Tasting Events

Whites From Off The Beaten Track [GrapeCircus 2020 Round 2]

After the Champagnes of Laherte Frères in Part 1, we now turn to a trio of unusual whites.  They aren’t that obscure, but they aren’t going to appear in your local supermarket.  They are all made by small, family owned producers who prefer to do work in the vineyard rather than the winery.  Note: I tasted these wines back in February this year so some outlets may well have moved onto the 2019 vintages of the respective wines.

M & A Arndorfer Gemischter Satz Weiss 2018

Martin and Anna Arndorfer are part of the new generation in Austria, acknowledging their respective families’ deep ties to their region of Kamptal but breaking free and setting down their own roots.  Their approach might be described as “hands-off”, but that would belittle the work they do in the vineyard, fully respectful of nature’s gifts.

This is the first time I have reviewed the M & A Arndorfer Gemischter Satz (field blend), though I have previously reviewed their single varietal 2015 Grüner Veltliner  and their 2016 Vorgeschmack white.  As the latter is no longer available and consisted of the same blend (80% Grüner Veltliner & 20% Riesling) as this wine I believe it is simply a matter of renaming.

Those familiar with the component varieties – hopefully a decent majority of you – should be able to imagine its style; decent body with lots of spice and pip fruit, but a racy finish.  Apples and pears meet lemon and lime?  What’s not to like?

Burja “Petit Burja” Zelen 2018

When faced with this label most wine drinkers would be forgiven for thinking “what even is that?”  (Confession: I thought exactly that!)  So: “Burja” is the name of the estate, “Zelen” is the name of the grape and “Petit Burja” is the name of the bottling.  Burja is run by Primož Lavrenčič who named it after the Mistral-like wind which can blow through the vines.  Zelen is a local grape variety named after the Slovenian word for ‘green’ which is the colour that it apparently takes on when fermenting.  The estate is run on both organic and biodynamic lines.

So how does this unusual grape taste?  It doesn’t taste exactly like anything else, but in a word, great!  It’s highly aromatic, with floral and citrus notes to the fore.  These continue onto the palate which is juicy and tangy, but also mineral and linear.  This wine could be the jolt that your palate needs!

Domaine de Montcy Cheverny Blanc 2018

I have reviewed the red wine from this stable before; Domaine de Montcy Cheverny Rouge was the Frankly Wines #2 Value Red of 2017.  The Domaine has been run by Italian Laura Semeria for 13 years; she has woven the new (converting viticulture to organic and then biodynamic) with the old (maintaining local varieties including the rare Romorantin).  The vines cover a surface area of 20 hectares and vary in age up to 80 years old.

Just as the Arndorfer wine above, this is an 80/20 blend, but this time 80% Sauvignon Blanc and 20% Chardonnay (yes, Chardonnay is grown in the Loire!)  This blend is rarely seen in France, nor even Australia or New Zealand, but does occur in northern Italy.  Although unusual, the blend is seamless, showing floral, herby and citrus notes.  It’s a light yet thrilling, real wine.


GrapeCircus 2020:

Opinion

Lidl Xmas 2020 Wines

Lidl Ireland are launching their Christmas wines in two separate parts, the first of which is already underway.  In addition to those limited release wines – marked * below – they are stocking up on new vintages of regular favourites.  My reviews below are not unqualified recommendations; other wines of the same type are available which offer better quality, though not better value.  I let you, dear readers, decide on whether each wine sounds like its worth putting in your trolley.

Disclosure: bottles were kindly sent as samples, but opinions remain my own

Clare Valley Riesling 2019*

This is a gentle Riesling, very drinkable and with no sharp edges.  When compared to the best Clare Valley Rieslings such as Grosset Polish Hill or Petaluma Hanlin Hill it’s a much simpler wine, with a shorter finish and even has a touch of residual sugar.  However, this is aimed at the casual drinker and I doubt that many people would be in the market for both styles; Lidl’s example is actually more approachable so might actually be more preferable for those looking for an easy-going (and less expensive) tipple.

When to drink: Whenever you like!

  • ABV: 13.0%
  • RRP: €8.84
  • Stockists:  Lidl Ireland

Sauvignon Blanc Gran Reserva 2020

While the Riesling above isn’t very “Riesling” this 2020 Gran Reserva is VERY “Sauvignon Blanc”!  By this I mean that it is very young and expressive, and needs a little more time before settling down.  The key is one of the “Gs”, the aromas and flavours found in this Chilean Savvy:

  • Grass
  • Green (bell) pepper
  • Gooseberry
  • Grapefruit

For me the green pepper sticks out a little too much at the moment, so if you aren’t fond of that flavour then this wine isn’t for you.  However, if you are ambivalent or like green capsicums then you might be a fan.  Try decanting!

When to drink: With a fresh green salad or with goats cheese.

  • ABV: 13.5%
  • RRP: €12.99
  • Stockists: Lidl Ireland

Il Santo Bevitore IGT Isola Dei Nuraghi 2019

This wine was a total unknown to me so I had to do a little research.  Isole dei Nuraghi is an IGT which covers the whole of Sardinia.  Many international grapes are used plus a few local specialities.  My guess was that this was a Syrah / Merlot blend but I was unable to confirm this.  The nose is smoky with red and black fruits.  The palate has black cherries and sour red cherries, overlain by a touch of vanilla.  Acidity is medium to high but not jarring.

