Tasting Events

Some Highlights from the Aldi Ireland Press Tasting

Like its close rival Lidl, German discount chain Aldi has established a foothold in the wine market and is looking to broaden its range up the market.  Known for low cost wines which are technically well made but somewhat lacking in verve, they are trying to bring their customers up market by offering fancier wines, though still with an eye on the ticket.  Of course given Ireland’s ridiculous level of tax on wine it nearly always makes sense to trade up, whether it’s a few nice bottles from your local wine merchant or a bottle in the trolley with your cornflakes.

Here are a few of my favourites from the recent Aldi Ireland press tasting:

Leon Launois Grand Cru Champagne Blanc de Blancs 2006 (€26.99)

Leon Launois Grand Cru Champagne Blanc de Blancs 2006
Leon Launois Grand Cru Champagne Blanc de Blancs 2006

Aldi’s main Champagnes carry the label Veuve Monsigny and have won awards in the past few years.  While they are pleasant to drink and definitely good value as Champagne goes in Ireland, the latest addition above is a different beast entirely.

Leon Launois now makes a variety of different cuvées, but prior to their purchase by the producers of Champagne Charles Mignon in 2003 their only wine was a Blanc de Blancs Grand Cru from Mesnil-sur-Oger.  This wine maintains that tradition – it has a beautiful brioche nose (from the time spent ageing on the lees) and that follows through on the palate, with lifted lemon through the middle (from the Chardonnay).  The mousse is lovely and creamy and it has a very long finish.  Very classy.

Emozione Franciacorta DOCG Brut 2009 (€22.99)

Emozione Franciacorta DOCG Brut 2009
Emozione Franciacorta DOCG Brut 2009

Franciacorta DOCG is a traditional method sparkling wine made in the eponymous area located in Lombardy, central-northern Italy.  It’s a relatively new name as sparkling wine has only been made there in any significant quantity since the early 60s, but is a world away from Prosecco in terms of production process.  One of the main differences from Champagne in practice is that the grapes are often picked when fully (but not over) ripe, so they have more intensity of flavour and can reach higher alcohol as base wines.

At first I wasn’t sure whether to include this as I think it will be quite polarising – some people will love it and some will loathe it.  But if you don’t take a risk in life you can get stuck in a rut!  The blend is 85% Chardonnay, 10% Pinot Nero (Noir) and 5% Pinot Bianco (Blanc), which is actually the same proportion that those grapes are planted in the Franciacorta DOCG area.

This might sound weird but I thought this had a slightly savoury finish.  I think grilled tuna steak would be a great match.

Exquisite Collection Gavi 2013 (€7.49)

Exquisite Collection Gavi 2013
Exquisite Collection Gavi 2013

Are you surprised by this recommendation?  I certainly was!  Gavi is a light Italian white wine made from the Cortese grape, and due to fashion is often priced far higher than its intensity of flavour would suggest.  Among my friends in Dublin it has become something of a joke, so I thought I would just try this for shits and giggles.

But to my amazement it has flavour!  Lots of stone and soft white fruit – we’re talking peach, pear and apricot.  There’s fruit sweetness here but a dry finish.  Like many Italian whites it has plenty of acidity but it’s not austere or boring.  Would be great with seafood or a light salad starter.

And if you have a friend or relative who loves Italian Pinto Grigio, give them this to try as an alternative.

Edouard Delaunay Chassagne Montrachet 2000 (€24.99, available from 2nd Nov)

Edouard Delaunay Chassagne Montrachet 2000
Edouard Delaunay Chassagne Montrachet 2000

Yes you read that correctly – a 14 year old white wine from for 25 yoyos from Aldi.  This obviously goes waaay past the everyday drinking category.  Without trying to be snobby I doubt the vast majority of regular shoppers would recognise it, but bravo to Aldi for broadening their range.

On the nose there is lots of buttered toast, due to maturation in oak and subsequent bottle age.  The buttered toast continues on the palate but with some tropical fruit notes and lemon freshness.  A complex wine that deserves a big glass for contemplation.

Charles de Monteney Condrieu 2012 (€23.99, available from 2nd Nov)

Condrieu 2012
Charles de Monteney Condrieu 2012

Condrieu is in the heart of the northern Rhône and for a long time was the last bastion of the difficult to grow Viognier grape.   Viognier is now grown more widely in the Rhône and further afield in places such as California, Australia and New Zealand.  It often has more body and certainly more texture than average for a white wine – you might call it a red drinker’s white.  Some examples can have an oily viscosity to them, not dissimilar to Alsace Pinot Gris (which is a firm favourite of mine).

And so it proves in this example.  It has an amazing nose with orange blossom and orange liqueur combined – more Cointreau than Fanta.  On tasting, there’s a touch of honey, apricot (typical for Viognier) and that orange again.  Unlike many examples of Condrieu this is enjoyable on its own without food.

I think this is another polarising wine, so approach with caution, but I believe it’s worth taking a punt.

Thomas Schmidt Private Collection Riesling Auslese 2013 (€14.99, available from 2nd Nov)

Thomas Schmidt Private Collection Riesling Auslese 2013
Thomas Schmidt Private Collection Riesling Auslese 2013

From the land of the long wine name comes a sweet and fruity number from the Mosel.  At only 8.5% alcohol this is one which won’t rush to your head – in fact it’s around the strength where a small (125ml) glass is equivalent to the British or Irish official units of alcohol.

Despite encouragement from a host of wine commentators, Riesling remains unloved by the majority of casual wine drinkers, principally due to associations with sweet and flabby sugar water concoctions from the 1970s such as Liebfraumilch.  Aside from the fact that many of those contained little or no Riesling, they were cheap blends with no relation to quality wine.

Not all Riesling is sweet, but this one is – very sweet in fact, but not flabby at all.  There is a pronounced ZING of acidity balancing out the residual sugar.  This is a young wine but will develop beautifully over the next decade or more.  Who says white wines don’t keep?

