Single Bottle Review

Wine Review: Offley Vintage Port

Vintage Port is the pinnacle of the Port quality tree, only made in the best years and very rarely in two successive years.  It’s a wine made for the long haul, able to last for several decades and often entering its peak drinking window after one or two.  The drawback is, however, that it is often unapproachable in its youth.  A very small proportion of wine drinkers buy bottles to drink a decade hence, leaving Port producers with something of a dilemma.

A few months ago I attended a zoom masterclass with Luís Sottomayor, winemaker at Offley Port and Casa Ferreirinha (I have already written about the latter’s Vinha Grande Branco and Tinto here).  Luís gave an overview of the 2018 harvest and the background to the 2018 Vintage Port: Spring 2018 was wet and the Summer not particularly hot.  The harvest started earlier than usual in mid September, but was done very slowly as maturity was quite uneven.  Overall 2018 was similar to the 2016 vintage apart from a slightly hotter summer in ’16.

The principal varieties used are Touriga Francesa, Touriga Nacional, Tinta Roriz and Tinta Cão.  To make this Port more approachable the proportion of Tinta Roriz (Tempranillo) was increased; it has a high level of tannins but they are soft.

The grapes were foot-trodden in traditional lagars for maximum flavour and colour extraction without bitter phenolics.  Normal corks are used as, in Luís’s considered opinion, they are the best closure for ageing.  The wines have great body, acidity and structure making 2018 a classic Port vintage, though the crop was small.  Luís characterises it as a fairly simple wine, easy to understand, drinkable when young but capable of ageing for decades.

Offley Vintage Port 2018

It might be approachable but this Vintage Port is opaque in the glass, as it should be.  The nose has intense, rich black fruits, lifted aromas including spice and balsamic notes.  The palate shows both red and black fruits, balsamic notes, chocolate, all kept fresh by good acidity.  It’s a very generous but not overwhelming wine; it flows straight down without having to chew.  Perhaps this is Goldilocks’ Port?  Not too sweet, not too tannic or dry, not a blockbuster, but not too light.  In a word, accessible!

Luís recommends drinking with cheese or – as the locals do – with Feijoada, a Portuguese black bean and meat stew.

  • ABV: 20.0%
  • RRP: €78.99
  • Stockists: Terroirs, Donnybrook; The Corkscrew, Chatham St; wineonline.ie
Make Mine A Double

Dynamic Douro Duo [Make Mine a Double #67]

Port wine is world famous, known wherever wine is drunk.  It’s a powerful, sweet, fortified wine that has become the name of a style – just like Champagne – even though it should only be used for geographically demarcated wines from Portugal.  Although the Port Houses are innovating, with a multitude of styles and colours being marketed, demand for their fortified wines isn’t as strong as it could be, considering their quality.

Table wines from the Douro have therefore increased in importance.  The style of Douro wines is evolving as well; initially they were often “dry Ports”, made from the same varieties and full of alcohol, flavour and body.  Although popular, some of them were a little rustic and lacked elegance.  Enter Casa Ferreirinha, taken from the Liberty Wines Ireland website:

Founded in 1952, with the production of the first ever vintage of Barca Velha, Casa Ferreirinha pioneered the quality revolution in Douro still wines and was the first producer in the region dedicated entirely to producing wine, rather than port. Named after the legendary Porto matriarch Dona Antónia Ferreira, Casa Ferreirinha, pays homage to the memory of this visionary woman. Today, the winemaking is headed up by Luís Sottomayor, who restrains the Douro’s natural exuberance to produce wines that have a vibrant freshness allied to a lovely texture and depth.

Earlier this year I joined a zoom masterclass presented by Luís Sottomayor himself and got to taste some of the wines (disclosure: which were samples, obvs):

Casa Ferreirinha “Vinha Grande” Douro Branco 2019

Although there are white Port grapes grown in the Douro (white Port and tonic is the “in” summer drink these days) we don’t tend to think of dry white Douro wines.  The Vinha Grande Branco has been made since 2005 since the acquisition of 25 hectares of suitable vineyards at high altitude.  The precise blend changes from year to year, but for 2019 it is:

  • 40% Viosinho – a well balanced and highly aromatic local variety
  • 35% Arinto (aka Pedernã) – a high acidity grape, better known in Bucelas
  • 15% Rabigato – a high acidity grape almost solely grown in the Douro
  • 10% Gouveio (aka Godello) – which gives roundness and complexity

Vinification took place in stainless steel tank and then the wine was split into two; 50% was aged in 500 litre barrels and 50% in steel tanks.  Both halves received regular lees stirring and then were recombined after six months.  Per Luis, the aim of using oak is to add complexity and capacity for ageing, but only 50% as they don’t want oak to dominate the fruit.

Initially it shows white fruits and flowers on the nose, then citrus and passionfruit, rounding off with some oak notes.  The high altitude of the vineyard shows up on the palate which is very fresh and has good acidity.  There’s some body to this wine and beautiful ripe fruit notes in the mid palate.  Overall this is an excellent wine, and one that I suspect will continue to improve for several years.