When to drink: With just about anything apart from fish or seafood.

  • ABV: 13.5%
  • RRP: €11.99
  • Stockists: Lidl Ireland

Barossa Valley Shiraz 2017*

In a similar vein to the Clare Valley Riesling, this is a very approachable, easy-going wine that doesn’t demand too much from its drinkers – it’s made in a deliberately commercial style.  The nose shows blackberry, blackcurrant and a little vanilla.  These notes continue through onto the palate but adding a little stewed fruit to the fresh.  Light tannins round off the wine nicely, though the finish is a little short.

When to drink: Very quaffable on its own, or pair with richer foods.

  • ABV: 13.5%
  • RRP: €8.84
  • Stockists: Lidl Ireland

Carménère Gran Reserva 2020

Carménère is one of Bordeaux’s six black grapes, though it’s hardly grown there at all these days.  Instead it has become the flagship black grape of Chile, where it was mistaken for Merlot for over a century.  In the glass it pours a bright purple, typical of the variety.  The nose is lovely, with rich cassis, spice and blackberry.  These notes are repeated on the palate though they are somewhat barged out of the way by our friend green pepper; these green pepper notes tend to appear in Carménère when the grapes are picked before they have reached full phenolic ripeness, often when they are harvested at the same time as the earlier-ripening Merlot.  In this case, seeing the 14.5% alcohol, I wager that this wine was made from very warm vineyards where the sugar outpaced the flavours.  At any rate, the finish is nice and smooth.

When to drink: Beef or lamb stew.

  • ABV: 14.5%
  • RRP: €11.99
  • Stockists: Lidl Ireland

Corte Alle Mure DOCG Chianti Riserva 2015*

2015 was an excellent year throughout most of Italy so I was eager to try this Chianti Riserva.  This isn’t what I’d call a polished wine, but it is very Chianti, by which I mean it has typical tobacco and liquorice on the nose, Morello cherries and a hint of oak on the palate.  Acidity is prominent which makes it a food wine rather than a comfortable sipper

When to drink: Charcuterie or mixed Christmas leftovers.

  • ABV: 13.0%
  • RRP: €9.99
  • Stockists: Lidl Ireland

 

Make Mine A Double

The Frankly Wines & Friends Wine & Music Series #16 – Brad Horne

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –> they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

The sweet sixteenth contributor to The Frankly Wines & Friends Wine & Music Series is social media legend Brad Horne, aka Wine Time London.  He presents an Instagram show “Wine Social” with a dazzling array of wine guests, often winemakers from the other side of the globe. 

Among his musical preferences he mentioned “dad rock” which could actually mean several things, but I took it to mean bands such as Status Quo Oasis from the Brit pop era.  Although a total cliché now and definitely overplayed, I was going to pick Wonderwall for him before I twigged the obvious choice of a song with a wine-related title: Champagne Supernova.

The wine pick for Brad was even easier as recently we had both been waxing lyrical about a certain Aussie Riesling: Petaluma’s Hanlin Hill Riesling.


Oasis – Champagne Supernova

The song Frankie chose for me was Champagne Supernova, but the wine I’m going to pair with is not Champagne; I was close to an English Sparkling wine pairing but I’ve gone for something from Down Under: Jansz Premium Cuvée always hits the spot for me, just like Oasis.

Oasis takes me back to my adolescence with friends at gigs and nights out thinking we would ‘live forever’.

This wine with its citrus notes and slight aromas of roasted nuts plus those wonderful hints of strawberry from the Pinot Noir and that lingering creaminess on the finish almost take you ‘half a world away’ or to an Aussie Sparkling Supernova In the sky…

Petaluma Hanlin Hill Riesling

With its lively acidity and rich palate, Petaluma Hanlin Hill Clare Valley Riesling takes you on a journey, and as this wine ages it evolves like us, developing more character and flavours. To match it I’ve therefore chosen Fleetwood Mac’s ‘Never Going Back Again‘.

Young – with citrus and orange blossom flavours – or aged, with petrol notes – this Riesling (like so many of its Clare Valley counterparts) is wonderful, and like this song you think about Fleetwood at the start young in love and free and as it develops like Riesling it changes and ‘goes it’s own way’.

This vineyard was planted in 1968 and has west-facing slopes 550 meters above sea level. It produces grapes with slatey minerality – this region is perfect for growing great Riesling!

Thanks so much to Frankie; wine and music can go hand in hand, so next time you sit down for a glass of Riesling turn on this song and ‘Dreams’….

Brad Horne

Brad(ley) Horne is a Social Media and Marketing consultant for the Wine Industry.  He helps wineries and the wine trade with wine events, Social media and Marketing in the UK. He is active on Twitter under both @BradleyHorne and @winetimelondon but his busiest outlet is Instagram under @winetimelondon where his show WineSocial live goes out at 8.00pm UK time.

 


The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
16 Brad Horne Oasis – Champagne Supernova Petaluma Hanlin Hill Riesling
15 Liam Mycroft Eric Clapton – Bad Love Bodegas Garzon Albariño
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah
Single Bottle Review

Grosset Polish Hill Riesling

Our first born child arrived in September 2011, and rather than just buy a case of wine for him (or us) to enjoy when he reached his majority I decided to buy a wine I could enjoy around his birthday every year as a toast to another year on earth.  In the end I settled (!) for one of Australia’s iconic white wines, generally regarded as Australia’s best Riesling: Jeffrey Grosset’s Polish Hill Riesling.  Normally I enjoy the wine so much that I completely forget to make notes, but this year at least I did write a brief tasting note.

