Make Mine A Double

Kiss From a Rosé [Make Mine a Double #63]

Wine drinkers’ thirst for rosé appears to be boundless, with pink wines from all major wine producing nations experiencing growth.  In French supermarkets there are far more rosé wines than whites on the shelves, and rosé is even the category driving growth in Champagne.

The increase in rosé volume has also been accompanied by an increase in the number of premium rosés on the market.  Some are made with a firm eye on quality, some are marketing-led trendy wines with celebrity producers getting in on the game.  Provence rosé is the most fashionable style at present: pale in colour, lightly fruity and dry, with mineral and / or herbal notes.  Producers from other areas are emulating this style; of course they can’t call it “Provence rosé” but they can mention it is similar in style.

I’m a rosé skeptic; I’m very hard to please when it comes to rosé and I am suspicious of wines with a hefty advertising budget behind them.  There are two styles I have found myself enjoying in the past:

  1. simple, fruit forward (though still dry) rosés, especially Pinot Noir rosés
  2. serious styles which are made to age and come close to a light red, such as Bandol’s Domaine Tempier.

Among many that I’ve been luck to try recently, two in particular stood out for me.  One is from Provence and the home of the very trendy Whispering Angel – Château d’Esclans – and the other is from further west in the Languedoc, south west of Monpellier.  Below is a map showing their respective locations on the French coast.

Morin-Langaran and Château d’Esclans in the South Of France: Languedoc to the left and Provence to the right (Source: Google Maps)

Disclosure: both bottles were kindly given as samples, opinions remain my own

Domaine Morin-Langaran IGP Pays d’Oc Rosé Prestige 2018

Domaine Morin-Langaran is in Picpoul de Pinet country, right by the Étang de Thau between Béziers and Montpelier.  In fact, the vineyard’s borders are entirely within the Picpoul de Pinet AOC limits, with 36 hectares of the total 58 being planted to white grapes and the remaining 22 black.  The vineyard was created right back in 1330 by a religious order who eventually lost it during the wars of religion.  After changing hands several times over the centuries, it was bought by the Morin family in 1966.  They themselves had been making wine down the generations since 1830.

The vines for the Rosé Prestige are mainly Syrah plus a few Cinsault, all on limestone-clay soils.  Harvesting takes place in the cool of night and the must is cold-settled after pressing.  Bâtonnage is used to add creaminess and body to the wine without the need for excessive extraction in the press.

On pouring, the wine is a little darker than the ultra pale rosés which are so en vogue at the moment, but all the better for it. The nose shows strawberry and redcurrant plus some brioche notes from the bâtonnage.  The palate is full of sweet red fruits, but finishes crisp and clean.  This is an unpretentious wine which goes down well on its own or perhaps with lightly spiced food.

  • ABV: 12.0%
  • RRP: €14.95
  • Stockists: Boutique Wines; Barnhill stores Killaney/Dalkey; Mortons, Ranalagh; Listons, Camden street; The Wine House Trim; Emilie’s, Glenbeigh Co. Kerry; Pat Fitzgerald’s (Centra), Dingle Co. Kerry; Grape and Bean, Portlaois; The Wine Pair, Clanbrassil Street; Blackrock Cellars; Gleeson’s, Booterstown Ave

Château d’Esclans Rock Angel Côtes de Provence 2018 

Sacha Lichine was born into Bordeaux royalty – his family owned the Margaux Châteaux Prieuré Lichine and Lascombes – but also became an entrepreneur in the USA where he studied at university.  His big move into rosé was the purchase of Château d’Esclans in 2006, which he transformed with the help of the late Patrick Léon (a consultant winemaker and formerly the Technical Director of Mouton Rothschild).

By pricing its top wine “Garrus”at £60 in 2008, Château d’Esclans essentially created the super-premium rosé category – and prices have obviously risen since then.  From the top down, the range is:

  • Château d’Esclans Garrus
  • Château d’Esclans Les Clans
  • Château d’Esclans (ROI RRP €45)
  • Caves d’Esclans Rock Angel (ROI RRP €40)
  • Caves d’Esclans Whispering Angel (ROI RRP €25)

My presumption is that the Caves wines are from bought in fruit whereas the Château bottlings are from estate grapes.

Over the past decade Whispering Angel has become one of the trendiest rosés around, one that some people are very happy to flash in front of their friends: wine as a luxury or fashion statement.  A change of gear kicked in from the late 2019 acquisition of a 55% stake in Château d’Esclans by Moët Hennessy – part of LVMH, one of the leading luxury groups in the world (and with some amazing wines in their portfolio).

But enough about the image, what about the wine?  The 2018 Rock Angel is a blend of 85% Grenache and 15% Rolle (the local name for Vermentino).  The vines are 20 to 25 years old and are planted on clay and limestone soils.  Vinification and maturation take place in stainless steel (60%) and 600 litre French oak demi-muids, with bâtonnage of both formats then blending before bottling.

