Tag: Douro

Opinion

Super Value Xmas Wines 2020 part 2

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Here are four more of the wines that Kevin O’Callaghan has selected for the SuperValu Classic Christmas promotion.  If you missed Part 1 you can find it here.

Barão de Vilar Douro Tinto Reserva 2018

There’s the well worn saying that “if something seems too good to be true, it probably is”, so it was with not inconsiderable wariness that I approached this wine as it is on offer at almost half price.  There are some labels which are so regularly on promotion in supermarkets that the “real” price – if there is such a thing – is far from clear.

Some brands are even created with the specific purpose of being listed at a high price then discounted by 50% on a regular basis.  For me this is a cynical and misleading practice.  Happily, the wine reviewed below is emphatically not one of those wines, and it’s even listed with a well established Dublin wine merchant for €19.95!

Anyway, back to the wine itself.  The key grapes are Douro stalwarts Touriga Franca, Tinta Roriz, Tinta Barroca and Tinto Cão.  After alcoholic and malolactic fermentation the wine spends 14 months in French oak.  This is a dark and concentrated wine with bold black fruits, decent acidity and grainy tannins, but compared to some Douro wines I’ve tried it pulls everything together really well; all the components work together as part of an integrated whole, making for an elegant wine.  Yes, it’s still very young so could happily lay down for a year or ten, but it’s tasty enough that you might not be able to wait.  If you can’t wait, decant if possible and serve with red meat or other rich dishes.

  • ABV: 14.0%
  • RRP: €14.83 or case deal of 6 for €50.00 from 5th Nov to 30th Dec while stocks last
  • Stockists: SuperValu Ireland stores

Pagos de Labarca AEX Rioja 2016

Pagos de Labarca is one of the labels of Bodegas Covila, a well-regarded Rioja co-operative.  The AEX is one of Covila’s signature wines, made in small quantities from old (35 years+) bush vine Tempranillo.   Alcoholic fermentation is carried out in stainless steel tanks, after which the wine is transferred into new American and French oak barrels with varying levels of toast.  There, the wine goes through malolactic fermentation and matures for a total of 17 months before being blended back together and bottled.

The nose is very expressive; rich red berries (from the Tempranillo) and vanilla (from the American oak) combine with fine herbs and hints of chocolate and coffee.  Succulent, rich red fruits abound on the palate – red cherry, strawberry and raspberry – overlaid with vanilla bean custard.  Darker fruits then emerge, still fighting for your attention with the vanilla.

This is not a Rioja which could be mistaken for a Ribero del Duero or Toro – it’s too refined and bright.  Although it’s not too tight and dense, it would definitely benefit from decanting or a large glass to allow its complex aromas to fully develop.  A real treat of a wine!

  • ABV: 13.5%
  • RRP: €22.62 down to €20.00 from 26th Nov to 30th Dec while stocks last
  • Stockists: SuperValu Ireland stores and supervalu.ie

Château Lacombe-Cadiot Bordeaux Supérieur 2018

The De Mour group is a Bordeaux-based wine company with five Châteaux and a negociant line where grapes and / or wines are bought in from other producers.  One of their properties whose wines I have tried and enjoyed several times is Château Tayet, located in Macau just south of Margaux.  Château Lacombe-Cadiot is situated in the Ludon, the next commune south of Macau and close to the Garonne.

Although we’re in the Médoc, Merlot is still the most important grape (sorry Jim!) in this Bordeaux Supérieur with 80% of the blend and Cabernet Sauvignon the balance.  In the glass the wine has a deep core with the rim turning from purple to ruby.  Initially the nose gives a huge hit of exotic spice then black fruit and a hint of vanilla.  On the palate plums abound, both red and purple, along with brambles and the vanilla again.

The technical sheet for this wine states that fermentation and maturation are in stain less steel tanks, but I could swear that some portion of it has spent time in oak.  It has great concentration and a dusting of light tannins on the finish.  This is a smooth and rewarding wine that is well worth its normal price tag, but represents excellent value on offer.

  • ABV: 14.0%
  • RRP: €15.73 down to €13.00 from 26th Nov to 30th Dec while stocks last
  • Stockists: SuperValu Ireland stores and supervalu.ie

Lady de Mour Margaux 2018

Hopping back up two communes from the Lacombe-Cadiot gets us to Margaux itself, one of the top four appellations of the Médoc.  Margaux wines are nearly always majority Cabernet Sauvignon though a lower proportion than the other three appellations.  I don’t have the precise blend of Lady de Mour but I would guess something like 75% Cabernet Sauvignon, 20% Merlot and 5% Cabernet Franc.  It is lighter in both style and alcohol compared to the Lacombe-Cadiot, mainly due to the difference in blend.

The Lady has a mid to dark core in the glass but a very purple rim, indicating relative youth.  It’s quite muted on the nose – you have to search for the dark fruit aromas rather than them leaping out of the glass.  Black fruits delight on the attack, but are then overtaken by graphite, violets and a touch of green bell pepper.  This is a really elegant Margaux, not as juicy as the little brother but a great introduction to proper left bank Claret.

  • ABV: 13.5%
  • RRP: €34.42 down to €25.00 from 26th Nov to 30th Dec while stocks last
  • Stockists: SuperValu Ireland stores

 

 

Make Mine A Double

Dynamic Douro Duo [Make Mine a Double #67]

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Port wine is world famous, known wherever wine is drunk.  It’s a powerful, sweet, fortified wine that has become the name of a style – just like Champagne – even though it should only be used for geographically demarcated wines from Portugal.  Although the Port Houses are innovating, with a multitude of styles and colours being marketed, demand for their fortified wines isn’t as strong as it could be, considering their quality.