Grosset established his eponymous winery in the small town of Auburn in 1981.  Auburn lies at the northern end of the Mount Lofty Ranges, a Nelson (111) km north of Adelaide and 25km south of the town of Clare.  The Polish Hill vineyard lies at 460 metres, covers eight hectares and is certified organic.  The soil is rocky and low in fertility making the vines work hard.  Winemaking is straight forward, trying to retain as much of the fruit’s character as it becomes wine.

Famously tight when young, the wine is made from small berries, a stark contrast to the larger grapes which grow in the Watervale sub-region of Clare Valley for Grosset’s other key Riesling, Springvale.  Acidity is high and in its youth there are pronounced chalky characteristics.  Indeed, you might say that (in most vintages) this is a wine for purists, but given time (and good care) it can blossom into something truly magnificent.

Grosset Polish Hill Clare Valley Riesling 2011

Let’s get the obvious question out of the way first: how dry or sweet is this Riesling?  Well, Clare Valley Rieslings are nearly always dry – Grosset’s Alea Riesling is an exception to that rule – and by dry I mean technically dry, i.e. the yeast could not ferment any more sugar into alcohol, leaving just 0.9 g/L.

It pours a bright lemon in the glass; I expect that it was paler on release, though I didn’t have a young equivalent to compare it to.  The nose is amazing – I could happily sniff it for hours.  There are chalky mineral notes, of course, plus lifted lime, quince and grapefruit.  There are no real kerosene notes yet, with the TDN¹ compound not present.

The palate is surprisingly soft and juicy, full of citrus with a soft chalky texture.  The softness doesn’t mean it’s gone flabby – far from it, with literally mouth-watering acidity – but any austerity it had in its youth is firmly discarded.  This is a classy, long and serene wine, nicely into the swing of things at nine years old, but with plenty to go yet.  Yes it’s far from cheap, but for this quality and ageability it’s a very fair price to pay.

 

Latest vintage available in Ireland is 2019.

¹TDN stands for 1,1,6,-trimethyl-1,2-dihydronapthalene, apparently

Make Mine A Double

Give Me A Riesling [Make Mine a Double #61]

As Sonny Fodera almost said, “Give Me A Riesling”.  Of course that’s a bit silly – who wants just one Riesling?  Riesling is known as one of the most terroir-transparent grapes around, i.e. the aromas, flavours and texture of the wine are very dependent on where it is grown.  Wine-making techniques to influence the style of the wine are used sparingly – oak influence is rarely seen, for example – but there is one major decision that winemakers take: to vinify the wine dry or to leave some residual sugar.  Here are two excellent Rieslings which showcase different styles:

Disclosure: both bottles were kindly provided as samples, opinions remain my own

Petaluma Hanlin Hill Clare Valley Riesling 2016

petaluma-hanlin-hill-riesling

Petaluma is a premium wine producer located in the Adelaide Hills, just east of the city of Adelaide.  They were founded in 1976 with the aim of making excellent wines from the regions and vineyards most suited to each variety.  Their range has expanded gradually and now includes:

  • White Label (everyday wines): Dry Rosé, Chardonnay, Adelaide Hills Pinot Gris, Adelaide Hills Sauvignon Blanc, Adelaide Hills Shiraz, Coonawarra Cabernet Sauvignon
  • Crozer Sparkling: Adelaide Hills Non Vintage Sparkling, Adelaide Hills Non Vintage Sparkling Rosé, Piccadilly Valley Vintage Sparkling
  • Petaluma Project Co. (experimental bottlings): Barbera, Malbec
  • Yellow Label & Specials (top tier range): Hanlin Hill Riesling, Cane Cut Clare Valley Riesling, Essence Botrytis (Sauvignon Blanc / Semillon blend), Piccadilly Valley Chardonnay, B&V Vineyard Adelaide Hills Shiraz, Coonawarra Merlot, Evans Vineyard Coonawarra (Cab Sauv / Merlot / Shiraz blend), Tiers Chardonnay

Clare Valley is in South Australia, almost due north from Adelaide and at the top of the Mount Lofty Ranges (Australia’s literal naming convention strikes again).  Even within this small region there are significant stylistic differences, most easily illustrated by Grosset’s Polish Hill and Springvale Rieslings. 

Although Riesling is the king here, there are red wines made from varieties that are more closely associated with warmer climates: Shiraz, Cabernet Sauvignon and Malbec.  This apparent departure from the norm is because of the high diurnal range which gives the black grapes enough sun and heat but cools down enough at night to keep the Riesling grapes happy.

This Riesling – as the name suggests – is from the Hanlin Hill single vineyard which sits at 550 metres altitude.  At four years from vintage it still pours a pale lemon colour.  Lime and slate open the aromas along with grapefruit and peach stone.  There’s a very light whiff of kerosene but its lack of intensity shows that this wine is till fairly young.

On the palate this wine is very clean (but not Clean!) and fresh, but still pithy and with some body.  It’s very dry (probably technically dry, i.e. as dry as fermentation could take it) as is the norm in the Clare Valley, but the mid-palate has plenty of fruit sweetness with peach and grapefruit joining racy lemon and juicy lime. 

