Whether you call them “orange wines”, “amber wines” or “skin-contact white wines”, these postmodern wines are here to stay. However, are they going to remain a niche curiosity drunk only by the adventurous or will they break out from the independent wine specialist sector into multiples and even supermarkets? Here are two skin-contact whites which are leading the way.

Mazzei Tenuta Belguardo Codice V Maremma Vermentino 2019

Mazzei Belguardo Codice V Vermentino

I previously reviewed the “regular” Mazzei Belguardo Vermentino and found it excellent, so I was keen to taste this pull-out-all-the-stops flagship version. To make the best Vermentino they could, Mazzei started with clones from Corsica, the spiritual home and likely origin of the Vermentino grape. Of course they were planted in Maremma on the Tyrrhenian coast as the cooling effect of sea breezes is important for retaining freshness. The vineyard site is 30 to 50 metres above sea level and is orientated south / south-west on predominantly sandy soils.

Harvesting is all by hand but it’s vinification where things start to get really interesting:

20% is fermented and aged on the skins in amphorae for nine months
30% is fermented and aged on the skins in stainless steel tanks for nine months
50% is fermented and aged on fine lees in stainless steel tanks (I presume for nine months)

The construction material and any lining of the amphorae is not specified. After blending back together the wine is bottled and stored for a further six months before release.

If someone had already tasted the regular Vermentino then the Codice V would be quite familiar, though they might feel they had been missing half of the story. The nose shows complex aromas of citrus and stone fruit, with hints of smoke. These elements continue onto the palate where they intertwine with mellow savoury notes and layers of mixed peel and ginger. The finish is fresh and mouth-watering.

ABV: 13.0%*
RRP: €33
Source: Sample
Stockists: SC Grocer; Martins Off-licence; Clontarf Wines; Sweeneys D3; The Corkscrew; Blackrock Cellar

Gérard Bertrand Orange Gold 2020

gérard bertrand orange gold

I have reviewed Gérard Bertrand‘s wines widely over the years; his impressive range includes whites, rosés and reds from the Languedoc at several different price points, many of which are organic and / or biodynamic. To those colours he has added an orange wine, a homage to Georgian wines of 4,500 years ago. It is a real blend, being made with seven different varieties: Chardonnay, Grenache Blanc, Viognier, Marsanne, Mauzac, Muscat and Clairette.

When perfectly ripe, the grapes are hand-picked in whole bunches and transferred to vat without any destemming or crushing, as with many red wines. The grapes then ferment, partially in the normal way and partially carbonicly (where the weight of the grapes causes some to ferment within their skins. After 10 to 15 days the grapes are separated and pressed to extract colour and tannin; this press wine is then added to the existing must in stainless steel tanks to finish fermenting. Finally, the wine is put into used barrels to mature.

In the glass (and in the bottle) this is a vibrant gold colour, and could be easily mistaken for a Sauternes or Tokaji. The nose is complex, with apple blossom, marmalade, apricot jam and pear drops – very enticing. The palate is dry but with fruit sweetness on the mid palate. There’s a real savoury complexity to this wine, and a light saline tang with some tannins on the finish. From one point of view it could be said that the nose and the palate offer entirely different aspects, but that is a truism for orange wines in general. Once expectations are reasonably set I think this is a tasty wine that many would enjoy.

ABV: 13.0%
RRP: €21.95
Source: Sample
Stockists: O’Briens stores and obrienswine.ie

Conclusion

These wines are quite different, taking different approaches to producing a balanced wine, and a single varietal compared to a blend. Although the number of orange wines available in Ireland is fairly low at the moment it doesn’t mean that any particular wine can represent a whole colour. What they do have in common is that they are both delicious and approachable, while maintaining a savoury character that expands their interest and versatility.

For me the Codice V is the better wine, but of course has a higher price. Due to its fairly widespread availability and lower price I think the Orange Gold is more likely to tempt more casual wine drinkers into trying an orange wine for the first time – but hopefully not the last time!

*Any wine geeks among you may have noticed that the alcohol for this wine is a little higher than the regular Vermentino I reviewed a year ago (13.39% v 12.5% on the respective tech sheets). This is due to vintage variation (2019 v 2018) rather than differences in winemaking; the 2018 vintage of the Codice V also had 12.5% alcohol.

**Click here to see more posts in the Make Mine a Double Series**

Single Bottle Review

Wine Review: Pepe Mendoza Casa Agricola Pureza Moscatel Anfora 2019

March 29, 2021 admin

Pepe Mendoza makes fascinating wines in his home region of Alicante. To understand the wines we must first understand the region and the man himself. We will look at the range of wines he makes followed by tasting notes of one of them.

Alicante DO

Where is Alicante? I wouldn’t have been able to place it accurately on a (blank) map, so here’s an annotated map:

DO_Alicante_location

Alicante wine comes from the province of the same name in south eastern Spain. As you can see on the outline map above (Credit: Té y kriptonita), there are two separate and distinct sub-regions:

Vinalopó which follows the banks of the river of the same name
La Marina which is a newer, smaller region by the coast

Monastrell is the major grape planted in Alicante – especially in the more developed and warmer Vinalopó – as it is in other wine regions in this part of Spain. A long-standing speciality of the area is Fondillón wine, a late-harvest red wine which is left in barrel for extended periods – similar to the way that Tawny Port is matured, though Fondillón is not fortified.

La Marina is cooler and has more rainfall, and so is more suitable for white grapes – Moscatel is prevalent.

Another historical wine style which was once more common is Brisat wines, i.e. skin-contact wines made using amphoras.

