In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:
- A piece of music –> they suggest a wine to go with it, with an explanation
- A wine –> they suggest a piece of music to go with it
It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.
Part 8 of this series is in the capable hands of James Hubbard, a fellow wine tweeter who also wrote a guest piece for me in 2017. The track I chose for him is a modern blues-rock classic from the onetime Thin Lizzy guitarist Gary Moore (who I saw “support” BB King in 2006). Parisienne Walkways contains the lines:
I remember Paris in ’49
The Champs Elysee, Saint Michel
And old Beaujolais wine
which was a chance for James to run with a Beaujolais, but he resisted the easy score as you will see below.
James posts up some cracking Australian wines on Twitter and Instagram so I though I’d go with a real big-hitter: Penfolds Bin 707 Cabernet Sauvignon, one of their very top red wines and named after the Boeing 707. The 1998 707 is still the best red wine I have ever tasted.
Gary Moore – Parisienne Walkways
So when Frankie contacted me to ask if I would like to take part in his Wine and music series, I jumped at the chance. What fun! I’ll get a piece of Italian opera, maybe. Easy, right?
Then Frankie sent me the song: Parisienne Walkways, by Gary Moore. Mind. Blown. What on earth can I pair with this?? A 9-minute opus (well, live anyway) full of ridiculously long guitar notes. I mean it’s iconic, it’s brilliant but at the same time rather self-indulgent (or at least that’s how I remembered it).
However, as I listened to it several times, it all fell into place. I could easily have gone with a Beaujolais – Paris, steak frites and some bojo, right? I mean he even mentions it in the song, for goodness’ sake! And my goodness I love Beaujolais. Gamay rocks, as apparently does Gary Moore. But that would be too easy. Come on, James. Work a bit harder than that. As I delved deeper, I realised that what I used to think of as self-indulgence is actually self-knowing. Yes it’s a serious piece of music but it’s actually not taking itself too seriously. Then the penny dropped.
Bonny Doon ‘Le Cigare Volant’, from the amazing Randall Grahm.

Just like the song, there’s a bit of everything in there (usually about 5 different grapes, a real Rhône Ranger) but the blend is just spot-on. It opens up so early and so well and it hits all the right notes throughout (unlike Morecambe and Wise, in the right order as well). This is an incredible wine. It’s earthy, rich yet playful, full-bodied yet perfectly balanced. Above all, it’s a wine that demands your attention but ultimately doesn’t take itself too seriously.
Penfolds Bin 707 Cabernet Sauvignon

For my music choice, I was invited to find an appropriate accompaniment to Penfolds Bin 707 Cabernet Sauvignon. Wow. This is a wine that can live forever and is somewhat in the shadows of its more-famous sibling, but sorry Oasis you’re not coming in on this occasion. I need something more refined. Bin 707 is Tom Finney to Stanley Matthews’ Grange. Less lauded but the professionals always knew who was the greater.
Step forward the one, the only Bob Dylan. ‘One More Cup of Coffee’.
A song about unrequited love, taken from one of Dylan’s lesser-known albums. As with wine tastings, this is best enjoyed live and the version from Dylan’s Bootleg Series 5, The Rolling Thunder Revue is my personal favourite. Just like the 707, this has such a rich tapestry. It’s long and hauntingly beautiful. Once heard, never forgotten yet rarely spoken about in the same breath of some of Dylan’s other work.
Oh and whilst you’re at it, come for one more cup of coffee and stay for the entirety of the Bootleg live album. Just like delving into Penfolds’ catalogue and discovering other incredible wines you’d never realised were there, you’ll discover genius that truly will live forever.
James Hubbard
James Hubbard is a passionate wine amateur with an eclectic collection and a vastly inferior palate to that of his wife. A Europhile, he works for a major FMCG company as their EMEA Head of Talent Acquisition (a fancy way of saying ‘recruitment’). Lover of virtually all sports (particularly cricket, rugby union and American Football). You can follow him under @jameshubbard113 on both Twitter and Instagram.






I have been a regular visitor since and I’m pretty sure I leave another little piece of my heart there every time. This is where my love affair with fine wine really began, and probably where the seed for Away With Wine was first planted.
Domaines Schlumberger Riesling Grand Cru Saering 2014: I have always been a big fan of Riesling’s tantalising vibrancy of fruit and unmistakable freshness and complexity. Sometimes, it can be quite tricky to tempt people to try a variety that they either might have never heard of before or they did and didn’t particularly like!
Castello di Fonterutoli Gran Selezione Chianti Classico 2013: Mazzei is one of the oldest and most important winemaking families in Italy with 25 generations of history. Sometimes, you need that much of experience in order to produce such a world class Sangiovese! This wine is a cross between James Dean and Steve McQueen; a rare blend of charm, sophistication and seduction.
Several years before (1980) I had given my father a bottle of wine which I had purchased while in France on a school trip (I did not drink then for the record). It was a Chenin Blanc from the Loire and he said that this Christmas day seemed like a fitting time to open it. I am often surprised that we don’t yet represent any Loire wineries but this something I hope to fix over the next year.
Emilien Château le Puy 2014: “Fabulous, powerful, inky, floral, perfumed, fruity and earthy, iron, edgy acidity.” This is the note I made in June at a dinner in Chapter One of several vintages of this wine. I am looking forward to returning to it at Christmas and this time from magnum. The estate is situated at the second highest point of the Gironde which makes for later ripening and higher levels of acidity. Predominantly Merlot and from an uncompromising bio-dynamic estate. To me this is Bordeaux as it should be.
Fear is the reason I’ll be drinking this wine this Christmas.
Christmas is about family and friends, sharing and reflection on the year which is fading. My choice of wine reflects these. I have lived most of the last 3 years in the Languedoc and spent much of the time helping at and writing about Mas Coutelou. Jean-François (Jeff) Coutelou makes a series of excellent natural wines but for this special occasion I shall choose
The first is ‘
My second wine is the beautiful ‘