This bottle opened up more as I returned to taste it over several days; if consuming in one sitting I would actually recommend decanting it, not something I would usually think of for Rieslings.  And I liked it so much, I think I will definitely find some more of this…and hopefully taste it with some more age!

  • ABV: 12.5%
  • RRP: €31.95
  • Stockists: O’Briens stores and obrienswine.ie

 

Selbach-Oster Wehlener Sonnenuhr Riesling Kabinett 2017

selbach-wehlener-sonnenuhr

I’ve already explained the subregions of the Mosel in a recent post, so I won’t repeat it all here.  You may remember my reference to “the famous sundial vineyards” of the Bernkastel District…well the German for sundial is Sonnenuhr so we have one of those here!  

Selbach-Oster is a very traditional producer based in Zeltingen in the Middle Mosel, with a family history in wine spanning four centuries (to date!)  The business has two sides: a negociant operation J. & H. Selbach which uses bought in fruit, and the estate proper Weingut Selbach-Oster.  Their vineyards amount to 24 hectares in total and are located in Zeltinger itself plus Wehlen and Graach:

  • Zeltinger Himmelreich
  • Zeltinger Schlossberg
  • Zeltinger Sonnenuhr
  • Wehlener Sonnenuhr
  • Graacher Domprobst

The biggest giveaway as to the style of this wine is the alcohol: 8.5% abv.  The relatively low alcohol – even for a northerly country such as Germany – indicates that some of the sugar in the grapes has not been fermented and so is present as residual sugar.  The trend in Germany is for drier wines, even Rieslings which have usually had some sweetness to them, so this is very much a traditional style.

I was unable to find a residual sugar figure for this wine so my best guess as to its sweetness would be medium – definitely sweeter than off-dry but not into dessert wine territory.  However, due to its thrilling acidity, the sweetness is received by the palate as fruitiness more than sugariness.  Although sugar isn’t volatile (i.e. smellable) there are sweet notes on the nose of this wine.  It isn’t that complex though…just totally delicious!

  • ABV: 8.5%
  • RRP: €20.45
  • Stockists: O’Briens stores and obrienswine.ie

Conclusion

Tasted back to back these two wines are remarkably different, yet share some vital things in common: citrus aromas and flavours, lifted aromatics and the minerality plus racy acidity that typifies Riesling.  The Mosel example is easier to like but the Clare Riesling is more cerebral; pick the one you feel in the mood for!

 

And for those who might recognise the song alluded to in the title, here’s Sonny Fodera ft. Janai – Give Me A Riesling Reason

 

 

**Click here to see more posts in the Make Mine a Double Series**

 

 

 

Single Bottle Review

Classic and Classy: Fritz Haag Riesling

My love for Alsace wines – especially its Rieslings – is without parallel, yet even I am forced to concede: Other Rieslings Are Available!  Given the grape’s Germanic origins and it’s position as the most widely planted grape there (23% of vineyard area as of 2015) it is only fair to look to Germany.  Of all Germany’s 13 wine regions, for me the most synonymous with quality Riesling is the Mosel.

The Mosel wine region had SaarRuwer appended to its name until 1st August 2007, and those two names still account for two of the six Mosel Districts (Bereiche).   Also, adjacent to Luxembourg, the Obermosel and Moseltor Districts are home to modest wines – still and sparkling – made from Elbing and other “lesser” grapes.  The final two Mosel Districts are the most important.  The Berg Cochem District is also known as the Terraced Mosel (Terrassenmosel) as many of its slopes are incredibly steep and are terraced so that they can be worked.  The final District is Bernkastel which includes the famous sundial vineyards.

The Haag family have run their estate in Brauneberg, Bernkastel District,  since 1605.  I have previously reviewed their Brauneberger Juffer Grosses Gewächs Riesling and Brauneberger Juffer Riesling Auslese Goldkapsel.  Now I turn to their “entry level” dry Riesling.

Disclosure: bottle was kindly given as a sample, opinions remain my own

Fritz Haag Mosel Riesling Trocken 2018

fritz-haag-riesling-trocken

Weingut Fritz Haag hand pick their Riesling grapes for this wine from their slate-soil vineyards around their home base of Brauneberg.  Fermentation takes place in both large wooden vats (for a touch of roundness) and stainless-steel tanks (for freshness).  As many who are fluent in wine know “Trocken” means dry in German, so the fermentation is not stopped early to make the wine sweet (although Fritz Haag does make some brilliant sweet wines).

This estate Riesling pours a light lemon in the glass.  The nose is full of citrus with lifted mineral tones – and unmistakable Riesling character.

The measured residual sugar is 7.5 g/L which would be creeping into off-dry territory for some grapes, but set against this Riesling’s acidity it merely tames the zing a little and brings out the fruitiness of the wine.

On the palate we find fleshy lime, grapefruit and peach combined – you don’t taste them individually but there’s a new super-fruit that combines all their characteristics!  Light and lithe, a wine that dances on your tongue before disappearing down your throat.  Once in your stomach it sends a direct signal to your brain for another taste!  The finish is dry as you’d expect from a Trocken wine, but the fruit sweetness in the mid-palate banishes any thoughts of this being too dry.

The TL;DR review: tastes of deliciousness!

