Tasting Events

Unfinished Sympathy

After a little reflection, one of the most important characteristics of a great winemaker (in my humble opinion) is sympathy for the vineyards they pick from and the grapes that they harvest.  Underlying this are intelligence, knowledge, and more than a little humility.

Many winemakers develop this sympathetic nature over the course of decades with a small number of plots of land and as few as two or even just one grape variety, as is the case in Burgundy.  Indeed, sometimes it’s an ancestral connection with knowledge that has been passed down in the family for generations.

In stark contrast to the timescale of the Burgundians, I give you Pieter Hauptfleisch Walser of BLANKbottle.  Pieter has 58 different varieties growing all over the Western Cape, though you won’t see them mentioned on the bottle.  A few months ago, thanks to WineMason I had the opportunity to try eight of this wines which were new to the Irish market (and only available in very small quantities).  Each has an intriguing backstory and a interesting label to go with it.

with apologies for the quality of my snaps…

Rabbitsfoot 2018 (14.5%, RRP ~ €30)

BLANKbottle Rabbits Foot 2018

We start with a Sauvignon Blanc, but not that you would probably recognise at first – it’s not like a Loire or Kiwi Sauvignon, and to be honest it’s not even like other South African Savvies, although perhaps some could be though of as baby versions of this.  It has more body, texture and alcohol than most Sauvignons, still grassy but with spicy notes.  Tasted blind my first guess would have been Grüner Veltliner!

Full details here

BOBERG 2018 (13.5%, RRP ~ €33)

BLANKbottle BOBERG 2018

Boberg means “on top of the mountain” and the mountain is pictured on the label – but not on its own.  It is depicted as being overlooked by seven generations of Pieter’s family who lived on the farm next to it.  These Chenin Blanc vines are old and low yielding, and have recently been certified organic.  For 2018 they were picked early and fermented in old French oak barrels with natural yeast.  The wine is fresh but with real depth; a whole basket of Granny Smith apples with a few Golden Delicious and lemons.

Full details here

Kortpad Kaaptoe 2018 (13.0%, RRP ~ €33)

BLANKbottle Kortpad Kaaptoe 2018

Pieter found these vines while on his travels and took a backroad shortcut to get to his next appointment – the name means “shortcut to Cape Town”.  The grape variety used is even more obscure (especially in South Africa): Fernão Pires!  If you’re a fan of Portuguese wine then it might not be so obscure as it is grown throughout Portugal, sometimes under the moniker Maria Gomes.  It’s a highly aromatic grape, somewhere in the realm of Gewurztraminer and Viognier, though fairly gentle (Alsace aficianados: think of Klevener de Heiligenstein).  I liked this wine though it didn’t shine quite as brightly for me as the two whites above.

Full details here

B.O.E.T. 2017 (14.0%, RRP ~ €36)

BLANKbottle B.O.E.T. 2017

It’s fairly well known among wine geeks that South Africa’s signature variety Pinotage was created as a cross between Pinot Noir and Cinsaut (the Rhône’s Cinsault, then known as Hermitage in South Africa).  This wine is something of a family reunion as it features all three grapes, though Pinotage is dominant with small amounts of Cinsaut and Pinot Noir.  On the nose I would never have guessed this to be a Pinotage blend – my best guess would perhaps have been a Languedoc red.  The palate is lighter, with medium body, lithe red fruit and good acidity.  This is the perfect example of BLANKbottle’s labelling philosophy – those who would be put off by the varieties might well love this wine if tasted without knowing.  I certainly loved it!

Full details here

My Koffer 2018 (13.5%, RRP ~ €37)

BLANKbottle My Köffer 2018

This is single vineyard Cinsaut (without the “l” as usually spelt in South Africa) – a variety known for high yields and large berries which is often used to make rosé or inexpensive bulk red wine.  It’s not a grape I taste as a single varietal very often, but if it’s as good as this then I definitely should.  The nose is all cherries, following through onto the palate where they are joined by exotic spices.  The finish is pleasantly dry.

Full details here

My eie Stofpad 2017 (14.5%, RRP ~ €38)

BLANKbottle My eie Stofpad 2017

This wine is principally Cabernet Franc but also has a splash of Cabernet Sauvignon and Malbec, all from different vineyards, so it’s technically a Bordeaux blend.  It tastes nothing like a Bordeaux, with thick mouthfeel and ripe blackcurrant fruit.  There’s a savoury edge as well plus fine grained tannins.  An excellent wine.