Señor Pepe Mendoza

José (Pepe) Mendoza grew up learning about vines and winemaking in his father’s eponymous firm Bodegas Enrique Mendoza, founded in 1989. Pepe was closely involved in the vineyard and the winery, then the overall running of the family firm with his younger brother Julian. In addition to this large concern – it covers 500 hectares and produces 250,000 bottles annually – Pepe and his wife Pepa Agulló also founded their own boutique operation Casa Agrícola.

From the beginning of 2021 Pepe stepped away from the family firm to concentrate on Casa Agrícola and a new consultancy business – Uva Destino – aimed at helping “vineyards that strive to express themselves”.

Pepe Mendoza Casa Agricola Wine Range

There are four distinct wine ranges within the Casa Agricola portfolio:

“Landscape” wines

These are Pepe’s entry level wines which blend local varieties and are designed to be fresh but easy drinking:

Paisaje Mediterraneo Blanco: Moscatel 40%, Macabeo 40%, Airén 20%
Paisaje Mediterraneo Tinto: Monastrell 70%, Giró 25%, Alicante Bouschet 5%

Single Varietal wines

There is currently just one wine in this range:

Pureza Moscatel Anfora: 100% Moscatel (see below)

Terroir wines

These are also single varietal wines but made with grapes sourced from a single terroir, one which allows the variety to thrive:

Giró de Abargues: 100% Giró from Marina Alta
El Veneno Monastrell: 100% Monastrell from Alto Vinalopó

Small Production wines

These are experimental wines which act as an R&D lab for Pepe to try out new styles:

Mares de Luz Coupaje: a blend of Monastrell from Vinalopo and Giró from Marina Alta
Giró-Gironet Ánfora Velo Flor: 2 different Giró clones fermented under a veil of flor
Blanc Brisat Moscatel “La Solana”: a 100% Moscatel skin contact wine aged in amphoras

Pepe Mendoza Casa Agricola Pureza Moscatel Anfora 2019

casa agricola pureza moscatel 3

The vineyard where the grapes for this wine are sourced from is only two hectares in area and was planted in 1943. It is farmed without irrigation and according to organic principles but is uncertified. Wine making takes an additive-free approach: yeast is indigenous and there are no enzymes, acid, sugar or other additives used.

The grape variety used is 100% Moscatel de Alejandría (Muscat of Alexandria) which is common all across the Mediterranean. It is sometimes regarded as inferior to other Muscats – principally Muscat Blanc à Petits Grains – but in the right setting it can deliver very good wines.

The juice is fermented on skins in amphoras of 220, 250 and 350 litres, with macerations two to three times a day. After alcoholic fermentation of around ten days, the wine is matured in the same amphoras for six months, without lees stirring, then in bottle for a further five.

Although classed by some as an “orange” or “amber” wine, this is more of a deep lemon colour. The nose shows grapes as expected from a Muscat, but also orange blossom and citrus peel. When tasted, at first it shows delicacy and poise, dancing on the tongue. There’s a fleshy sweetness to the mid palate, but this is followed up by some grippy tannins and an oh-so-dry finish.

This is a highly individual and unusual wine, completely out of the mainstream. It’s not one I would drink regularly on its own – it would surely blossom even more with food – but it’s very well done and deserves consideration for a wine which activates your senses and stimulates your brain.

ABV: 13.0%
RRP: €29.95
Stockists: The Wine Pair; Higgins Off-Licence; Redmonds of Ranelagh; The Corkscrew; Sweeney’s D3; Deveney’s Dundrum; SC Grocer Monkstown
Source: media sample

Other Pepe Mendoza Casa Agricola wines available in Ireland

In addition to the Pureza Moscatel Anfora, the following Pepe Mendoza wines are available in Ireland:

Paisaje Mediterraneo Blanco 2019 (RRP €24.95) Stockists: Avoca; Baggot St Wines; Blackrock Cellar; Deveney’s Dundrum; Sweeney’s D3; McHughs; SC Grocer Monkstown; The Wine Pair; Thomas’s Foxrock.
Paisaje Mediterraneo Tinto 2019 (RRP €24.95) Stockists: Avoca; Baggot St Wines; Blackrock Cellar; Deveney’s Dundrum; Sweeney’s D3; McHughs; Mitchell and Son.
El Veneno Monastrell 2018 (RRP €43.95) Stockists: Avoca; D-Six Off-Licence; Redmonds of Ranelagh; The Corkscrew; Sweeney’s D3; Deveney’s Dundrum

Make Mine A Double

Wine Review: Maison Ambroise Bourgogne Aligoté and Domaine Michel Lafarge Bourgogne Aligoté

March 16, 2021 admin

Aligoté is on the comeback trail, a grape which used to looked down upon for its acidity and rusticity is now producing treasured wines, especially in its homeland of greater Burgundy. I recently praised one inexpensive specimen of Bourgogne Aligoté from Lidl, but now we have two more accomplished examples from well reputed producers:

Maison Ambroise Bourgogne Aligoté 2017

Maison Ambroise have been a favoured Burgundy producer of mine for several years. The family grow and source grapes from 20 hectares split over 20 different appellations. Of those available in Ireland, the Hautes Côtes de Nuits white and Côtes de Nuits Villages red are excellent mid range wines. The entry level here is the red and white pair of Lettre d’Eloïse, while there are other treats available such as the stunning Nuits-St-Georges “Haut Pruliers”.

Ambroise’s Aligoté tucks in just behind the Lettre d’Eloïse Chardonnay in the range. It has an intriguing nose of pear, citrus and herbs. Textbook strong acidity make this a fresh wine, but fleshy texture and ripe citrus notes also give it some body. There’s also a strong mineral streak which is almost metallic in character. This is a tangy, mouth-watering and delicious example of the grape. Ambroise themselves suggest pairing it with fish, and especially Sushi.