  • ABV: 12.0%
  • RS: 7.5 g/L
  • RRP: €23
  • Stockists: Blackrock Cellar; Clontarf wines; F.X. Buckley Victualler & Grocer; Jus de Vine; McHugh’s Off-Licences, Kilbarrack Rd & Malahide Rd; Nectar Wines; The Vintry; The Wine Pair; Sweeney’s D3; Avoca Ballsbridge; The Corkscrew; Deveney’s Dundrum; D-SIX Off Licence; Drink Store Stoneybatter; Grapevine, Dalkey; La Touche, Greystones; Lotts & Co.; Martins Off Licence; Terroirs, Donnybrook

 

 

Wine + Music

The Frankly Wines & Friends Wine & Music Series #9 – Melanie May

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –> they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

Our ninth contributor to this series is the magnificent Melanie May.  Amongst other wines she mentioned that Riesling is her favourite white grape so of course I had to select an Alsace Riesling.  But not any Alsace Riesling, Sipp Mack’s Grand Cru Rosacker which has been a favourite of mine for the best part of a decade.  The 2011 was an amazingly big and heady vintage (at 14.0%!) which will remain in my top wines tasted, but the 2014 is a more elegant and subtle expression at 13.0%.  At around €30 in Ireland it is sensationally good value for money.

On the music side I chose a perennial favourite from the mid ’80s which straddled the rock and goth genres.  Billy Duffy’s powerful riffs help propel the song forward but for me it’s Nigel Preston’s pounding drums which really make the song excel.  This was Preston’s last track with The Cult, and didn’t even feature in the video as his replacement Mark Brzezicki featured instead.

Sipp Mack Alsace Grand Cru Rosacker Riesling 2014 

wine_music_melanie_may_ (5 of 5)
Credit: Melanie May

When Frankie asked me to contribute to his wine and music blog series I jumped at the chance. Not only because it gives me an opportunity to combine my love of writing, wine and music, but also my love of psychology too.

A little background, I used to take photographs of musicians and travelled around the UK snapping bands like The White Stripes, Razorlight, Stereophonics and The Libertines. My life revolved around going to gigs and backstage parties. Of course, that rock and roll lifestyle is well behind me now but my love of music is still as strong as ever.

Nowadays, I am a food and drink and travel writer and I have a WSET Level 3 Award in Wines. Before becoming a full-time writer though, I was studying to become a Clinical Psychologist and did my dissertation in Neuroscience.

Through my studies in psychology, I became aware of how different sensory experiences complement each other. There has been a few studies showing how music effects the perception and taste of wine. Did you know that people will buy significantly more expensive wine if classical music is playing than if the Top 40 is on? Apparently classical music encourages consumers to look for quality wines. Try it in your wine shop and see!

So, this pairing wine and music challenge is right up my street! I love this stuff.

I told Frankie that Riesling was my favourite white. So, when he asked me to pair a song to the 2014 Sipp Mack Riesling Grand Cru Rosacker my mouth instantly started watering. I had not tried that particular wine before, but knowing Frankie’s love of Alsace wine, I knew this was going to be a cracker.

And I was right. What a beautiful wine.

On the nose, the wine is floral with loads of juicy apple and bright citrus notes and a hint of petrol coming through too. The flavours are granny smith apples, cut red apple and baked apple too, lemon and lime. There is a wonderful chalky minerality to it too. It has an elegant mouthfeel and a long finish. It is super delicious.

The bright acidity and citrus notes of this wine are well matched to an upbeat pop song. The minerality and high acidity give this wine great structure, so I picked a song with a similar tight structure. The wine, with its delightful floral aromas and fruity flavours, is playful on the palate and even though it is high in acid it is quite smooth too. So, again, the song I chose is playful and smooth. The wine also has a great purity, it’s not encumbered with oak or other interfering wine making techniques, much like the matching song.

The song I paired with the 2014 Sipp Mack Riesling Grand Cru Rosacker is Good Day Sunshine by The Beatles – quite possibly my all time favourite band.

Good Day Sunshine is a bight and breezy, structured pop song – it is one of just a handful Beatles songs to use contiguous choruses. It is a pure pop song with no exotic instruments or tape loops. It is just Paul singing, Lennon harmonising and a piano and drums and very little guitar on the backing track. So, like the wine, it is bright, has great structure and is pure in taste and style.

Both the wine and the song capture the essence of carefree sunny days and both are good-mood enhancing. What a combo.

This wine is perfect for a barefoot picnic in the grass and this feel-good song is a magic, musical accompaniment.

I truly believe that when you pair the right wine with the right music, you get a heightened sensory experience that hits all the right notes. Maybe, one day, wine labels will say: ‘pairs well with shellfish and The Beatles’.

She Sells Sanctuary – The Cult

When Frankie asked me to pair a wine with the song ‘She Sells Sanctuary’ by The Cult I knew exactly what wine to choose: Château Vincens Les Graves De Paul Cahors 2014 

wine_music_melanie_may_ (3 of 5)
Credit: Melanie May

She Sells Sanctuary has been described as ‘a goth milestone’ and ‘quite possibly the most famous goth-rock song’. So, a fitting pairing is a ‘black’ wine. Well, I was hardly going to choose a Champagne, goths aren’t exactly known for being bubbly now, are they?

Black wine is Malbec from Cahors in France and its dark colour is caused by a high concentration of polyphenols from the Malbec grape skins.

This particular wine I choose has a dark label and gothic script – goths love flourishes like that. This bottle will therefore co-ordinate perfectly with their crushed velvet jackets and the writing is big enough to read though all their eye makeup.

