Wine + Music

The Frankly Wines & Friends Wine & Music Series #12 – Tim Milford

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –> they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

The twelfth installment of The Frankly Wines & Friends Wine & Music Series is hosted by  Germanophile Englishman Tim Milford.  If I said that he likes to “blow his own trumpet” and dubs himself “The King of Wine” I would be correct; however, this would be in a literal sense only, as he is an orchestral trumpet player(!) and a total gentleman with a well developed sense of humour to boot. 

I am something of a philistine when it comes to classical / orchestral music – I know a few tunes that I like but that’s about it.  However, when choosing a piece for Tim there was one that immediately came to mind as it featured trumpets: Aaron Copland’s Fanfare for the Common Man. When I was young living at home with my parents this was a favourite of my dad’s so I heard it many times.

The easy option for the wine pick would have been German Riesling, but I side-stepped that and chose an English sparkling wine that I know Tim and I both hold in high estimation: Nyetimber’s Classic Cuvée MV.  It’s a wine that I have been following for many years, with each successive vintage getting better.  Now that it is a multi-vintage it has stepped up even more.

I was delighted when Frankie asked me to contribute to his wine and music blog series, but also a little nervous as all of the other posts have been so good!

Frankie has chosen a classical theme for me, which I was really pleased about. I have been a trumpet player since I was eight years old and have been fortunate enough to play in some excellent bands and orchestras over the years. Music, just like wine, has been an amazing way for me to make friends and also to get to know more about the world that we live in.

My music taste is pretty eclectic, but I have always enjoyed classical music particularly. I think a good symphony is like test cricket (another one of my passions!) – the time that you have in this format allows you to appreciate the waxing and waning of the music, the development of intricate sub-plots within pieces. Whereas your average three minute rock or pop song is more like T20 cricket – it starts: crash, bang, wallop, it ends.

My favourite music in the classical space tends to be the bigger, grander, darker, more evocative music from the German and Russian masters: Mahler, Bruckner, Beethoven, Shostakovich and Prokofiev; but in truth there is so much variety out there that you just feel blessed that all of these incredible people have created such beauty – exactly how I feel about wine!

So, on to my pairings!

Nyetimber’s Classic Cuvée MV

Nyetimber-Our-Wines-Homepage-ClassicCuvee
Credit: Nyetimber

For the wine, Frankie selected for me Nyetimber’s Multi Vintage (MV) Classic Cuvée – a wine that I know very well and I knew straight away exactly where I was going to go for my music selection: Glenn Gould’s famous recordings of Bach’s Goldberg Variations. Why did I choose this? The Goldberg variations are a masterpiece of composition – combining moments of pure beauty, with complicated, intricate melodies and counter-melodies. But how does it make me feel when I listen to it? I often listen to this recording when I need to concentrate on something at work; it feels serene, it feels sophisticated, it feels masterly.

These are the kinds of feelings that I get when I think of Nyetimber’s Classic Cuvée; it’s a wine of breathtaking refinement, with layers of texture to it that are all perfectly balanced to give an immensely pleasurable drinking experience. It is pretty well known now that good English sparkling wine is giving Champagne a proper run for its money – and Nyetimber is absolutely one of those producers that I would point to. That’s before we start looking at their vintage BdBs, which are simply spectacular.

There’s another reason that I wanted to choose Glenn Gould’s version of the Goldberg Variations – Gould was Canadian and I wanted to give a little nod to Nyetimber’s head wine makers, Cherie Spriggs and Brad Greatrix, Canadians themselves. Cherie and Brad have done wonderful things during their tenure at Nyetimber and I thought this would be a nice tribute to them.

Aaron Copland – Fanfare for the Common Man

For my musical selection, Frankie gave me Copland’s “Fanfare for the Common Man” – a selection that I was delighted with! As a trumpet player, fanfares are always a fun experience to play, but the opening of this piece isn’t a fanfare in the sense that we might think of; it is altogether more refined. A lot of fanfares are designed to be regal and triumphal, this though seems to be a little less bombastic – which I guess is borne out in the piece’s name. This isn’t a piece celebrating the crowning of a king or a queen, but a celebration of the common man (and woman!).

I also like the structure of the piece, which builds layers as it goes through, starting with the timpani, followed by the trumpets; but then augmented by the rest of the brass section and more percussion players. When I listen to this piece there is something Olympic about it in the soaring notes for the trumpet, which sounds so powerful, so graceful, so majestic. Something that says: we have mastered this, we are in control and we know what we are doing.

The Milf
Credit: Tim Milford

So, what wine could I choose that gives you the same sentiment? I decided to pair this piece with a 2016 Santa Barbara Pinot Noir from the legends at Au Bon Climat in California. The wine is an absolute classic, coming from a coastal region in California it benefits from those sea breezes, which gives it a delicious freshness. It is fairly commonly observed that this is a wine made in a Burgundian style, which I think in this instance means that it has a poise and refinement, an elegance and class. It tantalises the tastebuds and excites the nostrils, but it does it all in a controlled and self-confident way. It is not over-the-top and showy, instead it sits there quietly exuding its grace and majesty.

This is a celebration of the majesty of Pinot Noir, one of the most loved and most temperamental grapes in the wine world. But it is a celebration held in a booth in a classy restaurant with fine food and fine wine, not a party held in some gaudy Mayfair nightclub favoured by those with too much money and too little class. The wines of Au Bon Climat are rightly revered for being right at the top of their game and this is no exception. A superb wine to match with a superb piece of music!

Tim Milford

Tim Milford is a project manager by day and an enthusiastic wine enthusiast by night! He is no expert when it comes to wine, but likes learning about the wine world one bottle at a time and has a particular penchant for German wine. Tim writes about wine (not as often as he would like) at www.vinspireuk.com and sometimes writes restaurant reviews (even less often, particularly recently) on his own website www.timmilford.com. You can find Tim on Twitter (@timmilford) and Instagram (@tjmilford), should you like to do those kinds of thing.

