Tag: Rosacker

Frankly Wines Top 10 Whites of 2016

Now it’s the turn for white wines to shine – here are ten of the best still dry whites which shone in 2016:

10. Feudo Luparello Sicilia Grillo – Viognier 2015

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A novel blend of indigenous Sicilian and international grapes, this wine is more than the sum of its parts.  Local Grillo is fresh and textured, more dry than fruity, whereas Viognier adds a voluptuous touch.  This is how blended wines should work!

See here for the full review (and the Nero d’Avola – Syrah blend!)

9. Nugan Estate Riverina Dreamer’s Chardonnay

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A “supermarket wine” made from “unfashionable” Chardonnay in a region known for its bulk wines, on paper this wine should be pap – but it works, in fact it works a treat!  In Ireland (at least) the main parameter for wine consumers in supermarkets in price, especially if a promotional offer is involved.  Given the high rates of duty and tax squeezing the cost side of the equation it’s not easy to find everyday wines that are actually enjoyable (though plenty are drinkable).

Nugan Estate’s “Personality” Single Vineyard series ticks all the boxes for me, and this was narrowly my favourite of the lot.  See here for my review of the full range.

8. Angel Sequeiros Rías Baixas Albariño “Evoé” 2013

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Although the label might look like an impressionist’s take on Health & Efficiency, the wine inside is fantastic – great with seafood, but gentle and fruity enough to be enjoyed on its own.  If only all Albariños were this good!

See here for the full review.

7. Goisot Bourgogne Aligoté 2014

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The “other” white grape of Burgundy (ignoring the small amounts of Pinots Blanc and Gris) which is definitely a second class citizen, and is so poor on its own that the Kir cocktail was invented to find a palatable use for it – or so the received wisdom goes.

There’s some element of truth in this, but Aligoté is usually grown on less-favoured sites and with a focus on yields rather than flavour, so it takes a brave producer to break out of this cycle and give the grape the attention it deserves.  The Goisot family are such a producer, based in the Sauvignon Blanc outpost of Saint-Bris.  This Aligoté is unlike any other I have tasted – it actually has colour unlike most which are like pale water, and an intensity of white flower and spicy pear flavours which reveal the age of the vines.

6. Gaia Wild Ferment Santorini Assyrtiko 2013

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When I put together a “wild” wine tasting for DNS Wine Club last year, there were a few obvious candidates that couldn’t possibly be missed from the line-up – this being one of them.  I had recommended it several times in the past so I was hoping it would live up to its reputation – especially tasted blind – and it certainly did!  Overall this was the favourite wine of the tasting, showing the funky flavours of wild yeast fermentation but still plenty of lovely citrus fruit and crisp acidity.

5. Tinpot Hut Marlborough Sauvignon Blanc 2016

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A common complaint levelled at New Zealand Sauvignon Blanc – and Marlborough in particular – is that “they all taste the same”.  There is some truth in this – the aromatics are generally recognisable before the first glass has even been poured and they are never short of acidity – but if you taste different examples side by side then there are clear differences.  The alternative styles of SB are another thing, of course, with wild yeast barrel fermentation and oak ageing used to make a different type of wine (see this article for more information).

4. Suertes del Marqués Trenzado

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This isn’t a wine for everybody, but it’s a wine everybody should try at least once.   Based mainly on Listan Blanco grapes from ten plots in Tenerife’s Valle de La Orotava, it’s so different that at first it’s hard to describe using everyday wine terms – it’s not fruity or buttery – perhaps nutty and waxy?  Sounds strange, but it’s an interesting and very enjoyable wine.

3. Domaine Zinck Grand Cru Eichberg Riesling 2014

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Domaine Zinck’s Portrait Series wines are fine examples of regular AOC Alsace wines and show the town of Eguisheim in a good light.  Take the step up to the Grand Cru Eichberg Riesling, however, and you move into different territory; not just in terms of the elevation of the vines, but a much more intense catalogue of aromas and flavours.  Even a young example such as this 2014 is delightful, but with the capacity to age for a decade or two and continue developing.