This wine tastes best if you let the air at it for a little while, so pour it into your best chalice or goblet and leave it to breathe whist you go write some awful poetry.

When you listen to She Sells Sanctuary you’ll notice the soft build-up of the intro and then Ian Astbury’s impassioned vocals before the drama of the instrumental break hits. There is a great structure to this song and that’s thanks to pop producer Steve Brown, he worked with Wham!.

The wine also follows a similar trajectory. When you first sniff you get a soft build up of aromas like dark fruits, bramble, tobacco and woody spices. Then, when you first sip, you taste the fruit but it is balanced out with lovely savoury, smoky and spicy flavours. Then the drama of the mineral backbone, hint of oak and smooth tannins hit. This wine is intense, rich and elegant with great structure. Just like the song. As for the impassioned vocals? Well, this is a heartfelt wine with a sense of place. You can taste the terroir. It also has a restrained power, much like the vocal style of the lead singer.

Like most goths, this wine isn’t fully mature. The oak and tannins means you could age it for a few more years. I think ageing would smooth everything out just a tad more and let those lovely savoury flavours develop too.

With a wine this intense and rich you can pair it with big intense food. I chose to pair mine with steak because of its high iron content, cause, let’s face it, most goths look anaemic.

I think pairing a goth-rock song with a black wine helps keep the proper morbid mood, don’t you think? However, as this particular song has expressive pop overtones, I think this expressive, fruit-driven wine with smooth tannins and good structure is a harmonious match.

Overall, it’s a rich, complex and age-worthy wine that is delicious to drink now but could be something even more special if left to age for a few more years. It might even get a cult following!

It’s not hard to see why some wines from Cahors have a cult following! Get it? Cult? The Cult?

I’ll get my coat.

Melanie May

Melanie May is a food and wine writer and travel journalist from Dublin. She won the ‘Best Newcomer’ award at the 2019 Travel Extra Travel Journalist of the Year Awards and she is a member of the British Guild of Travel Writers and is a Guild of Fine Food, Great Taste Judge.

Her love of wine began in her early 20s when she worked in a wine shop in Dublin and she has been developing her palate and tasting skills ever since. She has a WSET Level 2 Award in Wines & Spirits and a WSET Level 3 Award in Wines and uses this knowledge to inform the wine articles she writes for her blog, Travel Eat Write Repeat.

You can also follow her gastronomic adventures on Twitter and on Instagram.


The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah
Single Bottle Review

Riesling With a Difference – Marc Kreydenweiss Andlau Riesling

Domaine Marc Kreydenweiss

The Domaine dates back to the 1600s but gained its current name when Marc took over in 1971.  His son Antoine has been involved for over 20 years and took over running the Domaine in 2007.  The total area under vines is now 13.5 hectares including four Grand Cru sites in the vicinity of their Andlau base.

Alsace Wine Route

Here’s an extract from the Alsace Wine Route map to help you get your bearings:

Andau, Eichhoffen and Mittelbergheim are just below the town of Barr.

See the full Alsace Wine Route map here

One of the defining features of Alsace is its mosaic of thirteen soil types, the result of complex geological activity over time.  The term mosaic is particularly apt as the soils can change over very short distances.

There are, however, some groupings which can act as a guide.  The Sub-Vosges hills have six of the thirteen soil types and Domaine Marc Kreydenweiss has several across its small holdings.

From their website:

The diversity of the soils is an added advantage for the wines. The vineyard is planted 80% on slopes or half-hills, in south-south-east exposition.

The soil composition is complex, with pink sandstone, granite, schist gray/blue or black, sediment, limestone that bring finesse, minerality and freshness to the wines.

The vineyard is located in a radius of 10 km around the village of Andlau, but also to the neighboring villages as Eichhoffen, Mittelbergheim and Barr.

Like most Alsace producers they make sweet wines (Vendanges Tardives (VT) and Sélection de Grains Nobles (SGN)) and spirits, but still dry wines are the focus.  There are three main ranges of wines, in ascending quality:

Fruit [Driven] Wines:

  • Kritt Pinot Blanc
  • Andlau Riesling
  • Lerchenberg Pinot Gris
  • Kritt Gewurztraminer
  • Kritt Klevner
  • Pinot Boir Alsace Blanc (a white blend)
  • Pinot Boir Pinot Noir

Terroir wines

  • La Fontaine aux Enfants – Pinot Blanc
  • Stierkopf (Pinot Blanc & Riesling)
  • Clos Rebgarten (Gewurztraminer)
  • Clos du Val d’Eléon (Riesling & Pinot Gris)
  • Clos Rebberg (Riesling)

Grands Crus

  • Wiebelsberg Grand Cru (Riesling)
  • Moenschberg Grand Cru (Pinot Gris)
  • Kastelberg Grand Cru (Riesling)
  • Kirschberg de Barr Grand Cru (Pinot Noir)

The Fruit and Terroir wines are made from their own grapes and those of close friends, but the Grands Crus are entirely Domaine grapes.

In terms of viticulture they have nearly a full house of postmodern winemaking terms: Organic, Biodynamic and Natural.  Conversion to biodynamics started under Marc himself in 1989, with certification from 1991.