Oppie Koppie 2017 (14.5%, RRP ~ €39)

BLANKbottle Oppie Koppie 2017

This lovely Syrah reminded me of St Joseph or Hawke’s Bay on steroids – but not as ripe and juicy as most Aussie Syrah/Shiraz.  Perhaps we (I) just just stop with the comparisons and say it’s a great example of South African Syrah.  Whole bunch fermentation is used in varying degrees depending on the vintage (and in particular how ripe the stems are) – for this 2017 80% was whole bunch.  2017 was the first vintage that a little Syrah from Swartland and Cinsaut from Breedekloof were added to the main Syrah from Voor-Paardeberg, all for additional complexity.  The result is a fantastic red wine that is rich yet fresh, full of black and red fruit and spice, but no jamminess.

Full details here

B.I.G. 2017 (14.5%, RRP ~ €41)

BLANKbottle B.I.G. 2017

This is a single varietal blend; if that sounds strange it’s because it’s made from Cabernet Sauvignon grapes grown in eight different vineyards across South Africa.  Well, normally eight, from sea level up to mountain tops, except for the 2017 vintage which saw the fruit from two of the vineyards lost to smoke taint from fires – depicted on the label.  This is definitely a Cabernet Sauvignon but it’s not too far in character from the Cabernet Franc above, just a little richer and with more pronounced blackberry and blackcurrant fruit.  As you’d expect there are fine grained tannins to keep everything in check. A truly delicious wine.

Full details here

Tasting Events

Another Brick In The Wall – Part 4

A medley of whites from the WineMason tasting earlier this year:

Bodegas Altos de Torona Rías Baixas Albariño Torre de Ermelo 2016 (12.4%, RRP €19 – Stockist TBC)

TORRE DE ERMELO_botella_4300pxh

Bodegas Altos de Torona is one of three producers in Rías Baixas who form part of the HGA Bodegas group.  HGA have holdings across many of northern Spain’s best wine areas including Rioja, Ribero del Duero and Ribeira Sacra.  This wine is from the O Rosal sub-zone, just 3.5km from the Miño River (which forms the border with Portugal) and 10km from the Atlantic Ocean.

Torre de Ermelo is made in a fresh – almost spritzy – style, with floral, citrus and mineral notes framed by a streak of acidity.  Great value for money!

 

Vale da Capucha VR Lisboa Fossil Branco 2014 (14.0%, RRP €18 at Green Man Wines)

Fossil

If your palate is just used to white wines from supermarkets then this might seem a little alien at first.  It bears no resemblance to the usual Sauvignon Blanc, Pinot Grigio or Chardonnay – but then why should it?  This is a blend of three indigenous Portuguese grapes, Arinto, Gouveio and Fernão Pires grown close to the Atlantic coast just north of Lisbon.

The name of the wine is a clue to the vineyard soil type – lots of limestone!  There are indeed mineral notes on this wine but lots more besides – soft fruit, herbs and flowers. Overall it’s a dry wine with lots of texture, a fine partner for lots of dishes.

 

BLANKbottle Moment of Silence 2016 (13.5%, RRP €24 at Green Man Wines, Baggot St Wines, The Corkscrew, Mitchell & Son & Red Island)

Blank

This is a very intriguing wine from a very interesting producer.  Pieter H. Walser is the man behind BLANKBottle and aims to make wines which highlight excellent South African terroir rather than the variety/ies that they are made from.  He buys in all his grapes rather than farming himself.  This all gives him flexibility so he can change the components of a blend from year to year or produce entirely new wines as a one-off; it also helps his wines to be judged on their contents rather than preconceptions about varieties.

Moment of Silence is a blend (for the 2016 vintage at least!) of Chenin Blanc, Grenache Blanc and Viognier.  From 2015 onwards the grapes were sourced from seven different sites within Wellington.  This wine is quite round in the mouth with apple and stone fruit flavours.  The Viognier influence shines through as a touch of richness, but it isn’t oily.  A wine that deserves to be tried.

 

Rijckaert Arbois Chardonnay 2015 (13.0%, RRP €23 at The Corkscrew, Mitchell & Son & Redmonds)

Arbois

Belgian winemaker Jean Rijckaert founded his own estate in 1998 based on vineyards in the Maconnais and Jura, further east.  Of course the key variety shared by these regions is Chardonnay, which can reflect both where it is grown and how it is vinified.  Yields are low and intervention is kept to a minimum – once fermentation is complete the wines are left to mature without racking, stirring or anything else.

