Make Mine A Double

Wine Review: Mazzei Codice V Vermentino and Gérard Bertrand Orange Gold

Whether you call them “orange wines”, “amber wines” or “skin-contact white wines”, these postmodern wines are here to stay. However, are they going to remain a niche curiosity drunk only by the adventurous or will they break out from the independent wine specialist sector into multiples and even supermarkets? Here are two skin-contact whites which are leading the way.

Mazzei Tenuta Belguardo Codice V Maremma Vermentino 2019

Mazzei Belguardo Codice V Vermentino

I previously reviewed the “regular” Mazzei Belguardo Vermentino and found it excellent, so I was keen to taste this pull-out-all-the-stops flagship version. To make the best Vermentino they could, Mazzei started with clones from Corsica, the spiritual home and likely origin of the Vermentino grape. Of course they were planted in Maremma on the Tyrrhenian coast as the cooling effect of sea breezes is important for retaining freshness. The vineyard site is 30 to 50 metres above sea level and is orientated south / south-west on predominantly sandy soils.

Harvesting is all by hand but it’s vinification where things start to get really interesting:

  • 20% is fermented and aged on the skins in amphorae for nine months
  • 30% is fermented and aged on the skins in stainless steel tanks for nine months
  • 50% is fermented and aged on fine lees in stainless steel tanks (I presume for nine months)

The construction material and any lining of the amphorae is not specified.  After blending back together the wine is bottled and stored for a further six months before release.

If someone had already tasted the regular Vermentino then the Codice V would be quite familiar, though they might feel they had been missing half of the story. The nose shows complex aromas of citrus and stone fruit, with hints of smoke. These elements continue onto the palate where they intertwine with mellow savoury notes and layers of mixed peel and ginger. The finish is fresh and mouth-watering.

  • ABV: 13.0%*
  • RRP: €33
  • Source: Sample
  • Stockists: SC Grocer; Martins Off-licence; Clontarf Wines; Sweeneys D3; The Corkscrew; Blackrock Cellar

Gérard Bertrand Orange Gold 2020

gérard bertrand orange gold

I have reviewed Gérard Bertrand‘s wines widely over the years; his impressive range includes whites, rosés and reds from the Languedoc at several different price points, many of which are organic and / or biodynamic.  To those colours he has added an orange wine, a homage to Georgian wines of 4,500 years ago. It is a real blend, being made with seven different varieties: Chardonnay, Grenache Blanc, Viognier, Marsanne, Mauzac, Muscat and Clairette.

When perfectly ripe, the grapes are hand-picked in whole bunches and transferred to vat without any destemming or crushing, as with many red wines. The grapes then ferment, partially in the normal way and partially carbonicly (where the weight of the grapes causes some to ferment within their skins. After 10 to 15 days the grapes are separated and pressed to extract colour and tannin; this press wine is then added to the existing must in stainless steel tanks to finish fermenting. Finally, the wine is put into used barrels to mature.

In the glass (and in the bottle) this is a vibrant gold colour, and could be easily mistaken for a Sauternes or Tokaji. The nose is complex, with apple blossom, marmalade, apricot jam and pear drops – very enticing.  The palate is dry but with fruit sweetness on the mid palate. There’s a real savoury complexity to this wine, and a light saline tang with some tannins on the finish. From one point of view it could be said that the nose and the palate offer entirely different aspects, but that is a truism for orange wines in general. Once expectations are reasonably set I think this is a tasty wine that many would enjoy.

  • ABV: 13.0%
  • RRP: €21.95
  • Source: Sample
  • Stockists: O’Briens stores and obrienswine.ie

Conclusion

These wines are quite different, taking different approaches to producing a balanced wine, and a single varietal compared to a blend. Although the number of orange wines available in Ireland is fairly low at the moment it doesn’t mean that any particular wine can represent a whole colour. What they do have in common is that they are both delicious and approachable, while maintaining a savoury character that expands their interest and versatility.

For me the Codice V is the better wine, but of course has a higher price. Due to its fairly widespread availability and lower price I think the Orange Gold is more likely to tempt more casual wine drinkers into trying an orange wine for the first time – but hopefully not the last time!


