Tag: Fernao Pires

Another Brick In The Wall – Part 4

A medley of whites from the WineMason tasting earlier this year:

Bodegas Altos de Torona Rías Baixas Albariño Torre de Ermelo 2016 (12.4%, RRP €19 – Stockist TBC)

TORRE DE ERMELO_botella_4300pxh

Bodegas Altos de Torona is one of three producers in Rías Baixas who form part of the HGA Bodegas group.  HGA have holdings across many of northern Spain’s best wine areas including Rioja, Ribero del Duero and Ribeira Sacra.  This wine is from the O Rosal sub-zone, just 3.5km from the Miño River (which forms the border with Portugal) and 10km from the Atlantic Ocean.

Torre de Ermelo is made in a fresh – almost spritzy – style, with floral, citrus and mineral notes framed by a streak of acidity.  Great value for money!

 

Vale da Capucha VR Lisboa Fossil Branco 2014 (14.0%, RRP €18 at Green Man Wines)

Fossil

If your palate is just used to white wines from supermarkets then this might seem a little alien at first.  It bears no resemblance to the usual Sauvignon Blanc, Pinot Grigio or Chardonnay – but then why should it?  This is a blend of three indigenous Portuguese grapes, Arinto, Gouveio and Fernão Pires grown close to the Atlantic coast just north of Lisbon.

The name of the wine is a clue to the vineyard soil type – lots of limestone!  There are indeed mineral notes on this wine but lots more besides – soft fruit, herbs and flowers. Overall it’s a dry wine with lots of texture, a fine partner for lots of dishes.

 

BLANKbottle Moment of Silence 2016 (13.5%, RRP €24 at Green Man Wines, Baggot St Wines, The Corkscrew, Mitchell & Son & Red Island)

Blank

This is a very intriguing wine from a very interesting producer.  Pieter H. Walser is the man behind BLANKBottle and aims to make wines which highlight excellent South African terroir rather than the variety/ies that they are made from.  He buys in all his grapes rather than farming himself.  This all gives him flexibility so he can change the components of a blend from year to year or produce entirely new wines as a one-off; it also helps his wines to be judged on their contents rather than preconceptions about varieties.

Moment of Silence is a blend (for this vintage at least!) of 65% Chenin Blanc with the balance split between Chardonnay and Viognier.  From 2015 onwards the grapes were sourced from seven different sites within Wellington.  This wine is quite round in the mouth with apple and stone fruit flavours.  The Viognier influence shines through as a touch of richness, but it isn’t oily.  A wine that deserves to be tried.

 

Rijckaert Arbois Chardonnay 2015 (13.0%, RRP €23 at The Corkscrew, Mitchell & Son & Redmonds)

Arbois

Belgian winemaker Jean Rijckaert founded his own estate in 1998 based on vineyards in the Maconnais and Jura, further east.  Of course the key variety shared by these regions is Chardonnay, which can reflect both where it is grown and how it is vinified.  Yields are low and intervention is kept to a minimum – once fermentation is complete the wines are left to mature without racking, stirring or anything else.

Jura Chardonnay comes in two distinct styles, oxidative and none-oxidative, depending on whether air is allowed into the maturing barrels; this is definitely the latter, (ouillé) style of Jura Chardonnay for which I have a marked preference.  It’s recognisably oaked Chardonnay but very tangy and food friendly.  A great way into Jura wines!

 

De Morgenzon Reserve Chenin Blanc 2014 (14.0%, RRP €34 at 64 Wine & The Corkscrew)

Chenin

De Morgenzon translates as The Morning Sun which is a wonderfully poetic name, attached to a wonderful South African winery.  Although South Africa is usually labelled as “new world” when it comes to wine, vines have been planted in this part of Stellenbosch since the early 1700s.  Wendy and Hylton Appelbaum bought DeMorgenzon in 2003 and have transformed the estate and its wines.

The entry level DMZ Chenin is a very nice wine, clean and fresh, but this Reserve is a step above.  The vines were planted in 1972 (an auspicious year!) and interestingly were originally bush vines but recently lifted onto trellises.  People often wonder what makes one wine cost more than another similar wine, and in this case the picking in four different passes through the vineyard (to ensure optimum ripeness and balance) shows you why.  Fermentation takes place in French oak barrels (with wild yeast) followed by 11 months of maturation on the lees.  These really add to the flavour profile – there’s a little bit of funk from the wild yeast, lots of creaminess from the lees and soft oak notes from the barrels (only 25% were new).   This is a real treat!

 

Another Brick in the Wall series:

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A Portuguese Posse

A Portuguese Posse

As you might have read on this blog I am a big fan of Portuguese wines, both white and red.  They are often made using indigenous grapes which aren’t known well (if at all) outside the country so are interesting, taste good, and are nearly always great value for money.