Wine + Music

The Frankly Wines & Friends Wine & Music Series #11 – Mags McKee

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –> they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

For the eleventh edition of this series we are in the capable hands of Mags McKee, a great friend and fellow DNSer (even though she lives south of the Liffey) . Mags has a long held passion for wine and has taken it to the next level with The Wine Pair, a wine bar and shop she opened with her husband Canice.  When I quizzed Mags on her taste in music, among many things she mentioned both U2 and the Blues, so there was an immediately obvious choice: a fantastic track from U2’s Rattle & Hum album featuring guitar and vocals from Riley B. King, aka the King of the Blues BB King.  This was in fact the track that really turned me on to the blues and it has since been one of my favourite genres.

There were so many wines I’ve tasted with Mags at consumer and DNS tastings over the years that I was spoiled for choice. Running through the wine list of The Wine Pair to narrow it down, I spotted one of my favourite Austrian reds: Pittnauer Zweigelt “Heideboden”. I was lucky enough to meet Gerhard Pittnauer and taste through his wines a few years ago.

When Love Comes to Town – U2 with BB King

I was delighted when Frankie gave me my music choice When Love Comes to Town – U2 with BB King as I am a big fan of U2, with Rattle and Hum being one of my favourite U2 albums. I am also an avid Blues fan and love the edge that the King of the Blues brings to this version. I know it may seem weird to some but listening to Blues makes me happy.

Love coming to town automatically made me think of a sparkling wine and as this is a rock song with the addition of the wonderful BB King what better than a naturally sparkling Pétillant Naturel, or Pet Nat for short. Pet Nat is made in the ‘methode ancestrale’, i.e. bottled before primary fermentation has finished (i.e. with yeast still alive and sugar remaining)  which then continues to ferment in the bottle, finishing relatively dry with pleasantly frothy bubbles.

A great natural Pet Nat I have been enjoying recently and a firm favourite with The Wine Pair customers is the deliciously ripe and Dangerously drinkable, Tour de Gendres. Its frothy bubbles release delicious tart orchard fruit and citrus notes. The bright acidity balances the slight sweetness as it dances on the tongue reminding me of how we have boogied to this great song.

Chateau-Tour-des-Gendres-pet-nat

This interesting and fun to drink Pet Nat is made from predominantly Sauvignon Blanc and Chenin Blanc (30%) by Luc di Conti in Bergerac, Southwest France, close to Bordeaux. Luc farms biodynamically on his 54 hectare vineyard, located on the bank of the Dordogne River, and uses seaweed, and other natural resources, to nourish the soil. The de Conti family has run the farm here since the early 1900s, but only in 1986 did Luc de Conti and his brother, Jean, decide to plant the vineyard and embark on a new adventure of viticulture and winemaking. In 1994, they became the first in the region to move away from pesticides and chemicals and turn to 100 percent organic farming.

The grapes from low yielding vines are allowed to fully ripen and are manually crushed. Partial fermentation, with indigenous yeasts, is in stainless steel vats with final fermentation in the bottle. It is bottled without fining, filtering or the addition of sulphur making it vegan friendly and a little cloudy.

This is wonderfully drinkable, and would be a great alternative for Prosecco drinkers looking for something a little more interesting while still being easy and fun to drink and its only 11% ABV.

We usually have it as an aperitif but I think it would go great with Sushi or Smoked fish. My cheese pairing for this would be a goat’s cheese maybe a St Tola or Cooleeney, Gortnamona to bring even more love to town.

This bright vibrant wine certainly brings Love to Town for me and its fantastic label from is pretty cool too. If you haven’t tried it yet “catch that flame” and “jump on that train”.

Pittnauer Zweigelt Heideboden

Pittnauer Zweigelt Heideboden

My wine choice from Frankie, Pittnauer Zweigelt Heideboden, was again one my favourites so gave me a great excuse to drink more and think about my choice of music for this wine.

I am a big fan of the high quality wines coming from Austria and my first visit to Vienna was booked for the end of March this year. I was really looking forward to trying some great Austrian wines whilst there but it didn’t happen due to Covid-19. The disappointment of my cancelled trip is reflected in my music choice – Vienna Calling by Falco. The lively and glamorous song from 1985 was the follow on hit to his other big hit song Rock me Amadeus.

A Mozart piece may have been an obvious choice for this wine but my eclectic music choices are hugely influenced by the 80’s and I love electronic music. Falco and his music sits in the genre of West German Rock, Neue Deutsche Welle “New German Wave”) which is originally derived from post punk and new wave with electronic influences, so I’m sure the music scene in Austria in the mid 80s was greatly influenced by one of my favourite groups Kraftwerk. Anyway, there is a nod to a Viennese waltz at the start of the song.

In the mid 80s, while Falco was rocking Amadeus, the Austrian wine industry was rocking in the midst of scandal and chaos , Gerhard Pittnaur, then only 18, started the Weingut Pittnauer business in Burgenland in the eastern corner of Austria. He had to train himself to make wine and chose to farm the indigenous grapes of the region. He thinks to ‘grow’ wine rather than to ‘make’ it in the cellar. Gerhard and his wife Brigitte decided to create what they call living wines. All work is done manually from composting to pruning. There is no calendar that drives them. Nothing is rushed: they believe in quality over speed. They taste for perfect ripeness, select the cleanest grapes, and begin the wine in the cellar.

Pittnauer Zweigelt Heideboden is 100% Zweigelt. Zweigelt is the most popular red wine variety in Austria and originates from the crossing of St. Laurent with Blaufrankisch. It is characterised by its cherry fruit and a juicy, soft style. This wine is bursting with red cherries, blueberries, blackberries and plums with hints of violet and black pepper. It’s an elegant wine with a long complex finish. As Falco says ‘Oh o Ho’.

This is one of my go to wines for a cheese and meat platter as it pairs well with most cheeses and cured meats and its acidity stands up to any pickled accompaniments giving no taste clashes.

Platter

So Hello, Vienna is still calling me and I will get there but until I do I can still enjoy great Austrian wines.

Mags McKee

Mags is one half of The Wine Pair, the other being Canice (who, in an amazing coincidence, also has the surname McKee!)  They opened The Wine Pair late last year with the aim of providing an informal neighbourhood wine bar where people could relax with a favourite glass (or carafe, or bottle) and choose small cheese or charcuterie plates to pair with it.  They also offered the option of take-home sales and in these Covid-19 affected times they have been busy offering collection and local delivery.

