Tasting Events

Highlights of The Coman’s Silent Tasting Part Two

Shhhhhhh!

It’s oh so quiet.

Not really.  Continuing from part one’s look at Peter Lehmann’s Barossa offerings, we now turn to a major producer from Chile whose flagship white I am a big fan of, plus a Spanish Bodega I hadn’t heard of before making top quality traditional-style reds.

Casa Lapostolle

Going under the tagline “French in essence, Chilean by birth” the house (“casa” of course) of Lapostolle is a Chilean outfit owned by the French Lapostolle-Marnier family, famous for the Grand Marnier liqueur.  Even before founding their Chilean outpost twenty years ago, the family was heavily involved in wine, particularly in the eastern Loire.

Regular readers will know that I really rate their Cuvée Alexandre Chardonnay (in fact I made it one of my favourite whites of 2013), how does the rest of the portfolio stand up?

Casa Lapostolle Sauvignon Blanc 2012

Casa Lapostolle Sauvignon Blanc

This is not your bog-standard Chilean Sauvignon, which can sometimes even be made with the inferior Sauvignonasse (or as I like to call it, Sauvignonarse) grapes.  For me this is where the French influence really shines though, it’s a great everyday-drinking bottle but would be fine to serve to guests at the weekend too.

Casa Lapostolle Chardonnay 2012

Casa Lapostolle Chardonnay
Casa Lapostolle Chardonnay 2012

The baby brother of my favourite below, how does it compare?  Well it tastes exactly like a junior version – gently toasted oak in the background and luscious tropical fruit in the mid-palate.  Grapes are sourced from the Casablanca Valley, fermented in stainless steel and then matured for seven months in a mix of old and new French oak barrels.  Bravo!

Casa Lapostolle Cuvée Alexandre Chardonnay 2011

Casa Lapostolle Cuvée Alexandre Chardonnay
Casa Lapostolle Cuvée Alexandre Chardonnay 2011

Nectar of the gods!  Melon and pineapple sing but grapefruit keeps it from getting out of hand.  Plenty of acidity to keep it from getting flabby and low residual sugar giving a dry finish.  The 2011 had 75% of whole cluster pressing and 25% of maceration into the press before fermenting. 50% was fermented in French barrels and 56% was aged in French barrels for 8 month (part news and part used) and 44% in stainless steel tanks. The wine didn’t go through malolactic fermentation which accounts for the strong streak of acidity.

Casa Lapostolle Cabernet Sauvignon 2011

Casa Lapostolle Cabernet Sauvignon 2011
Casa Lapostolle Cabernet Sauvignon 2011

As any wine student will tell you, wines sold in the EU have to have a minimum of 85% of the stated varieties, and therefore don’t have to tell you about the other 15%.  This Ribena-special Cabernet actually has 7% Carmenère, 3% Merlot, 3% Shiraz and 1% Cabernet Franc in the blend – and is probably all the better for it.  Cabernet can have a great attack and great finish but be a bit hollow in the middle – it sometimes gets called the “doughnut grape”.

All the grapes are harvested by hand and fermented with the native yeasts of the area (the subject of a future geeky blog post).  Maturation included six month in oak, 55% of the wine was aged in new barrels and the balance in second and third fill barrels.  If you like this style of wine (which I do), this is a steal!  Mint and chocolate really come through on the palate; tasted blind I might have guessed at my favourite red wine region of Coonawarra.

Casa Lapostolle Cuvée Alexandre Cabernet Sauvignon 2011

Casa Lapostolle Cuvée Alexandre Cabernet Sauvignon
Casa Lapostolle Cuvée Alexandre Cabernet Sauvignon 2011

Whereas the baby brother Cabernet above was made from grapes grown in the Rapel Valley, the Cuvée Alexandre Cabernet was grown in Lapostolle’s Apalta Vineyard in the Colchagua Valley. Cabernet vines were planted here from imported French clippings in 1920 – makes a mockery of the term “New World”

The assemblage for 2011 was 88% Cabernet Sauvignon; 7% Cabernet Franc and 5% Syrah.  It changes from year to year depending on how different parcels perform and hwo they work when blended together.  The vineyard is certified Organic by CERES, if you pay attention to that sort of thing.