ABV: 12.5%
RRP: €20
Stockists: The Wine Pair; Avoca; Le Caveau Kilkenny; MacGuiness wines; Redmonds of Ranelagh; Martins Off License; Station to Station wines; Listons
Source: purchased from The Wine Pair

Domaine Michel Lafarge Raisins Dorés Bourgogne Aligoté 2018

If Ambroise is small with 20 hectares, then Domaine Michel Lafarge is even smaller at about half the size. Based in Volnay, the Domaine is now run by Frédéric and his daughter Clothilde, the second and third generation respectively. The estate is certified organic and biodynamic, with a low-intervention approach to winemaking.

Whereas Ambroise’s vines are 40 years old, Lafarge’s Aligoté vines are more than twice that. After whole-cluster pressing, fermentation takes place spontaneously with wild yeast in stainless steel tanks. The wine is then matured between three and six months in older oak barrels, depending on the vintage. Before bottling the wine may be fined and / or filtered, again vintage-dependent.

I don’t think I’m doing this bottle of Raisins Dorés (Golden Grapes) a disservice by saying that it’s fairly similar to the Ambroise, but more so: aromas and flavours are much more concentrated, there’s more smoke and fleshy texture, and such a long finish. It’s almost as though this is the wine that Riesling and Albariño want to be when they grow up.

ABV: 12.5%
RRP: €32
Stockists: the current allocation of 32 bottles for Ireland has already sold out.
Source: media sample

Conclusion

There’s no doubt that the Lafarge is the better of these two wines in my eyes (or should that be “in my mouth”?), but the real question is their comparative quality to price ratio. Which is the better value for money? The extremely low availability of the Lafarge take it out of the buying equation right now, but I’d say that the two wines are equal in the VFM stakes. If you just want to spend €20 then buy the Ambroise, but if you can spend just over €30 and can find the Lafarge wine then snap it up!

**Click here to see more posts in the Make Mine a Double Series**

Opinion, Single Bottle Review

Wine Review: Wente Morning Fog Chardonnay

February 3, 2021 admin

Before the arrival of this wine into Dublin I have to confess that I was only distantly aware of Wente Vineyards and their home of Livermore Valley in California’s Central Coast. The two are inextricably linked, but first here’s a map for us to get our bearings:

Livermore Valley in California

As you can see, Livermore Valley is at the top of the Central Coast region, across the Bay from San Francisco. Cooling sea breezes and fogs from San Francisco Bay give the valley more significant diurnal temperature variation, helpful for producing quality wine.

Although not that well known today – in Europe at least – grapes were first planted in Livermore in the 1840s, before the Bordeaux Classification of 1855 and well before phylloxera devastated European vineyards.

There was a flurry of winery openings in the 1880s, with Cresta Blanca Winery in 1882 followed by Concannon Vineyard and Wente Vineyards in 1883. Colcannon and Wente are still in operation today, with Wente being the biggest. In fact, it was Wente who ended up buying the land that Cresta Blanca had used and replanted it after decades of being barren.

Livermore Valley’s influence on Californian wine extended beyond its immediate borders:

Sauvignon Blanc and Semillon grown there originated from vine cuttings taken from Château d’Yquem
Livermore was the first area in California that labelled wines by their variety
As one of the oldest places planted to Chardonnay, it is the genetic source of 80% of Californian Chardonnay

Wente Vineyards

Wente Vineyards are proud of their status as “the country’s longest, continuously operated family-owned winery”. They have now reached five generations of family winegrowers:

Carl H. Wente founded the vineyard with the purchase of 47 acres in 1883
Ernest Wente imported Chardonnay cuttings from Montpellier in 1912 and established the Wente Clone. His brother Herman Wente helped to found the California Wine Institute in 1936
Karl L. Wente joined the business in 1949 and greatly expanded US and international distribution. He also expanded the family’s holdings into Arroyo Secco (Monterey)
Eric, Philip and Carolyn Wente took over management of the business in 1977
Christine, Karl, Jordan, Niki and Aly Wente hold various positions in the business

Not content to simply fall back on with their long history, Wente are also embracing the future with the first ever virtual wine tasting accessed through Alexa or Google.

In addition to producing wine the estate also features a restaurant, 18 hole golf course and concert venue. But it’s the wine that matters most to us! The Wente wine portfolio consists of several ranges. In approximate order of most to least expensive they are:

The Nth Degree
Small Lot
Single Vineyard
Wente Winemakers Studio
Estate Grown

It’s not unusual for Estate wines to be the top range in a producer’s portfolio, so this indicates a high quality level. To evaluate this theory we now turn to a specific wine from the Estate Grown range.

Disclosure: This bottle was kindly provided as a sample

Wente Morning Fog Livermore Valley Chardonnay 2018

The Wente Vineyards “Morning Fog” Livermore Valley Chardonnay is made by fifth generation Karl Wente. Its name evokes the fogs that roll across San Francisco Bay and into the east-west trained vines of Livermore Valley. Various Wente Chardonnay clones are used, including “Old Wente” which have been propagated without going though heat treatment at UC Davis. Each parcel is harvested and vinified separately.

After the grapes are pressed the must is split into two parts: 50% is fermented in old American oak and 50% is fermented in stainless steel tanks. The barrel fermented portion remains in those containers for five months and undergoes monthly lees stirring. The Inox portion is split further; half remains on its lees and receives bâtonnage while half is racked into clean tanks. All vessels are then blended together before bottling.

When poured the wine is lemon, not as deep as some other (more oaky) Chardonnays. It’s highly aromatic on the nose – helped by 2% Gewürztraminer – full of toasty, leesy notes and fresh citrus. The palate is fresh and clean, but with lovely texture. Unlike some Cali Chardonnays, the texture doesn’t get in the way of the wine or stand out awkwardly, but rather comes along for the journey. There’s a fine mineral streak through the wine and a fresh finish.