Edouard Delaunay Maranges Premier Cru “Les Roussots” 2008 (€29.99, available from 2nd Nov)

Edouard Delaunay Maranges Premier Cru "Les Roussots" 2008
Edouard Delaunay Maranges Premier Cru “Les Roussots” 2008

This is real, grown-up Pinot Noir from its heartland of the Côte d’Or in Burgundy.  Whereas entry level Pinots from the new world can be jammy and confected, and cheaper French Pinots are sometimes too dry and lacking in fruit, this Premier Cru example has lots of fresh fruit but a dry, savoury edge.  Typically you’d expect red fruit from Pinot Noir – strawberry and raspberry – but this adds some black fruit as well.

At six years of age this has opened up and is starting to develop additional layers of complexity.  If that’s what you like then put a few bottles down, but it’s drinking well now.  The acidity is enough to cut through fatty meat, so if you have duck or goose planned for a fancy meal later in the year (not going to say the word) then this would partner well.

Trius Showcase Canadian Icewine 2013 (€29.99, available from 2nd Nov)

Trius Showcase Canadian Icewine 2013
Trius Showcase Canadian Icewine 2013

Vidal is a hybrid grape partly descended from Ugni Blanc which is the main grape in the Cognac area.  It was bred for high acidity (useful in brandy) and hardiness in cold weather, but has actually come into its own as the main grape in Canadian ice wine.

As with the original Eiswein in Germany, ice wine is made by pressing very ripe grapes which have been left on the vine and been frozen.  Ice crystals are separated from the remainder of the juice which is therefore more concentrated in terms of sugar, flavour and acidity.  This makes for a very sweet, concentrated wine.  As so much of the juice is subtracted as water, yields are very low and prices tend to be high.

This example from the Niagra Peninsula is not cheap but I think is worth splashing out on as a treat.  It’s sweet enough to hold its own against pretty much any dessert and has luscious tropical fruit flavours.

Chateau Pajzos Tokaji Aszú 6 Puttonyos 2008 (€24.99, available from 2nd Nov)

Chateau Pajzos Tokaji Aszú 6 Puttonyos 2008
Chateau Pajzos Tokaji Aszú 6 Puttonyos 2008

Tokaji has been a famous wine for several centuries.  Made in a delimited area in Hungary, it uses sweet botrytised grape paste to sweeten regular wine must.  The measure of sweetness is how many buckets (Puttonyos) of paste were added in to a 136L barrel – the traditional proportions.  2 putts gives something that would go with a fruit cocktail but not something sweeter, and 5 putts is probably the best overall balance (you might even want to say “the sweet spot”, ahem).

This 6 putts example is even sweeter, but I reckon if you’re going to be having lots of fancy desserts then another putt isn’t going to hurt.  What did surprise me was the toasted coconut on the nose, implying American oak barrels.   On the palate there is typical apricot and honey notes with a touch of mushroom (not as unpleasant as it sounds!)  Make sure this is well chilled before serving so the acidity isn’t lost in the background.

 

 

 

 

 

Tasting Events

The Libertines, Part One – Liberty Fizz

Liberty Wines are a wine importers based in the UK and Ireland with an exciting range of Italian, Australian, New Zealand and other quality wines which are sold to restaurants and independent wine merchants.   As well as the quality of their wines they are renowned for the quality of their service to customers and for the representation they give to the producers.

Although it is difficult to select only a few of their wines – as the average quality level is so high – below are my favourite sparkling wines shown at their February and October tastings.

Nyetimber Classic Cuvée 2009

Nyetimber Classic Cuvée 2009
Nyetimber Classic Cuvée 2009

If you’ve read much of my blog before you might have gathered that I’m quite a fan of Nyetimber – not (just) for patriotic reasons but because I really rate it as a sparkling wine.  And thankfully, I’m not in a minority, as the increasing quality level has been recognised in several competitions – and the 2009 is the best yet.

55% Chardonnay then 25% Pinot Noir and 20% Pinot Meunier gives it a balanced assemblage of the classic (!) Champagne grapes.  It really is fresh and creamy with a bit of soft flesh behind it.  I can’t wait to try the Tillington Single Vineyard bottling from the same year!

Hattingley Valley Classic Cuvée 2011

Hattingley Valley Classic Cuvée 2011
Hattingley Valley Classic Cuvée 2011

A relative newcomer to the English sparkling wine scene.  71% Chardonnay, 20% Pinot Noir, 9% Pinot Meunier.  Spent time in old Burgundy barrels – though fairly young so obviously not that long!

Very fresh and zesty lemon flavours from the Chardonnay, with a creamy finish.  Would be great as an aperitif but could partner well with white fish and seafood.

Champagne Devaux Range

Champagne Devaux Range
Champagne Devaux Range

Champagne Devaux is a new producer for me, hailing from the Côte des Bar.

Champagne Devaux Grande Réserve NV

70% Pinot Noir from the Côte des Bar and 30% Chardonnay from the Côte des Bar, Côte des Blancs and Vitry.  Only the first pressing juice is used and 20% of the reserve wines were kept in large oak casks.  Malolactic fermentation (MLF) was blocked for a third of the base wine to preserve freshness.  It spends three years minimum on the lees, more than double the stipulated period.  The key tasting note for me was apples – all manner of apples – stewed apple compote, baked apple pie, fresh apples off the tree. Just delicious!

Champagne Devaux “D de Devaux” La Cuvée NV

60% Pinot Noir from Côte des Bar and 40% Chardonnay from Côte des Blancs and Montgueux.  This is a more prestige cuvée but still not from a single vintage; at least 35% of the reserve wines was aged in large oak casks.  Spends a minimum of five years on the lees then a further six to nine months post disgorgement.

Although a fairly similar assemblage to the Grande Réserve NV this is a step up in quality and is a different style – altogether more sumptuous and rich, decadent almost. Hell, if you can’t be decadent drinking Champagne now and again, what has life come to?