Jura Chardonnay comes in two distinct styles, oxidative and none-oxidative, depending on whether air is allowed into the maturing barrels; this is definitely the latter, (ouillé) style of Jura Chardonnay for which I have a marked preference.  It’s recognisably oaked Chardonnay but very tangy and food friendly.  A great way into Jura wines!

 

De Morgenzon Reserve Chenin Blanc 2014 (14.0%, RRP €34 at 64 Wine & The Corkscrew)

Chenin

De Morgenzon translates as The Morning Sun which is a wonderfully poetic name, attached to a wonderful South African winery.  Although South Africa is usually labelled as “new world” when it comes to wine, vines have been planted in this part of Stellenbosch since the early 1700s.  Wendy and Hylton Appelbaum bought DeMorgenzon in 2003 and have transformed the estate and its wines.

The entry level DMZ Chenin is a very nice wine, clean and fresh, but this Reserve is a step above.  The vines were planted in 1972 (an auspicious year!) and interestingly were originally bush vines but recently lifted onto trellises.  People often wonder what makes one wine cost more than another similar wine, and in this case the picking in four different passes through the vineyard (to ensure optimum ripeness and balance) shows you why.  Fermentation takes place in French oak barrels (with wild yeast) followed by 11 months of maturation on the lees.  These really add to the flavour profile – there’s a little bit of funk from the wild yeast, lots of creaminess from the lees and soft oak notes from the barrels (only 25% were new).   This is a real treat!

 

Another Brick in the Wall series:

Tasting Events

Six Top Whites from the Ely Big Tasting

ely-bar-brasserie-private-wine-room

The Ely Big Tasting is now something of an institution on the Dublin wine scene, giving interested wine drinkers a chance to try a wide variety of wines from Ely’s suppliers.  Some of them are already established favourites and some are shown to gauge interest from punters.  Over the several events that I’ve attended (Spring and Autumn each year) it has been interesting to see the camaraderie and some good natured competition between the importers.

Here are six of my favourite whites from the Autumn 16 event:

D’Arenberg “The Money Spider” South Australia Roussanne 2010 (13.2%, Febvre)

money-spider

Roussanne is one of the most important grapes in France’s Rhône Valley and Languedoc-Roussillon.  Innovative McLaren Vale producers d’Arenberg decided to plant white Rhône varieties given how successful the Rhône varieties Shiraz/Syrah, Grenache and Mourvèdre are in the Vale.  And the theory paid off!  Nutty and peachy, it’s full of interesting flavours that you just don’t find in the usual supermarket suspects of Sauvignon Blanc, Pinot Grigio and Chardonnay.  Seek it out!

Ingrid Groiss Gemischter Setz Weinwiertel 2015 (Wine Mason)

gemischter-satz-cropped

Lovely field blend of 17 different varieties. These vines are all planted in the same vineyard and are harvested and vinified together. When Ingrid took on the family vineyards she had to rely on her grandmother to identify which variety was which!

The result in the glass is both complexity and drinkability – what more could you want?

In case you were curious, the varieties are:

Chardonnay, Müller Thurgau, Welschriesling, Grüner Veltliner, Riesling, Grauburgunder, Pinot Blanc, Frühroter Veltliner, Neuburger, Zierfandler, Rotgipfler, Sämling, Roter Veltliner, Grauer Vöslauer, Hietl Rote, Weiße Vöslauer and Silberweiße.

More info here.

Trimbach Alsace Vieilles Vignes Riesling 2012 (13.0%, C+C Gilbey’s)

riesling-selection-de-vieilles-vignes-2012-trimbach

This Vieilles Vignes (“Vee-ay Veen”, Old Vines) Riesling is a step above the standard Riesling (which I like) and slots in below Trimbach’s premium Cuvée Frédéric Emile.  The VV is only made in certain years (2009 was the release previous to this 2012) so my guess is that Trimbach only decide to make it when they have more quality fruit than they need for “Fred”.

Ther fruit is sourced from the lieux-dits (named vineyards) Rosacker, Muehlforst, Vorderer Haguenau and Pflaenzer.  Being old, the vines yield less grapes than in their youth, but the resultant wines have more intense and complex flavours.  This wine is mainly available in bars and restaurants (such as Ely!) rather than wine merchants and is worth calling in for on it own!