As well as their website you can find The Wine Pair on Instagram or Twitter.  They also have their own Twitter accounts: Mags & Canice.

Wine + Music

The Frankly Wines & Friends Wine & Music Series #10 – Cara Rutherford

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –> they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

My guest for this tenth post in The Frankly Wines & Friends Wine & Music Series is Cara Rutherford, a great friend whose knowledge and passion for Italian wine and loud trousers really puts me in the shade (though I might have an advantage on loud shirts).  Cara and I have a lot in common when it comes to wine but even more when it comes to music – I think we are of a similar vintage, but I would never ask a lady her age!

The Cure’s music has defied easy categorisation over the years, but has encompassed goth (a term they dislike), straight up pop (Friday I’m In Love) and rock (Shake Dog Shake).  I’ve been a fan of The Cure since the late ’80s.  Initially it was Standing on a Beach / Staring at the Sea which I had on repeat and then Disintegration, the best album ever per Kyle Broflovski.  The previous album Kiss Me Kiss Me Kiss Me had passed me by somewhat, but my favourite track from that album – Just Like Heaven – was played all three times I’ve seen them in concert (1992, 2002 & 2019).  It manages to be a really hooky pop song while still preserving The Cure’s sensibility.  Check out this analysis by Rick Beato.

While Cara’s main vinous focus is Italy, she also reviews plenty of wines from other countries – especially if they are made a low intervention style.  I’ve already chosen one wine from Suertes del Marqués in this series, but as I’m such a fan of their wines and had the pleasure of meeting Jonatan Garcia Lima earlier this year, I thought I’d chose their fabulous ‘7 Fuentes’ red which Cara had already reviewed and was familiar with.

The Cure – Just Like Heaven

I was delighted when Frankie sent me ‘Just Like Heaven’ to pair with a wine for his Wine & Music Series. Even though I’ve only had the pleasure of hanging out with Frankie one fantastic evening, he clearly sussed out my post-punk origins and general angst vibes.

As a GenXer, the Cure is one of the bands that not only changed but assisted in formulating and developing who I am. Robert Smith’s lyrics introduced and beckoned me into the existential cosmos of Nietzsche, Sartre and Camus. A philosophy that became my backbone growing up in the wasteland of upstate NY.

The otherworld, velvet flanger layers of his guitar, his imploring, flirtatious, angst saturated voice and words, his cascade of birds’ nest hair. The avante-guard Tim Pope videos that allowed an innocent, silly facet to shine through.

And the memories, I could go on and on; the thousands of times I made my saint of a grandmother watch the nearly 2 hours of magnificence that is The Cure in Orange with me in the afternoons after school. She was from London, so I rationalized that she would of course want to watch it over and over and over again with me……stockpiling Mary Quant liquid eyeliner when in London [I had read in an interview somewhere that was the brand he used]…..the years I lived in Dublin where I had the opportunity to track down the 7” & 12” records with their cool pastel or translucent vinyl bearing the ultimate in Cure treasures; ethereal b-sides that were held in god-like esteem for those fortunate enough to have actually found them.

So back to the pairing. ‘Just Like Heaven’ was one of the Cure’s biggest singles, with many accolades and perhaps the song that officially established them in the States.

‘Just Like Heaven’ is a glistening love song filled with dizzying iconography and shimmering melody. Looking for the same character in a wine, I immediately knew it would be sparkling and French, rooted in devotion and otherworldliness. It had to be Jean-Christophe Jezequel ‘Mademoiselle’ Vin de France 2018.

mademoiselle18
Credit: Cara Rutherford

Jean-Christophe Jezequel passionately cares for his 5 hectares of old vine vineyards in Faverolles-sur-Cher in the Loire Valley. He recovered and rehabilitated old, abandoned vineyards with vines dating back to 1945, none of which have ever seen chemicals. His grapes traditionally were sold to iconic ancestral method/pet-nat winemakers Pascal Potaire and Moses Gadouche of Domaine Les Capriades. In 2019, he released his first wine, ‘Mademoiselle’ the 2017 vintage, on his own label. Just a year later, he has 5 more wines in production.

Grapes are from old vines in clay, sand, and silex over limestone soils, harvested at the beginning of September. Followed by direct pressing of the two varieties together, then fermentation in fiberglass vats with multiple rackings. After a month of fermentation, the wine is hand and gravity bottled in early October, aged a little over a year on its lees.

Coral pink in colour, with delicate aromas of strawberry, rose petal, dusty earth and a wisp of frankincense. Red currant, wild strawberry, lemon, hibiscus flower and chalky minerality are buoyed by packed, tiny bubbles and tangy acidity. Pink grapefruit and green apple linger on the fizzy, mineral driven finish. Bright, engaging and refined.

Suertes del Marqués ‘7 Fuentes’

7f17
Credit: Cara Rutherford

Frankie’s wine choice was Suertes del Marqués ‘7 Fuentes’ Valle de la Orotava DO 2017, a favourite of mine that holds a place in my ‘house wine’ rotation. Jonatan Garcia Lima has 11 hectares of vineyards on the slopes of Teide, an active volcano in the northern part of Tenerife in the Canary Islands.

He is dedicated to low intervention, organic and sustainable practices in both the vineyards and cellar. 7 Fuentes is composed of 35 plots from area winegrowers and from the estate vineyards with vines ranging from 10 to 180 years old, at elevations 250 to 800 meters above sea level, in volcanic soils. Each plot is vinified separately. Fermented in concrete and stainless steel with native yeasts, 70% aged in concrete while the remaining 30% aged in used 500-liter oak barrels for nine months, unfined and unfiltered.

Dark ruby red in colour with engaging aromas of campfire, tarry earth, ash, grilled herbs, black cherry, candied violet and a wisp of burnt marshmallow. Silky layers of black cherry, raspberry, cranberry, red currant, clove, coriander, rose petal and grilled herbs are wrapped in saline minerality and drape across a framework of tangy acidity and firm tannins. Smoke, tarry earth crushed black peppercorn, roasted rosemary and baked cranberry linger on the plush finish. Striking, complex and velvety.