Champagne Devaux Vintage 2004

97% Chardonnay from the Côte des Blancs and 3% Pinot Noir from the Côte des Bar – so this is almost a blanc de blancs.  It spent 7 to 8 years on the lees (gives it a lovely creamy character) and then a further year post disgorgement before release (which helps it settle down and integrate properly).  Fantastic lemon citrus flavours come through from the Chardonnay.

Charles Heidsieck Brut Réserve NV

Founded by the original “Champagne Charlie”, this house is now one of the most respected in the whole of Champagne – Tom Stevenson gives them rapturous praise. The Brut NV is one of the strongest on the market this side of luxury cuvées such as Krug.  Since coming into common ownership with Piper-Heidsieck (originally founded by an uncle of Charles) a few years ago, quality continues to rise.

40% of the blend is made up of reserve wines (the maximum permitted amount) of up to ten years old.  The precise assemblage isn’t disclosed but is undoubtedly Pinot heavy given the richness.  Three years maturation on the lees gives some lovely brioche notes.

Charles Heidsieck Blanc des Millénaires 1995

Charles Heidsieck Blanc des Millénaires 1995
Charles Heidsieck Blanc des Millénaires 1995

As much as I love the quality sparklers above, mature Champagne is in a different category entirely.  This  is 100% Chardonnay from the Côte des Blancs – 4 Grands Crus and 1 Premier Cru village.  The nervy acidity it had at bottling served to preserve it as it took on new aromas and flavours over the years.  Simple lemon has been replaced with brioche, nuts and candied fruit.  It has the voluptuous texture without sweetness of salted caramel.

This is a complete Champagne which doesn’t need anything else with it, and in fact is so satisfying that it doesn’t need anybody else with it – I’d want to drink it all by myself!

White and red selections to come in future posts!

Tasting Events

Gazing wistfully at a glass of fizz…

Wiston Estate RoséAn Englishman, an Irishman and a Frenchman walk into a bar….

…sounds like the beginning of a corny joke, but I recently tasted a producer’s wines for the first time that marry England, Ireland and France.  “How did that happen?” you may ask.

Wiston Estate in West Sussex, southern England is a relative newcomer to the nascent English wine scene, and like the majority of the quality wines made there it owes its choice of grapes and production techniques to Champagne.  The Irish connection is the winemaker Dermot Sugrue, formerly of Nyetimber and with experience of vintages in Bordeaux and Champagne.

Nyetimber, Ridgeview, Camel Valley and now Hattingley Valley are among the top producers of English Sparkling, and as Le Caveau recently added Wiston Estate to their portfolio I jumped at the chance to see how it measured up.

Wiston Estate Blanc de Blancs NV

Very fresh, like lemon sherbet, with tropical fruit notes and creamy bubbles – enough autolysis character to keep it from being lean in any way. This is top drawer fizz; it would be great served as an aperitif or with seafood, but it’s actually very enjoyable just on it’s own.  Do I sound like a dipso when I say I could happily polish off a bottle by myself?

Wiston Estate Rosé Vintage 2011

Much rounder in the mouth as you’d expect from a majority of Pinot Noir. Fresh but seductive, strawberry is to the fore with citrus from the Chardonnay in a supporting role.  The mousse is terrifically persistent – it just goes on for ages.  This is a fantastic effort and another nail in the coffin for those who don’t like sparkling rosé.  It won a Gold medal at the Decanter World Wine Awards, if you’re interested in such things, but if it’s available where you live then you owe it to yourself to try it.

 

Tasting Events

Fabulous Farmer Fizz – Grower Champagne Part Two

Part One introduced the different types of producer, the grapes and the main areas of Champagne.  Now we look at different grower Champagnes from different subregions of the area.

Wine Workshop Grower Champagne Tasting

In mid August I ventured again to The Wine Workshop in Dublin for a fab tasting of Grower Champagnes, hosted by Morgan VanderKamer.  Thanks to my friend Una who helped with the photos!

Réné Geoffroy “Expression” Cumières 1er Cru NV (Vallée de la Marne)

Réné Geoffroy Expression 1er Cru NV
Réné Geoffroy Expression 1er Cru NV

Champagne Réné is now run by Jean-Baptiste Geoffroy, son of Réné and grandson of Roger who first moved from just producing grapes to making Champagne.  Although they have an elegant maison in Aÿ, 14 out of their total 17 hectares under vine are in the Premier Cru village of Cumières, in the heart of the Vallée de la Marne.  The family can trace their roots in the same village back to the 17th century.  Production volume is 9,000 cases per year of which 500 are vintage.

This is the top cuvée made by Geoffroy, always made from a blend of two different years.  The assemblage is given as 50% PM 30% C 10% PN – though that would leave me feeling a little short-changed.  All the grapes are hand picked and a traditional “Coquard” press is used.  Parcels are fermented separately to help decide on the blend furether down the line.  Malolactic Fermentation (MLF) is blocked to retain fresh acidity. A proportion of the reserve wines are aged in oak to add texture.

Compared to many sparkling wines this tasted a little less fizzy – more like a Perlé style, which used to be known as Crémant before that was appropriated for traditional method sparkling wines from other French regions.

Roberdelph NV Charly-sur-Marne (Vallée de la Marne)

RoberDelph NV
RoberDelph NV

All because…the lady loves…RoberDelph!  This was my friend Una’s favourite of the evening.  The most Pinot Meunier-biased Champagne of the tasting (the assemblage of the current bottling is 75% PM, 16% C, 9% PN, though it may fluctuate a little), it had a certain earthiness…it would be amazing with Mushroom risotto.

As a NV it is usually based substantially on one year with around 30% reserve wines from three previous years.