Lucien Aviet “Cuvée des Docteurs” Arbois-Jura 2011 (13.0%, La Rousse)

lucien

The Jura region – nestled in the hills between Burgundy and Switzerland – has been making wine for a long time, but has only recently stepped into the limelight.  The area’s Vin Jaune has been regarded as an interesting diversion but now the table wines are receiving lots of attention – due in no small part to Wink Lorch’s excellent book.

Whereas Vin Jaune and some other Jura wines are deliberately exposed to oxygen during their production, this Chardonnay is in the ouillé “wee-ay” style – the barrels are topped up to prevent a flor forming or major oxidative notes.  It’s therefore much more my cup of tea – or glass of wine!  The wild yeasts used are reflected somewhat in the wild flavours, so this isn’t for everyone, but every wine enthusiast should try it at least once.

La Fief du Breil “La Haye Fouassière” Muscadet Cru Communal 2013 (12.5%, Wines Direct)

le_fief_du_breil_1

Anyone who has holidayed on the Atlantic coast of France and has enjoyed the seafood there is almost certain to have tried Muscadet, from the western reaches of the Loire.  It’s a wine while is often maligned outside of an accompaniment for oysters, and if we take the average quality of all wines produced then that’s probably not too unfair.  However, some producers are very quality conscious and can make some fantastic wines in the region.

This cuvée spends 14 months on the lees, giving a very creamy texture, but remains refreshing thanks to vibrant acidity.  It will partner well with seafood but is just downright delicious on its own.

More info here (downloads).

Brookland Valley “Verse 1” Margaret River Chardonnay 2015 (13.5%, Liberty)

bv

Compared to most of the producers above, Brookland Valley is a newcomer – they were established in Margaret River in 1983 (compared to 1626 for Trimbach!)  While heritage and history are nice, at the end of the day it’s what’s in the glass that counts.  Verse 1 is their “entry level” range, with Estate above that and Reserve at the top.

This Chardonnay is a cracker, still young perhaps but full of flavour.  Racy grapefruit and lemon are set against brioche, vanilla and nuts.  It’s well balanced with a long finish.  If drinking in the next year or so then decant for half an hour before drinking, if you can.

More info here.

Single Bottle Review, Tasting Events

So you think you know Douro wines?

Port is one of the great fortified wines of the world.  Even though it’s not particularly fashionable at the moment, many wine drinkers keep a special place in their heart – and their drinks cabinets – for Port.  On top of the usual Vintage and LBV Ports there are lots of new styles being created such as Bottle-matured LBV and Rosé Port.

Then we have “dry” Douro reds which are dark, tannic and powerful – though full of fruit. In some ways they really are dry Ports, made from the same grapes, full-bodied and occasionally surpassing 15%.  The quality of Douro table wines has improved significantly over the past decade or two (as has most Portuguese wine) so they are generally well-received.

….and now for something completely different…

Niepoort Clos de Crappe Douro 2013 (12.5%, RRP €23)

clos-de-crappe

So first you notice the name – pretty amusing in my opinion, especially when you realise it sounds quite like “a load of crap“, but then I have quite a childish sense of humour.  At least it stands out!

Then you notice the verses on the label – what the actual heck is this?  You can just about make out one of them on the photo above, here’s another:

A modern old style wine.
A wine full of character, some mistakes.
Technically a disaster.
But a wine full of passion and expression.
A wild , intense nose full of reduction.
A palate “the incredible lightness of being”.
Fine, elegant and very long.
“What the hell is Clos de Crappe?”

How novel!  It really seems as though Niepoort were having a lot of fun with this wine and its packaging – and I think more producers should take note.

When reading the label you might also notice the alcohol – only 12.5%, which is a far cry from the typical big Douro reds.  Before popping the cork, you already know that the contents are going to be something different.

Then finally the wine itself.  In the glass it’s much lighter than most Portuguese reds, and really brings the funk on the nose (regular readers may have noticed that I love funky wines).  Smoke and “struck-match” reductive notes add to the intrigue.

Then to taste, red fruit is in abundance, with fresh acidity and a light mouthfeel.  This wine drops large Burgundian hints, though of course the local grapes (Touriga Franca, Tinta Roriz, Sousão, Alicante de Bouschet, Rufete and others) are different.

Tasted blind, I would never place this wine in the Douro.  Even though I had poured it out of the bottle myself, I had some doubts!  It’s a wonderful wine…but the sting in the tail is that production is very small, and only a few cases allocated to Ireland.  Seek it out before it all goes!

Many thanks to Ben and Barbara from WineMason who parted with one of their precious bottles.