I felt only a Foo Fighters song would be able to echo the sinuous fusion of boldness and silky symmetry whirling through every sip of 7 Fuentes. Enter ‘The Line’, with exhilarating guitars, heart pounding drums and Dave’s legendary angst driven screams that meld seamlessly with blissful, dreamy melody and charged lyrics. Dave Grohl has stated that the song expresses “a search for hope in this day and age where you feel as if you’re fighting for your life with every passing moment, and everything is on the line.” The centuries old, braided vines set into a prehistoric, other planet looking environment of black volcanic earth at dizzying elevations have fought many battles and come out on the other side victorious.

Cara Rutherford

Cara Rutherford has been exploring and writing about wine for nearly a decade. Over the years her expertise has become razor-focused on Italian wines and the people who craft them. Having a Master’s in applied art and background in ancient art, she honed her art criticism and writing skills whilst working at Christie’s in New York City. Certified 3iC Central Italy Specialist, she is currently pursuing additional 3iC Specialist certifications [Italian International Indigenous Wine and Food Studies Center] under Ian D’Agata. Additionally, she holds a Highest Honors Italian Wine Scholar certificate, along with WSET 2 designation, with distinction. Check out her website caravino.net or follow her on Twitter and Instagram.

Wine + Music

The Frankly Wines & Friends Wine & Music Series #9 – Melanie May

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –> they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

Our ninth contributor to this series is the magnificent Melanie May.  Amongst other wines she mentioned that Riesling is her favourite white grape so of course I had to select an Alsace Riesling.  But not any Alsace Riesling, Sipp Mack’s Grand Cru Rosacker which has been a favourite of mine for the best part of a decade.  The 2011 was an amazingly big and heady vintage (at 14.0%!) which will remain in my top wines tasted, but the 2014 is a more elegant and subtle expression at 13.0%.  At around €30 in Ireland it is sensationally good value for money.

On the music side I chose a perennial favourite from the mid ’80s which straddled the rock and goth genres.  Billy Duffy’s powerful riffs help propel the song forward but for me it’s Nigel Preston’s pounding drums which really make the song excel.  This was Preston’s last track with The Cult, and didn’t even feature in the video as his replacement Mark Brzezicki featured instead.

Sipp Mack Alsace Grand Cru Rosacker Riesling 2014 

wine_music_melanie_may_ (5 of 5)
Credit: Melanie May

When Frankie asked me to contribute to his wine and music blog series I jumped at the chance. Not only because it gives me an opportunity to combine my love of writing, wine and music, but also my love of psychology too.

A little background, I used to take photographs of musicians and travelled around the UK snapping bands like The White Stripes, Razorlight, Stereophonics and The Libertines. My life revolved around going to gigs and backstage parties. Of course, that rock and roll lifestyle is well behind me now but my love of music is still as strong as ever.

Nowadays, I am a food and drink and travel writer and I have a WSET Level 3 Award in Wines. Before becoming a full-time writer though, I was studying to become a Clinical Psychologist and did my dissertation in Neuroscience.

Through my studies in psychology, I became aware of how different sensory experiences complement each other. There has been a few studies showing how music effects the perception and taste of wine. Did you know that people will buy significantly more expensive wine if classical music is playing than if the Top 40 is on? Apparently classical music encourages consumers to look for quality wines. Try it in your wine shop and see!

So, this pairing wine and music challenge is right up my street! I love this stuff.

I told Frankie that Riesling was my favourite white. So, when he asked me to pair a song to the 2014 Sipp Mack Riesling Grand Cru Rosacker my mouth instantly started watering. I had not tried that particular wine before, but knowing Frankie’s love of Alsace wine, I knew this was going to be a cracker.

And I was right. What a beautiful wine.

On the nose, the wine is floral with loads of juicy apple and bright citrus notes and a hint of petrol coming through too. The flavours are granny smith apples, cut red apple and baked apple too, lemon and lime. There is a wonderful chalky minerality to it too. It has an elegant mouthfeel and a long finish. It is super delicious.

The bright acidity and citrus notes of this wine are well matched to an upbeat pop song. The minerality and high acidity give this wine great structure, so I picked a song with a similar tight structure. The wine, with its delightful floral aromas and fruity flavours, is playful on the palate and even though it is high in acid it is quite smooth too. So, again, the song I chose is playful and smooth. The wine also has a great purity, it’s not encumbered with oak or other interfering wine making techniques, much like the matching song.

The song I paired with the 2014 Sipp Mack Riesling Grand Cru Rosacker is Good Day Sunshine by The Beatles – quite possibly my all time favourite band.

Good Day Sunshine is a bight and breezy, structured pop song – it is one of just a handful Beatles songs to use contiguous choruses. It is a pure pop song with no exotic instruments or tape loops. It is just Paul singing, Lennon harmonising and a piano and drums and very little guitar on the backing track. So, like the wine, it is bright, has great structure and is pure in taste and style.

Both the wine and the song capture the essence of carefree sunny days and both are good-mood enhancing. What a combo.

This wine is perfect for a barefoot picnic in the grass and this feel-good song is a magic, musical accompaniment.

I truly believe that when you pair the right wine with the right music, you get a heightened sensory experience that hits all the right notes. Maybe, one day, wine labels will say: ‘pairs well with shellfish and The Beatles’.

She Sells Sanctuary – The Cult

When Frankie asked me to pair a wine with the song ‘She Sells Sanctuary’ by The Cult I knew exactly what wine to choose: Château Vincens Les Graves De Paul Cahors 2014 

wine_music_melanie_may_ (3 of 5)
Credit: Melanie May

She Sells Sanctuary has been described as ‘a goth milestone’ and ‘quite possibly the most famous goth-rock song’. So, a fitting pairing is a ‘black’ wine. Well, I was hardly going to choose a Champagne, goths aren’t exactly known for being bubbly now, are they?

Black wine is Malbec from Cahors in France and its dark colour is caused by a high concentration of polyphenols from the Malbec grape skins.

This particular wine I choose has a dark label and gothic script – goths love flourishes like that. This bottle will therefore co-ordinate perfectly with their crushed velvet jackets and the writing is big enough to read though all their eye makeup.

