Almost a year ago to the day I published a producer profile of Pegasus Bay, arguably the top producer in New Zealand’s Waipara, which included tasting notes on their stunning Chardonnay and Pinot Noir plus an aged sweet Riesling from my cellar. I recently spotted another of their wines for sale so snapped it up, their Sauvignon Semillon blend:
Pegasus Bay Sauvignon Semillon 2018
The pairing of Sauvignon Blanc and Semillon is a staple of Bordeaux white wines – infact you could easily call it a White Bordeaux Blend as the counterpart to Cabernet / Merlot red blends. In the Graves, these white blends often have as much prestige as the reds, if not more, and of course Sauvignon and Semillon are the basis of Sauternes and other Bordelais sweeties. As temperatures have risen in Bordeaux, the higher acidity – and hence freshness – of Sauvignon has been at a premium, so the blend has moved decisively in favour of that variety.
Outside the Gironde, the Sauvignon/ Semillon blend has proved most successful in Western Australia’s Margaret River, a wine region founded on the premise that its climate was similar to that of Bordeaux. It has become such a mainstay of the region that few producers omit if from their portfolio.
Waipara’s temperate climate is suited for what I might call “cool+” climate varieties; those such as Riesling and Pinot Noir which really need a cap on temperatures, and those such as Chardonnay which are flexible and can be grown in a range of climates, albeit with differing styles.
Pegasus Bay’s Sauvignon and Semillon vines are over 30 years old and planted on poor fertility, free-draining soil and so have low yields. The old equation that low yields = high quality doesn’t always hold, but it does in this case. Concurrent freshness and ripeness are achieved thanks to the long Waipara growing season with warm days but cool nights.
The Pegasus Bay website’s tasting notes for this wine mention “a hint of struck match complexity” but to me this is a real understatement – I found it quite pronounced on opening the bottle, initially overwhelming the fruit. It also dominates the palate at this young age – and yes, it’s still a young wine as there is only one younger vintage released (2019) which probably hasn’t yet made its way up north from New Zealand. I found it far better integrated on the second day of tasting, where the reductive notes become a foil for the fruit rather than a blunt instrument that is constantly beating it up. If1 I were to buy another bottle I would either just lay it down for a few years or be better prepared and decant it for several hours before tasting.
This is not a cheap wine, but it compares favourably with Pessac-Léognan examples at twice the price – and it has a screwcap to seal2 the deal on longer ageing.
Stockists: O’Briens; The Corkscrew, Chatham St; wineonline.ie; Barnhill Stores; Pinto Wines, Drumcondra; Deveneys Dundrum, On The Grape Vine, Dalkey
Which makes better Sauvignon Blanc, the Loire Valley or Marlborough?
The Loire versus Marlborough debate about which region makes the best Sauvignon Blanc will rumble on for years to come, with each side proclaiming victory. The Loirists can point to the fact that they have the original home of Sauvignon Blanc and the famous duo (amongst others) of Sancerre and Pouilly-Fumé. Marlboroughites may boast that very few people even knew what Sauvignon Blanc was before they started making it a world famous variety, and no other region can rival their Savvy’s aromatics.
Domaine Henri Bourgeois and Clos Henri
On the sidelines we have Sancerre based producer Domaine Henri Bourgeois, now in the capable hands of the tenth generation of winemakers, who has ventured down to Aotearoa to establish their own take on Marlborough Sauvignon, Clos Henri. It was set up in Marlborough’s most popular subregion, Wairau Valley, which has greywacke (whence Kevin Judd’s outfit takes its name) soil, essentially gravels and pebbles laid down over millennia by the wandering Wairau river. Viticulture is practising, but not certified, organic
Clos Henri has six wines, three whites (Sauvignon Blanc) and three reds (Pinot Noir) with three labels each:
Clos Henri Sauvignon Blanc: 8 – 13 year old vines on greywacke
Bel Echo Sauvignon Blanc: 9 – 13 year old vines on clay
Petit Clos Sauvignon Blanc: 3 – 7 year old vines on greywacke and clay
Clos Henri Pinot Noir: 8 – 13 year old vines on clay
Bel Echo Pinot Noir: 8 – 13 year old vines on greywacke
Petit Clos Pinot Noir: 3 – 7 year old vines on clay and greywacke
Note how greywacke is the optimum soil for Sauvignon and clay for Pinot.