*Any wine geeks among you may have noticed that the alcohol for this wine is a little higher than the regular Vermentino I reviewed a year ago (13.39% v 12.5% on the respective tech sheets). This is due to vintage variation (2019 v 2018) rather than differences in winemaking; the 2018 vintage of the Codice V also had 12.5% alcohol.


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Opinion

Solera Wine Selection (part 3)

It’s time for the big guns from Rioja and Tuscany!  After some fantastic whites in part 1, and some cracking reds in part 2, we now have wines from the esteemed Bodegas Roda and Mazzei.

once again, apologies for the poor quality of my snaps!

Bodegas Roda “Sela” Rioja 2016 (14.0%, RRP €27.95 at Blackrock CellarDeveney’s Dundrum; D-Six Off Licence; The CorkscrewJus de VineThe VintrySweeney’s D3Lotts & CoNectar WinesBaggot Street Wines)

Bodegas Roda Sela Rioja 2016

Bodegas Roda were founded as recently as 1987 but have already forged a reputation for excellence.  They have evaluated over 552 Tempranillo clones before settling on the best 20 to plant going forward.  French – rather that American – oak barrels are used for maturation, yet the oak treatment is always in balance with the fruit.

Sela is the “entry level” from Roda, with fruit hand harvested from 15 to 30 year old bush vines.  Maturation is for 12 months in seasoned French oak.  Of course, this wine could be labelled as a Crianza, but that term has a cheap and cheerful image in Spain, definitely not fitting for Bodegas Roda!  The blend is 87% Tempranillo, 7% Graciano and 6% Garnacha giving fresh red and black fruit.  Sela is an easy drinking style but also has the elegance to be served at the table.

Bodegas Roda “Roda” Rioja Reserva 2015 (14.0%, RRP €39.50 at 64 WinesBlackrock CellarDrink Store, Stoneybatter; Deveney’s DundrumJus de VineThe VintryNectar WinesThe Corkscrew)

Roda Roda Rioja 2015

The Roda Reserva is a clear step up from the Sela.  While the blend is almost identical –  86% Tempranillo, 6% Graciano and 8% Garnacha – the vines are all over 30 year old and yields are lower, both aiding concentration.  Alcoholic fermentation is in French oak vats followed by malolacic fermentation in French oak barrels (40% new, 60% second use) where the wine then matures for 14 months.  When bottled the Reserva is kept in Roda’s cellars for a further two and a half years before release.

The nose has red and black cherries, strawberries and raspberries with vanilla and smoky notes from the oak, and hints of cinnamon.  The wine feels thick and viscous in the mouth with the fruit aromas coming through to the palate.  The Roda Reserva is a vibrant wine, still in the flushes of youth, but should continue to evolve for the next decade or two.

Bodegas Roda “Roda I” Rioja Reserva 2012 (14.5%, RRP €64.00 at 64 WinesBaggot Street WinesBlackrock CellarClontarf WinesDeveney’s DundrumD-Six Off LicenceMartins Off-LicenceThe CorkscrewThe VintrySweeney’s D3Clontarf Wines)

Roda Roda I Rioja 2012

The main difference between Roda I and Roda (formerly Roda II) is in flavour profile – for Roda I grapes are picked from old bush vines which tend to show more black fruit characteristics rather than the red fruit of Roda.  The blend is Tempranillo dominated (96%) with a seasoning of Graciano (4%).  The oak regime is slightly different as well – the barrels are 50% new and ageing in barrel is for 16 months.

While obviously sharing some house similarities with its junior sibling, this is a different wine altogether, much more complex.  The nose is more perfumed and expressive with black fruit, smoky oak, earthiness and chocolate.  These notes continue through to the palate where some dried fruit and mineral flavours join them.  The mouth is voluptuous and soothing.  Fine grained tannins help to make a savoury, satisfying dry finish.  Although this would be a real treat to drink on its own it would shine even brighter with food.