This wine tastes best if you let the air at it for a little while, so pour it into your best chalice or goblet and leave it to breathe whist you go write some awful poetry.

When you listen to She Sells Sanctuary you’ll notice the soft build-up of the intro and then Ian Astbury’s impassioned vocals before the drama of the instrumental break hits. There is a great structure to this song and that’s thanks to pop producer Steve Brown, he worked with Wham!.

The wine also follows a similar trajectory. When you first sniff you get a soft build up of aromas like dark fruits, bramble, tobacco and woody spices. Then, when you first sip, you taste the fruit but it is balanced out with lovely savoury, smoky and spicy flavours. Then the drama of the mineral backbone, hint of oak and smooth tannins hit. This wine is intense, rich and elegant with great structure. Just like the song. As for the impassioned vocals? Well, this is a heartfelt wine with a sense of place. You can taste the terroir. It also has a restrained power, much like the vocal style of the lead singer.

Like most goths, this wine isn’t fully mature. The oak and tannins means you could age it for a few more years. I think ageing would smooth everything out just a tad more and let those lovely savoury flavours develop too.

With a wine this intense and rich you can pair it with big intense food. I chose to pair mine with steak because of its high iron content, cause, let’s face it, most goths look anaemic.

I think pairing a goth-rock song with a black wine helps keep the proper morbid mood, don’t you think? However, as this particular song has expressive pop overtones, I think this expressive, fruit-driven wine with smooth tannins and good structure is a harmonious match.

Overall, it’s a rich, complex and age-worthy wine that is delicious to drink now but could be something even more special if left to age for a few more years. It might even get a cult following!

It’s not hard to see why some wines from Cahors have a cult following! Get it? Cult? The Cult?

I’ll get my coat.

Melanie May

Melanie May is a food and wine writer and travel journalist from Dublin. She won the ‘Best Newcomer’ award at the 2019 Travel Extra Travel Journalist of the Year Awards and she is a member of the British Guild of Travel Writers and is a Guild of Fine Food, Great Taste Judge.

Her love of wine began in her early 20s when she worked in a wine shop in Dublin and she has been developing her palate and tasting skills ever since. She has a WSET Level 2 Award in Wines & Spirits and a WSET Level 3 Award in Wines and uses this knowledge to inform the wine articles she writes for her blog, Travel Eat Write Repeat.

You can also follow her gastronomic adventures on Twitter and on Instagram.

 

Wine + Music

The Frankly Wines & Friends Wine & Music Series #8 – James Hubbard

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –> they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

Part 8 of this series is in the capable hands of James Hubbard, a fellow wine tweeter who also wrote a guest piece for me in 2017.  The track I chose for him is a modern blues-rock classic from the onetime Thin Lizzy guitarist Gary Moore (who I saw “support” BB King in 2006).  Parisienne Walkways contains the lines:

I remember Paris in ’49
The Champs Elysee, Saint Michel
And old Beaujolais wine

which was a chance for James to run with a Beaujolais, but he resisted the easy score as you will see below. 

James posts up some cracking Australian wines on Twitter and Instagram so I though I’d go with a real big-hitter: Penfolds Bin 707 Cabernet Sauvignon, one of their very top red wines and named after the Boeing 707.  The 1998 707 is still the best red wine I have ever tasted.

Gary Moore – Parisienne Walkways

So when Frankie contacted me to ask if I would like to take part in his Wine and music series, I jumped at the chance. What fun! I’ll get a piece of Italian opera, maybe. Easy, right?

Then Frankie sent me the song: Parisienne Walkways, by Gary Moore. Mind. Blown. What on earth can I pair with this?? A 9-minute opus (well, live anyway) full of ridiculously long guitar notes. I mean it’s iconic, it’s brilliant but at the same time rather self-indulgent (or at least that’s how I remembered it).

However, as I listened to it several times, it all fell into place. I could easily have gone with a Beaujolais – Paris, steak frites and some bojo, right? I mean he even mentions it in the song, for goodness’ sake! And my goodness I love Beaujolais. Gamay rocks, as apparently does Gary Moore. But that would be too easy. Come on, James. Work a bit harder than that. As I delved deeper, I realised that what I used to think of as self-indulgence is actually self-knowing. Yes it’s a serious piece of music but it’s actually not taking itself too seriously. Then the penny dropped.

Bonny Doon ‘Le Cigare Volant’, from the amazing Randall Grahm.

Bonny Doon Le Cigare Volant

Just like the song, there’s a bit of everything in there (usually about 5 different grapes, a real Rhône Ranger) but the blend is just spot-on. It opens up so early and so well and it hits all the right notes throughout (unlike Morecambe and Wise, in the right order as well). This is an incredible wine. It’s earthy, rich yet playful, full-bodied yet perfectly balanced. Above all, it’s a wine that demands your attention but ultimately doesn’t take itself too seriously.

Penfolds Bin 707 Cabernet Sauvignon

Penfolds Bin 707 Cabernet Sauvignon

For my music choice, I was invited to find an appropriate accompaniment to Penfolds Bin 707 Cabernet Sauvignon. Wow. This is a wine that can live forever and is somewhat in the shadows of its more-famous sibling, but sorry Oasis you’re not coming in on this occasion. I need something more refined. Bin 707 is Tom Finney to Stanley Matthews’ Grange. Less lauded but the professionals always knew who was the greater.

Step forward the one, the only Bob Dylan. ‘One More Cup of Coffee’.

A song about unrequited love, taken from one of Dylan’s lesser-known albums. As with wine tastings, this is best enjoyed live and the version from Dylan’s Bootleg Series 5, The Rolling Thunder Revue is my personal favourite. Just like the 707, this has such a rich tapestry. It’s long and hauntingly beautiful. Once heard, never forgotten yet rarely spoken about in the same breath of some of Dylan’s other work.

Oh and whilst you’re at it, come for one more cup of coffee and stay for the entirety of the Bootleg live album. Just like delving into Penfolds’ catalogue and discovering other incredible wines you’d never realised were there, you’ll discover genius that truly will live forever.