I have tried the Kritt Gewurztraminer several times (and liked it), so when I spotted a bottle of the Andlau Riesling I had to extend my empirical knowledge of the producer:

Marc Kreydenweiss Andlau Riesling 2017

marc-kreydenweiss-andlau-riesling

This Riesling is made from grapes of the Domaine and from growers André and Yann, over 2.2 hectares in the foothills abutting the Grand Cru Wiebelsberg.  The sub-soil is a pink sandstone known as “Grès des Vosges” which is known to impart a minerality to Riesling.  The wine is certified Organic by Demeter and certified Biodynamic by Biodyvin.

On pouring it is clean and clear, a light lemon colour and a little lighter than the Kritt Gewurz.  The nose is a big surprise, given the conventionality of the Gewurz: it has a distinctly “natural” aspect.  For those not familiar with natural wine, it often has a certain rawness or earthiness which defies easy description but is very recognisable.  Beyond that there are juicy stone fruit aromas.

The default flavour notes for Riesling are lime and lemon, but this wine is different – fleshy stone fruit appear again, with suggestions of fruit sweetness but actually resolutely dry.  The finish is long, mineral, slightly sour (though not unpleasantly so).  I found this wine improved over the course of an hour so it needs a bit of air and not to be drunk too cold.

Conclusion

This wine may be a little strange for the uninitiated, but if you already like natural wines or are willing to be a little adventurous then this is an excellent example to try.

  • ABV: 12.5%
  • RRP: ~ €22
  • Stockists: O’Briens stores

Make Mine A Double

Lidl’s New Zealand Outlook

Lidl Ireland’s latest wine promotion is broadly termed “Iberian” – very broadly in fact as it includes Chile (Spanish speaking, granted) as well as Australian and New Zealand wines.  Kicking off on Thursday 21st May, the wines will be on limited release – once they are gone, they are gone.

Here I look at two examples from New Zealand.  The first is from NZ’s biggest and best known region – Marlborough – though isn’t a Sauvignon Blanc.  The second is from one of the longest standing NZ wine regions – Hawke’s Bay – which is roughly two thirds the way down the east coast of the North Island.  The brand Outlook Bay appears to be a Lidl private label, i.e. you only find these wines in their stores.

nz-regions.DcoCkA
Credit: nzwine.com

Disclosure: both bottles were kindly provided as samples, but opinions remain my own

Outlook Bay Marlborough P.G.R. 2019

242394 Outlook Bay Marlborough €9.99

P.G.R. stands for Pinot Gris, Gewürztraminer1 & Riesling, though immediately below the wine name on the back label it gives the blend as Pinot Gris, Riesling & Gewürztraminer2, so P.R.G. would be a better name.  Perhaps PGR is now a “thing” in New Zealand, or sounds better in other languages?  Ours is not to reason why…

Although the blend might be unusual for New Zealand, it makes sense; all three grapes are classed as aromatic and the long, cool growing season in much of Aotearoa – particularly Marlborough – therefore suits them, just as it suits Sauvignon Blanc.  And where else is famous for its aromatic wines?  Alsace of course!  And as these are the three key Alsace grapes (in my opinion) I have no compunction in calling this an Alsace blend.

The nose is very floral (apple blossom?) with lychees – that’s the Gewurz3 showing its superpowers.  The palate is something of a conundrum; it has a gentle, juicy attack then a textured, dry mid-palate.  There’s round pear and apple yet spice as well.  There is a little sweetness here, but the slight (pleasant) bitter hints on the crisp, citrus finish resolve it as fruit sweetness rather than sugar.

  • ABV: 13.0%
  • RRP: €9.99
  • Stockists: Lidl Ireland

Outlook Bay Hawke’s Bay Chardonnay 2018

242393 Outlook Bay Chardonnay €9.99

Marlborough does make some remarkable Chardonnay, but Hawke’s4 Bay’s richer style seems to be more in demand at the moment, and that is where this wine hails from.  It’s unmistakably oaked Chardonnay on the nose, with toasted coconut and pineapple – almost like the coconut “mushrooms” and pineapple cubes that were around when I was a nipper – but not as synthetic.

The aromas continue through onto the palate which has a rich, creamy, tasty texture.  The sweetness promised by the tropical fruit on the nose is more moderate in the mouth; I would guess that a good proportion has been though MLF but not overwhelmingly so as there is lots of tangy freshness.

This isn’t going to covert (m)any people of the ABC = Anything But Chardonnay crowd, but for those in my ABC = Always Buy Chardonnay camp this is a cracking example and ridiculously good value for money at a tenner.

  • ABV: 13.0%
  • RRP: €9.99
  • Stockists: Lidl Ireland

Conclusion

An easy one – buy both!!  These two wines are quite different in style, but happen to be styles that I’m very partial to.  They are well made and absolute bargains at the price.

 

**Click here to see more posts in the Make Mine a Double Series**

 


  1. Notice the German spelling with an umlaut
  2. It’s still there!
  3. Arghhh sorry I forgot it this time
  4. Hawke’s more often than not has the apostrophe, so I’ve put it in, even though the label omits it
Wine + Music

The Frankly Wines & Friends Wine & Music Series #3 – Avril Kirrane McMorrough

In these unusual times, we all need a lift from time to time.  As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –>  they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!)  Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

For the third installment in this series we are back to Dublin with the well-travelled Avril Kirrane McMorrough (see her bio below). For Avril’s wine there was an obvious choice – the Joseph Cattin Riesling Reserve that I recently wrote about myself and which Avril mentioned she is a fan of.