100% of harvesting is by hand, then triage is done partially (77%) by optical sorting machines and the remainder (23% for those who can’t count) is hand de-stemmed. Only wild yeasts are used for fermentation; this, and the relatively shaded nature of the vineyard mean that alcohol is a relatively sensible (for such a warm climate) 14%.

So how does it taste?  It’s definitely a Cabernet, tannins are present and correct, but they are fine.  It’s approachable now but needs several more years to blossom.

Casa Lapostolle Clos Apalta 2008

Casa Lapostolle Clos Apalta
Casa Lapostolle Clos Apalta 2008

This is Lapostolle’s flagship wine, one might even use the unloved term “icon wine”, with a price tag to match.  Why is it so expensive, and is it worth the money?

The idea behind the wine is to use the best quality grapes available, give them the most painstaking manual treatment, and intervene with the winemaking process as little as possible.  For example, the fruit is harvested by hand very early in the morning (so that temperatures are still fairly cool) and then stacked in small 14 kilos cases (so there’s less chance of grapes bursting and either spontaneously fermenting or spoiling.  On arrival at the winery the grapes are 100% destemmed and sorted by hand.

After pressing, French oak fermentation vessels are filled by gravity which is the gentlest way to handle the must.  The native yeast strains that arrived with the grapes are left to their own devices, apart from temperature control keeping a ceiling of 26C.  Manual punch downs (as opposed to pumping over, for example) are used to extract colour, tannin and flavour from the macerating grapes over four to five weeks.

The juice is then racked into 100% new medium toast French oak barrels and left to go through malolactic fermentation.  After 22 months maturation the wine is bottled by gravity “without any treatment or filtration” – I don’t know if this precludes a dose of sulphur at bottling or not, but it does mean no cold stabilisation.

You might have noticed that the grape variety is absent from the front of the bottle.  The blend for 2008 was 73% Carmenère (Chile’s signature grape), 17% Cabernet Sauvignon and 10% Merlot.  This is significantly different from year to year (another good reason not to put it on the front) – for example 2011 has only 57% Carmenère, 2009 has a dash of Petit Verdot (another minor Bordeaux grape).

And what is the result from all this care and expense?  It’s a monumental wine, huge, powerful and packed with flavour.  Keen tasters will notice the results of the heavy extraction process.  Although we are now over six years from the 2008 harvest, this still needs a long time to unfurl and even out.  If you want to try it now then I’d suggest several hours in a big decanter ahead of serving.  Personally, I’d buy a case and forget about it for five years!

Ochoa

Still in the Spanish speaking world, we now head to Navarre in northern Spain.  At one time considered part of the Basque Country, Navarre is now a separate autonomous community from an administrative point of view, sandwiched between the Basque country and La Rioja.

From a vinous point of view, it’s slightly more complicated as DOCa Rioja wine can include grapes from some parts of Navarre and the Basque province of Álava.  DO Navarra is for wines made in the southern part of the autonomous community, principally in the foothills of the Pyrenees.  Navarre used to be well known for its rosado wines, but now whites and especially reds are more common.  With slightly more relaxed regulations than Rioja next door, international grapes such as Cabernet Sauvignon and Merlot are fairly common.

Ochoa are a crowd I hadn’t heard of before, but when looking at their website I learned that they are a family business who have been making wine for over six centuries – not newcomers then!  They make three distinct ranges:

The following three wines are from the latter range.

Ochoa Tempranillo Crianza DO Navarra 2010

Ochoa Crianza 2010
Ochoa Tempranillo Crianza 2010

Made from 100% of the early-ripening Tempranillo, this has spent twelve months in 225 litre American oak barrels (the same size as Bordeaux’s barrique) – double the minimum of 6 months for a Crianza.  The grapes come from the Santa Cruz estate in Traibuenas.

It’s full of voluptuous red fruit – cherry, strawberry, redcurrant, plus delicious vanilla from the oak.  Ochoa give food matching suggestions of grilled meat, stews and cured cheeses, but to be honest it’s might fine drinking on its own.

Ochoa Reserva DO Navarra 2007

Ochoa Gran Reserva 2005
Ochoa Reserva 2007

Now we have the Reserva level which means wines have to be aged for at least three years before release, of which at least one has to be in barrel.  Ochoa go a little further and have a minimum of fifteen months in oak. As there’s a step up in quality and price, they also use more expensive French oak along with the American oak.