This is a very pale rosé, so the juice has had very little contact with the skins.  The nose has soft red fruits, flowers and spicy vanilla from the oak.  Red fruit comes to the fore on the palate, which is rich yet racy; fresh acidity is paired with mineral notes and even a kiss of tannin on the finish.  This is a serious, grown-up wine that belongs more at the table than on its own.

  • ABV: 13.5%
  • RRP: €40
  • Stockists: The Corkscrew, Chatham Street; Morton’s; The Wine Centre, Kilkenny; Eldons, Clonmel; Dicey Reillys, Donegal; Baggot Street Wines

Conclusion

There’s obviously a huge price difference between these two rosés, and this is after the price reductions brought on by the LVMH purchase and change in distribution.  I find both of them have more character than the junior Whispering Angel, which is around half way between the two prices.  The Domaine Morin-Langaran is excellent value for money so I heartily recommend it.  The Rock Angel isn’t quite as good value – premium wine rarely is – but it exceeded my expectations so I think it’s definitely worth splashing out on if you’re a rosé fan.

 

**Click here to see more posts in the Make Mine a Double Series**

Make Mine A Double, Tasting Events

A Pair of Pretty Pinots [Make Mine a Double #58]

Pinot Noir can be tricky to make well.  It is very particular about the climate it’s grown in – not too hot, not too cold.  Here are a pair of antipodean cool climate Pinots that are worth your hard-earned:

Innocent Bystander Yarra Valley Pinot Noir 2018

Innocent Bystander Pinot Noir

The Yarra Valley is part of the Port Philip zone which surrounds Melbourne in Australia.  Its proximity to Melbourne makes it a popular wine tourism destination; indeed, my first trip there was on a day trip wine tour from Melbourne.  That should not detract from its status as one of the best cool climate regions of Australia, with Chardonnay and Pinot Noir starring – both still and sparkling.

Innocent Bystander was founded in 1996 by Phil Sexton after selling his previous Margaret River venture Devil’s Lair.  Innocent Bystander (IB) wines are often blends from multiple sites to achieve complexity and balance at a reasonable price point.  Alongside IB, in 1998 Sexton also began creating single vineyard wines under the Giant Steps label.

The Pink Moscato explosion in Aussie wine led to a large increase in volumes being made and sold by IB, so Sexton sold it to another family owned Victorian wine producer – Brown Brothers of Milawa – in order to concentrate on Giant Steps.  Once picked IB’s grapes now make a three hour journey in refrigerated trucks to be crushed at Brown Bros’ winery.  Sexton’s Yarra Valley tasting room wasn’t part of the transaction so Brown Bros bought and converted a brewery – formerly run by Phil Sexton!

The wines in the Innocent Bystander portfolio include the following:

  • Pinot Noir
  • Chardonnay
  • Moscato
  • Pinot Gris
  • Gamay
  • Gamay / Pinot Noir blend
  • Syrah
  • Tempranillo
  • Arneis

It’s the last two which are the most unusual for Australia, and therefore piqued my interest, though sadly they haven’t yet made their way to Ireland.

In the main this Pinot Noir is fruit-driven: raspberry, blackberry and tart red cherries dominate the nose and palate, though there are also herb and spice notes in the background.  It is not, however, a “fruit-bomb”; acidity and gentle tannins provide a framework against which the fruit can sing, and boy do they sing!

Framingham Marlborough Pinot Noir 2017

Framingham Pinot Noir

Marlborough’s Framingham is probably the most respected producer of Riesling in New Zealand, but has added additional varieties across its three ranges:

  • Sauvignon Blanc
  • Pinot Gris
  • Chardonnay
  • Viognier
  • Gewurztraminer
  • Montepulciano
  • Pinot Noir

Their wines are all very well crafted and offer a substantial step up from everyday Marlborough wines, but prices are sensible.  The firm’s winemaker for 18 years was Dr Andrew Hedley, who was then succeeded by the returning Andrew Brown at the beginning of this year (what a year to join!)  In between his stints at Framingham, “Brownie” had worked in several cool climate regions including Alsace, so he has great experience with Riesling.

Framingham’s own vineyards and those of partner winegrowers are all in the Wairau Valley, the central open plain of Marlborough which is on a mixture of alluvial and clay soil.  Each parcel is harvested and vinified separately, with grapes from clay soils in particular receiving more time on the skins.  MLF and maturation takes place in new (20%) and used French oak barrels, before final blending and bottling.  No fining or filtering is carried out to preserve flavour and mouthfeel.

When speaking to Jared Murtha (Framingham’s Global Sales Manager) earlier this year  I remarked that the Pinot Noir seemed more like a Martinborough Pinot than a typical Marlborough one to me.  This was meant as a compliment and taken as one, as I find many Marlborough Pinot Noirs to be light, simple and less than interesting.  Jared replied diplomatically that Framingham aren’t aiming to make a “smashable” wine, but rather one which is a little more serious and gastronomic.