Mazzei Castello Fonterutoli Chianti Classico Gran Selezione 2015 (14.0%, RRP €48.95 at 64 WinesBlackrock CellarDeveney’s Dundrum)

Mazzei Castello Fonterutoli Chianti Classico Gran Selezione 2012
Yes, I forgot to take a snap of the 2015, so here’s my snap of the 2012. If you try really hard, I’m sure you could imagine how the 2015 bottle would look…

You can read the full background on this wine in my recent post on the 2012, so I won’t repeat that here.  The blend is consistent at 92% Sangiovese and 8% Malvasia Nera & Colorino and the oak regime is the same.   The 2015 is from a slightly warmer year so the exact alcohol reading is 14.26% versus 13.73% for the 2012; not a huge difference but an indication of the vintage.  This is a fabulous wine, really smooth but tangy and fresh, with red and black fruit bursting out of the glass.  Mazzei give it an ageing potential of 20 years but when wine is this good it would be really difficult not to drink now!

Mazzei Castello Fonterutoli “Siepi” Rosso Toscana 2016 (14.5%, RRP ~ €125.00* at Blackrock Cellar)

Mazzei Castello Fonterutoli Siepi Rosso Toscana 2016
*Blackrock Cellar currently just has the 150cl magnum in stock for around €250

It does seem to this cynic that any IGT Toscana with French grapes in the blend is classed as a “Super Tuscan” these days, but this is truly deserving of the epithet.  Siepi is named after the six hectare estate vineyard from where the grapes are sourced –  one of Mazzei’s best – and has been produced since 1992.  The blend is 50% Sangiovese and 50% Merlot; the varieties are picked at different times (17 days earlier for the Merlot which is known to be an early ripener in Bordeaux) and are given different maceration times (14 days for Merlot, 18 days for Sangiovese).  Ageing is for 18 months in French barriques, 70% new and 30% used.

This 2016 was released in October 2018 and tasted 12 months later.  It was still a little shy and closed, but already showing flashes of its future grandeur.  To depart from my usual style of tasting notes, drinking this wine was like sitting in front of a warm fire on a big, well-worn sofa with soft cushions.  As I write during Storm Dennis, that would be most welcome!

 

 

Single Bottle Review

Mazzei Castello Fonterutoli Chianti Classico Gran Selezione 2012 [Frankie’s Single Bottle Review #28]

What once was lost was found again!  

Let me explain.  In late 2017 I published a series of guest posts on my blog which were all on the theme of Xmas wines or. more exactly, the wines that some wine loving friends were looking forward to enjoying over the festive period.  Effi Tsournova was one of those friends and she wrote this guest post on Domaines Schlumberger Riesling Grand Cru Saering 2014 (obviously a favourite of mine) and a really good Chianti…but on top of that she arranged for a bottle of the very same Chianti to be sent to me here in Dublin!

But then, I managed to lose the bottle.  Misplace is probably a better word than lose, but I just didn’t know where it was, and assumed that it had probably been passed on as a gift to someone else (my wife is very generous with wine).  I was relieved and delighted in equal measures when I found the Lord Lucan of bottles tucked away at the back of a wine fridge.  Happy days!

Mazzei Castello Fonterutoli Chianti Classico Gran Selezione 2012 (14.0%, RRP £49.99 at Cambridge Wine Merchants, Harrods, Harvey Nichols, Handford Wines, Whole Foods, Il Toscanaccio, The Vineking, Nickolls & Perks)

Mazzei Castello Fonterutoli Chianti Classico Gran Selezione 2012

Over the past forty years Mazzei have proved that winemaking is a science as well as an art.  Their Chianti Classico grapes are sourced from 120 parcels (50 owned) and number 36 different clones of Sangiovese, half of which are exclusive to Fonterutoli.  In 2012 the vines ranged from 10 to 25 years old – obviously add 8 to both figures for 2020.

The final blend for 2012 was 92% Sangiovese plus 8% Malvasia Nera and Colorino.  Maturation was in 225 and 500 litre French oak barrels, 60% new and 40% used.

Compared to the 2015 I tasted recently (more on which soon), the 2012 is already a little lighter in the glass, with ruby tinges on the rim.  The nose is complex: red and black cherries, raspberry and blackberry are wrapped in a light vanilla jacket, with highlights of exotic spice and garden herbs.  Black fruits are more to the fore on the palate, though the red fruits still linger.  The acidity (present, but in no way searing) and tannins (fine, not grippy) that were there on release have softened considerably.  This is a fine wine that has entered its peak drinking window.