Rather than being a single varietal, the Reserva is a blend of Tempranillo (55%), Cabernet Sauvignon (30%) and Merlot (15%).  The palate moves on from just red fruit to a blend of red and black – this makes perfect sense when it contains Cabernet.  There’s also a touch of mocha which I reckon comes from the toasted French oak.

Ochoa Gran Reserva DO Navarra 2005

Ochoa Gran Reserva 2005
Ochoa Gran Reserva 2005

I tend to steer clear of Gran Reservas.  I often find them far too woody and far too dry – a result of being aged for far too long in oak.  Don’t get me wrong, I like oak if it’s done well – but if there isn’t the fruit to support it in the first place I will happily leave it to others.

The general rules for Spanish Gran Reservas require a total ageing of five years before release, of which at least eighteen months has to be in barrel, and thirty six years in bottle.  Ochoa mature theirs in French and American oak for two years, and don’t filter, fine or cold stablilise to preserve as much of the flavour as possible.

The Gran Reserva is a Tempranillo – Cabernet – Merlot blend just as the Reserva was.  It’s a step-up in intensity of flavour and body.  Black fruit has almost totally replaced red fruit, and the mocha tones are right up front.  It’s a gorgeous drop, and I don’t find it in the slightest bit “woody” – hurrah!

Update: Stockists

In Ireland, Lapostolle wines are stocked by (amongst others)

Ochoa wines are currently only sold to the on-trade (i.e. restaurants) but in future are quite likely to be listed by:

Keep your eyes out for Part 3 which will include lots of savvy Sauvignons!

Tasting Events

Highlights of The Coman’s Silent Tasting

What’s a “Silent Tasting”? you may ask…one where talking isn’t allowed?  But hand gestures encouraged?  The mind may indeed boggle.

But no, a Silent Tasting is one where the tasters pour for themselves without the producer or importer giving them the background behind the wine.  The upside is that the taster can consider the wine purely on its merits, according to his/her palate, without any distractions.  The downside is that there’s no one to tell the story behind the wine, if it’s interesting, so it’s always good to have comprehensive notes provided in advance, as was the case here.

Taste In Music, Taste In Wine

Now I’m striking out on an apparent detour here when I mention some similarities between taste in music and taste in wine.  I’m not talking about music affecting how wine tastes (see this Wired article, for example).  Instead, I’m talking about the fact that, over the years, our taste in music changes and evolves, particularly as new sounds, movements and fashions come along.

The exact same could be said of the wine world – Chardonnay was the “in-thing” in mid 90s, only to usurped by Marlborough Sauvignon and Pinot Grigio.  In the 70s there was Blue Nun, Liebfraumilch, Black Tower and Mateus Rosé  Now it’s all about Picpoul, Albariño and Sherry.

Some people like being at the leading edge of fandom, and quickly disown anything which has fallen out of fashion.

I’m not one of them.

I still like Queen, Dire Straits and the Pet Shop Boys that I started liking in the 80s, though I love discovering new music.  I still like Aussie Chardonnay and Shiraz (as long as they are good examples), though I love Godello and Furmint (and yes, they have to be good examples too).

So what is the relevance of this detour?  The wines tasted from the Coman’s portfolio are fairly familiar – in fact many are personal old favourites of mine.  Of course, the wines will have evolved a little over the years, but they remain fairly modern classics in my eyes.  They aren’t all at the cutting edge of wine fashion, but they taste good and people still want to drink them.

 

Peter Lehmann

Back when I started exploring Australian wine in the early to mid 90s, the big sellers on the supermarket shelves were Jacob’s Creek and Hardy’s Nottage Hill & Stamp Series.  A step above that was Rosemount Estate (especially the purple diamond label Shiraz-Cabernet and black label straight Shiraz).  A step still higher was Peter Lehmann’s Barossa series – the Shiraz was great, but I actually preferred the Cabernet Sauvignon.

That preference still remains when tasting the 2011s, but it’s a very close call.

Peter Lehmann Barossa Cabernet Sauvignon
Peter Lehmann Barossa Shiraz
Peter Lehmann Barossa Shiraz

Like many in the Barossa, Peter Lehmann was of German ancestry.  In 1977, while working for Saltram, he was told to buy less grapes in from Barossa growers, but refused as he had given his word to them.  As a compromise he was allowed to start up his own company to buy and process the additional grapes.  When Saltram was sold to Seagram two years later he was forbidden from having a foot in both camps so he left and went full time on his own.  His loyalty to local growers and innovative methods gave rise to his sobriquet “The Baron of the Barossa”.  Although ownership of the company left family hands in 2003 (shortly after my visit!), the standard of the wines remained high.  Peter sadly passed away on 28 June 2013.

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  Peter Lehmann Futures Shiraz As well as the standard Barossa range above (too good to be called “entry level”!), there are other – increasingly serious – Shirazes.  The first is the Futures Shiraz 2009, named after the first wine Peter Lehmann sold under a “pay now, pick up in 2 years” future contract arrangement which helped generate cashflow for the fledgling business. This particular example is co-fermented with a small portion of Muscadelle, Bordeaux’s third white grape and previously known as Tokay in Australia.  This serves to balance the powerful Shiraz, just as Viognier is used by some producers in Côte Rôtie, Mclaren Vale and Stellenbosch.  Furthermore, it adds complexity to the wine’s aromas…             Next up is the Eight Songs Shiraz 2008 which takes a different approach from the norm for the Barossa. The fruit is from vineyards over a century old, meaning fantastic intensity of flavour from low-yielding vines.  The wine is matured in 100% new 300 litre French oak barrels, so it’s a wine for the long haul – though being Australian, it’s approachable in its youth. As any serious Aussie wine fan knows, 2008 was an amazing year down under – see how much of a premium the 2008 vintage of Penfold’s Grange trades as compared to other years – so this is definitely a wine to stock up on and drink over the next couple of decades.

Peter Lehmann Stonewell Shiraz
Peter Lehmann Stonewell Shiraz

And so to the flagship, Stonewell Shiraz, named after one of the oldest areas of the Barossa. When tasting this 2009 I was reminded that I bought my cousin Stuart a case of the 1995 vintage as a wedding present back in 2001.  I wonder how long they lasted?..I thought to myself.  The answer came out of the blue the next day in the form of a photo of some wine that my Aunt was clearing out from her late husband (RIP) Tony’s cellar.  Lo and behold some very nice Stonewell 1995! This 2009 is still a baby and needs lots of time to develop and open up, but my bet is that it will be spectacular             . The final Lehmann delight was the 2011 Botrytis Semillon.  As the name suggests this is a noble rot-affected dessert wine, with luscious sweetness and huge depth of flavour – and more to come as this will continue to improve with age.

To be continued with some Spanish and Chilean beauties in Part Two and some savvy Sauvignons in Part Three.

Tasting Events

Alan Tay Jo at Sweeney’s

Sweeney’s in Glasnevin (Dublin) have just started listing several new Portuguese wines brought into Ireland by importer Kevin O’Hara.  Kevin was in the shop today showing the wines which were all from the Alentejo, hence the post title *cough* Alan Tay Jo which is a rough approximation of the pronunciation.  It is the largest wine producing region of Portugal and occupies pretty much all the southern half of the country except for the Algarve.

Just as in other European countries there are appellation laws, so some bottles here have the DOC Alentejo  mark, equivalent to AOC in France.  For producers wishing to use more foreign grapes not permitted by DOC laws (e.g. Syrah) there are the more forgiving regulations of Vinho Regional Alentejano .  I can understand why Portugal would like to preserve its heritage and not have it swept away by a Tsunami of Sauvignon Blanc and Shiraz, but equally having international grapes in the blend does serve as an introduction to Portuguese wines for those intimidated by the unknown.

Officially, these are two different quality levels, but the reality is that one particular VR might actually be superior to a DOC – the producer isfar more important.  You may notice that, very handily for producers, the 2 labels look quite similar – something that Italian Super Tuscan and French Vin de Pays producers might well envy.

With the major disclaimer that I was tasting with a head cold, here are three of my favourites from today:

 Pato Frio DOC Alentejo 2012

Pato Frio 2012
Pato Frio 2012

This is the new house white of Michelin-starred L’Ecrivain in Dublin, chosen by their Sommèliere Martina Delaney.  One of my favourite “everyday” whites Provia Regia has been the house white for the last nine years so it comes with high expectations.