And hell have they succeeded!  It has typical Pinot red fruit notes – cherry and wild strawberry – but also layer upon layer of smoky, spicy and savoury characters.  There are lovely round tannins giving the wine additional structure.  Umami fans will love this wine!

Conclusion

These two wines are made from the same grape variety in neighbouring countries (yeah, still quite a journey) and are close in price, so a like for like comparison is perfectly fair.  The most obvious difference, though, is their style.  The Innocent Bystander is a great, fruit-forward all-rounder and would really appeal to the casual wine drinker.  The Framingham is a different proposition, more savoury and serious, and would shine the brightest in a setting with food – though it’s not a “this needs food” wine.  My preference would be to spend the extra €4 on the Framingham … but if someone offers me a glass of Innocent Bystander I would be delighted.

 

**Click here to see more posts in the Make Mine a Double Series**

Make Mine A Double, Tasting Events

Making Wine Amid Moving Borders [Make Mine a Double #56]

European Borders

For those of us living in the UK or Ireland it is rare to think of international borders moving.  Yes, there’s the Northern Ireland border between the two sovereign states, but that hasn’t moved since its inception a century ago and is hopefully fading away.  Because we live on islands even the concept of driving to another country seems a little strange for many, never mind that border moving over time.

The movement of borders has created some unusual situations for wine folk, such as the Becker family in Germany’s Pfalz – whose vineyards run into Alsace – and also the Gravner family – whose lands were in the Austro-Hungarian Empire at one point but now lie (just) in Italy.

This all came to mind as I was thinking about a pair of wines I tasted earlier in the year.  They are based on the same geological set of hills (Gorizia Hills in English, Collio Goriziano in Italian or Goriška Brda in Slovene) but in different countries.  The drive between them is less than an hour an a half:

map 1

So now for that pair of wines:

Gašper Rebula 2016

Gasper Rebula

First things first: Gašper is the name of the producer (literally, as Gašper Čarman is the gentleman who own and runs the place) and Rebula is the grape variety.  The latter is better known to most of us as Ribolla Gialla in Friuli but it is a major variety in Brda.

Gašper’s vines are planted in “opaka” soil (silica-calcite sedimentary rock) on terraces between 80 and 200 metres above sea level.  Both altitude and proximity to the sea help to retain aromas and freshness in the wine.

This Rebula is made with 16 hours skin contact – far more than more white wines but nowhere near as long as orange / amber wines.  Fermentation is in huge (4,000 litre) casks, temperature controlled to preserve fruit characters and freshness.  Maturation takes place first in old French barriques (1 year) then in old, large big format Slavonian oak casks.

The time spent on skins adds a real depth of colour to the wine – it deserves the “Gialla” (yellow) descriptor in its Italian name.  The nose shows bright citrus – lemon, grapefruit, orange – and mixed citrus peel.  The palate is soft, not too shouty with great texture.  The fresh and dried fruits are joined by a certain creaminess and they resolve in a clean, fresh finish.

Gašper himself told me that the wine has great ageing potential – and I have every reason to believe him.

 

Livio Felluga “Illivio” Pinot Bianco / Chardonnay / Picolit 2017 

Livio Felluga Illivio

After two World Wars Friuli’s agriculture and viticulture was significantly diminished and almost abandoned by the flight from countryside to city.  Livio Felluga was one who had a great vision of restoring Fruili’s proud tradition of winemaking.  He bought up old vineyards planted new ones and over the course of decades reinvigorated the region.  He has long been acknowledged as the driving force behind the restoration of Friuli and as an ambassador for its wines.

Illivio was created as by Livio’s children to celebrate his 85th birthday.  It’s a blend of Pinot Bianco (60%), Chardonnay (30%) and indigenous variety Picolit (10%).  Picolit was traditionally used for sweet wines as it has a good balance between sugar and acidity,  with a flavour profile not too far form Viognier, and had a cult following in the 1960s and ’70s.

The wine is fermented in small oak casks then left on the lees in those barrels for 10 months.  While oaked Chardonnay is of course very common internationally, oaked Pinot Blanc is mainly an Italian thing – but it can make for excellent wines.

Illivio pours yellow in the glass, though not from skin contact as the Gašper Rebula above, but rather from the influence of oak.  The nose is intense, as floral and fruit notes compete with rich smoky notes from the oak.  The palate is rich yet tangy, with buttered brioche and juicy fruit exquisitely mixed.  This is a serious wine, but seriously nice!

 

 

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Single Bottle Review

Bodega Garzón Albariño Reserva 2018

Bodega Garzón is one of Uruguay’s best wineries, founded and funded by Argentian energy billionaire Alejandro Bulgheroni.  The winery is located close to Punte del Este (the “Saint Tropez of South America”) and charming seaside towns on Uruguay’s Riviera, facing almost due south into the Atlantic.  It’s now a destination itself with various tours and an upmarket restaurant headed by star chef Francis Mallman.