Clos Henri “Petit Clos” Marlborough Sauvignon Blanc 2019
As you can ascertain from the information above, Petit Clos Sauvignon Blanc is made using young vines predominantly grown on greywacke soil. Following Sancerre practices, vines are planted close together to make them compete for nutrients and encourage them to focus their energy on producing fruit more than foliage. Clos Henri is fermented and aged in stainless steel tanks to best preserve aromatics, but it also enjoys three months of bâtonnage which both helps preserve the wine and gives it a creamy, rounded texture.
The noses shows grassy aromas (harking back to Sancerre again), plus citrus notes such as lime and grapefruit. These continue onto the palate where they are joined by some lighter tropical notes – pineapple and passionfruit. This wine has a dry finish and excellent length. It is far more elegant than the vast majority of Marlborough Sauvignons, and that’s where the Bourgeois family’s Loire expertise comes into play – it really is the best of both worlds.
When it comes to naming New Zealand’s wine regions, the significant region which is most often forgotten or overlooked is North Canterbury, close to the major city of Christchurch on the South Island. North Canterbury includes the sub-region of Waipara which is more often seen on wine labels (though not to be confused with Wairarapa which is at the bottom of the North Island and includes Martinborough). I’m not sure why Canterbury is overlooked – perhaps because it doesn’t specialise in Sauvignon Blanc? – but some great wines are made here.
Not too dissimilar to Marlborough which is further north on the South Island, Waipara is situated in the rain- (and wind-) shadow of the Southern Alps and is close to the sea, giving temperate summers with cool nights and dry autumns which allow grapes to achieve full phenolic ripeness as their own pace. The most important varieties here are Riesling and Pinot Noir, though other aromatic whites and Chardonnay also do well.
To show how the terms can be used interchangeably, note that the sign above mentions Waipara whereas the website banner states “Fine North Canterbury Wine” under “Pegasus Bay”
Background to Pegasus Bay
It started with a doctor reading a book. The doctor was Neurologist Ivan Donaldson and the book was one of Hugh Johnson’s wine books, “Wine”, given to him by his then girlfriend Christine. The book lit a fire within him; he journeyed round many of Europe’s well-established wine regions, and on his return he planted Canterbury’s first vines in 1976. This first vineyard was in Mountain View, just south west of Christchurch, and was very experimental in nature. Ivan managed to fit in his wine hobby in between hospital and private consulting work.
Almost a decade later, Ivan and Chris decided to make the jump from a hobby to a proper enterprise. By now they had four sons, so it was a combined family effort to plant vines in the Waipara Valley. They named their winery Pegasus Bay after the large bay running from the City of Canterbury up to the mouth of the Waipara River.1
The first vintage was 1991 which Ivan made in his garage. The family gradually expanded the winery, cellar door, restaurant and gardens. All four sons are now involved in the winery, with the eldest – Matthew, a Roseworthy graduate – being chief winemaker. As well as estate wines under the Pegasus Bay label the Donaldsons also make Main Divide wines from bought in fruit.
Pegasus Bay Wine Styles and Philosophy
In a nutshell, Pegasus bay wines have something of a Burgundian sensibility but they reflect Waipara and the vintage in which they are made. In a interview that Ed Donaldson gave for the Wine Zealand Project2 in 2016 he expounds the family’s philosophy:
So what drives us is – hopefully – making better wine all the time
One of the advantages [we have is that] my brother Matt’s taken over the winemaking so he has a lot of time to experiment, and to tweak, and to change, and see the wines age, and the vines getting some vine age, and just seeing what works and what doesn’t work, and continually trying to evolve and make better wine.
Our winemaking style is to be true to ourselves, not trying to emulate anything. We have a lot of respect for the old world and its wine styles. We as a family drink a lot of wine from all over the world but we’re not necessarily trying to emulate them, we’re trying to make the best example of what we think expresses the region and the season as best we can. Trying not to follow trends, we try to make the best wine we can and find a home for it.
We’ve been members of the Sustainable Winegrowers Programme pretty much since its inception, and we make wine as naturally as possible.
Pegasus Bay Wine Ranges
There are two main ranges, Estate and Reserve. The Estate wines are (obviously) made only with their own fruit, and although they are perhaps the junior wines in the Pegasus Bay portfolio they are not what you or I would call “entry level”, which has connotations of lower quality, simpler wines for drinking very young. Make no mistake, the Estate wines are seriously good.
The Reserve range is a significant step up again, in both quality and corresponding prices. This range includes two botrytis sweet wines; a Semillon Sauvignon blend reminiscent of Sauternes and a Riesling which evokes the Rhine. The Reserve wines are named with an operatic theme as Chris Donaldson is an opera devotee.
The Vengence range has just two experimental wines whose composition varies from year to year. They are totally different in style from the main two ranges; they are fun and quirky rather than being serious. They give the winemakers the opportunity to play around with different vineyard and winery choices that they couldn’t just jump into with the main ranges.
Reserve: Bel Canto Dry Riesling, Aria Late Picked Riesling, Virtuoso Chardonnay, Prima Donna Pinot Noir, Maestro Merlot/Malbec, Encore Noble Riesling, Finale Noble Semillon Sauvignon
Vergence: Vergence White (Semillon blend), Vergence Red (Pinot Noir)
Wines in bold are reviewed below
Pegasus Bay Chardonnay 2017
As with most of Pegasus Bay’s vines, this Chardonnay is harvested from vines which are mainly ungrafted. The vines now average 30 years old and are planted on rocky soils which are free draining and low in fertility. These facts all lead to lower yields but with concentrated flavours. The climate is warm, rather than hot, yet with cool nights, so the growing season is long.
I mentioned above that there’s a Burgundian sensibility to Pegasus Bay wines, but in the case of this Chardonnay the winemaking is definitely Burgundian in nature. Multiple passes were made to hand harvest the fruit at optimum ripeness. The grapes were whole bunch pressed then transferred to 500 litre oak barrels, 30% new and 70% used. Spontaneous fermentation took place in these puncheons and the young wine was left to mature on its lees over winter and spring. Malolactic fermentation started naturally into the summer months, with the winemaking team halting it based on regular tasting to get the balance between fresh malic and round lactic acids.
When poured this Chardonnay is a normal lemon colour. On the nose there are citrus fruits but they initially take a side seat to outstanding “struck-match” reductive notes. There are also soft yellow fruits and a stony mineral streak. The palate is magnificent, a really grown up Chardonnay that balances fruit, tanginess, minerality, freshness, texture and roundness. This is one of the most complete Chardonnays I’ve had the pleasure of trying in many years.
Stockists: Donnybrook Fair, Donnybrook; The Corkscrew, Chatham St.
Pegasus Bay Pinot Noir 2016
This 2016 pours a medium intensity ruby red, consistent across the glass. The nose has lots of fruit, more black than red; the black fruits appear at first (blackberry and black cherry) but gradually cede attention to red (red cherry and pomegranate). Enticing savoury notes and spice complete the olfactory picture. It’s a very sophisticated and complex nose that deserves – nay demands – frequent revisits.
The palate is savoury and fruity in taste. Those same black fruits come to the fore but with black liquorice and black olive counterpoints, Fine grained tannins and acidity provide a fantastic structure, but this is a supple and sappy wine, not austere.
The alcohol is little higher than we usually see in a Pinot Noir, but the 14.5% does not stick out at all when tasting. This is a well-balanced wine, albeit a powerful one. When it comes to food pairing, Pinot Noir is often matched with mid level meats such as veal or pork – and to be fair this would be excellent with charcuterie – but this has the weight and intensity to match well with game, lamb or even beef.
Stockists: 64 Wine, Glasthule; World Wide Wines, Waterford: The Corkscrew, Chatham St; Donnybrook Fair, Donnybrook; La Touche Wines, Greystones; D-Six, Harolds Cross
Pegasus Bay Encore Noble Riesling 2008
Pegasus Bay have four Rieslings in their portfolio, as befitting a top Waipara producer:
The Estate Riesling is produced every year
The Bel Canto (Reserve) Dry Riesling has a little botrytis and is made in two out of every three years, depending on vintage conditions
The Aria (Reserve) Late Picked Riesling is a late harvest style that often has a small proportion of Botryis grapes and is made roughly one on two years, vintage dependent
The Encore (Reserve) Noble Riesling is only made with fully botrytised berries, often requiring multiple passes, and of course when there are sufficient grapes in a particular vintage.
Only in very exceptional years such as 2008 and 2014 are all four styles made. The Riesling vines are on a rocky outcrop which has warm days but very cool nights, helping to maintain acidity and thus preserve freshness.
As the pure botrytis (and therefore sweetest) Riesling in their range, Pegasus Bay liken it in style to a Séléction de Grains Nobles (SGN) from Alsace or a Trockenbeerenauslese (TBA) from Germany. When harvested the grapes are totally shrivelled and so produce a very small amount of juice – but such luscious juice! After clarification the juice is allowed to ferment naturally; when the yeast finishes its task there is plenty of residual sugar, though the precise figure is not published.