The track I selected for Avril is one of my favourites: “Don’t Know Why” from Norah Jones‘s debut album Come Away With Me.  I could ramble on about this song for ages with its understated elegance, but really all I need to do is show the chorus lyrics:

My heart is drenched in wine

But you’ll be on my mind

Forever

Joseph Cattin Riesling Reserve

Joseph Cattin Alsace Riesling

Riesling is arguably one of the world’s finest white wine grape variety. It can produce a range of styles to suit every palate ranging from light and floral to dry and spicy, rich and fruity or absolutely bone dry. It is also a wine with amazing cellaring potential. The North Eastern French region of Alsace produces some of the world’s best aromatic wines.

The Cattin family of Swiss descent have a long history in the Alsace, dating back to 1720. With knowledge and experience that has been passed down through the generations, the family now own 60 hectares of vines around Voegtlinshoffen, 10 kms South of the Alsatian wine capital of Colmar. Joseph Cattin became renowned for his pioneering work in grafting and is widely credited for saving some of Alsace’s best vineyards from Phylloxera.

Joseph Cattin Riesling Reserve fits into the dry, minerally, floral with lots of citrus lemon and lime category. On the palate there are expressions of apple and peach with a vibrant acidity and a long finish.

Our sense of taste, smell, hearing and sight can lead one to a magical memory that especially in these times can seem like a very long time ago. This Riesling reminds me of days spent in balmy summer evenings, out in the open air, carefree and laughing with loved ones while cooking seafood over an open fire. The liveliness of this wine is a perfect accompaniment not only to the food but to a happy atmosphere.

The track I have chosen “Time of the season” by The Zombies, with its psychedelic keyboard and vague jazzy feeling summons those exact joyful and warm memories. Its heady ambiance would make you get up, glass of Riesling in hand and boogie your way around that open fire. Both bring a sense of carefree gaiety, they are my perfect music/wine duet.

Norah Jones – Don’t Know Why

“Don’t Know Why” was recorded in one take in October 2000 for it was deemed good enough. The producer used the original demo as the final vocal take and added guitars and vocal harmonies to make it sound as if Jones was harmonizing with herself.  I have chosen to pair this song with Domaine Les Yeuses Syrah ‘Les Epices’.

Located in Mèze in the Languedoc region of France, between the Mediterranean and the Etang de Thau, Domaine Les Yeuses was built in the 13th century by the Templars at the site of an ancient Roman villa. The estate gets its name from a forest of evergreen oak trees (‘Yeuses’ in the local dialect). Today they have nearly disappeared, replaced by a path of olive trees. The estate has been in the Dardé family for more than 30 years. Jean Paul and Michel, brothers, share the vineyard and winemaking responsibilities. Their winery is continually recognised for its wide range of varietal wines; indeed, the geography of their vineyard gives their wines a lively acidity and distinctive profile.

Domaine Les Yeuses Syrah Les Epices

Their Syrah ‘Les Epices’ has been compared by some critics to a young Crozes-Hermitage, so value for money is achieved with this wine. A luscious dark garnet colour with purple hues, Les Epices is round and harmonious with an elegant softness. Hints of spice and notes of ripe black fruits, cherries and sweet liquorice and toffee lends itself to a velvety, sensual feeling in the mouth.

Elegant, soft ,round and structured can describe both wine and song. My perfect wine & song pairing.

Avril Kirrane McMorrough

Avril is the business development manager and in house sommelier for Boutique Wines and is WEST 3 qualified. Having previously gained 20 years experience working in the restaurant business, most notably St John (London) and The Vintage Kitchen (Dublin), she provides a unique understanding of people’s needs with an emphasis on customer service and thrives on guiding people through their wine selections. Contact avril@boutiquewines.ie for more information.


The Frankly Wines & Friends Wine & Music Series
No. Guest Name Music to pair Wine to pair
14 Lee Isaacs The Rolling Stones – Gimme Shelter Domaine Jones Fitou
13 Sharon L Souls Of Mischief –  93 ‘Til Infinity Penfolds RWT
12 Tim Milford Copland’s Fanfare for the Common Man Nyetimber Classic Cuvée
11 Mags McKee U2 with BB King –  When Love Comes to Town Pittnauer Zweigelt Heideboden
10 Cara Rutherford The Cure – Just Like Heaven Suertes del Marqués ‘7 Fuentes’
9 Melanie May The Cult –  She Sells Sanctuary Sipp Mack GC Rosacker Riesling
8 James Hubbard Gary Moore – Parisienne Walkways Penfolds Bin 707 Cab Sauv
7 Paul Moran Underworld – Rez Suertes del Marqués Trenzado
6 Nirina Plunkett Jamiroquai – Space Cowboy Club Remix Wolfberger Crémant d’Alsace
5 Penny Sadler Fleetwood Mac – Dreams Bollinger Special Cuvée
4 Jim Dunlop The Beatles – The Long And Winding Road Man O’ War Valhalla Chardonnay
3 Avril Kirrane McMorrough Norah Jones – Don’t Know Why Joseph Cattin Riesling Reserve
2 Tim of Soliciting Flavours Samuel Barber’s Adagio for Strings Viña Tondonia Blanco
1 Sinéad Smyth Stardust – Music Sounds Better With You Mullineux Syrah