They have several ranges of wines within their portfolio:

  • Late Harvest: Petit Manseng
  • Sparkling: Extra Brut and Brut Rosé
  • Estate: Pinot Grigio, Viognier, Pinot Noir Rosé, Tannat Blend, Cabernet Franc Blend, Sauvignon Blanc
  • Reserva: Marselan, Albariño, Tannat, Cabernet Franc
  • Single Vineyard: Tannat, Albariño, Sauvignon Blanc, Petit Verdot, Merlot, Pinot Noir
  • Petit Clos: Cabernet Sauvignon, Tannat, Albariño, Cabernet Franc
  • Balasto: Flagship Red Blend

Uruguay’s signature grape is of course Tannat – originally from the other side of the Atlantic in south western France.  Garzón does make excellent Tannat, but here we focus on another grape from the eastern Atlantic coast, Galicia’s Albariño.

Of course, Galicia doesn’t have sole ownership of Albariño – it’s also grown south of the Miño/Minho as Alvarinho and is also one of the varieties being trialled in Bordeaux.  In these maritime climes the proximity of the vines to the coast has a marked effect on the style of the wine; littoral areas give more mineral and saline characteristics to the finished wine whereas inland sites lend a little more richness and fruit.  How does Garzón’s Albariño compare?

Bodega Garzón Albariño Reserva 2018

Bodega Garzón reserva albariño

I’ve been lucky enough to taste this wine several times over the past six months or so, but for some unknown reason each time I taste it I am pleasantly surprised at how good it is.  Fermentation and maturation are in temperature controlled stainless steel tanks to help preserve the bright fruit flavours, but the wine does also spend three to six months (depending on vintage) on its fine lees, adding texture, weight and a certain creaminess.

The nose shows pronounced white peach and citrus, more expressive than lesser Albariños for sure.  On the palate the citrus shines through most, with a streak of fresh acidity and a saline tinge.  It reminded me of a Rías Baixas wine from close to the coast, except with more depth of flavour – perhaps a touch more sunshine and the time on lees make the difference.  Overall, this is a delicious wine that deserves the praise and recognition it has been receiving.

  • ABV: 14.0%
  • RRP: €21.95
  • Stockists: Baggot Street Wines, Blackrock Cellar, McHugh’s, Martin’s Off-licence, Gibney’s of Malahide, The Vintry, Clontarf Wines, Brady’s Shankill, Deveney’s Dundrum, Higgins Clonskeagh, 1601 Kinsale, Morton’s Salthill, World Wide Wines Waterford, Alan McGuinness, Drink Store

Thanks to Liam and Peter from DNS Wine Club who have both shown this wine in recent months.

Opinion

Solera Wine Selection (part 3)

It’s time for the big guns from Rioja and Tuscany!  After some fantastic whites in part 1, and some cracking reds in part 2, we now have wines from the esteemed Bodegas Roda and Mazzei.

once again, apologies for the poor quality of my snaps!

Bodegas Roda “Sela” Rioja 2016 (14.0%, RRP €27.95 at Blackrock CellarDeveney’s Dundrum; D-Six Off Licence; The CorkscrewJus de VineThe VintrySweeney’s D3Lotts & CoNectar WinesBaggot Street Wines)

Bodegas Roda Sela Rioja 2016

Bodegas Roda were founded as recently as 1987 but have already forged a reputation for excellence.  They have evaluated over 552 Tempranillo clones before settling on the best 20 to plant going forward.  French – rather that American – oak barrels are used for maturation, yet the oak treatment is always in balance with the fruit.

Sela is the “entry level” from Roda, with fruit hand harvested from 15 to 30 year old bush vines.  Maturation is for 12 months in seasoned French oak.  Of course, this wine could be labelled as a Crianza, but that term has a cheap and cheerful image in Spain, definitely not fitting for Bodegas Roda!  The blend is 87% Tempranillo, 7% Graciano and 6% Garnacha giving fresh red and black fruit.  Sela is an easy drinking style but also has the elegance to be served at the table.

Bodegas Roda “Roda” Rioja Reserva 2015 (14.0%, RRP €39.50 at 64 WinesBlackrock CellarDrink Store, Stoneybatter; Deveney’s DundrumJus de VineThe VintryNectar WinesThe Corkscrew)

Roda Roda Rioja 2015

The Roda Reserva is a clear step up from the Sela.  While the blend is almost identical –  86% Tempranillo, 6% Graciano and 8% Garnacha – the vines are all over 30 year old and yields are lower, both aiding concentration.  Alcoholic fermentation is in French oak vats followed by malolacic fermentation in French oak barrels (40% new, 60% second use) where the wine then matures for 14 months.  When bottled the Reserva is kept in Roda’s cellars for a further two and a half years before release.