On the nose it’s instantly identifiable as Riesling, but with honey and tropical fruits to the fore. In addition to the pineapple, mango and grapefruit there are also hints of mushroom. The palate is beautiful but perhaps confounding for the uninitiated – it’s rich and sweet yet full of acidity, giving your palate a smorgasbord of experiences. The finish is amazingly long.
At 13 years of age this bottle has had plenty of development, possibly rounding off the acidity slightly while also tapering the apparent sweetness to some degree (the mechanism for which is not yet understood). It still has plenty of life left though – it could easily keep to the end of this decade.
RRP: €35 for 2016 vintage (375ml bottle)
Stockists: currently no retail stockists, but available in some restaurants
Source: own cellar
Other Pegasus Bay Wines available in Ireland
In addition to the three wines reviewed above there are three further Pegasus Bay wines available in Ireland
Sauvignon / Semillon: RRP €29, Stockists: Barnhill Stores, Dalkey; The Corkscrew; Jus De Vine, Portmarnock
Bel Canto Dry Riesling: RRP €35, currently no retail stockists, but available in some restaurants
Prima Donna Pinot Noir: RRP €75, Stockist: The Wine House, Trim
Frankly Wines and Pegasus Bay
Now, those who follow me on Instagram may realise that I live in the Dublin suburb of Glasnevin, also home to the National Botanic Gardens, the Irish Met office and the large Glasnevin cemetery. It was therefore a huge surprise when, while touring New Zealand on honeymoon, we suddenly realised that we were driving through Glasnevin, Canterbury. And where was our first stop? Pegasus Bay, of course!
1Ironically Pegasus Bay was originally known as “Cook’s Mistake” – I’m glad I didn’t find that out on my honeymoon!
I love sweet wines, whether with dessert, instead of dessert, or at any time I fancy them. They can actually pair well with savoury dishes of many types, depending on their prominent flavours, richness, acidity and sugar levels. For example, late harvest Gewurztraminer from Alsace is amazing with foie gras, and off dry to medium wines often work well with exotic Asian fare.
There are several methods of making sweet wines, the simplest being to leave the grapes on the vine while they continue to produce sugars, and harvest them later. A further step is to allow noble rot (botrytis cinerea) to attack the grapes and dry them out, thereby concentrating the sugars. Other traditions involve sun or air drying to reduce water levels.
Whichever way is used, balance is the key, particularly the balance between sugar and acidity. This means that even lusciously sweet wines can avoid being cloying, which is usually a turn off.
Here are ten of the sweet wines which really impressed me in 2015:
I first tried a Berton wine from Coonawarra, my favourite red wine region of the world. It was perhaps a little less fruit forward than some from the area but had the most pronounced spearmint aromas that I’ve ever encountered in a wine (for the avoidance of doubt this is a positive for me!)
The Riverina area in the middle of New South Wales is an irrigated bulk wine producing region, and is where many of Australia’s inexpensive bottles (and boxes!) are produced. Due to humidity close to the major rivers it is also a source for excellent botrytis style stickies (as the locals call them), including the fabulous De Bortoli Noble One.
Semillon’s thin skins make it particularly susceptible to noble rot – which is why it is so successful in Sauternes and Barsac – and so it proves in Berton’s version. I’m not going to claim that this has the intensity of Noble One but it does a damned good impression – and at a far lower price. Amazing value for money!
9. Miguel Torres Vendimia Tardia “Nectaria” Botrytis Riesling 2009 (€19.99 (375ml) Sweeney’s of Glasnevin and Carry Out Off-Licence in Ongar, Dublin 15)
Familiarity with Spanish or another romance language reveals that this is a Late Harvest style, with the addition of Botrytis characters. It was one of the stand out wines of the Chilean Wine Fair – though being different in a sea of Sauvignon, Carmenère and Cabernet probably helped.
As you may or may not know, Miguel Torres wines are the Chilean outpost of the Spanish Torres family’s operations, with quality and value both prominent. The key to this wine is the streak of acidity cutting through the sweetness – the hallmark of a great Riesling dessert wine.
8. San Felice Vin Santo 2007 (€19.49 (375ml) O’Briens)
As someone who generally likes Italian wine and has a soft spot for sweet wines, I’ve nearly always been disappointed by Vin Santos I’ve tried. I don’t think my expectations were too high, it’s just that the oxidative (Sherry-like) notes dominated the other aspects of the wines.