James Hubbard

James Hubbard is a passionate wine amateur with an eclectic collection and a vastly inferior palate to that of his wife. A Europhile, he works for a major FMCG company as their EMEA Head of Talent Acquisition (a fancy way of saying ‘recruitment’). Lover of virtually all sports (particularly cricket, rugby union and American Football). You can follow him under @jameshubbard113 on both Twitter and Instagram.

Wine + Music

The Frankly Wines & Friends Wine & Music Series #3 – Avril Kirrane McMorrough

In these unusual times, we all need a lift from time to time.  As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –>  they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!)  Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

For the third installment in this series we are back to Dublin with the well-travelled Avril Kirrane McMorrough (see her bio below). For Avril’s wine there was an obvious choice – the Joseph Cattin Riesling Reserve that I recently wrote about myself and which Avril mentioned she is a fan of.

The track I selected for Avril is one of my favourites: “Don’t Know Why” from Norah Jones‘s debut album Come Away With Me.  I could ramble on about this song for ages with its understated elegance, but really all I need to do is show the chorus lyrics:

My heart is drenched in wine

But you’ll be on my mind

Forever

Joseph Cattin Riesling Reserve

Joseph Cattin Alsace Riesling

Riesling is arguably one of the world’s finest white wine grape variety. It can produce a range of styles to suit every palate ranging from light and floral to dry and spicy, rich and fruity or absolutely bone dry. It is also a wine with amazing cellaring potential. The North Eastern French region of Alsace produces some of the world’s best aromatic wines.

The Cattin family of Swiss descent have a long history in the Alsace, dating back to 1720. With knowledge and experience that has been passed down through the generations, the family now own 60 hectares of vines around Voegtlinshoffen, 10 kms South of the Alsatian wine capital of Colmar. Joseph Cattin became renowned for his pioneering work in grafting and is widely credited for saving some of Alsace’s best vineyards from Phylloxera.

Joseph Cattin Riesling Reserve fits into the dry, minerally, floral with lots of citrus lemon and lime category. On the palate there are expressions of apple and peach with a vibrant acidity and a long finish.

Our sense of taste, smell, hearing and sight can lead one to a magical memory that especially in these times can seem like a very long time ago. This Riesling reminds me of days spent in balmy summer evenings, out in the open air, carefree and laughing with loved ones while cooking seafood over an open fire. The liveliness of this wine is a perfect accompaniment not only to the food but to a happy atmosphere.

The track I have chosen “Time of the season” by The Zombies, with its psychedelic keyboard and vague jazzy feeling summons those exact joyful and warm memories. Its heady ambiance would make you get up, glass of Riesling in hand and boogie your way around that open fire. Both bring a sense of carefree gaiety, they are my perfect music/wine duet.

Norah Jones – Don’t Know Why

“Don’t Know Why” was recorded in one take in October 2000 for it was deemed good enough. The producer used the original demo as the final vocal take and added guitars and vocal harmonies to make it sound as if Jones was harmonizing with herself.  I have chosen to pair this song with Domaine Les Yeuses Syrah ‘Les Epices’.

Located in Mèze in the Languedoc region of France, between the Mediterranean and the Etang de Thau, Domaine Les Yeuses was built in the 13th century by the Templars at the site of an ancient Roman villa. The estate gets its name from a forest of evergreen oak trees (‘Yeuses’ in the local dialect). Today they have nearly disappeared, replaced by a path of olive trees. The estate has been in the Dardé family for more than 30 years. Jean Paul and Michel, brothers, share the vineyard and winemaking responsibilities. Their winery is continually recognised for its wide range of varietal wines; indeed, the geography of their vineyard gives their wines a lively acidity and distinctive profile.

Domaine Les Yeuses Syrah Les Epices

Their Syrah ‘Les Epices’ has been compared by some critics to a young Crozes-Hermitage, so value for money is achieved with this wine. A luscious dark garnet colour with purple hues, Les Epices is round and harmonious with an elegant softness. Hints of spice and notes of ripe black fruits, cherries and sweet liquorice and toffee lends itself to a velvety, sensual feeling in the mouth.

Elegant, soft ,round and structured can describe both wine and song. My perfect wine & song pairing.

Avril Kirrane McMorrough

Avril is the business development manager and in house sommelier for Boutique Wines and is WEST 3 qualified. Having previously gained 20 years experience working in the restaurant business, most notably St John (London) and The Vintage Kitchen (Dublin), she provides a unique understanding of people’s needs with an emphasis on customer service and thrives on guiding people through their wine selections. Contact avril@boutiquewines.ie for more information.

Wine + Music

The Frankly Wines & Friends Wine & Music Series #2 – Tim of Soliciting Flavours

In these unusual times, we all need a lift from time to time.  As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –>  they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!)  Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

For our seconding outing into the world of wine and music matching I am delighted to present the musings of Tim from Soliciting Flavours.  I don’t know what it is about his writing style but I could enjoy reading his review of the opening of a door or a glass of water. 

With my suggestions to people in this series I have tried to be kind rather than obscure – after all, they are doing me a massive favour by writing for me – so I picked a Spanish wine for Tim as he is such a hispanophile.  What I didn’t specify was the vintage; I’ve only tasted the most recent release (2005 I believe) available in Ireland but Tim has gone back much further!

As Tim professed to be somewhat old-fashioned in his musical taste I picked something orchestral for him, a piece which I know best from the film Platoon.  Another interesting take is William Orbit’s version taken from his album “Pieces in a Modern Style” or the dancey-trancy Ferry Corsten remix which – I’d imagine – features on many a gym bunny’s playlist.


“When I was asked by Frankie to participate in this exercise, I was rather daunted. My musical taste is somewhat dated, with nothing remotely contemporary on my quite small “what I listen to” list. Would I recognise the piece of music and what on earth would I pair music wise with the wine Frankie chose? Would I end up pairing a Breaky Bottom wine with the Cheeky Girl’s ” Touch my bum” 😱?

As it happened both the music piece and the wine came to me pretty much instantly on receiving my instructions from Frankie.