RoberDelph have just 5 1/2 hectares under vine round the village of Charly at the western end of the Vallée de la Marne (the Marne of course being the river after which the Département is also named).  Their vineyards are composed of 20 different small parcels with different soils and are farmed using “lutte raisonné” methods – think similar to organic but pragmatic rather than dogmatic.  They are now run by the 5th and 6th generations of the Robert family.

Pierre Gimonnet et Fils Cuvée Cuis 1er Cru NV (Côte des Blancs)

Pierre Gimonnet & Fils Cuvée Cuis 1er Cru NV
Pierre Gimonnet & Fils Cuvée Cuis 1er Cru NV

Olivier and Didier Gimonnet are the grandsons of Pierre Gimonnet who expanded the family business from grape growing to producing their own Champagne in 1935.  They have been growing grapes in Cuis since 1750.

They have 28 hectares of Chardonnay within the Côte des Blancs (plus a couple of small plots of Pinot Noir elsewhere):

– Cuis and Vertus Premiers Crus
– Cramant, Chouilly and Oger Grands Crus

They make a single non vintage (for which they use the more romantic term Sans Année) and five different vintage cuvées which aim to maintain the house style while showcasing the great terroirs of the Côtes des Blancs.  Above all they value elegance, finesse, minerality and freshness, with everything in balance.

The high percentage of old vines at this estate sets it apart from many others.  There is always a trade off with vine age – yields tend to decline with age, but the resulting juice becomes more and more concentrated – it’s quantity versus quality.

This NV is a personal favourite – it showed very well at the Glasnevin Fizz Fest last year.

Watch out for their Spécial Club bottlings which are Gimonnet’s flagship – grapes are selected from their oldest vines, go through MLF and then over five years ageing on the lees.

Varnier-Fannière Cuvée St-Denis Grand Cru NV, Avize, (Côte des Blancs)

Varnier-Fannière Cuvée St-Denis Grand Gru NV
Varnier-Fannière Cuvée St-Denis Grand Gru NV

I’ve been a fan of Denis Varnier’s Champagnes since I first visited him in Avize in early 2012. I sneaked this into the tasting and it threw some of the tasters.  It had much more body and texture than usual for a blankety blank.  Oak?  No, that would be the five years (minimum) on the lees.

Denis eschews oak and blocks MLF to keep the wines as fresh and pure as possible. The grapes for this bottling are grown in a walled vineyard in Avize called Clos du Grand-Père, named after Denis’s maternal Grandfather Jean Fannière who became a Champagne producer when already in his 50s.

V-F produce another premium Chamapgne called Jean Fannière Origine – it’s a similar style and quality level to St-Denis but made with grapes from Cramant and a lower dosage.

Jacquinot et Fils Blanc de Noirs NV (Cote des Bar)

Jacquinot & Fils Blanc de Noirs Brut NV
Jacquinot & Fils Blanc de Noirs Brut NV

The Côtes des Bar is a Pinot Noir stronghold – it accounts for 87% of the vines there. This is a 100% Pinot Noir so it has some real guts – layers of red fruit with enough body to accompany the main course of a meal.

The Jacquinot estate dates back to the French revolution. Pierre Jacquinot expanded the family vineyard holdings just after first world war, at the same time becoming a grape broker and Champagne wine merchant, adding his own pressing centre  in 1929 and starting to make wine.  In 1947 with his 2 sons Jacques and Jean-Guy he created the brand Champagne Jacquinot et Fils.  Jacques looked after sales and Jean-Guy developed the vineyard.  Jean-Manuel Jacquinot, Jean-Guy’s son, Oenologist in charge of production since 1998 is now running the Estate with the help of François Nicolet, Jacques’s son- in-law.

Other Jacquinot wines of note include the  White Symphonie which has 10 years on the lees and their top bottling Harmonie which has 14 years!

Dravigny-Godbillon “Cuvée Ambre” NV, Ecuille

Dravigny-Godbillon Cuvée Ambre NV
Dravigny-Godbillon Cuvée Ambre NV

What a delightful label! *cough*  But hey, if people aren’t going to buy it because of the cover then there’s more to go round for those of us who value the contents!  The good folks at Ely Wine Bar in Dublin obviously share the same opinion as it’s on their list next to the big guns of Taittinger and Bollinger.  As it’s a small producer they only export to two countries – Denmark and Ireland!

The blend is 70% PN, 25% C, 5% PM, so there is plenty of strawberry goodness but wrapped in a lemon envelope.  The Chardonnay keeps it fresh enough that it doesn’t tire after a few glasses.

Guy Charlemagne Le Mesnil-sur-Oger Grand Cru 2004 (Côte des Blancs)

Guy Charlemagne Mesnillésime 2004 Grand Cru
Guy Charlemagne Mesnillésime 2004 Grand Cru

Did anyone else get the pun?  Mesnillésime is a portmanteau of Le Mesnil sur Oger, the Côte des Blancs village where Champagne Guy Charlemagne is based, and Millésime, the French word for vintage.  Krug’s super-premium single vineyard vintage Clos Le Mesnil comes from the same village – it’s probably the best source for Chardonnay in the whole of Champagne.

This is the firm’s top bottling, being 100% Chardonnay from having spent spends six years maturing on the lees before disgorgement, and gets a light dosage of 4g/L so qualifies as extra brut.  The mousse is more persistent than Jeremy Paxman…it’s so creamy and goes on and on.  Lemon meringue, crème fraîche, the flavour keeps on coming.

Although this was by some distance the most expensive Champagne at the tasting, in the not-so-humble opinion of this taster it was the best value of all!.

Tasting Events

Fabulous Farmer Fizz – Grower Champagne – Part One

What is Champagne?

It’s a wine.

It’s a wine made in a certain way from grapes grown in a delimited area.

That’s it.  Yes it’s a load of fun, often a part of big celebrations, a bit of bling in a nightclub, or even launching a ship (don’t know about you but I always use Champagne when launching a ship), but for me they are secondary to Champagne’s identity as a wine.  Also, there is Increasing recognition that Champagne can play a part in accompanying many – or all – courses of a meal, as well as being an apéritif or a vin de plaisir.