  • ABV: 13.0%
  • RRP: €21.99
  • Stockists: Blackrock Cellar; Egans, Portlaoise; Ely Wine Store, Maynooth; The Corkscrew, Chatham St.; wineonline.ie

Casa Ferreirinha “Vinha Grande” Douro Tinto 2017

 

This is the daddy, one of the first Douro reds, and originally was made with grapes sourced from a specific vineyard called Vinha Grande; nowadays the wine includes grapes from Cima Corgo and Douro Superior subregions.  I don’t have the exact varietal composition for 2017 but for 2018 the blend was:

  • 40% Touriga Franca – the most widely planted black grape in the Douro
  • 30% Touriga Nacional – perfumed and powerful king of the Douro
  • 25% Tinta Roriz (aka Tempranillo) – for suppleness, the second most important black grape
  • 5% Tinta Barroca – early ripening Douro grape which adds colour and alcohol

Alcoholic fermentation is carried out – separately in each subregion – in temperature controlled stainless steel tanks, with some maceration to extract colour, flavours and tannins.  The two are then blended together and matured in used (two to four year old) French barrels.  Luis stated that French oak is regarded as more neutral, less aromatic than American oak.  Portuguese oak was used until 2001 when supplies dried up – it gave more tannins and was more aromatically neutral still, but was a little rustic.

The nose of the Vinha Grande Tinto exudes rich black and red fruits, spice, freshly made coffee and hints of cedar.  The palate is lovely and supple, with blueberry, blackberry and plum plus smoky notes.  The body is generous but not too thick; with its soft tannins this is a refined and elegant wine.

  • ABV: 14.0%
  • RRP: €21.99
  • Stockists: Avoca Handweavers, Ballsbridge; Baggot Street Wines; Blackrock Cellar; Martins Off Licence, Fairview; McHughs, Kilbarrack Road; Terroirs, Donnybrook; The Corkscrew, Chatham St.; The Parting Glass, Enniskerry; The Wine Centre, Kilkenny; wineonline.ie

 

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Alsace Blends

Alsace is mainly known and loved for its stunning single varietal wines, but less widely known are its blends.  In fact, there are even more types of blend than many wine lovers know, so, in advance of Alsace Wine Week, here’s a quick rundown of the six types I have counted!

Edelzwicker

 

Edelzwicker

Edelzwicker is probably the most well known Alsace blend.  The word comes from the Alsace dialect for “noble blend” (it’s a Germanic dialect more closely linked to Swiss German than textbook German) although noble grapes aren’t a requirement nowadays. In fact, any of the officially permitted Alsace varieties can be blended in any proportion.

The grapes used are usually those from the less favoured sites and which aren’t required for varietal wines, and so the proportions change a little from year to year.  However, despite their modest origins, Edelzwickers can be a very nice everyday wine – more than the sum of their parts!

Gentil

hugel gentil alsace

Gentil is the French word for “kind”, though quite why the term was awarded to this style of wine I do not know.  A Gentil is very similar to an Edelzwicker except that the four “noble grapes” of Alsace should be at least 50% of the blend:

  • Pinot Gris
  • Muscat
  • Gewurztraminer
  • Riesling

Pinot Blanc

Paul Ginglinger Pinot Blanc

Yes, Pinot Blanc is a variety, and a wine so labelled could be a varietal, but the rules in Alsace permit four grapes to be used:

  • Pinot Blanc itself
  • Auxerrois
  • Pinot Gris
  • Pinot Noir (vinified white, i.e. no contact with the skins)

Auxerois is a sibling of Chardonnay and is sometimes given its full name Auxerrois Blanc de Laquenexy but more often known as Pinot Auxerrois or Clevner/Klevner – though the latter is especially confusing as it is also the synonym for Pinot Blanc!  Interestingly, the amount of true Pinot Blanc in still wines has fallen over the decades as it is in such high demand for Crémant!

Muscat

Domaine Zind Humbrecht Muscat Alsace

There are three different members of the Muscat family allowed in Alsace wines:

  • Muscat Blanc à Petits Grains (White Muscat with small berries)
  • Muscat Rose à Petits Grains (Pink Muscat with small berries)
  • Muscat Ottonel (thought to be a descendent of Pinot Noir Précose, Chasselas and an unknown other member of the Muscat family)

Blends of these different varieties are allowed in AOC Alsace; however, most of the AOC Alsace Grands Crus do not permit a mix and two (Zotzenberg and Kaefferkopf) do not allow any Muscat at all.

Crémant d’Alsace

dopff irion cremant d alsace brut

Alsace’s traditional method sparkler is the second most popular in France (after Champagne, of course).  It doesn’t have to be a blend, but usually is – with the exception of the rosé which has to be 100% Pinot Noir.  The permitted varieties are:

  • Pinot Blanc (usually the biggest component)
  • Pinot Gris
  • Pinot Noir
  • Riesling
  • Auxerrois
  • Chardonnay (although not permitted in still Alsace wines, an exception is made for Crémant )

Field Blends

BURG Domaine Marcel Deiss

The final category is also probably the rarest, but also actually the most traditional:  blends created from different varieties which are grown, picked and vinified together.  The original practice for Edelzwicker was to make it from field blends, but now separate vinification before blending is mandatory.  Instead, a few producers still make field blends the “old fashioned way”.  Most notable of these is Domaine Marcel Deiss who make a broad range of “Cru d’Alsace” wines named by their lieu-dit rather than varieties.  As an example, the Deiss Burg is nearly a full house as it contains:

  • Pinot Gris
  • Muscat
  • Pinot Blanc
  • Sylvaner
  • Gewurztraminer
  • Riesling

On a smaller scale, Agathe Bursin’s “L’As de B” is also a field blend.  The name is actually short for “L’Assemblage de Bollenberg ” – which translates as “Bollenberg Blend” – and contains the same six grapes as Burg.