The nose has red and black cherries, strawberries and raspberries with vanilla and smoky notes from the oak, and hints of cinnamon.  The wine feels thick and viscous in the mouth with the fruit aromas coming through to the palate.  The Roda Reserva is a vibrant wine, still in the flushes of youth, but should continue to evolve for the next decade or two.

Bodegas Roda “Roda I” Rioja Reserva 2012 (14.5%, RRP €64.00 at 64 WinesBaggot Street WinesBlackrock CellarClontarf WinesDeveney’s DundrumD-Six Off LicenceMartins Off-LicenceThe CorkscrewThe VintrySweeney’s D3Clontarf Wines)

Roda Roda I Rioja 2012

The main difference between Roda I and Roda (formerly Roda II) is in flavour profile – for Roda I grapes are picked from old bush vines which tend to show more black fruit characteristics rather than the red fruit of Roda.  The blend is Tempranillo dominated (96%) with a seasoning of Graciano (4%).  The oak regime is slightly different as well – the barrels are 50% new and ageing in barrel is for 16 months.

While obviously sharing some house similarities with its junior sibling, this is a different wine altogether, much more complex.  The nose is more perfumed and expressive with black fruit, smoky oak, earthiness and chocolate.  These notes continue through to the palate where some dried fruit and mineral flavours join them.  The mouth is voluptuous and soothing.  Fine grained tannins help to make a savoury, satisfying dry finish.  Although this would be a real treat to drink on its own it would shine even brighter with food.

Mazzei Castello Fonterutoli Chianti Classico Gran Selezione 2015 (14.0%, RRP €48.95 at 64 WinesBlackrock CellarDeveney’s Dundrum)

Mazzei Castello Fonterutoli Chianti Classico Gran Selezione 2012
Yes, I forgot to take a snap of the 2015, so here’s my snap of the 2012. If you try really hard, I’m sure you could imagine how the 2015 bottle would look…

You can read the full background on this wine in my recent post on the 2012, so I won’t repeat that here.  The blend is consistent at 92% Sangiovese and 8% Malvasia Nera & Colorino and the oak regime is the same.   The 2015 is from a slightly warmer year so the exact alcohol reading is 14.26% versus 13.73% for the 2012; not a huge difference but an indication of the vintage.  This is a fabulous wine, really smooth but tangy and fresh, with red and black fruit bursting out of the glass.  Mazzei give it an ageing potential of 20 years but when wine is this good it would be really difficult not to drink now!

Mazzei Castello Fonterutoli “Siepi” Rosso Toscana 2016 (14.5%, RRP ~ €125.00* at Blackrock Cellar)

Mazzei Castello Fonterutoli Siepi Rosso Toscana 2016
*Blackrock Cellar currently just has the 150cl magnum in stock for around €250

It does seem to this cynic that any IGT Toscana with French grapes in the blend is classed as a “Super Tuscan” these days, but this is truly deserving of the epithet.  Siepi is named after the six hectare estate vineyard from where the grapes are sourced –  one of Mazzei’s best – and has been produced since 1992.  The blend is 50% Sangiovese and 50% Merlot; the varieties are picked at different times (17 days earlier for the Merlot which is known to be an early ripener in Bordeaux) and are given different maceration times (14 days for Merlot, 18 days for Sangiovese).  Ageing is for 18 months in French barriques, 70% new and 30% used.

This 2016 was released in October 2018 and tasted 12 months later.  It was still a little shy and closed, but already showing flashes of its future grandeur.  To depart from my usual style of tasting notes, drinking this wine was like sitting in front of a warm fire on a big, well-worn sofa with soft cushions.  As I write during Storm Dennis, that would be most welcome!

 

 

Tasting Events

Solera Wine Selection (part 1)

Solera Wine Merchants is a specialist wine importer based in Dublin.  MD and owner Albert Baginski spent over 14 years working as a sommelier and restaurant wine director before going full time with Solera.  He is known for being a gentleman, a true professional and – perhaps most importantly – a really nice bloke.

Albert Baginski

The Solera portfolio is still growing, but from my perspective it has some of the real stars from each region that is represented – Fritz Haag from the Mosel, Roda from Rioja and Mazzei from Tuscany, to name just a few.  Below are some brief notes on the white wines I tasted with Albert late last year.

Villa Des Croix Picpoul de Pinet 2018 (12.5%, RRP €16.95 at Baggot Street Wines; Blackrock Cellar; Deveney’s Dundrum)

Villa des Croix Picpoul de Pinet

When twitter discussions on wine scoring circle round again and again, especially whether they are absolute or relative scores; Picpoul is sometimes given as a wine which will never hit the high 90s as it’s somewhat neutral and lacking in character, and therefore lends to credence to scores being relative.

Well, there are exceptions to every rule, and this is comfortably the most flavoursome and characterful Picpoul de Pinet that I’ve tried.  It’s highly aromatic, with light fruits and flowers on the nose.  The palate is fresh with lots of citrus and more depth of flavour than usually found in the grape.  This would be a great alternative to Loire Sauvignon Blanc.

Bodegas Altos de Torona Rías Baixas Godello 2018 (13.0%, RRP €20.95 at Baggot Street WinesBlackrock CellarMartins Off-LicenceNectar Wines)

Altos de Torono Rias Baixas Godello

Rías Baixas is (quite rightly) best known for being the home of some excellent Albariños, but other varieties are grown there, such as this Godello from Altos de Torona.  The wine is unoaked but has spent six months on fine lees which imparts a little texture and a creaminess.  Conference pears and red apples complete the palate.

Fritz Haag Brauneberger Juffer Grosses Gewächs Riesling Trocken 2017 (12.5%, RRP €38.95 at Baggot Street Wines; Blackrock Cellar; Sweeney’s D3; The Corkscrew)

Fritz Haag Juffer Riesling Trocken

This is the first of two Fritz Haag Rieslings from the Mosel, though they are very different in character.  This is a dry Grosses Gewächs (Grand Cru) from the Juffer vineyard in Brauneberg (note that Brauneberger isn’t stated on the front label, probably to avoid confusion with the bottling of the best part of the vineyard around the sundial which is labelled Brauneberger Juffer Sonnenuhr).

The nose is only lightly aromatic, but the palate is much more intense.  It tastes dry (residual sugar is 7.9 g/L) and refreshing with grapefruit, lime and quince on the palate. This is a veritable pleasure to drink now but is surely destined for greatness over the next two decades.

Fritz Haag Brauneberger Juffer Riesling Auslese Goldkapsel 2017 (7.5%, RRP €33.95 (375ml) at Blackrock Cellar; Clontarf Wines)

fritz haag brauneberger juffer riesling auslese goldkapsel
Sorry, forgot to snap this bottle myself!

From the same vineyard as the dry GG above, we now have the sweet Auslese Riesling.  If you are not fluent in German wine terms – no I’m not either – a bit of decoding is in order.  Auslese means “selected harvest” and is on the third rung of the Prädikatswein classification above Kabinett and Spatlese.  Goldkapsel refers to the gold capsule covering the cork, and signifies that this bottling is from the producer’s ripest and best grapes.

Coming in at 125.8 g/L of residual sugar this is definitely in dessert wine territory, but, as it’s a Mosel Riesling there is plenty of acidity to go with it (7.5 g/L TA in fact).  This is a fabulous, unctuous wine that creeps over your palate and isn’t in a hurry to leave.  “Make yourself comfortable”, your taste buds say.  It’s almost a crime to swallow, but the sweet flavours hitting your throat make up for it.  With honey, crystalline pineapple and a dash of lime this wine is close to perfection.

Part 2 will cover the fabulous reds

Make Mine A Double, Opinion, Tasting Events

Earth Angel – Domaine des Anges [Make Mine a Double #49]

An Englishman, and Irishman and a Frenchman climb up a mountain…and make some great wine!  Domaine des Anges was established on the slopes of Mont Ventoux by English couple Malcolm and Janet Swan in 1973.  At that point grapes were mainly being processed by the local cooperative, so it was a bold venture, but help and advice was surprisingly forthcoming from the famous but less-than-approachable Jacques Rayas of Châteauneuf-du-Pape.

The Swans had variable levels of success, and after 20 or so years they sold the estate to Irishman Gay McGuinness.  He increased investment and hired professional winemakers – fellow Irishman Ciaran Rooney and after a decade Florent Chave.  Quality has continually increased and Domaine des Anges has received a plethora of praise from critics and consumers.

I recently had the opportunity to taste through the Domaine des Anges range thanks to a kind invitation from Boutique Wines, their Irish representative.  The wines were presented by historian and oenophile Giles MacDonogh – a close friend of the proprietors – and whose notes I have cribbed for background information.  While I liked all the wines I tried, two in particular stood out for me: the white and red AOC Ventoux “Archange” wines:

Domaine des Anges Archange Ventoux Blanc 2016 (14.5%, RRP €21 at La Touche, Greystones; Sweeney’s D3, Fairview; Blackrock Cellar; Grape and Grain, Stillorgan; The Winehouse, Trim; Browns Vineyard, Portlaoise; Bakers Corner, Kill of the Grange; Mortons, Ranelagh)

Domaine des Anges archange Ventoux blanc

Whereas the regular Domaine des Anges Ventoux Blanc is a third each of Grenache Blanc, Roussanne and Bourboulenc, the Archange is 100% Roussanne – a grape that rarely gets the limelight all to itself.  In fact the winemaking is as much the star of the show here, with techniques very reminiscent of Burgundy.  The wine is aged in small oak barrels, giving notes of toast, toffee and vanilla.  Malolactic fermentation is blocked to preserve freshness, and regular lees stirring gives a wonderful creamy aspect.  The varietal character does come through the middle of all of this as an intriguing peachy tanginess…it’s like Burgundy but with a bit more going on.  The only downside to this wine is that it’s perhaps too good to drink every day – perhaps just save it for the weekend?

Domaine des Anges Archange Ventoux Rouge 2015 (14.5%, RRP €21 at La Touche, Greystones; Sweeney’s D3, Fairview; Blackrock Cellar; Grape and Grain, Stillorgan; The Winehouse, Trim; Browns Vineyard, Portlaoise; Bakers Corner, Kill of the Grange; Mortons, Ranelagh)

Domaine des Anges archange Ventoux rouge

Although the Rhône Méridional is known for its Grenache-based blends, in the cooler heights of Mont Ventoux Syrah can play a much bigger role.  In this blend it accounts for a full 90% with the balance being Grenache.  As the 14.5% alcohol indicates this is a powerful wine, but it does not have the sweetness of a Barossa Shiraz, for example. There’s a distinct richness, but with smoky notes, black pepper, black fruits and leather, with an altogether savoury finish.  My “go-to” Rhône appellation is Saint-Joseph with its savoury Syrahs, but this Ventoux presents a great alternative – and at a great price.

Conclusion

These two wines are an outstanding pair and really over-deliver for the price tag.  They won’t fade in a hurry, either, so it would be well-worth putting a few (dozen) down to see how they evolve over time.

 

 

And for you film buffs out there, here’s a clip from the film which inspired part of the title of this post:

Opinion, Single Bottle Review

Dog Point Chardonnay [Frankie’s Single Bottle Review #27]

Marlborough’s Sauvignon Blanc is known throughout the wine drinking world and is the key export variety for New Zealand.  Although Pinot Noir is regarded as the next in line, for me Chardonnay is Aotearoa’s best grape, making excellent examples in nearly every Kiwi wine region.  Acidity is generally quite prominent, even after MLF, as this is mainly a cool climate country.  Here’s a bottle I tried recently with a bit of age on it:

Dog Point Vineyard Marlborough Chardonnay 2012 (13.5%, RRP €36.50 (2016/7 vintages) at Blackrock Cellars, Baggot St Wines, Donnybrook Fair, The Corkscrew, jnwine.com)

Dog Point Chardonnay

I recently did an article on Cloudy Bay and mentioned that the head winemaker for many years was Kevin Judd.  As the company grew they took on more staff in the vineyard, in the winery and back office functions such as marketing.  Two of the winemaking team – Ivan Sutherland and James Healy – eventually decided to branch out and set up by themselves.

With the support of their wives Margaret and Wendy (respectively) they launched their 2002 vintage in early 2004.  They gradually expanded their range and make several different wines, including the excellent and age-worthy Section 94 Sauvignon Blanc (I tried the 2010 in 2014).

Interestingly, when Kevin Judd himself founded Greywacke later the same decade, he got agreement from his old colleagues at Dog Point to use their winery facilities.

At seven and a half years from vintage, this bottle is much older than most you will see around on the shelves in wine merchants; many have the 2016 or even 2017 vintages of the Chardonnay available (I bought this bottle from my old haunt Sweeney’s of Glasnevin which closed this summer.)  It has a very yeasty, toasty nose – possibly because of lees work while maturing.  The funk continues onto the palate where it is joined by soft citrus, pineapple and hints of stone fruit.  Trademark NZ acidity is still present to prevent the wine from being at all flabby.

This 2012 is probably at its peak and ready to decline gently, so I would not keep it for much longer if I had another bottle, but it’s drinking beautifully now.  If you buy a younger vintage, try keeping it a while (if you can keep it well) to see how it evolves.

 

Opinion, Single Bottle Review

Cloudy Bay Sauvignon Blanc 2019 [Frankie’s Single Bottle Review #24]

Now part of New Zealand wine folklore, Cloudy Bay Vineyards was set up at the beginning of the Marlborough gold-rush (grape-rush?) in 1984 by David Hohnen.  Hohnen was no stranger to innovation as he had set up the pioneering Cape Mentelle in Margaret River in 1970.  As he was based in Western Australia, he recruited fellow Australian Kevin Judd to actually make the wines.

Cloudy Bay was one of the main producers which put Marlborough Sauvignon on the world map of wine, and such was demand that it often outstripped supply – it was frequently only available from merchants on allocation.  Over the years as other vineyards were established, Cloudy Bay was able to increase its supply of grapes but also had more competitors in the market.  Perhaps due to the expertise of luxury goods company LVMH who acquired it in 2003, Cloudy Bay has still managed to command a price premium over all its direct competitors.

Although hardly cheap at €35 and upwards in Ireland, the “straight” Sauvignon Blanc is one of the least expensive wines of the Cloudy Bay range.  The other include non-vintage and vintage sparkling Pelorus (which we had served for the toast at our wedding), Pinot Noirs from Marlborough and Central Otago, the excellent Chardonnay and a barrel-fermented wild yeast Sauvignon called Te Koko.

Cloudy Bay Sauvignon Blanc 2019 (13.1%, €35 – €42, stockists below)

Cloudy Bay Sauvignon Blanc 2019 (1)

The 2019 vintage was released in Ireland at the beginning of November, so this is a very young wine, but awkward and angular it is not.  It has an unmistakably Marlborough Sauvignon nose with intense citrus and tropical fruits.  They are joined on the palate by juicy grapefruit and gooseberry.  There is plenty of acidity, but it presents as mouthwatering freshness and zip rather than being strong enough to make you wince. There’s a certain roundness and texture which is absent from many other Savvies. Hating on Sauvignon is quite common nowadays, but I think this wine is good enough to win plenty of converts.

Conclusion

Thirty years on, Cloudy Bay is still at the top of the pile – though its price reflects the renown of its brand as much as the quality of the wine.

Stockists: Jus de Vine, Portmarnock; The Corkscrew, Chatham St; Gibney’s, Malahide;  Londis, Malahide; Sweeneys D3, Fairview; Martin’s, Fairview; Baggot Street Wines, Dublin 2; Deveney’s, Dundrum; Higgins, Clonskeagh; Redmond’s Ranelagh; Mitchell’s, Glasthule & CHQ; Blackrock Cellars; Donnybrook Fair; On the Grapevine, Dalkey; La Touche, Greystones; Bradley’s, North Main St, Cork; 1601 Kinsale; Wine Centre, Kilkenny; McCambridge’s, Galway; World Wide Wines, Waterford.

Disclosure: sample provided for review, opinions remain my own.

Make Mine A Double, Opinion

Domaine Lafage whites [Make Mine a Double #48]

The Languedoc-Roussillon wine is often shortened to simply “The Languedoc”, but that does a disservice to Roussillon, the French part of Catalonia which stretches down to the border with Spain.  It does have its stars in the fortified sweet wines of Maury, Rivesaltes and Banyuls, but here we turn our attention to its table wines.

Domaine Lafage are based in Perpignan and produce a large number of different cuvées – white, rosé, red and Vins Doux Naturels.  I’ve enjoyed some of their bottles before, including their Nicolas (made from old vine Grenache Noir) and Côté Est (a blend of Grenache Blanc, Chardonnay and Rolle), but here are two that I tried recently that really impressed me:

Lafage “Centenaire” Côtes du Roussillon AOP 2018 (13.0%, RRP €19.95 at Baggot Street Wines, McHugh’s, Sweeny’s D3, DrinkStore, Redmonds of Ranalagh, Martins of Fairview, The Vintry Rathgar and Blackrock Cellar)

Domaine Lafage Centenaire Blanc

The name of this wine comes from the age of the vines – some of them are a hundred years old with the rest not far behind.  80% is made up by Grenaches Gris and Blanc (the split is not given) and the remaining 20% is Roussanne.  Such old vines have very low yields (30 hl/ha) but give intense concentration of flavour.  30% of the blend is aged in new French oak for 4 months, with bâtonnage.

Being mainly Grenache the Centenaire has a broad palate, rich but dry and herby.  This might sound something of a contradiction, but the spicy pear and quince fruit comes in the attack and mid palate with the finish being crisp and dry.  In terms of style it is not dissimilar to a southern Rhône white, but crisper on the finish than most.

Lafage Cadireta Côtes Catalanes IGP 2018 (13.0%, RRP €19.95 at Baggot Street Wines, McHugh’s, Sweeny’s D3, DrinkStore, Redmonds of Ranalagh, Martins of Fairview, The Vintry Rathgar and Blackrock Cellar)

Domaine Lafage Cadireta Blanc

The Cadireta name is of a specific climat which has deep, rocky soils.  Vines are a mixture of trellised and bush vines, planted in an east-west orientation to preserve acidity as much as possible.  The grapes are harvested in the (relative) cool of night, a practice common in Australia.  30% of the wine is fermented and matured in new Burgundian oak barrels, similar to the Centenaire, with 70% cool fermented in stainless steel.  Only 8% of the final blend goes through malolactic fermentation, adding a touch of roundness.

Now for the unusual feature of this wine: the grapes harvested are 100% Chardonnay but they are matured on Viognier lees – something which is quite innovative and adds a real depth of flavour.  Melon and red apple from the Chardonnay and vanilla from the oak are joined by apricot, peach and floral notes from the Viognier.  It’s a lusciously peachy wine yet remarkably fresh and crisp.  This much flavour and interest yet perfectly in balance make for a wine worthy of much praise.

Conclusion

These are both very good wines and excellent value for money.  For drinking on their own my marked preference is for the Cadireta – and I’m not alone as it has just won the White Wine of the Year at the Irish Wine Show!  With food, I think that the Centenaire would be a little more versatile…so perhaps a bottle glass of each!

 

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