Overall this is a very well put together wine, rising above many confected and manufactured rivals at this price point.

ABV: 13.5%
RRP: €27
Stockists: Baggot Street Wines; Blackrock Cellar; Clontarf Wines; The Corkscrew; Deveney’s Dundrum; D-SIX Off Licence; Jus de Vine; Lotts and Co; Martins Off Licence; McHughs Kilbarrack and Malahide; Mitchell and Son Glasthule and CHQ; Nectar Wines, Sandyford; Power & Co Fine Wines; Sweeney’s D3; Redmonds of Ranelagh; The GrapeVine, Glasnevin; The Wine Pair; Thomas’s Foxrock

Make Mine A Double

Love, Love me Dão [Make Mine a Double #65]

October 20, 2020 admin

Adega de Penalva is one of the leading cooperatives in the Portuguese Dão region (I gave an overview of the Dão in a previous article here, but in summary it is in the centre of northern Portugal close to the Douro.) The coop was formed in the ’60s and has around a thousand members – that’s a lot of coordination – but with an average of only around 1.2 hectares of vines per member the volume crushed is manageable.

Their extensive main range can be spilt into four categories:

Red: Adega de Penalva Reserva, Encostas de Penalva, Flor De Penalva, Flor De Penalva Reserva, Jaen, O Penalva, Tinta Roriz, Tinta Pinheira, Touriga-Nacional, Milénio
White: Cerceal – Branco, Encostas De Penalva, Encruzado, Flor De Penalva, Bical
Rosé: Adega de Penalva Rosé
Sparkling (Método Clássico): Milénio Reserva, Milénio Bruto, Milénio Seco, Milénio Tinto Bruto)

As you might be able to parse from the wine names, some are made to be drunk young while others will reward some cellaring. Not featured in the main list are a red and white fun and drinkable pair made (for Portuguese Story) from blends of indigenous grapes: Adega de Penalva Indigena Blend

Disclosure: both bottles were kindly given as samples, opinions remain my own

Adega de Penalva Indigena Blend Dão Branco 2019

This white blend is composed of:

40% Encruzado (a speciality of the Dão)
30% Malvasia (grown all over southern Europe; the particular variant is not specified)
30% Cerceal (aka Esgana Cão (“Dog Strangler”!,) or Sercial in Madeira)

According to Wine Enthusiast, “Encruzado is, arguably, Portugal’s greatest white grape” – and having enjoyed Quinta dos Carvalhais’s Dão Colheita Branco I think it is a fair statement. Here, of course, it is not on its own and has a supporting cast of Malvasia (which adds body) and Cerceal (which adds freshness).

All grapes are hand-picked and winemaking is fairly straightforward; after destemming and pressing, the must is fermented with selected yeasts in temperature controlled stainless steel tanks. Maturation is also in INOX – with no wood to be seen – all to preserve the wine’s inherent fruit aromas and flavours.

On the nose it shows a variety of stone fruits and quince, plus almonds and a whiff of the forest (pine? cedar?) Ripe stone fruit return on the palate – peach, nectarine, apricot – but with a zippy fresh finish that literally makes your mouth water. This Branco shows why the Portuguese are so keen on blending – it really is more than the sum of its parts!

ABV: 12.5%
RRP: €14.95
Stockists: Blackrock Cellar; Sweeney’s D3, Fairview; McHugh’s Off-Licence Kilbarrack Rd; Nectar Wines, Sandyford; The GrapeVine, Glasnevin; The Wine Pair, Clanbrassil St.; Baggot Street Wines

Adega de Penalva Indigena Blend Dão Tinto 2017

The blend for the Tinto is:

40% Touriga Nacional (the Douro’s (and Portugal’s?) key black grape
30% Tinta Roriz (aka Tempranillo, and many other names),
30% Jaen (aka Mencia in NW Spain)

The order of the varieties above is from heavier to lighter; Touriga Nacional has the most structure and weight – which is why it is so important in the Douro – with Tinta Roriz being medium bodied and more accessible, and finally Jaen being quite light and fresh. Winemaking is similar to the Branco above apart from the use of lined concrete tanks – in addition to stainless steel – for maturation.

Unsurprisingly, given the above, the wine is a medium intensity cherry red in the glass. The nose has vibrant red fruits – cherry, strawberry, raspberry and cranberry. On the palate these fruits are even more vibrant and juicy, seeming to jump out of the glass. There are also notes of blackberry, chocolate and smoke, all wrapping up in a dry but fresh finish.

ABV: 12.5%
RRP: €14.95
Stockists: Blackrock Cellar; Sweeney’s D3, Fairview; Martins Off-Licence, Fairview; McHugh’s Off-Licence Kilbarrack Rd; Nectar Wines, Sandyford; The GrapeVine, Glasnevin; The Wine Pair, Clanbrassil St.; Clontarf Wines
DrinkStore, Stoneybatter; The Corkscrew, Chatham St.; Jus de Vine, Portmarnock

Conclusion

Yes, these wines are easy to drink. Yes, they are quite affordable. And yes, they have relatively modest alcohol %.

So they definitely qualify as “lunchtime wines” or “house wines”, but they are far more than that.

Such poise, balance and deliciousness has them punching well above their weight!

**Click here to see more posts in the Make Mine a Double Series**

Single Bottle Review

Classic and Classy: Fritz Haag Riesling

July 14, 2020 admin

My love for Alsace wines – especially its Rieslings – is without parallel, yet even I am forced to concede: Other Rieslings Are Available! Given the grape’s Germanic origins and it’s position as the most widely planted grape there (23% of vineyard area as of 2015) it is only fair to look to Germany. Of all Germany’s 13 wine regions, for me the most synonymous with quality Riesling is the Mosel.

