In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:
- A piece of music –> they suggest a wine to go with it, with an explanation
- A wine –> they suggest a piece of music to go with it
It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.
The twelfth installment of The Frankly Wines & Friends Wine & Music Series is hosted by Germanophile Englishman Tim Milford. If I said that he likes to “blow his own trumpet” and dubs himself “The King of Wine” I would be correct; however, this would be in a literal sense only, as he is an orchestral trumpet player(!) and a total gentleman with a well developed sense of humour to boot.
I am something of a philistine when it comes to classical / orchestral music – I know a few tunes that I like but that’s about it. However, when choosing a piece for Tim there was one that immediately came to mind as it featured trumpets: Aaron Copland’s Fanfare for the Common Man. When I was young living at home with my parents this was a favourite of my dad’s so I heard it many times.
The easy option for the wine pick would have been German Riesling, but I side-stepped that and chose an English sparkling wine that I know Tim and I both hold in high estimation: Nyetimber’s Classic Cuvée MV. It’s a wine that I have been following for many years, with each successive vintage getting better. Now that it is a multi-vintage it has stepped up even more.
I was delighted when Frankie asked me to contribute to his wine and music blog series, but also a little nervous as all of the other posts have been so good!
Frankie has chosen a classical theme for me, which I was really pleased about. I have been a trumpet player since I was eight years old and have been fortunate enough to play in some excellent bands and orchestras over the years. Music, just like wine, has been an amazing way for me to make friends and also to get to know more about the world that we live in.
My music taste is pretty eclectic, but I have always enjoyed classical music particularly. I think a good symphony is like test cricket (another one of my passions!) – the time that you have in this format allows you to appreciate the waxing and waning of the music, the development of intricate sub-plots within pieces. Whereas your average three minute rock or pop song is more like T20 cricket – it starts: crash, bang, wallop, it ends.
My favourite music in the classical space tends to be the bigger, grander, darker, more evocative music from the German and Russian masters: Mahler, Bruckner, Beethoven, Shostakovich and Prokofiev; but in truth there is so much variety out there that you just feel blessed that all of these incredible people have created such beauty – exactly how I feel about wine!
So, on to my pairings!
Nyetimber’s Classic Cuvée MV
For the wine, Frankie selected for me Nyetimber’s Multi Vintage (MV) Classic Cuvée – a wine that I know very well and I knew straight away exactly where I was going to go for my music selection: Glenn Gould’s famous recordings of Bach’s Goldberg Variations. Why did I choose this? The Goldberg variations are a masterpiece of composition – combining moments of pure beauty, with complicated, intricate melodies and counter-melodies. But how does it make me feel when I listen to it? I often listen to this recording when I need to concentrate on something at work; it feels serene, it feels sophisticated, it feels masterly.
These are the kinds of feelings that I get when I think of Nyetimber’s Classic Cuvée; it’s a wine of breathtaking refinement, with layers of texture to it that are all perfectly balanced to give an immensely pleasurable drinking experience. It is pretty well known now that good English sparkling wine is giving Champagne a proper run for its money – and Nyetimber is absolutely one of those producers that I would point to. That’s before we start looking at their vintage BdBs, which are simply spectacular.
There’s another reason that I wanted to choose Glenn Gould’s version of the Goldberg Variations – Gould was Canadian and I wanted to give a little nod to Nyetimber’s head wine makers, Cherie Spriggs and Brad Greatrix, Canadians themselves. Cherie and Brad have done wonderful things during their tenure at Nyetimber and I thought this would be a nice tribute to them.
Aaron Copland – Fanfare for the Common Man
For my musical selection, Frankie gave me Copland’s “Fanfare for the Common Man” – a selection that I was delighted with! As a trumpet player, fanfares are always a fun experience to play, but the opening of this piece isn’t a fanfare in the sense that we might think of; it is altogether more refined. A lot of fanfares are designed to be regal and triumphal, this though seems to be a little less bombastic – which I guess is borne out in the piece’s name. This isn’t a piece celebrating the crowning of a king or a queen, but a celebration of the common man (and woman!).
I also like the structure of the piece, which builds layers as it goes through, starting with the timpani, followed by the trumpets; but then augmented by the rest of the brass section and more percussion players. When I listen to this piece there is something Olympic about it in the soaring notes for the trumpet, which sounds so powerful, so graceful, so majestic. Something that says: we have mastered this, we are in control and we know what we are doing.
So, what wine could I choose that gives you the same sentiment? I decided to pair this piece with a 2016 Santa Barbara Pinot Noir from the legends at Au Bon Climat in California. The wine is an absolute classic, coming from a coastal region in California it benefits from those sea breezes, which gives it a delicious freshness. It is fairly commonly observed that this is a wine made in a Burgundian style, which I think in this instance means that it has a poise and refinement, an elegance and class. It tantalises the tastebuds and excites the nostrils, but it does it all in a controlled and self-confident way. It is not over-the-top and showy, instead it sits there quietly exuding its grace and majesty.
This is a celebration of the majesty of Pinot Noir, one of the most loved and most temperamental grapes in the wine world. But it is a celebration held in a booth in a classy restaurant with fine food and fine wine, not a party held in some gaudy Mayfair nightclub favoured by those with too much money and too little class. The wines of Au Bon Climat are rightly revered for being right at the top of their game and this is no exception. A superb wine to match with a superb piece of music!
Tim Milford is a project manager by day and an enthusiastic wine enthusiast by night! He is no expert when it comes to wine, but likes learning about the wine world one bottle at a time and has a particular penchant for German wine. Tim writes about wine (not as often as he would like) at www.vinspireuk.com and sometimes writes restaurant reviews (even less often, particularly recently) on his own website www.timmilford.com. You can find Tim on Twitter (@timmilford) and Instagram (@tjmilford), should you like to do those kinds of thing.