Of course the luxury image of Champagne is no accident, it’s down to the marketing prowess of the Grandes Marques over the last century or so.  In their quest for a reliable, consistent wine the big houses buy grapes from all over the Champagne region, and blend them to create an ongoing house style – particularly with the non-vintage (NV) wines which are the vast majority of the bottles produced.

Maker's Mark

Thus, apart from a few ultra rare and ultra expensive select bottlings, Champagne made by the big houses doesn’t reflect a particular vineyard site.

Step up the Growers!  Despite the high capital costs of setting up, Champenois grape growers are increasingly setting up to produce their own Champagne – see RM in the box above.  They maintain a close link between the place the grapes are grown – the terroir –  and the final product in your glass.

Grapes – The Big 3 Stars

Most new areas producing quality sparkling wine will use the big three Champagne grapes, whether we’re talking Tasmania, Marlborough or Sussex.

Chardonnay (C) gives lifted lemon citrus notes, which make it the lightest grape out of the three.  All-Chardonnay cuvées need some serious ageing on the lees to gain complexity – they can be pleasant but rather simple if they are disgorged and released straight after the legal minimum ageing (15 months for NV).  Approx. 29% of total vines

Pinot Noir (PN) gives red fruit aromas and flavours – particularly strawberry and raspberry – just as you get in a still red Pinot Noir.  It also gives body and richness – sometimes even chewiness.  It’s this Pinot whose colour is used for rosé Champagne.  Approx. 38% of total vines

Pinot Meunier (PM) is often regarded as the ugly sister of the big three, and while it might be true to say that it doesn’t hit the heights of the other two on its own, it can play an excellent supporting role.  It tends to show soft fruit characteristics such as pear and lychee when young, and then a certain earthiness with more age.  Approx. 32% of total vines

Grapes – The Supporting Cast

If any of you did the maths from the three grapes above you will have noticed that the total proportion of Champagne’s area under vine represented by them is 99% – so what is planted in the remaining 1%?

These are four traditional grapes that have fallen out of favour in the area, but where they are planted the owners can keep on farming them.  Such minuscule amounts means the wines are very hand to get hold of, but if you fancy trying something different then Laherte Frères make a Champagne from all seven grapes.

Pinot Blanc is often a component of Crémant d’Alsace and Franciacorta (where it is known as Pinot Bianco.  It gives soft apple and citrus flavours.

Pinot Gris sometimes hides in Champagne under the pseudonym Fromenteau – but it’s really the same grape which does so well in Alsace and still pops up occasionally in Burgundy.  When picked early it (as is often the case in Italy) it can show high levels of acidity which of course make it ideal for sparkling wine.

Petit Meslier is an appley variety that has a flagwaver based in – rather bizarrely – South Australia’s Eden Valley!  In a region best known for dry as a bone Riesling, Irvine Wines make a varietal Petit Meslier sparkling wine which they claim was the first to be commercially bottled anywhere in the world

Arbane also has a champion, but this time in Champagne itself.  The house of Moutard Père et Fils make the only varietal Arbane Champagne.  Their vintage wine spends over 6 years on the lees so it’s the yeast rather than grape variety which are most apparent.

Home Ground

Champagne has a single Appellation for the whole region, but there are recognised sub regions within it.  They can be grouped as:

The Vallée de la Marne is the most equally balanced between the three main grapes – 24% Chardonnay, 36% P Meunier and 40% P Noir

The Montagne de Reims is the large hill (mountain is pushing it a bit!) just south of the city of Reims.  Here Pinot Meunier has the lead with 62% of the total.

The Côte des Blancs (which also has the more southerly Côte de Sezanne grouped with it for statistical purposes) is a chalky slope which majors in Chardonnay (82% overall and 95% in the central Côte itself – hence the name.

The Côte des Bar is the most southerly and highest of all the Champagne areas.  Pinot Noir is the king down here with 87% of the land under vine.

Part two will look at some specific grower Champagnes.

Tasting Events

To The Bat Caveau – Let’s Go!

Earlier in the year I was invited to the trade and press tasting held by Le Caveau in the function room at Fallon & Byrne in Dublin.  When I say invited, I sort of invited myself, but they were a very welcoming bunch.

Originally starting out with a retail outlet in Kilkenny in 1999, Le Caveau specialises in importing artisan wines directly from small, family-operated vineyards from around the world.  The following year they added a wholesale arm to supply the on- and off-trade throughout Ireland, and of course they have a website.

As you might see from my selection, the husband and wife team of Pascal and Geraldine Rossignol take great pride in the “hand-made” aspect of small producers, though they offer a few bigger brands here and there to broaden out their range.

So let’s begin at the beginning – it’s the fizz!

Meyer-Fonné Crémant d’Alsace NV

Meyer-Fonné Brut Extra Crémant d'Alsace NV
Meyer-Fonné Brut Extra Crémant d’Alsace NV

Meyer-Fonné are one of the many excellent family vineyards in Alsace.  Having tasted a couple of their wines a Sweeney’s Wine Merchants in Dublin, when I organised a family holiday to Alsace in 2012 I made sure I included them in the itinerary.  And they were incredibly warm and welcoming – without any pressure to buy the poured me a taste of every single wine they make – so we’re talking over fifteen here.  Thankfully my wife could drive us back to our gîte – and I did buy a fair few bottles anyway!

So how is their fizz?  This would never be mistaken for Champagne – but it’s not trying to be Champagne so why should it apologize?  Like many Alsace Crémants it is predominantly made from Pinot Blanc, though apparently it also contains some Pinot Meunier (the third of the traditional Champagne grapes, though very unusual for Alsace!) and Pinot Noir.

As a Crémant it is made in the same traditional way as Champagne, though without the “C” word on the label it comes in at around half the price of some well known marques.  It has been such a success in France that it is now the second best selling type of sparkling wine after Champagne.

Meyer-Fonné Crémant has lovely fresh citrus and apple notes, with just a touch of balancing residual sugar apparent – it would make an excellent aperitif or partner well with white fish and seafood.

Philipponat Royale Réserve Brut NV

The predominance of red fruit (strawberry, raspberry, redcurrant, red cherry…) over citrus (lemon, lime…) and the chewy texture made me think that Pinots make up the majority of the blend.  And so it transpires…it’s made from the first pressing (the cuvée) of Pinot Noir (usually 65%), of Chardonnay (30%) and of Pinot Meunier (5%).

The Pinot Noir mainly comes from Philipponnat’s own vineyards, located in Ay (sounds painful in French!) and Mareuil-sur-Ay.  As a non-vintage Champagne, each bottling is based on a particular year’s harvest but with reserve wines added from previous years – depending on the quality and style (this is very important) of the vintage, between 25% to 40% of the total is made up of reserve wines.  These are blended again every year in a “solera” fashion in order to incorporate older wines without loosing freshness.

The aromas and flavours are definitely reflective of the blend; citrus and red fruits plus fresh bread on the nose. In the mouth the there’s a dash lime on the attack and then softer red fruits and apples – sumptuous!

Champagne Gobillard Grande Réserve 1er Cru NV

Champagne Gobillard Grande Réserve 1er Cru NV

Don’t mind the battered label – that’s what happens when a bottle is left in an ice bucket and lots of winos help themselves to a taste!

Only 44 out of the 319 Champagne villages are classed as Premier Cru (1er is the French abbreviation).  A further 17 are classed as “Grand Cru”, though the luxury cuvées that the grapes usually go into rarely advertise their provenance – it’s all about the brand.  So it’s often at Premier Cru level where quality and value are to be found.

The assemblage is a third each of the three traditional Champagne grapes, sourced from Hautvillers (on the southern side of the Montagne de Reims), Cumières (also Montagne de Reims) and Dizy (Vallée de la Marne).  Two full years on the lees have imparted a creamy, bready character behind the red berry and citrus fruit.

Watch this space for the next installment – Le Caveau whites!

Tasting Events

Last Minute Party

They say “Planning Prevents Poor Performance” – but sometimes it’s better to be a bit more spontaneous.  And so when my wife Jess suggested having a late-notice drinks party at the end of June, I chimed in with agreement.

Below are a few of the bottles which grabbed my attention – many of which were kindly brought by guests (you see what nice friends we have?)

A Starter For 10 – Sainsbury’s Blanc de Blancs Champagne Brut NV

Sainsbury's Blanc de Blancs Champagne Brut NV
Sainsbury’s Blanc de Blancs Champagne Brut NV

In the run up to Xmas 2012 this delightfully light and crisp Champagne was on double-bubble reduction – I ended up paying about £11.50 per bottle which is an absurdly low amount, especially when you can pay over twice as much for a very ordinary big brand.  At that price you don’t mind how many you open over the Xmas period!

The extra 18 months or so bottle age has helped add a little more funky complexity – it’s even better now, but I wouldn’t hang on to it until next summer.

The Blanc de Noirs from Sainsbury’s is great as well – especially with 25% off – and give more of a voluptuous red fruit vibe rather than citrus.

Random Light Whites

Random Light Whites
Random Light Whites

In a previous post on the Wine Society’s American Dream Tasting I mentioned Viña Litoral Sauvignon Blanc from the Leyda Valley in Chile.  That time it was the 2013, but the 2012 (on the right above) shows that well made Sauvignon Blanc doesn’t fade after a year in bottle.

The Muros Antigos Alvarinho is an Albariño-beating wine made just across the Portuguese border from Riax Baixas.  When showing it compared to some slightly pricier Spanish competitors at a tasting some years ago, even the Spanish attendees grudgingly admitted it was great.  This is probably a year or so older than you might normally drink it, but again age has been kind.  Available from Sweeney’s of Glasnevin.

This is technically a Vinho Verde, but not one of the lower alcohol types I mentioned here.

And finally, the beast in the middle – not a light white at all!  This is unreconstructed oaky Chardonnay, so beware if you don’t like that style.  The Montes Alpha range is great across the board (well done Liberty Wines), but in my biased opinion the Chardy is the best of the lot.

Riesling – The Prince Of Grapes

Riesling, Prince Of Grapes
Riesling, Prince Of Grapes

Some people remain unconverted by Riesling, but that leaves more for the rest of us.  The awesome foursome hail from the steep slopes of Alsace and the southern climes of Tasmania.

The latter was the oldest and the leanest of the lot.  Tazzie is generally the coolest state in Australia which has made it a perfect location for sparkling wine production.  It is now spearheading the cool-climate Chardonnay revolution as Penfold’s now source the majority of the grapes for their “white Grange” Yattarna from Tasmania, and Shaw + Smith bought a fantastic Chardonnay vineyard not too long ago.  Sauvignon Blanc has already found a home there, so why not Riesling?

South Pirie Riesling 2007 was lean and racy in the Eden Valley style – lime with a sideorder of lime!  Can be a little bit austere for the feint-hearted, but well worth a try.

I had seen a few of Domaine Muré’s wines in the past but it was luck and happenstance that I (almost literally) fell into their outlet in the centre of Colmar last year.  This Clos Saint-Landelin is from their own walled vineyard within the larger Vorbourg Grand Cru.  To be honest, it was nice but would really benefit from a few more years to balance out and open up.

I’ve already waxed lyrical about Bruno Sorg’s Séléction de Grains Nobles, but here we have a pair of just-off-dry Rieslings from the Grand Cru sites of Florimont (straddling the villages of Ingersheim and Katzenthal) and Pfersigberg (located close to Sorg’s home village of Eguisheim).  They aren’t sweet, but the little bit of residual sugar really balances the striking acidity and brings out the pure fruit.