This is different – perfectly balanced with lovely caramel and nut characters. It’s made from widely grown grapes Trebbiano Toscano (75%) and Malvasia del Chianti (25%) which aren’t generally known for their character, but it’s the wine-making process that makes the difference. Bunches of grapes are dried on mats to reduce water content then pressed as normal. After fermentation the wine is aged five years in French barriques then a further year in bottle. A real treat!
7. Le Must de Landiras Graves Supérieurs 2004 (Direct from Château)
White Graves – particularly those from the subregion of Pessac-Léognan – are in my opinion the most underappreciated of all Bordeaux wines. Even less commonly known are the sweeter wines from the area – and to be honest the average wine drinker would be hard pressed to know when there’s often no mention of sweetness on the bottle, they are just “expected to know” that “Graves Supérieures” indicated higher sugar rather than higher quality.
Being close to Sauternes shouldn’t make the production of sweet wines a surprise, but then few people carry a map around in their head when tasting!
Simply put, this is probably the best sweet Graves I’ve ever had. See this article for more details.
6. Longview Epitome Late Harvest Riesling 2013 (€16.99, O’Briens)
Riesling in Australia is nearly always bone dry and dessert wines usually use Semillon for late harvest styles or Rhône varieties for fortifieds, but when done well they can be sensational.
This was such a hit at the O’Briens Autumn Press Tasting that two other of my fellow wine writers picked it out for recommendation, namely Richie Magnier writing as The Motley Cru and Suzi Redmond writing for The Taste. Imagine the softness of honey with the fresh zip of lime at the same time – something of a riddle in your mouth, but so moreish!
In its home region of the Loire, Chenin Blanc comes in all different types of sweetness, with and without botrytis. Its natural acidity makes it a fine grape for producing balanced sweet wines.
David Trafford picks the Chenin grapes for his straw wine at the same time as those for his dry white, but then has the bunches dried outside for three weeks before pressing. After a very long fermentation (the yeast takes a long time to get going in such a high sugar environment) the wine is matured in barriques for two years.
I had the good fortune to try this delicious wine with David Trafford himself over dinner at Stanley’s Restaurant & Wine Bar – for a full report see here. Apricot and especially honey notes give away the Chenin origins, and layers of sweetness remain framed by fresh acidity.
4. Pegasus Bay Waipara “Encore” Noble Riesling 2008 (~£25 (375ml) The Wine Society
This is the gift that keeps on giving…I bought my wife a six pack of this wine a few years ago, as it was one we really enjoyed on our honeymoon tour of New Zealand, and she is so parsimonious that we haven’t finished them yet!
This is in a similar vein to the Epitome Riesling but has more botrytis character – giving a mushroom edge, which is much nicer than in sounds – and additional bottle age which has allowed more tangy, tropical fruit flavours to develop and resolve. A truly wonderful wine.
3. José Maria da Fonseca “Alambre” ® DO Moscatel de Setúbal 2008 (€6.45, Portugal)
I had been meaning to try a Moscatel de Setúbal since a former colleague from the area told me about it. A holiday to the Algarve provided the perfect opportunity, and I found this beauty in the small supermarket attached to the holiday complex we stayed in – at the ridiculous price of €6.45!
Moscatel / Muscat / Moscato is one of the chief grapes used for dessert wine around the Mediterranean – and can make very dull wines. This is by some margin the best I’ve tasted to date! I’m sure most people would swear that toffee had been mixed in, the toffee flavours are so demonstrative.
Tokaji is one of the great sweet wines of the world – in fact it’s one of the great wines of the world full stop. It’s usually a blend of a normal grapes and botrytised grapes in differing proportions, the actual blend being the main indicator of sweetness.
Apricot and marmalade are the first things which spring to mind on tasting this, though time has added toffee and caramel notes. This is the sort of wine that I would happily take instead of dessert pretty much any time!
1. Donnafugata Ben Ryé Passito di Pantelleria 2013 (Liberty, from good wine merchants)
I first came across this wine at Ely Wine Bar on my wife’s birthday a few years ago. After a filling starter and main course neither of us had room for dessert, but fancied something sweet; Ely is a treat for winelovers as it has an unrivaled selection of wines by the glass, so like a kid in a sweetshop I ordered a flight of different sweeties for us to try:
All four were lovely but it was the Ben Ryé which stood out.
At a later trade event put on by Liberty Wines, I noticed that this was one of their wines open for tasting. With a room full of hardened trade pros (and myself) it was amusing to notice how many people just dropped by the sweet and fortified for a drop of this!