then 2 will be pulled from a hat

Q: which language does the term “terroir” come from?

Good luck!

Disclosure: the copies for review and prizes were provided by John Blake Publishing Ltd.