Made with 100% indigenous grape Antão Vaz, this is crisp and refreshing with zingy citrus.  It would be delightfully fresh on its own (a great aperitif) or with seafood in particular.

Herdade do Sobroso Sobro Tinto Vinho Regional Alentejano 2011

Sobro Tinto 2011
Herdade de Sobroso Sobro Tinto 2011

Made in the cork-producing heartland of Sobroso, this is a blend of Aragonez (Tempranillo in Rioja), the red-fleshed Alicante Bouschet (from the Languedoc in France), Cabernet Sauvignon and Syrah.

And it’s a beast!  But in a good way!   Full bodied with dark black fruit, chocolate and spice, this would stand up to barbecued meat or be a lovely winter warmer.  It had three months in American barriques to soften out the edges.  Great value.

Herdado de Rocim Vinho Regional Alentejano 2010

Herdade do Rocim 2010
Herdade do Rocim 2010

This was an altogether more serious wine, smooth and voluptuous in the mouth.  Again it is a blend of Portuguese and international grapes – Syrah, Touriga Nacional, Aragonez, Trincadeira and Alicante Bouschet.

This is gentler and more refined than the Sobro with subtle crunchy tannins balancing the red and black fruit.  Claret fans should definitely give this a try – far more wine for the money than is usual from Bordeaux.

Short

The American Dream – Highlights of The Wine Society Tasting in Dublin

The Wine Society is a mutually-owned wine buying club based in Stevenage in England.  Since its inception in 1874 as The International Exhibition Co-operative Wine Society Limited its aim has been to buy wines direct from growers to ensure their authenticity and quality and to offer them to members at fair prices.

The Society has over 120,000 active members in the UK and Ireland which gives it great purchasing power and a licence to list more unusual bottles.  They run various tasting events throughout the UK and one in Dublin most years.  The most recent one focused on wines from the Americas, and below are my personal highlights.  Our hosts were the charming Simon Mason and the lovely Isobel Cooper.

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Viña Litoral Sauvignon Blanc, Leyda Valley, Chile 2013

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Leyda Valley Sauvignon Blanc

Leyda is situated close to the Pacific coast (as you might guess from “Litoral”) with its cooling sea breezes and thus is well suited to Sauvignon Blanc.  This example has ripe grapefruit and gooseberry balanced by refreshing acidity.  The 13.5% abv gives it a generous roundness in the mouth.

Concha y Toro Corte Ignacio Casablanca Riesling (Chile) 2013

From a very cool, top vineyard in western Casablanca, this is a
medium-dry riesling with about a third of the harvest affected by
noble rot, overlaying a lovely light honeyed aroma and flavour
over a bright, fresh palate. Drink now to 2018. 12%

Primus Maipo Cabernet Sauvignon (Chile) 2011

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Primus Maipo Cabernet Sauvignon

A textbook example of Chilean Cabernet Sauvignon, not terribly complex but bursting with fruit and the beginnings of cedar and tabacco notes.  Drinkable on its own mid week or with a medium rare steak.

Faldeos Nevados Torrontés (Argentina) 2013

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Valdeos Nevados Torrontes

Torrontés is Argentina’s signature white grape, with aromas and flavours somewhere between Muscat, Gewurztraminer and Viognier.  At 14% abv it has plenty of body to match the bold grape and stone fruit flavours.

Norman Hardie Chardonnay Unfiltered, Ontario (Canada) 2011

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Norman Hardie Chardonnay

The first Canadian wine I have tasted that wasn’t an Ice Wine.  The aim here is more Burgundy than California – it has a modest 12.5% abv and a streak of minerality through the middle.  It reminded me most of Premier Cru Chablis.  In my view a little less oak would let the fruit shine more.

Weinert Carrascal (Argentina) 2008

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This is a blend of 40% Malbec, 35% Cabernet Sauvignon and 25% Merlot, all Bordeaux varieties, although of course Malbec is mainly reduced to a minor supporting role in Bordeaux nowadays.  No shrinking violet, this is a big, rich, in-your-face wine with a velvety finish.  Great for cold nights or with red meat.

Ravenswood Lodi Old-Vine Zinfandel (USA) 2011

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Ravenswood Lodi Old-Vine Zinfandel

Ravenswood make some fantastic Zin; big, bold and very gluggable. Their Lodi Old-Vine is slightly more expensive but more concentrated, higher in alcohol and will live for longer.  It’s a world away from “blush” white Zinfandel.

Ridge Geyserville (USA) 2011

Ridge is almost legendary among Californian producers.  This is a Zinfandel-Carignan(e) blend based on some of California’s oldest vines; the youngest are 10 years old, the oldest over 120 years, with 60% 40 years old or more.  It is very dense at first – takes a while to open up in the glass – then the powerful dark black fruit comes through, wrapped in vanilla.  This will surely continue to develop over the next 10 years.

Quartet Anderson Valley Brut Roederer Estates (USA) NV

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Quartet Anderson Valley Brut, Roederer Estate

For me this was the star of the whole event.  It is a traditional method sparkling wine from Mendocino County in California. The grapes are sourced from four separate vineyards (hence the name) in the northern Anderson Valley, cooled by the proximity of the Pacific Ocean.  On the palette the 30% Pinot Noir initially gives lots of soft strawberry flavours and then the 70% Chardonnay comes through as bright citrus.  The finish has classic brioche richness from ageing on the lees.  Wonderfully balanced and put together.

Restaurant Review

Restaurant Review: FXB Crow St, Dublin

Now I like fine food,  just as I like fine wine, but sometimes I just want something a bit more straightforward, basic… gourmand rather than gourmet. And being a carnivorous male of the species that means a big eff-off steak!  Vegetarians should look away now…

Francis Xavier Buckley opened a butcher’s in Dublin in 1930, and the group still maintains FX Buckley butchers along with five steakhouses and pubs.  They pride themselves on the quality of their meat which they source directly and dry-age wherever possible.  For my birthday we chose to visit their Steakhouse on Crow Street in Temple Bar in the heart of Dublin.

We were shown to our table shortly after arrival; but the cramped layout of the place was such that several other diners had to brush past the back of both our chairs to and from their table – quite irritating to be honest!

As the menus are available to browse online I already had a good idea what my food order was going to be, so I glanced at the specials board and checked out the wine list.  The Amaretto Sour cocktail caught my eye as I love almond and amaretto flavours – and it was delicious.

However, when we gave our food orders the waiter almost walked away without asking what wine or other drinks we would like with our meal – what sort of place is this?  The wine by the glass selection was fairly limited, but at least it appeared appropriate to the food being served.  My wife Jess chose Argentinian Malbec (we have both converted from anti- to pro-Malbec!) and I selected a slightly more modest Chilean Cabernet Sauvignon.

The starters:

As an admitted carnivore I chose Baby Back Pork Ribs, done in a sweet barbecue sauce.  Thankfully the sweetness of the Amaretto Sour could handle the sauce as my red wine tasted quite bitter with the ribs.

Jess chose Castlintownbere  Mussels – despite having some sort of fish and seafood allergy she seems able to tolerate mussels (and when I say “tolerate” I mean “devour with relish”).

The mains:

So what does a steak fan order on his birthday?  A 22oz Bone-in Rib-Eye, that’s what!

22oz

It was amazingly tender and succulent, even better than I’d hoped!  And finally the Chilean Cabernet came into its own, a good match for a perfectly medium-rare steak.

My wife is not as greedy as me so she ordered the 10oz 28 day Dry-aged Rib eye, and again it was juicy and flavoursome.  She did the taste test against mine (which had the bone in) and narrowly preferred it, but both were excellent.  The Malbec was still going well, as you’d expect of a big red wine made in a beef-producing country like Argentina.

Desserts:

After a suitable pause we moved onto the sweet stuff.  There didn’t appear to be any dessert wine so I finished my red wine and just drank water with the Double Chocolate Tart.  This was fairly, but not overly, sweet and mainly dark chocolate – I find milk chocolate too sickly and don’t even ask me about white “chocolate”.

Jess chose her perennial favourite – Créme Brûlée.  This was a success and had a satisfyingly crunchy sugar layer on top.

Once our spoons were down we paid the bill and left – it didn’t seem a venue to linger over coffee.

Verdict:

Great steaks but poor layout and lacking in atmosphere.  Not ideal if you are a wine lover.

Food      7/10

Wine     5/10

Service  6/10

http://crow-st.fxbuckley.ie/