Table wines from the Douro have therefore increased in importance.  The style of Douro wines is evolving as well; initially they were often “dry Ports”, made from the same varieties and full of alcohol, flavour and body.  Although popular, some of them were a little rustic and lacked elegance.  Enter Casa Ferreirinha, taken from the Liberty Wines Ireland website:

Founded in 1952, with the production of the first ever vintage of Barca Velha, Casa Ferreirinha pioneered the quality revolution in Douro still wines and was the first producer in the region dedicated entirely to producing wine, rather than port. Named after the legendary Porto matriarch Dona Antónia Ferreira, Casa Ferreirinha, pays homage to the memory of this visionary woman. Today, the winemaking is headed up by Luís Sottomayor, who restrains the Douro’s natural exuberance to produce wines that have a vibrant freshness allied to a lovely texture and depth.

Earlier this year I joined a zoom masterclass presented by Luís Sottomayor himself and got to taste some of the wines (disclosure: which were samples, obvs):

Casa Ferreirinha “Vinha Grande” Douro Branco 2019

Although there are white Port grapes grown in the Douro (white Port and tonic is the “in” summer drink these days) we don’t tend to think of dry white Douro wines.  The Vinha Grande Branco has been made since 2005 since the acquisition of 25 hectares of suitable vineyards at high altitude.  The precise blend changes from year to year, but for 2019 it is:

  • 40% Viosinho – a well balanced and highly aromatic local variety
  • 35% Arinto (aka Pedernã) – a high acidity grape, better known in Bucelas
  • 15% Rabigato – a high acidity grape almost solely grown in the Douro
  • 10% Gouveio (aka Godello) – which gives roundness and complexity

Vinification took place in stainless steel tank and then the wine was split into two; 50% was aged in 500 litre barrels and 50% in steel tanks.  Both halves received regular lees stirring and then were recombined after six months.  Per Luis, the aim of using oak is to add complexity and capacity for ageing, but only 50% as they don’t want oak to dominate the fruit.

Initially it shows white fruits and flowers on the nose, then citrus and passionfruit, rounding off with some oak notes.  The high altitude of the vineyard shows up on the palate which is very fresh and has good acidity.  There’s some body to this wine and beautiful ripe fruit notes in the mid palate.  Overall this is an excellent wine, and one that I suspect will continue to improve for several years.

  • ABV: 13.0%
  • RRP: €21.99
  • Stockists: Blackrock Cellar; Egans, Portlaoise; Ely Wine Store, Maynooth; The Corkscrew, Chatham St.; wineonline.ie

Casa Ferreirinha “Vinha Grande” Douro Tinto 2017

 

This is the daddy, one of the first Douro reds, and originally was made with grapes sourced from a specific vineyard called Vinha Grande; nowadays the wine includes grapes from Cima Corgo and Douro Superior subregions.  I don’t have the exact varietal composition for 2017 but for 2018 the blend was:

  • 40% Touriga Franca – the most widely planted black grape in the Douro
  • 30% Touriga Nacional – perfumed and powerful king of the Douro
  • 25% Tinta Roriz (aka Tempranillo) – for suppleness, the second most important black grape
  • 5% Tinta Barroca – early ripening Douro grape which adds colour and alcohol

Alcoholic fermentation is carried out – separately in each subregion – in temperature controlled stainless steel tanks, with some maceration to extract colour, flavours and tannins.  The two are then blended together and matured in used (two to four year old) French barrels.  Luis stated that French oak is regarded as more neutral, less aromatic than American oak.  Portuguese oak was used until 2001 when supplies dried up – it gave more tannins and was more aromatically neutral still, but was a little rustic.

The nose of the Vinha Grande Tinto exudes rich black and red fruits, spice, freshly made coffee and hints of cedar.  The palate is lovely and supple, with blueberry, blackberry and plum plus smoky notes.  The body is generous but not too thick; with its soft tannins this is a refined and elegant wine.

  • ABV: 14.0%
  • RRP: €21.99
  • Stockists: Avoca Handweavers, Ballsbridge; Baggot Street Wines; Blackrock Cellar; Martins Off Licence, Fairview; McHughs, Kilbarrack Road; Terroirs, Donnybrook; The Corkscrew, Chatham St.; The Parting Glass, Enniskerry; The Wine Centre, Kilkenny; wineonline.ie

 

**Click here to see more posts in the Make Mine a Double Series**

Tasting Events

DNS Holiday Wines 2019

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When restarting the DNS Wine Club tasting calendar after the summer break it has become a tradition to start with wines that members have enjoyed on their holidays.  It’s always a nice and relaxed event and gives a far more idiosyncratic range than is the norm at DNS.

September 2019 had us meet and taste wines from Spain, Italy, Greece, Portugal, France, Australia and….Yorkshire!  Here they are in the order of tasting (and with apologies for the quality of the photos from my phone):

Yorkshire Heart Sparkling Rosé NV (11.0%)

Yorkshire Heart Sparkling Rosé NV

The best English wines tend to come from the south of the country: south coast counties like Kent, Sussex, Hampshire and Cornwall.  Whereas southern English producers used to focus on varieties that could prosper despite a damp and cold climate, global warming and experience has led to a boom in sparkling wine production, usually with the three main Champagne grapes.  Further north in Yorkshire, however, the climate is now mild enough for the special cross and hybrid varieties to survive (though prosper might be a little overstating the case just now.)

Yorkshire Heart are based close to York, so the name is apt.  They also have a brewery and a cider orchard so most bases are covered.  The vineyard has 17 varieties across ten acres, so it is still fairly small scale and experimental.  The grapes used for the sparkling rosé are not disclosed apart from the use of Pinot Noir to create the pink hue.  It’s made using the traditional method with the wine resting on its lees for 12 months – not as long as Champagne but longer than some NV Cava.

The wine has a fruity nose and a nice mousse when poured, but unfortunately it was not persistent.  The palate is full of summer fruits; raspberry, strawberry, cranberry and a touch of blackberry competed for attention.  As this is an English wine there’s ample acidity, though the finish resolves with fruit sweetness.

Read more about Yorkshire Heart here.

Principe Strozzi Vernaccia di San Gimignano 2017 (13.0%)

Principe Strozzi Vernaccia di San Gimignano 2017

Following the Italian wine naming convention of [grape] from [place], this is a 100% Vernaccia from San Gimignano in Tuscany (aka Chiantishire).  On the nose the wine evokes wet stones – can you get more mineral than that?  On the palate, it’s as though fresh lemons have been squeezed onto said stones – a real citrus zing on top of the minerality.  It has a touch more body than I had at first expected.  This is a well-made wine which, while not setting the world alight, makes for some very pleasant drinking.

Tesco Finest Tingleup Great Southern Riesling 2018 (12.0%)

Tesco Finest Tingleup Great Southern Riesling 2018

Of all the wines brought to this tasting, this Australian Riesling was from the furthest away.  However, DNS member Michelle was blagging this one as she had not been to Australia, and had instead spent her holidays in the local Tesco.  The wine is made for Tesco by Howard Park who are based in Western Australia and specialise in wines from Margaret River and Great Southern.  On the nose it has aromas of lime and…well…Riesling!  The palate is full of refreshing, zingy citrus and there’s just a kiss of sweetness on the finish.  A great way to get into Riesling.

Read more on Howard Park Wines here.

Mar de Frades Rías Baixas Albariño Atlántico 2018 (12.5%)

Mar de Frades Albarino Atlantico Rias Baixas 2018

So let’s count up the nautical references: the producer is Mar de Frades (which translates as something like “Sea of Friars”), the wine is Albariño Atlántico which indicates that it’s from the part of Rías Baixas close to the ocean, and the label depicts huge crashing waves and a chuffing seagull!  Message understood, loud and clear!  Thankfully the wine is very nice, despite being the producer’s “entry level” effort.  It spends six months on the lees which adds a nice bit of texture to the pear and peach fruit.  A saline finish seasons it perfectly.  In a sea (sorry, it’s catching) of samey Albariño, this is a winner.

Read more on Mar de Frades here.

Tenute delle Terre Nere Etna Rosso 2017 (14.0%)

Tenuta Delle Terre Nere Etna Rosso 2017.jpg

Tenuta delle Terre Nere takes its name from the black basalt and pumice stones which cover much of the estate on the northern side of Mount Etna.  Its surface area totals 55 hectares and is far from homogeneous – the 24 parcels range from 600 to 1,000 metres above sea level and (apart from a few new plantings) between 50 and 100 years old.

This Rosso is mainly Nerello Mascalese (95%) with a dash of Nerello Cappuccio (5%).  The soil is volcanic soil, obviously (I bleedin’ hope it’s obvious!!).  Stylistically the wine is somewhat Pinot Noir like, but with a touch more body and spice.  It has delicious smoky black and red fruit plus a certain chewy earthiness. 

Read more on Tenuta delle Terre Nere here.

Domaine du Bois de St Jean “Les Ventssssss” Côtes du Rhône 2016 (14.0%)

Domaine du Bois Les Ventssssss CdR 2016

The Domaine is located near Avignon and has a range of different red, white and rosé Côtes du Rhône wines plus Crus Châteauneuf-du-Pape and Vacqueras.  One notable wine is “Pur Cent”, a cuvée first released 9 years ago made from 16 different varieties, all planted when the estate was founded in 1910, i.e. one hundred year old vines.

The odd name of this wine – which you can see in the heading above, but not so well on the label – is because the six Ss at the end of Ventssssss represent the six different names for the main wind which affects the Rhône: The Mistral.   The vines are planted on sand and pebble soils, north-facing slopes (presumably not too steep an incline) at around 400m.  The vines vary between 60 and 80 years old and consist of Grenache, Syrah, Mourvèdre, Carignan, Counoise and Cinsault.  For the 2016 only the first four varieties were used, but the precise blend is a family secret.

The wine is extremely smooth and elegant, attributable (in my humble opinion) to the sandy soils and north facing aspect respectively.  The velvet texture immediately reminded me of the Mas Saint-Louis Châteauneuf-du-Pape which is also predominantly Grenache grown on sandy soils – and that’s a real compliment.  Quite simply this is the best AOC Côtes du Rhône I’ve ever tasted.

Read more on the Domaine du Bois de Saint Jean here.

Quinta dos Aciprestes Douro Tinto 2016 (14.5%)

Quinta dos Aciprestes Douro Tinto 2016

One of my wine rules of thumb is that, when a place is famous for wine derived drinks other than regular table wines, if they were to produce table wines they would be quite poor.  When was the last time you had a regular table wine from the Sherry, Champagne or Cognac regions?  The Douro is a prominent exception to that rule of thumb with some excellent, characterful and drinkable wines, especially reds.

“Quinta dos Aciprestes” means “Estate of the Cypress Trees“; the three depicted on the front label are most likely a representation of the three Quintas which were joined together to make the estate.  The grapes are a typical Port blend, including Touriga Nacional, Touriga Franca, Tinta Roriz (Tempranillo), Tinto Cão and Tinta Barocca.  Maturation is for 12 months in French oak (I suspect mainly older barrels).  This is a rich wine, typical of the Douro, but still round and soft – softer than the 14.5% alcohol would imply.

Château Nico Lazaridi Drama 2016 (15.0%)

Ch Nico Lazaridi Drama 2016

Let’s get the bad pun out of the way first: the phrase “no drama” is usually taken to be a good thing – but not in this case!  Drama is a municipality in the East Macedonia and Thrace region of north east Greece and home to Italophile wine producer Nico Lazaridis.  French grapes predominate with some Sangiovese and autochthonous varieties.

The eponymous Château Nico Lazaridi wine is 60% Cabernet Sauvignon, 30% Merlot and 10% Sangiovese – what might be termed a Super Tuscan blend – that has spent 12 months in French oak.  It has an enticing, fragrant but gentle nose.  The palate is rich, explosive but smooth – cherries, chocolate and luscious black fruits all wrapped in velvet.  At 15% there’s also a suggestion of Napa Valley style power and sweetness.  This is a fabulous wine!

Read more on Château Laziridi here.

The Votes From Our North Side Jury

All of these holiday wines were good and worth trying, but two did stand out as the best and second best of the tasting:

  1. Château Nico Lazaridi received 8 votes (out of 18 total)
  2. Domaine du Bois de St Jean “Les Ventssssss” received 4 votes (out of 18 total)
Tasting Events

To SPIT or not to SPIT (Part 3 – VinosTito)

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Logo emblema VT

The Spanish team (now with added Polish) at Vinostito have put a firm focus on low intervention winemaking – not for the sake of it, but for the authenticity and excellence of the wines it can produce.  Of course they have an extensive selection from Spain, but also other countries such as Portugal, Germany, France and Italy.

Here are five which really piqued my interest at October’s SPIT festival:

Weingut Immich-Batterieberg CAI Mosel Riesling 2016 (11.5%, RRP €21.50 at 64 Wine, Glasthule; Loose Canon, Drury St; Baggot Street Wines, Ballsbridge; Green Man Wines, Terenure; Kelly’s Off-Licence, Clontarf)

immich batterieberg riesling kabinett cai

Immich-Batterieberg is one of the oldest estates in Germany’s Mosel, being noted in the first, second and now third millennium.  The Immich family themselves began making wine back in 1425, and were instrumental in the creation of the Batterieberg  between 1841 and 1845 using lots of explosives!

The CAI is a Trocken, i.e. dry style of Riesling, with an alcohol of 11.5% which is higher than many sweeter wines, but remains modest.  It isn’t bone dry, however, with just a touch of residual sugar which enhances the attractive, zippy fruit.  Full of Riesling Goodness!

Weingut Immich-Batterieberg Escheburg Mosel Riesling 2016 (11.0%, RRP €29.00 at 64 Wine, Glasthule)

escheburg

Compared to the CAI, this is somewhat drier, still young and tight – waiting for its wings to unfurl.  It’s made from superior grapes which don’t quite make it into the single cuvées.  The steep slate vineyard soils really show in the minerality of the wine, even though the minerals themselves are not technically soluble enough to be absorbed by the vines.  This is a fairly serious wine which would be at its best with shellfish or after some years to develop and open out.

Casa da Passarella Descoberta Dão Branco 2017 (13.0%, RRP €16.50 at On The Grape Vine, Dalkey; Martin’s Off-Licence, Fairview; Lilac Wines, Fairview; Baggot Street Wines, Ballsbridge; Blackrock Cellar, Blackrock; Matson’s, Cork)

casa passarella

Dão wines aren’t particularly well known in Ireland, though they deserve more attention.  The region is situated about a third of the way down the country from the northern border and roughly equidistant from the Atlantic and the eastern border with Spain.  It sits on a granite plateau topped by well drained sandy soil – not too bad for quality wine!  This is a blend of local speciality Encruzado plus some Malvasia Fina and Verdelho.  It’s quite different from the by-the-glass selection in your local pub, with a lovely mouthfeel and richness to it, but not oiliness.  A dry, textured finish seals the deal.

Suertes del Marqués Trenzado 2016 (13.0%, RRP €25.00 at SIYPS, Baggot Street Wines, Ballsbridge; Blackrock Cellar, Blackrock; The Corkscrew, Chatham St; Clontarf Wines, Clontarf; Lilliput Stores, Stoneybatter)

trenzado

I’ve reviewed this wine at least once before, but no apologies for repetition will be forthcoming as it’s so damn good – and so damn interesting – that it never disappoints.  Suertes del Marqués are a relatively new outfit but they have access to plenty of older vines – the ones for this blend range between 10 and 150 years old, all in the Valle de La Orotava of Tenerife.  I say “blend” as the majority of the wine is Listán Blanco (aka Palamino of Sherry fame) but there are also dashes of Pedro Ximenez, Albillo Criollo, Gual, Marmajuelo and Malvasia.  As pictured on the front label, the vines are (mainly) trained with the traditional trellis system of cordón trenzado after which the wine is named.

For anyone studying wine this is a great example to do a model tasting note for as it shows so many different types of aroma and flavour: various citrus fruits, nuts and sea-washed pebbles on the nose, with the same on the palate but also a slightly waxy character.  It’s a fairly different wine but it’s one that’s easy to like and to love.

Luís Seabra Vinhos Xisto iLimitado Tinto 2016 (12.0%, RRP €22.00 at Sweeney’s, Glasnevin; 64 Wine, Glasthule; On The Grape Vine, Dalkey; Martin’s Off-Licence, Fairview; Lilac Wines, Fairview; Baggot Street Wines, Ballsbridge; Green Man Wines, Terenure; Matson’s, Cork)

luis seabra vinhos xisto ilimitado

Luís Seabra makes a fantastic range of wines in Portugal’s north, the Douro Valley and Vinho Verde regions.  His Douro wines are very different from the normal big reds found there, with lots of fruit, oak, tannin and alcohol.  His wines are lighter and judiciously oaked, but don’t lack in flavour or length.  As “Xisto” is the Portugese for “schist”, it’s not too hard to guess what type of soil the vines are planted in!

This 2016 is a blend of several grapes, some of which are coplanted in old and almost forgotten plots: 30% Touriga Franca, 20% Tinta Amarela, 20% Tinta Roriz, 10% Rufete, 10% Tinta Barroca, 5% Malvasia Preta and 5% Donzelinho Tinto.  Luís’s approach to grape variety selection and winemaking both lead to his wines being very interesting and very fresh.

I was browsing some new additions to the shelves of Baggot Street Wines in early 2018 and noticed several wines from Luis Seabra in Portugal.  What really caught my eye was the “REPROVADO / DISAPPROVED” warning notice on the back label of the 2015 Tinto – the first time I had ever seen anything like that on a wine label.

Speaking to the man himself a few weeks later at the Vinostito portfolio tasting, he recounted that when the wine was not allowed the Douro classification due to being “untypical” of the region, he sought permission to  put a warning label on.  The wine authorities had never received such a request previously, but they allowed it.

For the 2016 vintage (above) the Tinto was immediately given the Douro badge – I think the wine authorities learned their lesson!

 

The SPIT series:

Tasting Events

To SPIT or not to SPIT (Part 1 – WineMason)

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spit

SPIT is actually an acronym for Specialist Professional Independent Tasting, but to be honest that’s too much of a mouthful so I will stick to the shorter version.  SPIT brings together four of the best independent wine importers working in Ireland with trade tastings in Cork and Dublin plus an evening consumer event in Dublin.  This series of posts will cover some of my favourite wines tasted at the most recent SPIT fest in Dublin.

First up is WineMason:

wine-mason-logo

WineMason is an importer and agent of original and distinctive wines from Germany, Portugal, Austria, Spain, France, Italy and South Africa. We work with 50 wineries over 8 countries and have listed just under 300 wines. We distribute these wines to Ireland’s best restaurants, winebars and independent retailers. We help shape and build tailored wine lists for the on and off trade that are exciting, well priced and trending. From emerging wine regions to discovering the potential of local grape varieties, we are constantly evolving with the ever-changing wine world and we work to reflect this in the wines we sell.

Niepoort Redoma Douro Branco 2017 (13.0%, RRP €23.50 at  Redmonds of Ranalagh; SIYPS; Morton’s; Nectar Wines, Sandyford; Blackrock Cellar)

niepoort redoma branco

Niepoort is one of the few famous Port houses which doesn’t have an English family name.  In fact their origins are Dutch, and fifth generation Dirk van der Niepoort has been head of the business since his father retired in 2005.  Niepoort are more than just a Port house, though; they make fantastic dry reds in the Douro, including some fairly eccentric wines such as Clos de Crappe.

And this is something else again, a Douro white made from a wonderous blend of local grapes: Rabigato, Códega do Larinho, Viosinho, Donzelinho and Gouveio.  It has a lovely, round texture but isn’t heavy – it dances around the tongue with sweet stone and pip fruit.

Keermont Terrasse Stellenbosch 2015 (13.5% RRP €29.50 at The Corkscrew, Chatham St.; SIYPS)

keermont terasse

The Keermont range so fantastic across the board that it was difficult to narrow my selection down at all.  The delightful white terrasse blocksblend “Terrasse” begged for inclusion, really punching above its weight.  The blend is 56% Chenin Blanc then roughly equal parts Viognier, Chardonnay and Sauvignon Blanc. Helpfully, the Keermont website features this table of which blocks and which varieties are used in the 2015 vintage.  Each component is barrel fermented and matured separately, then blended before bottling.  Each variety adds something to the wine (which is the point of blends, I suppose) – there’s spiciness, fruit, acidity and richness all humming along together in harmony.

Keermont Stellenbosch Estate Reserve 2012 (14.5%, RRP €37.00 at Gibneys, Malahide; The Corkscrew, Chatham St.; Blackrock Cellar)

keermont estate reserve

estate reserve blocks

The block figures on the right are for the 2013 vintage so there might be some small differences for the 2012 tasted, but the Estate Reserve is pretty much a red Bordeaux blend with a splash of Syrah.  The 2012 is nicely settled in now, still showing lots of pristine black fruit and a very Graves-like graphite edge.  The main difference between this wine and an actual red from Bordeaux is not the splash of Syrah – it’s that to get this amount of fruit and complexity from Bordeaux you’d have to pay double or more!

Keermont Topside Syrah 2014 (13.5%, RRP €53.00 at The Corkscrew, Chatham St. (also poured at Forest & Marcy))

keermont topside syrah

The previous two wines are from the “Keermont” range, sitting in the middle of the hierarchy above the “Companion” wines and below the “Single Vineyard” series.  Now we have one of the latter, which also features a Chenin Blanc, a Cabernet Franc and another (“Steepside”) Syrah.  The Topside Vineyard is well named, being high up on the west-facing slopes of the Stellenbosch Mountain Range.  The soil is mainly rock with some patches of sand, and with the altitude of 350 – 400m the wines grown here have a real freshness to them.  Compared to the Steepside, the Topside sees less oak (used 500 litre barrels only), has a full percent less alcohol and has more acidity.  There’s a place for both, but for me the Topside shows some of the best aspects of warm climate and cool climate Syrah in the same wine.  Bravo!

Emrich-Schönleber Halenberg Großes Gewächs (12.5%,  RRP €65.00 at 64 Wine (also poured at Dromoland Castle))

emrich-schonleber halenberg gg

Separate from the potential sweetness-based Prädikat system (which goes from Kabinett to Trockenbeerenauslese (TBA for short)), members of the VDP* may also be able to use the relatively new terms Erstes Gewächs or Großes Gewächs (GG) for their best dry wines.  I have to confess that I didn’t really understand the first few GG wines I tried – they were sort of nice but not exactly delicious drinking – and given their premium prices that put me off somewhat.

This wine, with more syllables than you shake a stick at,  shows me what I was missing out on.  With a few years behind it this Halenberg Riesling starts to reveal what a great GG can do.  There’s amazing sweet fruit on the attack and mid-palate, extraordinary length and a mineral, dry finish.

*VDP stands for Verband Deutscher Prädikats- und Qualitätsweingüter, so let’s just keep using VDP!

 

The SPIT series:

Opinion

Wines at Xmas #5 – Joe Coyle [Guest Post]

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For winelovers, Christmas is a time when we look forward to drinking – and even sharing – a special bottle or two.  This might be a classic wine with traditional fare or just something different we’ve wanted to try for a while.  I asked some wine loving friends what they were looking forward to and they have kindly agreed to write a blog post for me.

Joe Coyle is Head of Sales for Liberty Wines Ireland, a wine importer with an impressive portfolio with great coverage of Italy, NZ and Australia in particular.

At Christmas I like to serve a mix of tried-and-tested favourites alongside new wines that have excited me through the year.

CH Brut reserveA firm favourite that I always go back to is the dangerously drinkable Charles Heidsieck Brut Réserve.  Charles Heidsieck is one of the most awarded Champagne houses, and it’s not hard to see why.  With at least five years on the lees and 40% reserve wines in the blend, their flagship Brut Réserve is rich and complex.

The nose is characterised by complex pastry aromas, with an opulent combination of ripe apricot, mango and greengages, dried fruits, pistachio and almond.  The palate begins with a silky-smooth sensation, developing into ripe fleshy apricot, melon and enticing plum pastry notes and delicate spice.

There is perfect balance of freshness and generosity.  Plus, the story of Charles Heidsieck, the original Champagne Charlie, includes Atlantic crossings, American high society, Mississippi swamp jails, political intrigue and financial windfalls.  It never fails to entertain!

Casa Ferreirinha Vinha Grande Red 2014This year, my most exciting discoveries have come from Portugal.  Like Liberty Wines’ traditional stronghold in Italy, Portugal has dozens of native grape varieties to explore, from Alvarinho and Loureira in Vinho Verde through the Touriga Nacional based wines in the Douro and Dao to the intriguingly minerally white wines made from Enruzado in Dão.

The flavour profiles of these native grapes varieties are as diverse and exciting in Portugal as they are in Italy.   Perhaps it is this affinity, or just a search for originality and diversity, that drew us to Portugal. I’ll be serving Casa Ferreirinha Vinha Grande Douro Tinto 2015 with dinner this year, its juicy red berry notes and subtle vanilla making it the perfect match with Christmas turkey.

 

 

Charles Heidsieck Brut Réserve NV: available at around €65 at O’Briens and independent wine merchants.

Casa Ferreirinha Vinha Grande Douro Tinto 2015: available at around €19.99 at J.J. O’Driscoll Cork, Clontarf Wines. Wine Online

The full series of Wines at Xmas:

 

 

 

 

 

 

Opinion

Frankly Wines Top 10 Reds of 2016

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The turn of the year means a chance to look forward to some excellent tastings coming up, but also a chance to look back at some great wines tasted over the previous twelve months.  Here are ten of the many reds which caught my attention in 2016:

10. Cicero Alto Reben AOC Graubünden Pinot Noir 2012

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In Europe the country most well known for Pinot Noir is of course France, with examples from Burgundy still being among the most expensive wines in the world.  After that it’s probably Germany for Spätburgunder and then perhaps Italy for Pinot Nero, but don’t forget Switzerland – hillside vineyards can be perfect for Pinot, and although Swiss wines are never cheap they can offer good value for money.  See here for the full review.

9. Mas St Louis Châteauneuf du Pape 2012

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CNDP can often be a blockbuster wine with loads of mouthfeel and 15.0% or more alcohol. Wines which don’t measure up to this are often inferior lightweight versions not worthy of the appellation or the price tag – better to go for a Gigondas or Vacqueras instead.  But just occasionally you might come across a wine which is not typical of the area but transcends it – and this is the one.  A high proportion of Grenache and sandy soil are apparently the reason for its lightness – but you will have to try it yourself.

8. Paul Osicka Heathcote Shiraz 2004

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My favourite hotel in Ireland is The Twelve in Barna near Galway City, and luckily it’s also my wife’s favourite.  The rooms, the service and the food are all excellent – and so is the wine!  When last there some months ago for a weekend (kid-free) break I spied this mature Heathcote Shiraz on the wine list and had to give it a try with the côte de boeuf for two (and although I was tempted to have both to myself I did of course share them with my wife).  I will definitely look out for this wine again!

7. Atalon Napa Merlot 2004

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Quality Californian Merlot isn’t an oxymoron, though there is plenty mediocre Merlot made in the Central Valley.  When it’s good, it can be great, and this nicely mature 2004 is probably the best Merlot I’ve ever tasted from California, and definitely the best I’ve tasted from any region this year.  See here for the full review.

6. Niepoort Clos de Crappe Douro 2013

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“A wine that asks more questions than it answers” is a fair summary of this unusual Douro red – and perhaps that’s why it’s so interesting.  It’s not a wine for everyone, with higher than average acidity and body more akin to Burgundy than the Douro, but it brings the funk!  See here for the full review.