The Mosel wine region had Saar–Ruwer appended to its name until 1st August 2007, and those two names still account for two of the six Mosel Districts (Bereiche). Also, adjacent to Luxembourg, the Obermosel and Moseltor Districts are home to modest wines – still and sparkling – made from Elbing and other “lesser” grapes. The final two Mosel Districts are the most important. The Berg Cochem District is also known as the Terraced Mosel (Terrassenmosel) as many of its slopes are incredibly steep and are terraced so that they can be worked. The final District is Bernkastel which includes the famous sundial vineyards.

The Haag family have run their estate in Brauneberg, Bernkastel District, since 1605. I have previously reviewed their Brauneberger Juffer Grosses Gewächs Riesling and Brauneberger Juffer Riesling Auslese Goldkapsel. Now I turn to their “entry level” dry Riesling.

Disclosure: bottle was kindly given as a sample, opinions remain my own

Fritz Haag Mosel Riesling Trocken 2018

fritz-haag-riesling-trocken

Weingut Fritz Haag hand pick their Riesling grapes for this wine from their slate-soil vineyards around their home base of Brauneberg. Fermentation takes place in both large wooden vats (for a touch of roundness) and stainless-steel tanks (for freshness). As many who are fluent in wine know “Trocken” means dry in German, so the fermentation is not stopped early to make the wine sweet (although Fritz Haag does make some brilliant sweet wines).

This estate Riesling pours a light lemon in the glass. The nose is full of citrus with lifted mineral tones – and unmistakable Riesling character.

The measured residual sugar is 7.5 g/L which would be creeping into off-dry territory for some grapes, but set against this Riesling’s acidity it merely tames the zing a little and brings out the fruitiness of the wine.

On the palate we find fleshy lime, grapefruit and peach combined – you don’t taste them individually but there’s a new super-fruit that combines all their characteristics! Light and lithe, a wine that dances on your tongue before disappearing down your throat. Once in your stomach it sends a direct signal to your brain for another taste! The finish is dry as you’d expect from a Trocken wine, but the fruit sweetness in the mid-palate banishes any thoughts of this being too dry.

The TL;DR review: tastes of deliciousness!

ABV: 12.0%
RS: 7.5 g/L
RRP: €23
Stockists: Blackrock Cellar; Clontarf wines; F.X. Buckley Victualler & Grocer; Jus de Vine; McHugh’s Off-Licences, Kilbarrack Rd & Malahide Rd; Nectar Wines; The Vintry; The Wine Pair; Sweeney’s D3; Avoca Ballsbridge; The Corkscrew; Deveney’s Dundrum; D-SIX Off Licence; Drink Store Stoneybatter; Grapevine, Dalkey; La Touche, Greystones; Lotts & Co.; Martins Off Licence; Terroirs, Donnybrook

Wine + Music

The Frankly Wines & Friends Wine & Music Series #9 – Melanie May

June 28, 2020 admin

In these unusual times, we all need a lift from time to time. As a change to my usual wine reviews I’ve decided to start a fun and irreverent series on matching wine and music. The basic idea is that I give participants:

A piece of music –> they suggest a wine to go with it, with an explanation
A wine –> they suggest a piece of music to go with it

It’s all for fun, so please don’t slag off anybody’s taste music (or wine!) Thanks to Michelle Williams for the inspiration – she has been matching songs to wine for years on her Rockin Red Blog.

Our ninth contributor to this series is the magnificent Melanie May. Amongst other wines she mentioned that Riesling is her favourite white grape so of course I had to select an Alsace Riesling. But not any Alsace Riesling, Sipp Mack’s Grand Cru Rosacker which has been a favourite of mine for the best part of a decade. The 2011 was an amazingly big and heady vintage (at 14.0%!) which will remain in my top wines tasted, but the 2014 is a more elegant and subtle expression at 13.0%. At around €30 in Ireland it is sensationally good value for money.

On the music side I chose a perennial favourite from the mid ’80s which straddled the rock and goth genres. Billy Duffy’s powerful riffs help propel the song forward but for me it’s Nigel Preston’s pounding drums which really make the song excel. This was Preston’s last track with The Cult, and didn’t even feature in the video as his replacement Mark Brzezicki featured instead.

Sipp Mack Alsace Grand Cru Rosacker Riesling 2014

wine_music_melanie_may_ (5 of 5) — Credit: Melanie May

When Frankie asked me to contribute to his wine and music blog series I jumped at the chance. Not only because it gives me an opportunity to combine my love of writing, wine and music, but also my love of psychology too.

A little background, I used to take photographs of musicians and travelled around the UK snapping bands like The White Stripes, Razorlight, Stereophonics and The Libertines. My life revolved around going to gigs and backstage parties. Of course, that rock and roll lifestyle is well behind me now but my love of music is still as strong as ever.

Nowadays, I am a food and drink and travel writer and I have a WSET Level 3 Award in Wines. Before becoming a full-time writer though, I was studying to become a Clinical Psychologist and did my dissertation in Neuroscience.

Through my studies in psychology, I became aware of how different sensory experiences complement each other. There has been a few studies showing how music effects the perception and taste of wine. Did you know that people will buy significantly more expensive wine if classical music is playing than if the Top 40 is on? Apparently classical music encourages consumers to look for quality wines. Try it in your wine shop and see!

So, this pairing wine and music challenge is right up my street! I love this stuff.

I told Frankie that Riesling was my favourite white. So, when he asked me to pair a song to the 2014 Sipp Mack Riesling Grand Cru Rosacker my mouth instantly started watering. I had not tried that particular wine before, but knowing Frankie’s love of Alsace wine, I knew this was going to be a cracker.

And I was right. What a beautiful wine.