A Brace Of Contrasting French Reds

Ladoix and Cahors
Ladoix and Cahors

A delicate Pinot Noir from Burgundy and a stonking 15.5% Malbec from Cahors provide proof that wines can really vary within the same country.

The Ladoix was quite flat for a good time after opening but eventually blossomed, showing red fruits sitting in a light crème anglaise.  It’s part of the Côte de Beaune, the sourthern part of Burgundy’s heartland the Côte d’Or.

The Cahors is a recent favourite from Sweeney’s of Glasnevin (it was my wine of the night at the Mackenway French tasting).  Tasted blind you would probably guess the big plum and bramble flavours were the producer of Argentina rather than south west France.

The Odd Couple

The Odd Couple
The Odd Couple

In fairness these wines aren’t a couple – just slightly off the beaten track compared to some of the more well-known bottles.

Wagner-Stempel Rosé Rheinhessen 2013 (available from The Corkscrew) has previously come close to wooing me before, but as my buddy Tara brought it round I had to give it a go.  Chris – you were right, it’s lovely.  I’m not generally a Rosé drinker, but more of this please!

Albert Mann’s Gewurztraminer Vendanges Tardives Altenbourg 2008 is a mouthful in more than one way – this is exactly how I like my Gewurz.  This late harvest beauty is something you could sit and savour at any time of the year.

The Grande Finalé

Belle Epoque & Dom Perignon
Belle Epoque & Dom Pérignon

Pretty bottles!  Belle Epoque is Perrier-Jouet’s prestige cuvée – it almost seems a shame to open such a lovely bottle.

Dom Pérignon needs no further introduction (otherwise why are you reading this blog?), but this 1995 example showed why mature Champagne is such a treat.

 

 

 

 

 

Long

State Of The Nation (Part 1): The Annual New Zealand Trade Tasting in Dublin

The New Zealand wine industry is in rude health.  It is still a minnow compared to many other countries, even its close neighbour Australia, but the commitment to quality is unmatched.  A few years ago there was a small dip as large amounts of dilute Marlborough Sauvignon Blanc from excess production were offloaded cheaply though UK supermarkets.  That imbalance seems to have been corrected and hopefully we have seen the last of that swill.

Last month I attended the Annual New Zealand Trade Tasting in Dublin (with thanks to Jean Smullen for the invitation!) including the Sauvignon Blanc masterclass.  I got to taste virtually all the wines there, though of course there were lots of wineries not represented.  This post (and part 2, to come) reflect my views on the wines I particularly liked, or at least found interesting.

A brief recap as to the wine regions of New Zealand (with the major ones in bold):

  • Wairapa & Canterbury
  • Martinborough & Wairarapa
  • Central Otago
  • Marlborough
  • Nelson
  • Hawke’s Bay
  • Waitaki
  • Auckland, Matakana, Waiheke & Kumeu
  • Gisborne
  • Northland
  • Waikato & Bay Of Plenty

Sauvignon Blanc Masterclass

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L-R: Matt Thomson, Kevin Judd, Jamie Marfell

I got a spot on the New Zealand Sauvignon Blanc Masterclass, given by Matt Thomson (Saint Clair), Jamie Marfell (Brancott Estate) and the “godfather of Marlborough Sauvignon”, Kevin Judd (with Cloudy Bay for maaany years and now running his own label Greywacke). Not only did we get a tutored tasting of eight different wines, but there was also lots of interesting information: SB accounts for ~66% of wine production in NZ but ~84% of exports; therefore the the High Commissioner of New Zealand to the UK was probably right that the UK doesn’t get the best NZ Chardonnays see article.

Although the first Sauvignon vines were planted in 1973, the vast majority of current vines were planted in the last decade or so; not only is this due to expansion in the area under vine, Phylloxera hit Marlborough in 1990 so existing vines had to be pulled up and new vines plants (presumably on American rootstocks). Vintage does matter in New Zealand due to the marginal climate – even for whites. It was so cold in 2012 that the grapes were nowhere near ready around the normal harvest time, so winegrowers just had to wait and wait. As Marlborough is dry and windy there is little risk of botrytis.  2012 wines often have green gooseberry flavours rather than the more common tropical and passionfruit characteristics.

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So much Sauvignon, so little time…

In Hawke’s Bay (and to a less extent Wairarapa and Nelson), SB is picked earlier to maintain acidity; hence, flavour is usually less intense than in Marlborough. In particular the cool nights in Marlborough mean the growing season is a long one, and thus more flavour and sugar develops while the acidity slowly drops. As the wines are fermented until technically dry (< 3g RS) they tend to have slightly higher alcohol than other regions. The vast majority of SB is machine harvested so that it can be picked very quickly and at night when temperatures are low (sometimes as cool as 5C). Winemakers are continuously experimenting with the techniques used for the standard, well-recognised style of Sauvignon and are also making alternative styles (see below).

Selected Wine Highlights

I’ve grouped some of the wines I liked best (or found most interesting) by grape rather than producer or importer.

Sauvignon Blanc (An asterix * indicates the wine was part of the Masterclass)

Greywacke Sauvignon Blanc Marlborough 2013*

The majority of the fruit comes from the Southern Valleys, a different microclimate from the Wairau “Plains”.  Kevin likes to have a fairly open canopy so that sunlight gets to the grapes.  90% fermented in stainless steel with cultured yeast, 10% fermented in old oak barrels with wild yeast.  Smooth and balanced.

Greywacke Wild Sauvignon Blanc Marlborough 2012

Partially hand picked, and fermented in (mainly) old French oak barrels with naturally occurring yeast.  Occasional batonnage and two thirds go through MLF for softness (this is usually avoided for regular Sauvignons) and additional maturation on the lees for creaminess and complexity.  Note the current release is usually a year later than the standard Sauvignon.

Saint Clair Pioneer Block 18 Snap Block Sauvignon Blanc, Wairau Valley, Marlborough 2012*

This was one of the most successful 2012s shown at the tasting.  Sourced from a single vineyard, it was pressed quickly in small presses and 100% fermented and matured in stainless steel.  Just lovely.

Hunter’s Kaho Roa Wairau Valley, Marlborough 2012*

OK, this is where it gets complicated: 25% was fermented in new French oak barrels, 75% fermented in stainless steel.  Of the latter, half (37.5%) was transferred into barrel for maturation and the remainder was left in stainless steel.  Nice and round in the mouth with subtle oak/vanilla notes. Tohu Mugwi Reserve Awatere Valley, Marlborough 2012* The most subtle of the alternative style Sauvignons.  Being from the cooler Awatere Valley it has pronounced minerality.  80% goes through MLF to soften it out, but it remains so zesty that if I was told there was 10% Riesling in the blend I would have believed it.

Cloudy Bay Sauvignon Blanc Marlborough 2013

The original premium Sauvignon that created such a buzz about Marlborough is still a fine drop, though it has plenty of competition nowadays.  The 2013 is smooth in the mouth and has mouth-watering acidity without being sharp.

Cloudy Bay Te Koko Sauvignon Blanc 2011

Possibly the most alternative of all the alternative Sauvignon offerings.  The grape variety isn’t even mentioned on the front label so that consumers don’t pick it up thinking it’s a regular style.  Another winemaker mentioned that their oaked Sauvignon “doesn’t think it’s a Chardonnay” – which could reasonably be levelled at Te Koko – but I love it!

Villa Maria Reserve Sauvignon Blanc Clifford Bay 2012

This is one of my personal favourites (it was the white wine served at my wedding), it really punches above its price point.  The 2012 is turning slightly vegetal with asparagus notes but remains delicious.  I’d be very interested to try the latest vintage as a comparison.

Pinot Noir

Pinot Noir is really coming on in New Zealand, especially as vines attain ten years of age or more.  For a detailed review check out Jamie Goode’s New Zealand Pinot Noir e-book.  Martinborough has been the pioneer of excellent Pinot in New Zealand, and some of the older vineyards are producing lovely wines.  Central Otago makes a very different style of Pinot – although the temperature can be very low at night, the region gets lots of sunshine so the grapes get thicker skins and high potential alcohol, adding to the colour and body.  Marlborough Pinot is also on the up as vines are now planted on more appropriate sites, rather than just where convenient or next to Sauvignon vines.

Matua Lands & Legends Pinot Noir Central Otago 2012

This is real Central Pinot, darker in colour and bigger in the mouth than Marlborough Pinot Noir; not as subtle but a very enjoyable wine – a Pinot Noir for winter.

Delta Hatters Hill Pinot Noir Marlborough 2009

A step up from the regular Pinot, this is grown on the slope of a hill (hence the name!) rather than in the valley.

Cloudy Bay Pinot Noir Marlborough 2012

On top form with this vintage, fabulously perfumed red fruit on the nose.

Ata Rangi Pinot Noir Martinborough 2011

The Daddy!  One of New Zealand’s top Pinot Noirs, powerful but silky smooth.  My favourite Pinot of the tasting.  For a less expensive taste try Ata Rangi’s Crimson, made from younger vines and so not quite as intense.

Te Pā Pinot Noir Marlborough 2011

A relative newcomer, made in a minimal-intervention way, and sulphur only added just before bottling.  Grapes are sourced from the Wairau and Awatere Valleys.  Matured for 10 months in large new French barrels.  Pinot Noir can often taste of tinned strawberries and raspberries, but this tasted of fresh fruit – just so alive.

Te Pā Rosé Marlborough 2013

After seven days of soaking the crushed grapes, 20% is bled off as a rosé.  This is just delicious – who needs insipid, off-dry rosés when they can drink a real wine?  A secondary effect of making this is of course to concentrate the colour and flavour of the juice that’s left – the full-blown 2013 Pinot Noir will be something to look forward to!

Chardonnay

Although it will never be loved by some, I believe Chardonnay is New Zealand’s best variety; some fine examples are grown in every wine region of significance, from Kumeu and Waiheke near Auckland down to Central Otago.  Kiwi Chardie is often oaked, with a medium to high toast on the barrel, but even the more tropical versions possess a mineral streak and plenty of acidity which make them interesting and fresh.

Ata Rangi Craighall Chardonnay Martinborough 2011

Recently compared by Anthony Rose in the UK Independent to a Meursault, this is made from 28 year old Mendoza clones (look out for a forthcoming post on clones) which gives a forward, ripe and buttery flavour.  This could be kept for up to two decades – who says New World whites don’t age?

Cloudy Bay Chardonnay Marlborough 2012

For me this has long been the best wine produced by Cloudy Bay, especially in the periods when the quality of the Sauvignon has wavered slightly.  For a Euro or two more it offers far more complexity and will develop nicely over several years.

Man O’War Valhalla Chardonnay Waiheke 2011

Being so far north, and therefore closer to the equator, gives added intensity to the tropical fruit; being on an island helps produce refreshing acidity at harvest.  Alcoholic fermentation is with wild yeast and malolactic fermentation is blocked.

Greywacke Chardonnay Marlborough 2011

My tasting note for this wine was unprintable – it’s that good!

Trinity Hill Gimblett Gravels Chardonnay Hawke’s Bay 2011

Relatively restrained compared to some of the other Chardies mentioned here; poured by the son of winemaker John Hancock.

Tohu Chardonnay Rapaura Marlborough 2013

If I had tasted this blind then New Zealand would have been way down the list of countries I’d have guessed at. Fermentation and maturation in neutral stainless steel means there is no oak influence. It goes through full malolactic fermentation and then batonnage (lees stiring) twice weekly for six weeks, adding complexity and body. If you like really good 1er Cru Chablis, give this a go!

Riesling, Pinot Gris, Syrah, Cabernet and others will be covered in Part 2