5. Cono Sur 20 Barrels Pinot Noir 2014

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Time and time again, the 20 Barrels Pinot has impressed me with its silky smooth berrytastic goodness.  It’s possibly the closest thing to a red wine for all men (and women) – without being a lowest common denominator compromise.  Most notably it shone in an all-star Pinot Noir tasting arranged by importers Findlaters, beating off competition from Burgundy, California, Marlborough and elsewhere – in fact the only real competition was the big brother Cono Sur Ocio, though that is around twice the price.

4. Wolf Blass Black Label 1998

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Wolfgang Blass is something of a legend in Australian wine, and while his eponymous wines range down to everyday drinking level, his multi-award winning Black Label has been one of the top Aussie wines since its creation in 1973 – it won the prestigious Jimmy Watson Memorial Trophy for an amazing three consecutive years with the 73 – 74 – 75 vintages, and then an unprecedented fourth time with this 1998 release.  Tasting the 1998 was a real privilege!

3. Vajra Barolo Ravera 2011

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I’ve had some nice Barolos over the years but, to be honest, the tannin and acidity have often put me off – not to mention the price.  Many need a good decade to even start being drinkable, and, while I’m not advocating fruit bombs, Barolo can be somewhat lacking on the primary flavour side.   But, as Erasure said, it doesn’t have to be like that – this is a wonderful, complex, accessible Barolo.  See here for the full review.

2. Penfolds Grange 2010

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If Spinal Tap’s amps went up to 11, then wine critics should surely have awarded this wine 102 points, as it betters even the excellent 100-pointer from 2008.  It’s still tightly wound compared to the lighter 2011 and more easy-going 2009, but it will be a legendary vintage when it reaches its peak in another decade or two.

1. Cascina Garitina Nizza 900

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A wine to show that Barbera can make excellent wines, not just something to sup waiting for Barolos and Barbarescos to mature.  Made around the town of Nizza Montferrato in Piedmont, Nizza wine was a subregion of Barbera d’Asti until gaining full DOCG status in 2014.  Gianluca Morino of Cascina Garitina is an innovative producer who makes some very good Barbera d’Asti but an amazing Nizza – a truly excellent wine with more depth and poise than I’ve witnessed in any other Barbera.

 

 

Single Bottle Review, Tasting Events

So you think you know Douro wines?

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Port is one of the great fortified wines of the world.  Even though it’s not particularly fashionable at the moment, many wine drinkers keep a special place in their heart – and their drinks cabinets – for Port.  On top of the usual Vintage and LBV Ports there are lots of new styles being created such as Bottle-matured LBV and Rosé Port.

Then we have “dry” Douro reds which are dark, tannic and powerful – though full of fruit. In some ways they really are dry Ports, made from the same grapes, full-bodied and occasionally surpassing 15%.  The quality of Douro table wines has improved significantly over the past decade or two (as has most Portuguese wine) so they are generally well-received.

….and now for something completely different…

Niepoort Clos de Crappe Douro 2013 (12.5%, RRP €23)

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So first you notice the name – pretty amusing in my opinion, especially when you realise it sounds quite like “a load of crap“, but then I have quite a childish sense of humour.  At least it stands out!

Then you notice the verses on the label – what the actual heck is this?  You can just about make out one of them on the photo above, here’s another:

A modern old style wine.
A wine full of character, some mistakes.
Technically a disaster.
But a wine full of passion and expression.
A wild , intense nose full of reduction.
A palate “the incredible lightness of being”.
Fine, elegant and very long.
“What the hell is Clos de Crappe?”

How novel!  It really seems as though Niepoort were having a lot of fun with this wine and its packaging – and I think more producers should take note.

When reading the label you might also notice the alcohol – only 12.5%, which is a far cry from the typical big Douro reds.  Before popping the cork, you already know that the contents are going to be something different.

Then finally the wine itself.  In the glass it’s much lighter than most Portuguese reds, and really brings the funk on the nose (regular readers may have noticed that I love funky wines).  Smoke and “struck-match” reductive notes add to the intrigue.

Then to taste, red fruit is in abundance, with fresh acidity and a light mouthfeel.  This wine drops large Burgundian hints, though of course the local grapes (Touriga Franca, Tinta Roriz, Sousão, Alicante de Bouschet, Rufete and others) are different.

Tasted blind, I would never place this wine in the Douro.  Even though I had poured it out of the bottle myself, I had some doubts!  It’s a wonderful wine…but the sting in the tail is that production is very small, and only a few cases allocated to Ireland.  Seek it out before it all goes!

Many thanks to Ben and Barbara from WineMason who parted with one of their precious bottles.

Book Review

Port and the Douro by Richard Mayson (Third Edition) [Book Review]

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Book Review – Port and the Douro – 3rd Edition – Richard Mayson

Front Cover

Most of us like Port, but few of us actually drink it – on a regular basis at least.  It’s possibly even more niche than the other great fortified style from the Iberian Peninsula, without Sherry’s trendiness in its favour.

Above all, many of us are curious about Port:

  • What’s the difference between Ruby, Tawny, LBV and other labels?
  • Why do so many producers have English names?
  • And for the very curious: What’s the connection between Dog Strangler (1) and the Bishop of Norwich? (2)

Richard Mayson’s excellent and authoritative book answers these questions and much more besides.  

The first chapter gives a condensed history of Portugal, Port and the Douro. Politics, religion, agriculture, industrialisation and international treaties all intertwined in the second millennium CE to create the fascinating landscape we have today.

The second chapter is a detailed exposition of the geography, climate and principal grapes of the Douro. This includes a map of the top 80 or so Quintas (farms or estates) with a review and contact details of each.  In conjunction with chapter 8 “Directions in the Douro” this makes a mini travel guide.  Would be visitors now have a valuable resource to help plan their trip.