On the nose, the wine is floral with loads of juicy apple and bright citrus notes and a hint of petrol coming through too. The flavours are granny smith apples, cut red apple and baked apple too, lemon and lime. There is a wonderful chalky minerality to it too. It has an elegant mouthfeel and a long finish. It is super delicious.

The bright acidity and citrus notes of this wine are well matched to an upbeat pop song. The minerality and high acidity give this wine great structure, so I picked a song with a similar tight structure. The wine, with its delightful floral aromas and fruity flavours, is playful on the palate and even though it is high in acid it is quite smooth too. So, again, the song I chose is playful and smooth. The wine also has a great purity, it’s not encumbered with oak or other interfering wine making techniques, much like the matching song.

The song I paired with the 2014 Sipp Mack Riesling Grand Cru Rosacker is Good Day Sunshine by The Beatles – quite possibly my all time favourite band.

Good Day Sunshine is a bight and breezy, structured pop song – it is one of just a handful Beatles songs to use contiguous choruses. It is a pure pop song with no exotic instruments or tape loops. It is just Paul singing, Lennon harmonising and a piano and drums and very little guitar on the backing track. So, like the wine, it is bright, has great structure and is pure in taste and style.

Both the wine and the song capture the essence of carefree sunny days and both are good-mood enhancing. What a combo.

This wine is perfect for a barefoot picnic in the grass and this feel-good song is a magic, musical accompaniment.

I truly believe that when you pair the right wine with the right music, you get a heightened sensory experience that hits all the right notes. Maybe, one day, wine labels will say: ‘pairs well with shellfish and The Beatles’.

She Sells Sanctuary – The Cult

When Frankie asked me to pair a wine with the song ‘She Sells Sanctuary’ by The Cult I knew exactly what wine to choose: Château Vincens Les Graves De Paul Cahors 2014

wine_music_melanie_may_ (3 of 5) — Credit: Melanie May

She Sells Sanctuary has been described as ‘a goth milestone’ and ‘quite possibly the most famous goth-rock song’. So, a fitting pairing is a ‘black’ wine. Well, I was hardly going to choose a Champagne, goths aren’t exactly known for being bubbly now, are they?

Black wine is Malbec from Cahors in France and its dark colour is caused by a high concentration of polyphenols from the Malbec grape skins.

This particular wine I choose has a dark label and gothic script – goths love flourishes like that. This bottle will therefore co-ordinate perfectly with their crushed velvet jackets and the writing is big enough to read though all their eye makeup.

This wine tastes best if you let the air at it for a little while, so pour it into your best chalice or goblet and leave it to breathe whist you go write some awful poetry.

When you listen to She Sells Sanctuary you’ll notice the soft build-up of the intro and then Ian Astbury’s impassioned vocals before the drama of the instrumental break hits. There is a great structure to this song and that’s thanks to pop producer Steve Brown, he worked with Wham!.

The wine also follows a similar trajectory. When you first sniff you get a soft build up of aromas like dark fruits, bramble, tobacco and woody spices. Then, when you first sip, you taste the fruit but it is balanced out with lovely savoury, smoky and spicy flavours. Then the drama of the mineral backbone, hint of oak and smooth tannins hit. This wine is intense, rich and elegant with great structure. Just like the song. As for the impassioned vocals? Well, this is a heartfelt wine with a sense of place. You can taste the terroir. It also has a restrained power, much like the vocal style of the lead singer.

Like most goths, this wine isn’t fully mature. The oak and tannins means you could age it for a few more years. I think ageing would smooth everything out just a tad more and let those lovely savoury flavours develop too.

With a wine this intense and rich you can pair it with big intense food. I chose to pair mine with steak because of its high iron content, cause, let’s face it, most goths look anaemic.

I think pairing a goth-rock song with a black wine helps keep the proper morbid mood, don’t you think? However, as this particular song has expressive pop overtones, I think this expressive, fruit-driven wine with smooth tannins and good structure is a harmonious match.

Overall, it’s a rich, complex and age-worthy wine that is delicious to drink now but could be something even more special if left to age for a few more years. It might even get a cult following!

It’s not hard to see why some wines from Cahors have a cult following! Get it? Cult? The Cult?

I’ll get my coat.

Melanie May

Melanie May is a food and wine writer and travel journalist from Dublin. She won the ‘Best Newcomer’ award at the 2019 Travel Extra Travel Journalist of the Year Awards and she is a member of the British Guild of Travel Writers and is a Guild of Fine Food, Great Taste Judge.

Her love of wine began in her early 20s when she worked in a wine shop in Dublin and she has been developing her palate and tasting skills ever since. She has a WSET Level 2 Award in Wines & Spirits and a WSET Level 3 Award in Wines and uses this knowledge to inform the wine articles she writes for her blog, Travel Eat Write Repeat.

You can also follow her gastronomic adventures on Twitter and on Instagram.

The Frankly Wines & Friends Wine & Music Series
No.	Guest Name	Music to pair	Wine to pair

14	Lee Isaacs	The Rolling Stones – Gimme Shelter	Domaine Jones Fitou
13	Sharon L	Souls Of Mischief – 93 ‘Til Infinity	Penfolds RWT
12	Tim Milford	Copland’s Fanfare for the Common Man	Nyetimber Classic Cuvée
11	Mags McKee	U2 with BB King – When Love Comes to Town	Pittnauer Zweigelt Heideboden
10	Cara Rutherford	The Cure – Just Like Heaven	Suertes del Marqués ‘7 Fuentes’
9	Melanie May	The Cult – She Sells Sanctuary	Sipp Mack GC Rosacker Riesling
8	James Hubbard	Gary Moore – Parisienne Walkways	Penfolds Bin 707 Cab Sauv
7	Paul Moran	Underworld – Rez	Suertes del Marqués Trenzado
6	Nirina Plunkett	Jamiroquai – Space Cowboy Club Remix	Wolfberger Crémant d’Alsace
5	Penny Sadler	Fleetwood Mac – Dreams	Bollinger Special Cuvée
4	Jim Dunlop	The Beatles – The Long And Winding Road	Man O’ War Valhalla Chardonnay
3	Avril Kirrane McMorrough	Norah Jones – Don’t Know Why	Joseph Cattin Riesling Reserve
2	Tim of Soliciting Flavours	Samuel Barber’s Adagio for Strings	Viña Tondonia Blanco
1	Sinéad Smyth	Stardust – Music Sounds Better With You	Mullineux Syrah

Tasting Events

Solera Wine Selection (part 1)

February 3, 2020 admin

Solera Wine Merchants is a specialist wine importer based in Dublin. MD and owner Albert Baginski spent over 14 years working as a sommelier and restaurant wine director before going full time with Solera. He is known for being a gentleman, a true professional and – perhaps most importantly – a really nice bloke.

Albert Baginski

The Solera portfolio is still growing, but from my perspective it has some of the real stars from each region that is represented – Fritz Haag from the Mosel, Roda from Rioja and Mazzei from Tuscany, to name just a few. Below are some brief notes on the white wines I tasted with Albert late last year.

Villa Des Croix Picpoul de Pinet 2018 (12.5%, RRP €16.95 at Baggot Street Wines; Blackrock Cellar; Deveney’s Dundrum)

Villa des Croix Picpoul de Pinet

When twitter discussions on wine scoring circle round again and again, especially whether they are absolute or relative scores; Picpoul is sometimes given as a wine which will never hit the high 90s as it’s somewhat neutral and lacking in character, and therefore lends to credence to scores being relative.

Well, there are exceptions to every rule, and this is comfortably the most flavoursome and characterful Picpoul de Pinet that I’ve tried. It’s highly aromatic, with light fruits and flowers on the nose. The palate is fresh with lots of citrus and more depth of flavour than usually found in the grape. This would be a great alternative to Loire Sauvignon Blanc.

Bodegas Altos de Torona Rías Baixas Godello 2018 (13.0%, RRP €20.95 at Baggot Street Wines; Blackrock Cellar; Martins Off-Licence; Nectar Wines)

Altos de Torono Rias Baixas Godello

Rías Baixas is (quite rightly) best known for being the home of some excellent Albariños, but other varieties are grown there, such as this Godello from Altos de Torona. The wine is unoaked but has spent six months on fine lees which imparts a little texture and a creaminess. Conference pears and red apples complete the palate.

Fritz Haag Brauneberger Juffer Grosses Gewächs Riesling Trocken 2017 (12.5%, RRP €38.95 at Baggot Street Wines; Blackrock Cellar; Sweeney’s D3; The Corkscrew)

Fritz Haag Juffer Riesling Trocken

This is the first of two Fritz Haag Rieslings from the Mosel, though they are very different in character. This is a dry Grosses Gewächs (Grand Cru) from the Juffer vineyard in Brauneberg (note that Brauneberger isn’t stated on the front label, probably to avoid confusion with the bottling of the best part of the vineyard around the sundial which is labelled Brauneberger Juffer Sonnenuhr).

The nose is only lightly aromatic, but the palate is much more intense. It tastes dry (residual sugar is 7.9 g/L) and refreshing with grapefruit, lime and quince on the palate. This is a veritable pleasure to drink now but is surely destined for greatness over the next two decades.

Fritz Haag Brauneberger Juffer Riesling Auslese Goldkapsel 2017 (7.5%, RRP €33.95 (375ml) at Blackrock Cellar; Clontarf Wines)

From the same vineyard as the dry GG above, we now have the sweet Auslese Riesling. If you are not fluent in German wine terms – no I’m not either – a bit of decoding is in order. Auslese means “selected harvest” and is on the third rung of the Prädikatswein classification above Kabinett and Spatlese. Goldkapsel refers to the gold capsule covering the cork, and signifies that this bottling is from the producer’s ripest and best grapes.

Coming in at 125.8 g/L of residual sugar this is definitely in dessert wine territory, but, as it’s a Mosel Riesling there is plenty of acidity to go with it (7.5 g/L TA in fact). This is a fabulous, unctuous wine that creeps over your palate and isn’t in a hurry to leave. “Make yourself comfortable”, your taste buds say. It’s almost a crime to swallow, but the sweet flavours hitting your throat make up for it. With honey, crystalline pineapple and a dash of lime this wine is close to perfection.

Part 2 will cover the fabulous reds

Make Mine A Double, Opinion, Tasting Events

Earth Angel – Domaine des Anges [Make Mine a Double #49]

January 6, 2020 admin

An Englishman, and Irishman and a Frenchman climb up a mountain…and make some great wine! Domaine des Anges was established on the slopes of Mont Ventoux by English couple Malcolm and Janet Swan in 1973. At that point grapes were mainly being processed by the local cooperative, so it was a bold venture, but help and advice was surprisingly forthcoming from the famous but less-than-approachable Jacques Rayas of Châteauneuf-du-Pape.

The Swans had variable levels of success, and after 20 or so years they sold the estate to Irishman Gay McGuinness. He increased investment and hired professional winemakers – fellow Irishman Ciaran Rooney and after a decade Florent Chave. Quality has continually increased and Domaine des Anges has received a plethora of praise from critics and consumers.