Viña Tondonia Blanco

20200507_181414

Viña Tondonia Blanco is certainly a unique wine. Made by arch traditionalist R. Lopez de Heredia, whose cellars are thick with mould and cobwebs, it has a glorious golden hue and the gran reservas can age for probably as long as the sun shines. To my mind never has the quote from Galileo (who knew a thing or two) that “wine is sunlight held together by water” been more apt for a wine.

The piece I have paired with this wine is Golden Brown by the Stranglers. It is a quirky number with a quite oldie worldie feel to it (like Tondonia) from the liberal use by David Greenfield (RIP) of the harpsichord. I saw someone refer to it as a song that could be a hit in 1981 and 1681. Timeless like Tondonia.

It is a song about passion (for a girl and heroin – not a missing “e” there I am afraid) and once I acquired a taste for Vina Tondonia Blanco it became a wine I am quite passionate about.

The first verse goes as follows:

“Golden brown, texture like sun

Lays me down, with my mind she runs

Throughout the night, no need to fight

Never a frown with golden brown.”

This verse sums up Vina Tondonia Blanco to me, a wine that looks like bottled sunlight, that can be laid down for eons. Not one to fight its golden embrace, it is a wine never brings a frown to my face (other than, perhaps, when I had to pay the bill for the 1991 Gran Reservas of it I have in the wine room).

Samuel Barber’s Adagio for Strings

In terms of the piece of music Frankie chose for me, Adagio for Strings is hauntingly beautiful piece. It builds layer upon layer with multiple climaxes before gently fading to an end. It is a piece that has been described by a critic as “…something as perfect in mass and detail as his craftsmanship permits”.

This is how I feel about Bodegas Muga’s Prado Enea. I love Rioja and out of all Riojas I probably love Prado Enea the most. At a tasting earlier this year lead by Jorge Muga, which included Prados from 1985 to 2011 (as well as various Torre Muga and Aro wines), the 2001 Prado was the star of the show.

Screenshot_20200506-155405_Chrome

It is a magical wine that makes me thank the gods/the randomness of the universe for placing geniuses amongst us and giving them the tools to make such great wine. Beautifully elegant, with primary, secondary and tertiary notes of dark fruit, spice, cigar box, tobacco, dried meat and citrus in the mix. Gloriously complex on the nose and the palate.

It had great length, lingering and developing on the palate for an age, with multiple climaxes of flavour, before slowly fading into the night.

Drinking this wine whilst listen to Adagio for Strings seems perfect to me.

Soliciting Flavours

Tim is a food and wine obsessed Cardiff based lawyer, with a particular passion for Spanish food and wine, who blogs under the pseudonym “Soliciting Flavours“. Catch him on Twitter and Instagram.”

Wine + Music

The Frankly Wines & Friends Wine & Music Series #1 – Sinéad Smyth

In these unusual times, we all need a lift from time to time.  As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

  • A piece of music –>  they suggest a wine to go with it, with an explanation
  • A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!)  Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

Kicking off the series is Sinéad Smyth, a fellow Dubliner (see her bio below).  For Sinéad’s wine I chose Mullineux Syrah from South Africa; this was one of the highlights of the Mullineux tasting I attended at the South African Embassy in Dublin last year with Kinnegar Wines, and it also showed very well at the DNS Wine Club South African tasting.

The track I chose for Sinéad was the French club hit “Music Sounds Better With You” by Stardust, an offshoot of Daft Punk.  I loved this song when it came out and it remains one of the songs which will call me onto the dancefloor, no questions asked!.

Mullineux Syrah

Mullineux Range Syrah

Hailing from Swartland just an hour away from Cape Town, Mullineux Syrah is a multi award-winning wine. Located in the Western Cape of South Africa, Swartland is renowned for its Syrah & Chenin Blanc. Winemaker Andrea Mullineux was awarded Wine Enthusiast’s International Wine Maker of the Year in 2016. Mullineux Syrah gives a true expression of the terroir of the area; Schist, Shale, Granite, Quartz & Iron soils make up the vineyards. Their approach to winemaking involves minimal intervention, with only minimal amounts of sulphur added in the cellar. Mullineux wines are unfined and unfiltered, which I think is a little like jazz music. Sometimes it can be a little bit underappreciated which is why I choose Baby I’m a Fool by Melody Gardot to pair with this wine.

It’s a smooth jazz number that at first listen, sounds like a simple refined tune, but if you listen back you’ll hear layers upon layers of individual elements that combine to make one easy listening song.

This silky Syrah is elegance defined. Half its grapes have been whole bunch fermented, giving it a strong backbone of tannins. Open an hour before you drink and allow this supple wine to open up fully, and while you do let yourself listen back to Melody Gardot’s mellow voice envelope your mind. Mullineux Syrah is a wine to be savoured, it’s a special wine that deserves your full attention, so I think this song is the perfect match!

The song begins with the most wonderful arrangement of strings, with soft notes gently rising and falling until a brief pause before a solo guitar plays, gently plucking its strings as the singer’s raspy voice joins.

Andrea Mullineux said she believes Syrah expresses the site on which it’s grown unlike any other variety, and that’s exactly what good jazz does. It makes you feel the emotions of the music. So uncork that bottle and pop on your favourite records.

Stardust – Music Sounds Better With You

When this song was released I was just 8 years old! I remember hearing it on the radio and throughout my house as my 3 older brothers made mix tapes (remember mix tapes? Waiting for your favourite song to come on the radio and the race to press record!). Every time I hear this song it makes me want to dance. The heavy beat of the drum and the repeating upstrokes on the guitar, it’s almost impossible not to bob your head or tap your feet along to the music.

To pair with this dancey, upbeat tune I thought of a tipple that would be perfect for parties and is a crowd-pleaser. Something that you can easily sip and raise a glass with while boogying down on the dance floor. I’ve chosen Casa di Malia Prosecco DOC from Boutique Wines. Produced in the Botter Winery (close to Venice) the grapes for their wines come from Tenuta Divici which is a collection of family-owned vineyards (all certified organic), on the hills around the area of Treviso.

Botter Prosecco

It’s crisp and full of refreshing citrus flavours of lemon zest and crisp green apple on the nose. Made with 100% Glera grapes this wine is organic with an ABV of 11% – so you won’t trip over your dancing shoes anytime soon.