2. Sipp Mack Grand Cru Rosacker Riesling 2011

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Narrowly pipping its countryman, Sipp-Mack’s Grand Cru Riesling is from another exalted site: the Rosacker vineyard near Hunawihr, in between Ribeauvillé (where Trimbach is based) and Riquewihr (home to Hugel).  It has both primary fruit and mineral notes, and performs fantastically at the table.

For such a stunning wine it is relatively inexpensive at around €30 retail.  See here for the full review.

1. Shaw + Smith M3 Adelaide Hills Chardonnay 2014

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When I have favourite wines that I taste regularly over the years, I try not to repeat myself too much in my Top 10 review articles.  Given that I am lucky enough to taste several thousand wines over the course of an average year, it’s not such a difficult line to take…apart from M3!!  The 2014 is still very young, but it’s a delight to drink now.  Adelaide Hills is now possibly second to Tasmania for trendy cooler climate Aussie wines, but for me it’s still number one.

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That Petrol Emotion – DNS do Riesling

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When DNS Wine Club recently met to taste a few different Rieslings, two significant conclusions presented themselves:

  1. Although Riesling can be very pleasant in the €15 – €20 bracket (in Ireland), it’s at €25+ where the wines start to be special
  2. Despite normally being a 100% varietal, Riesling can taste incredibly different depending on where and how it is made.

Here are the three which really stood out:

Pewsey Vale The Contours Eden Valley Riesling 2010 (12.5%, €24.95 at The Corkscrew)

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While the cool Clare Valley is celebrated as the home of most of Australia’s best Riesling, the higher parts of the Eden Valley are also favourable for the variety.  Pewsey Vale winery can claim a number of firsts:

  • It was the first winery founded in (what is now) the Eden Valley in 1847
  • It was the first winery to plant Riesling in Australia (also in 1847)
  • It became the first winery in Australia to use the Stelvin screw cap closure in 1977

The Contours is Pewsey’s flagship single vineyard bottling that they only release five years after vintage as a “Museum Release” – so it already shows significant development.  And that development shows most on the nose, an amazingly intense cocktail of toast, brioche, lime, sage and petrol.  The palate is just a little less intense, but still beautiful.

Sipp Mack Grand Cru Rosacker Riesling 2011 (14.0%, €30.00 at Mitchell & Son)

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As the DNS Wine Club had already held an Alsace tasting earlier in the year, and given my predilection for the region’s wines, I had intended not to include any Alsace wines in the Riesling tasting.  However, I failed!  As the Sipp Mack Vieilles Vignes Gewurztraminer showed so well previously I was minded to show the equivalent Riesling, but as stocks of that had not quite arrived in the shops from the docks I was “forced” to step up to the Grand Cru!

Of all the Rieslings we tried this had the highest alcohol at 14.0% – the Grand Cru sites get lots of sun (so the grapes develop lots of sugar) and Sipp Mack’s house style is to ferment until totally dry, so all the sugar is turned into alcohol.  This Rosacker is super smooth, with apple and tangy lime fruit plus chalky minerality.  A profound wine.

Weingut Max Ferd. Richter Wehlener Sonnenuhr Mosel Riesling Spätlese 2013 (8.0%, €29.95 at The Corkscrew)

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The Mosel is considered by some to be the ultimate region for Riesling, with steep slate-laden vineyards running down to the river.  Being relatively far north makes the ripening season longer and so flavours get even more chance to develop.  While there is a modern trend toward dry Riesling, for me the beauty still lies in the traditional sweeter wines such as this Spätlese (literally “late harvest”.

Sonnenuhr literally means “sun-hour” or “sun-clock”, but is better translated as sundial!  The significance seems to be that the prime south facing sites were the ones where a sundial would work so they made sure to advertise the fact.

Even before pouring it was obvious that this wine was different from the others with its golden hues.  Residual sugar is not “volatile” meaning it can’t be detected by the human nose, but the aromas of honey, soft stone fruit and flowers were phenomenal.  I did see one taster look shocked on first sniffing this wine – it’s that good!  Although quite sweet on the palate this Spätlese was perfectly balanced with zingy acidity.

Conclusions

All three of these wines were excellent, and well worth the price tags.  I would be extremely happy drinking any of them and all were well received by the club, but by a narrow margin the Max Ferd. Richter was declared wine of the night!

 

And here’s the musical reference from the article title…