The first Saturday in April was a washout, but thankfully the day was made a little brighter by Sweeney’s of Glasnevin who opened some Portuguese wine for tasting.  Here are my brief notes:

Portuga Branco VR Lisboa 2014 ( 12.0%, €12)

Portuga Large

A blend of Arinto, Vital and Fernão Pires from around Lisbon.  Light and refreshing, quite simple and straightforward, but nothing wrong with that. Citrus notes with a crisp finish. Did you notice the low abv of 9.5%?  I didn’t when tasting it [update: because Google got it wrong on this occasion ]!

Quinta do Cardo Branco 2011 €14.50

Quinta do Cardo Large

This white is a blend of Siria (which I’d never heard of before) and Arinto (which is far more common).  The grapes are “ecologically grown” (which I suppose might mean organic) in vineyards at 700 metres elevation.

Compared to the Portuga above it has a more sophisticated nose, with orange in particular showing through.  The palate is less expressive, however.  This might be due to its age – most whites like this are consumed young.  Some inexpensive wines do develop further after their initial fruit has faded – like this ten year old Chilean Gewurz – but there is only trial and error to find out!

Lab VR Lisboa Tinto 2014 (13.0%, €12)

Lab Large

And now on to the reds.  This cheap and cheerful number is a blend of Castelão (35%), Tinta Roriz (aka Tempranillo, 25%), Syrah (25%) and Touriga Nacional (15%).  After fermentation it is aged in new Portuguese oak for 4 months.

A quick taste and details of the blend are forgotten.  It’s soft and fruity, a very approachable wine. Lots of cherry and other red fruits, but fresh, not confected nor sour. Immensely gluggable!

Segredos de São Miguel VR Alentejano 2015 (13.5%, €12 or 2 for €22)

Segredos de São Miguel Large

This time the blend is Alicante Bouschet, Aragonez (aka Tempranillo, again), Touriga Nacional and Trincadeira.  It’s made in the Alentejo region but is a Vinho Regional (VR) rather than a DOC, and the back label suggests it’s a fun rather than serious wine.

On tasting I’d have to agree that it’s fun, but although nice it is very young indeed (only six months old?)  It shows promise but needs to relax and come out of its shell – perhaps in time for the annual week of Dublin sunshine?

Vale da Mata VR Lisboa Tinto 2010 (13.0%, €20)

Vale Da Mata Large

Although only a VR, the back label does state that this is from the Sub-Região Alta Estremadura.  Estremadura is the historical name for the province around Lisbon and in fact was the previous name of the VR Lisboa, so perhaps this is an indicator of quality.

After the Lab and the Segredos de São Miguel this is a bit more serious.  It has darker fruit and a touch of tannin (steak here we come!).  On its own it was good, but not great – I think it definitely needs food to shine.

Herdade de Rocim VR Alentejano Tinto 2010 (14.0%, €19)

Herdade de Rocim Large

We almost have a full house of varieties here: Aragonez, Alicante Bouchet, Syrah, Touriga Nacional and Trincadeira.  As you might expect it is full of dark fruit, particularly blackberries and plums.  Note the vintage – 2010 – it’s already showing some development, with violets and pencil shavings on the nose.

Among the higher priced reds on show this was definitely my favourite.  Given the flavour profile and structure it reminded me of an Haut Médoc from a ripe vintage (such as 2010 in fact).  Interestingly (and reassuringly), when I last took notes on (the same vintage of) this wine nearly two years ago I recommended it to Claret lovers.  This wine and I are on the same page!

Herdade de Sobroso DOC Alentejo Tinto 2013 (14.0%, €22)

Herdade do Sobroso Large

The back label for this wine states that it is made from the “noble” varieties of the Alentejo, later revealing them to be Aragonez (30%), Trincadeira (30%), Alicante Bouschet (20%) and Alfrocheiro (20%).  This last grape was another one new to me, apparently favoured for the deep colour it brings to blends, and amusingly also known as Tinta Bastardinha.

“Barrique Select” on the front lets you know it has been aged in oak – and a wine geek like me would presume 225 litre French oak barrels, though the back reveals this to be only partly true; the wine was indeed matured in French oak barrels for 12 months, with the forest (Alier) even specified, but in 500 rather than 225 litre barrels.  If this seems like splitting hairs, perhaps it is, but the larger sized barrels add a certain roundness as much as oakiness.

I liked this wine, but I think it suffered from being after the Herdade de Rocim which had more intense flavours.  I’d like to give this wine another try in a big wine glass after a few hours in a decanter – I suspect it would really open up.