While it would be nice with light appetisers or shellfish I think it’s the perfect aperitif. It’s light, fresh and well balanced. I also love the easy to reseal closure on the bottle, plus the label is absolutely beautiful.

Sinéad Smyth

Sinéad is a freelance food & travel writer from Dublin. With a BA in Culinary Arts and a Wine Spirit Education Trust Level 2 qualification this girl knows her food and wine. When she’s not feasting she’s exploring the world, seeking out the next great adventure. She has travelled extensively throughout Europe and even further afield to China and the Caribbean. You can find delicious food and travel inspiration on her site over at glamorousglobetrotting.com. You can also follow Sinéad’s adventures on Instagram and Twitter.

Opinion

Wines at Xmas #17 – Sorcha Holloway [Guest Post]

For winelovers, Christmas is a time when we look forward to drinking – and even sharing – a special bottle or two.  This might be a classic wine with traditional fare or just something different we’ve wanted to try for a while.  I asked some wine loving friends what they were looking forward to and they have kindly agreed to write a blog post for me.

Sorcha Holloway is the founder and owner of luxury wine tour company Away With Wine and also hosts the Twitter Chat #ukwinehour on Thursday evenings at 19.00 GMT / 20.00 CET


I’m dreaming of a Ciacci Piccolomini d’Aragona Christmas…
My Christmas Wine will not be a surprise to anyone who knows me and my passion for Sangiovese, Brunello di Montalcino in particular.  I discovered Brunello on my first trip to Montalcino with Mr H in 2007, a destination chosen because of Isabella Dusi’s book “Vanilla Beans and Brodo” (Christmas gift tip for Brunello-lovers!).  I fell under the spell of both this magical medieval town and its magnificent wine.  IMG-4533I have been a regular visitor since and I’m pretty sure I leave another little piece of my heart there every time.  This is where my love affair with fine wine really began, and probably where the seed for Away With Wine was first planted.
When on a wine tour there this summer I returned to this fabulous winery with its ancient and modern cellars, and family of wolves for good measure!  After a comprehensive tasting in the company of the charming owner, Paolo Bianchini, I was tempted, unsurprisingly, to ship some treasures home, including this – a magnum of 2007 Ciacci Piccolomini d’Aragona single vineyard Pianrosso Brunello di Montalcino.  I promise to share with my family in Ireland on Christmas Day.
It has been snowing in Montalcino this last few days – since I can’t have Christmas there, then this is the next best option.  A presto, Montalcino!
Ciacci Piccolomini d’Aragona Pianrosso Brunello di Montalcino 2007 (14.5%): not currently available in UK/Ire – bought at the winery, but delighted to report that Mentzendorff have recently started working with Ciacci Piccolomini d’Aragona so we hope to see more of their wines available in the UK soon.

The full series of Wines at Xmas:

 

Opinion

Wines at Xmas #16 – Effi Tsournava [Guest Post]

For winelovers, Christmas is a time when we look forward to drinking – and even sharing – a special bottle or two.  This might be a classic wine with traditional fare or just something different we’ve wanted to try for a while.  I asked some wine loving friends what they were looking forward to and they have kindly agreed to write a blog post for me.

Effi Tsournava works in the UK wine trade and is currently Brand Manager at ‎Maisons Marques et Domaines Ltd.  She is also an established wine blogger at effidrinkswine.com.


Two wines to elevate your Christmas festivities game

2017 must have been the quickest year of my whole life!

It sound like such a cliché but I HONESTLY feel like Christmas was just a few months ago but certainly not almost 12 months ago! For this feeling of complete restlessness, I enjoy blaming my WSET Diploma course but at the same time, this is what has made this year so unbelievably exciting. Learning about the plethora of wine styles around the globe has made me even more curious and certainly thirstier!

Since I have been enjoying far too many beautiful wines at my WSET course this year to make you feel sorry for my workload, I thought it was only fair to branch out and introduce some other than Greek wines on the Tsournavas’ Christmas table this year and see how I can satisfy the delectable taste buds of my friends and family!


Schlum-Riesling-Saering-306x1147Domaines Schlumberger Riesling Grand Cru Saering 2014: I have always been a big fan of Riesling’s tantalising vibrancy of fruit and unmistakable freshness and complexity. Sometimes, it can be quite tricky to tempt people to try a variety that they either might have never heard of before or they did and didn’t particularly like!

Alsatian Riesling is characterised by this distinctive elegance and power with a tremendous amount of freshness and complexity but with lots of finesse and elegance.  This one from Schlumberger never ceases to surprise me!  The family owns more grand cru vineyards than anyone else in Alsace and their Saering shows a fantastic spectrum of sweet lime, waxed lemon, cold honey and elegant hints of minerality and kerosene. Delicious!

Excellent with curries, oriental cuisine, shellfish or even cabbage dolmades! I usually invite my friends over for pre-Christmas lunch and this would go down like a dream!

Domaines Schlumberger Riesling Grand Cru Saering 2014 (12.5%): available for £17-£20 from The Wine Society, Davy’s, Harrods, Oxford Wine Company


Castello-Gran-Selezione-306x1043Castello di Fonterutoli Gran Selezione Chianti Classico 2013: Mazzei is one of the oldest and most important winemaking families in Italy with 25 generations of history. Sometimes, you need that much of experience in order to produce such a world class Sangiovese!  This wine is a cross between James Dean and Steve McQueen; a rare blend of charm, sophistication and seduction.

Awarded “Best Chianti” in the last Decanter World Wine Awards, this is the Sangiovese of dreams!  The result of 120 single vineyards and equal number of individual vinifications, made from 36 clones of Sangiovese (18 unique to Fonterutoli), this Italian red is the essence of “Super Chianti Classico”.  Tons of black berries, redcurrant and juicy red cherries, dark chocolate and finely ground coffee with the silkiest mouthfeel!  Is this how true love really feels like?  Try with Christmas lunch paired with wild boar sausages and steaks cooked with prunes.

Castello di Fonterutoli Gran Selezione Chianti Classico 2013 (14.0%): available for £45 – £50 from Harrods, Davy’s, Cambridge Wine Merchants, Il Toscanaccio, Petersham Cellar.


The full series of Wines at Xmas: