Tag: Wine Mason

Another Brick In The Wall – Part 4

A medley of whites from the WineMason tasting earlier this year:

Bodegas Altos de Torona Rías Baixas Albariño Torre de Ermelo 2016 (12.4%, RRP €19 – Stockist TBC)

TORRE DE ERMELO_botella_4300pxh

Bodegas Altos de Torona is one of three producers in Rías Baixas who form part of the HGA Bodegas group.  HGA have holdings across many of northern Spain’s best wine areas including Rioja, Ribero del Duero and Ribeira Sacra.  This wine is from the O Rosal sub-zone, just 3.5km from the Miño River (which forms the border with Portugal) and 10km from the Atlantic Ocean.

Torre de Ermelo is made in a fresh – almost spritzy – style, with floral, citrus and mineral notes framed by a streak of acidity.  Great value for money!

 

Vale da Capucha VR Lisboa Fossil Branco 2014 (14.0%, RRP €18 at Green Man Wines)

Fossil

If your palate is just used to white wines from supermarkets then this might seem a little alien at first.  It bears no resemblance to the usual Sauvignon Blanc, Pinot Grigio or Chardonnay – but then why should it?  This is a blend of three indigenous Portuguese grapes, Arinto, Gouveio and Fernão Pires grown close to the Atlantic coast just north of Lisbon.

The name of the wine is a clue to the vineyard soil type – lots of limestone!  There are indeed mineral notes on this wine but lots more besides – soft fruit, herbs and flowers. Overall it’s a dry wine with lots of texture, a fine partner for lots of dishes.

 

BLANKbottle Moment of Silence 2016 (13.5%, RRP €24 at Green Man Wines, Baggot St Wines, The Corkscrew, Mitchell & Son & Red Island)

Blank

This is a very intriguing wine from a very interesting producer.  Pieter H. Walser is the man behind BLANKBottle and aims to make wines which highlight excellent South African terroir rather than the variety/ies that they are made from.  He buys in all his grapes rather than farming himself.  This all gives him flexibility so he can change the components of a blend from year to year or produce entirely new wines as a one-off; it also helps his wines to be judged on their contents rather than preconceptions about varieties.

Moment of Silence is a blend (for this vintage at least!) of 65% Chenin Blanc with the balance split between Chardonnay and Viognier.  From 2015 onwards the grapes were sourced from seven different sites within Wellington.  This wine is quite round in the mouth with apple and stone fruit flavours.  The Viognier influence shines through as a touch of richness, but it isn’t oily.  A wine that deserves to be tried.

 

Rijckaert Arbois Chardonnay 2015 (13.0%, RRP €23 at The Corkscrew, Mitchell & Son & Redmonds)

Arbois

Belgian winemaker Jean Rijckaert founded his own estate in 1998 based on vineyards in the Maconnais and Jura, further east.  Of course the key variety shared by these regions is Chardonnay, which can reflect both where it is grown and how it is vinified.  Yields are low and intervention is kept to a minimum – once fermentation is complete the wines are left to mature without racking, stirring or anything else.

Jura Chardonnay comes in two distinct styles, oxidative and none-oxidative, depending on whether air is allowed into the maturing barrels; this is definitely the latter, (ouillé) style of Jura Chardonnay for which I have a marked preference.  It’s recognisably oaked Chardonnay but very tangy and food friendly.  A great way into Jura wines!

 

De Morgenzon Reserve Chenin Blanc 2014 (14.0%, RRP €34 at 64 Wine & The Corkscrew)

Chenin

De Morgenzon translates as The Morning Sun which is a wonderfully poetic name, attached to a wonderful South African winery.  Although South Africa is usually labelled as “new world” when it comes to wine, vines have been planted in this part of Stellenbosch since the early 1700s.  Wendy and Hylton Appelbaum bought DeMorgenzon in 2003 and have transformed the estate and its wines.

The entry level DMZ Chenin is a very nice wine, clean and fresh, but this Reserve is a step above.  The vines were planted in 1972 (an auspicious year!) and interestingly were originally bush vines but recently lifted onto trellises.  People often wonder what makes one wine cost more than another similar wine, and in this case the picking in four different passes through the vineyard (to ensure optimum ripeness and balance) shows you why.  Fermentation takes place in French oak barrels (with wild yeast) followed by 11 months of maturation on the lees.  These really add to the flavour profile – there’s a little bit of funk from the wild yeast, lots of creaminess from the lees and soft oak notes from the barrels (only 25% were new).   This is a real treat!

 

Another Brick in the Wall series:

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Six Top Whites from the Ely Big Tasting

ely-bar-brasserie-private-wine-room

The Ely Big Tasting is now something of an institution on the Dublin wine scene, giving interested wine drinkers a chance to try a wide variety of wines from Ely’s suppliers.  Some of them are already established favourites and some are shown to gauge interest from punters.  Over the several events that I’ve attended (Spring and Autumn each year) it has been interesting to see the camaraderie and some good natured competition between the importers.

Here are six of my favourite whites from the Autumn 16 event:

D’Arenberg “The Money Spider” South Australia Roussanne 2010 (13.2%, Febvre)

money-spider

Roussanne is one of the most important grapes in France’s Rhône Valley and Languedoc-Roussillon.  Innovative McLaren Vale producers d’Arenberg decided to plant white Rhône varieties given how successful the Rhône varieties Shiraz/Syrah, Grenache and Mourvèdre are in the Vale.  And the theory paid off!  Nutty and peachy, it’s full of interesting flavours that you just don’t find in the usual supermarket suspects of Sauvignon Blanc, Pinot Grigio and Chardonnay.  Seek it out!

Ingrid Groiss Gemischter Setz Weinwiertel 2015 (Wine Mason)

gemischter-satz-cropped

Lovely field blend of 17 different varieties. These vines are all planted in the same vineyard and are harvested and vinified together. When Ingrid took on the family vineyards she had to rely on her grandmother to identify which variety was which!

The result in the glass is both complexity and drinkability – what more could you want?

In case you were curious, the varieties are:

Chardonnay, Müller Thurgau, Welschriesling, Grüner Veltliner, Riesling, Grauburgunder, Pinot Blanc, Frühroter Veltliner, Neuburger, Zierfandler, Rotgipfler, Sämling, Roter Veltliner, Grauer Vöslauer, Hietl Rote, Weiße Vöslauer and Silberweiße.

More info here.

Trimbach Alsace Vieilles Vignes Riesling 2012 (13.0%, C+C Gilbey’s)

riesling-selection-de-vieilles-vignes-2012-trimbach

This Vieilles Vignes (“Vee-ay Veen”, Old Vines) Riesling is a step above the standard Riesling (which I like) and slots in below Trimbach’s premium Cuvée Frédéric Emile.  The VV is only made in certain years (2009 was the release previous to this 2012) so my guess is that Trimbach only decide to make it when they have more quality fruit than they need for “Fred”.

Ther fruit is sourced from the lieux-dits (named vineyards) Rosacker, Muehlforst, Vorderer Haguenau and Pflaenzer.  Being old, the vines yield less grapes than in their youth, but the resultant wines have more intense and complex flavours.  This wine is mainly available in bars and restaurants (such as Ely!) rather than wine merchants and is worth calling in for on it own!

Lucien Aviet “Cuvée des Docteurs” Arbois-Jura 2011 (13.0%, La Rousse)

lucien

The Jura region – nestled in the hills between Burgundy and Switzerland – has been making wine for a long time, but has only recently stepped into the limelight.  The area’s Vin Jaune has been regarded as an interesting diversion but now the table wines are receiving lots of attention – due in no small part to Wink Lorch’s excellent book.

Whereas Vin Jaune and some other Jura wines are deliberately exposed to oxygen during their production, this Chardonnay is in the ouillé “wee-ay” style – the barrels are topped up to prevent a flor forming or major oxidative notes.  It’s therefore much more my cup of tea – or glass of wine!  The wild yeasts used are reflected somewhat in the wild flavours, so this isn’t for everyone, but every wine enthusiast should try it at least once.

La Fief du Breil “La Haye Fouassière” Muscadet Cru Communal 2013 (12.5%, Wines Direct)

le_fief_du_breil_1

Anyone who has holidayed on the Atlantic coast of France and has enjoyed the seafood there is almost certain to have tried Muscadet, from the western reaches of the Loire.  It’s a wine while is often maligned outside of an accompaniment for oysters, and if we take the average quality of all wines produced then that’s probably not too unfair.  However, some producers are very quality conscious and can make some fantastic wines in the region.

This cuvée spends 14 months on the lees, giving a very creamy texture, but remains refreshing thanks to vibrant acidity.  It will partner well with seafood but is just downright delicious on its own.

More info here (downloads).

Brookland Valley “Verse 1” Margaret River Chardonnay 2015 (13.5%, Liberty)

bv

Compared to most of the producers above, Brookland Valley is a newcomer – they were established in Margaret River in 1983 (compared to 1626 for Trimbach!)  While heritage and history are nice, at the end of the day it’s what’s in the glass that counts.  Verse 1 is their “entry level” range, with Estate above that and Reserve at the top.

This Chardonnay is a cracker, still young perhaps but full of flavour.  Racy grapefruit and lemon are set against brioche, vanilla and nuts.  It’s well balanced with a long finish.  If drinking in the next year or so then decant for half an hour before drinking, if you can.

More info here.

So you think you know Douro wines?

Port is one of the great fortified wines of the world.  Even though it’s not particularly fashionable at the moment, many wine drinkers keep a special place in their heart – and their drinks cabinets – for Port.  On top of the usual Vintage and LBV Ports there are lots of new styles being created such as Bottle-matured LBV and Rosé Port.

Then we have “dry” Douro reds which are dark, tannic and powerful – though full of fruit. In some ways they really are dry Ports, made from the same grapes, full-bodied and occasionally surpassing 15%.  The quality of Douro table wines has improved significantly over the past decade or two (as has most Portuguese wine) so they are generally well-received.

….and now for something completely different…

Niepoort Clos de Crappe Douro 2013 (12.5%, RRP €23)

clos-de-crappe

So first you notice the name – pretty amusing in my opinion, especially when you realise it sounds quite like “a load of crap“, but then I have quite a childish sense of humour.  At least it stands out!

Then you notice the verses on the label – what the actual heck is this?  You can just about make out one of them on the photo above, here’s another:

A modern old style wine.
A wine full of character, some mistakes.
Technically a disaster.
But a wine full of passion and expression.
A wild , intense nose full of reduction.
A palate “the incredible lightness of being”.
Fine, elegant and very long.
“What the hell is Clos de Crappe?”

How novel!  It really seems as though Niepoort were having a lot of fun with this wine and its packaging – and I think more producers should take note.

When reading the label you might also notice the alcohol – only 12.5%, which is a far cry from the typical big Douro reds.  Before popping the cork, you already know that the contents are going to be something different.

Then finally the wine itself.  In the glass it’s much lighter than most Portuguese reds, and really brings the funk on the nose (regular readers may have noticed that I love funky wines).  Smoke and “struck-match” reductive notes add to the intrigue.

Then to taste, red fruit is in abundance, with fresh acidity and a light mouthfeel.  This wine drops large Burgundian hints, though of course the local grapes (Touriga Franca, Tinta Roriz, Sousão, Alicante de Bouschet, Rufete and others) are different.

Tasted blind, I would never place this wine in the Douro.  Even though I had poured it out of the bottle myself, I had some doubts!  It’s a wonderful wine…but the sting in the tail is that production is very small, and only a few cases allocated to Ireland.  Seek it out before it all goes!

Many thanks to Ben and Barbara from WineMason who parted with one of their precious bottles.