I recently had the opportunity to taste through the Domaine des Anges range thanks to a kind invitation from Boutique Wines, their Irish representative. The wines were presented by historian and oenophile Giles MacDonogh – a close friend of the proprietors – and whose notes I have cribbed for background information. While I liked all the wines I tried, two in particular stood out for me: the white and red AOC Ventoux “Archange” wines:

Domaine des Anges Archange Ventoux Blanc 2016 (14.5%, RRP €21 at La Touche, Greystones; Sweeney’s D3, Fairview; Blackrock Cellar; Grape and Grain, Stillorgan; The Winehouse, Trim; Browns Vineyard, Portlaoise; Bakers Corner, Kill of the Grange; Mortons, Ranelagh)

Domaine des Anges archange Ventoux blanc

Whereas the regular Domaine des Anges Ventoux Blanc is a third each of Grenache Blanc, Roussanne and Bourboulenc, the Archange is 100% Roussanne – a grape that rarely gets the limelight all to itself. In fact the winemaking is as much the star of the show here, with techniques very reminiscent of Burgundy. The wine is aged in small oak barrels, giving notes of toast, toffee and vanilla. Malolactic fermentation is blocked to preserve freshness, and regular lees stirring gives a wonderful creamy aspect. The varietal character does come through the middle of all of this as an intriguing peachy tanginess…it’s like Burgundy but with a bit more going on. The only downside to this wine is that it’s perhaps too good to drink every day – perhaps just save it for the weekend?

Domaine des Anges Archange Ventoux Rouge 2015 (14.5%, RRP €21 at La Touche, Greystones; Sweeney’s D3, Fairview; Blackrock Cellar; Grape and Grain, Stillorgan; The Winehouse, Trim; Browns Vineyard, Portlaoise; Bakers Corner, Kill of the Grange; Mortons, Ranelagh)

Domaine des Anges archange Ventoux rouge

Although the Rhône Méridional is known for its Grenache-based blends, in the cooler heights of Mont Ventoux Syrah can play a much bigger role. In this blend it accounts for a full 90% with the balance being Grenache. As the 14.5% alcohol indicates this is a powerful wine, but it does not have the sweetness of a Barossa Shiraz, for example. There’s a distinct richness, but with smoky notes, black pepper, black fruits and leather, with an altogether savoury finish. My “go-to” Rhône appellation is Saint-Joseph with its savoury Syrahs, but this Ventoux presents a great alternative – and at a great price.

Conclusion

These two wines are an outstanding pair and really over-deliver for the price tag. They won’t fade in a hurry, either, so it would be well-worth putting a few (dozen) down to see how they evolve over time.

And for you film buffs out there, here’s a clip from the film which inspired part of the title of this post:

Make Mine A Double, Opinion

Domaine Lafage whites [Make Mine a Double #48]

October 12, 2019 admin

The Languedoc-Roussillon wine is often shortened to simply “The Languedoc”, but that does a disservice to Roussillon, the French part of Catalonia which stretches down to the border with Spain. It does have its stars in the fortified sweet wines of Maury, Rivesaltes and Banyuls, but here we turn our attention to its table wines.

Domaine Lafage are based in Perpignan and produce a large number of different cuvées – white, rosé, red and Vins Doux Naturels. I’ve enjoyed some of their bottles before, including their Nicolas (made from old vine Grenache Noir) and Côté Est (a blend of Grenache Blanc, Chardonnay and Rolle), but here are two that I tried recently that really impressed me:

Lafage “Centenaire” Côtes du Roussillon AOP 2018 (13.0%, RRP €19.95 at Baggot Street Wines, McHugh’s, Sweeny’s D3, DrinkStore, Redmonds of Ranalagh, Martins of Fairview, The Vintry Rathgar and Blackrock Cellar)

Domaine Lafage Centenaire Blanc

The name of this wine comes from the age of the vines – some of them are a hundred years old with the rest not far behind. 80% is made up by Grenaches Gris and Blanc (the split is not given) and the remaining 20% is Roussanne. Such old vines have very low yields (30 hl/ha) but give intense concentration of flavour. 30% of the blend is aged in new French oak for 4 months, with bâtonnage.

Being mainly Grenache the Centenaire has a broad palate, rich but dry and herby. This might sound something of a contradiction, but the spicy pear and quince fruit comes in the attack and mid palate with the finish being crisp and dry. In terms of style it is not dissimilar to a southern Rhône white, but crisper on the finish than most.

Lafage Cadireta Côtes Catalanes IGP 2018 (13.0%, RRP €19.95 at Baggot Street Wines, McHugh’s, Sweeny’s D3, DrinkStore, Redmonds of Ranalagh, Martins of Fairview, The Vintry Rathgar and Blackrock Cellar)

Domaine Lafage Cadireta Blanc

The Cadireta name is of a specific climat which has deep, rocky soils. Vines are a mixture of trellised and bush vines, planted in an east-west orientation to preserve acidity as much as possible. The grapes are harvested in the (relative) cool of night, a practice common in Australia. 30% of the wine is fermented and matured in new Burgundian oak barrels, similar to the Centenaire, with 70% cool fermented in stainless steel. Only 8% of the final blend goes through malolactic fermentation, adding a touch of roundness.

Now for the unusual feature of this wine: the grapes harvested are 100% Chardonnay but they are matured on Viognier lees – something which is quite innovative and adds a real depth of flavour. Melon and red apple from the Chardonnay and vanilla from the oak are joined by apricot, peach and floral notes from the Viognier. It’s a lusciously peachy wine yet remarkably fresh and crisp. This much flavour and interest yet perfectly in balance make for a wine worthy of much praise.

Conclusion

These are both very good wines and excellent value for money. For drinking on their own my marked preference is for the Cadireta – and I’m not alone as it has just won the White Wine of the Year at the Irish Wine Show! With food, I think that the Centenaire would be a little more versatile…so perhaps a bottle glass of each!

**Click here to see more posts in the Make Mine a Double Series**