The evolution of Port production methods is treated in chapter 3.  Whereas fine “light” wines can enjoy a long fermentation and maceration to extract flavour, colour and tannin from grape skins, Port has no such luxury.  With a maximum of 48 hours of skin contact before fermentation has to be arrested, firm and rapid extraction is key – and the tried and tested best method for this is foot treading in a lagare (a big, square, open-topped stone tank).

Throughout this third edition, the main text is interspersed with panels painting light-hearted pen pictures of the “Men (and women) who shaped the Douro”. In fact, these small pieces on their own give the reader some entertaining insights into the whole Port story.

As a patriotic Yorkshireman, I particularly enjoyed hearing of a bluff, straight-talking fellow Tyke (3) who devoted himself to exploring and documenting the vineyards of the Douro itself, rather than focusing on the blending, maturation and shipping from Villa Gaia de Nova. Joseph James Forrester produced some excellent maps of the region, and was also a vocal proponent of light (unfortified) Douro wines. Unfortunately, he was 150 years too early for consumer taste and shipping conditions, so these views were widely derided by the Port establishment.

A lack of available labour in the 1960s necessitated the introduction of mechanised alternative to the human foot, with varying degrees of success.  Much of the Douro was without a reliable (or any) electricity supply at that time.  Autovinification was an ingenious answer, as it used the pressure created by the natural production of carbon dioxide during fermentation  to pump the must over the cap (of floating grape skins).  More modern technology has since seen the use of robotic devices which attempt to reproduce the firm-but-not-too-firm extraction techniques of the foot.

Who invented Port? Although “light” wine had been made in the Douro for millennia, it was English Shippers who added spirit to large barrels of wine to stop them spoiling on the sea voyage to England. But that wasn’t the invention of Port! Port production depends on the addition of spirit before fermentation has finished, thereby retaining some of the grapes’ natural sugars as the spirit kills off the fermenting yeast. And that practice was first documented by a couple of wine merchants who found the Abbot of Lamego carrying it out on 1676.

The fourth chapter explains the different types of Port, from the well-established to the new.  The following table summarises the main styles:

Main Types of Port 3

The best of the best – Vintage Port – gets chapter 5 all to itself.  Each year from 1960 to 2015 (in the new paperback edition)  is given a mark from nil to five stars as an overall guide, plus a narrative explaining how the vintage unfolded – essentially the weather throughout the year – and the author’s pick of the best bottles.  Selected other years going back to 1844 (!) are also included in the vintage guide.  Whether this is a useful buying guide depends on the distance of your drinking horizon and/or the depths of your pockets.

Adulation and Adulteration. Without reference to quality, (young) Port’s defining characteristics are that it is sweet, strong in alcohol and dark in colour. Unscrupulous shippers based in Portugal and (especially) wine merchants in England would therefore bulk out real Port wine – or even wine from other regions – with sugar, raisin wine, cheap alcohol and elderberry juice.

Port Producers and Shippers are addressed in chapter 6, some now defunct and many now conjoined into large groups:

Major Port Groups

Joseph James Forester’s beloved light (everything is relative) Douro wines finally make an appearance in chapter 7.  They are made using essentially the same grapes as Port itself, but fermented to dryness, and skipping the addition of spirit.  Douro wines only gained their own DOC in 1979.  Usually big and bold, when well made they can perform well at the table with many courses, rather than just Port’s traditional role at the end.

As already mentioned, chapter 8 has travel information on hotels, restaurants and local dishes.

Chapter 9 is a short postscript on the future for Port and the Douro.  It would be an interesting exercise to look at the predictions in earlier editions!

Overall, this is an essential book for Port and Douro fans, and great reading for anyone with an interest in wine!

Click on the pic to buy directly from Amazon:

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Footnotes
(1) The literal translation of the name “Esgana Cão”, the extremely acidic Port grape which also appears as Sercial in Madeira.
(2) Asking a person at the dinner table if they know the Bishop of Norwich is apparently a polite prod to keep the Port moving round the table!
(3) Peter Mayson is a resident of the other (dark) side of the Pennines, so was duty bound to use this description.

Single Bottle Review

Frankie’s Single Bottle Review #04 – Quinta da Falorca T-Nac 2009 (#MWWC20)

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Q: When is a variety not a variety? Bear with me, for I have an answer…

Having unexpectedly won Monthly Wine Writing Challenge #19 (#MWWC19) with this entry on choosing a Burgundy, I was given the winner’s prerogative of choosing the theme for #MWWC20.  The least I could do is enter myself – and it has pushed me into finally starting on a topic I have been meaning to explore for nearly two years – clones. In the fullness of time I will get into more detail (and that article will of course be called “Attack of the Clones”), but for now here’s an introduction.

“Variety” has lots of different meanings, even within the sphere of wine. The most common usage is for a type of grape, cépage in French. Thankfully, Jeff the Drunken Cyclist has already dealt with my bête noir of confusing variety (grape type) and varietal (wine made from a particular grape). The most technically correct term is actually cultivar, as pretty much all wine is made from cultivated grapes, but variety works for me.

Why is variety so important? Overall, it’s the single most important factor affecting the taste of a wine.  Yes, terroir can be very important, but that’s actually shorthand for a whole host of factors.  Additionally, (and subsequently), the way many wine drinkers outside Europe express their vinous preferences is by grape – and a fair share of those within Europe as well.

However, there are different versions of most grape varieties, and they are known as clones. These clones have subtly different characteristics, often adaptations from centuries of growing in particular places. Sometimes grape growers assist in this process by taking cuttings from the best performing vines and propagating them.

The last few decades have seen an increasingly scientific approach taken, with institutions and nurseries classifying existing and developing new clones which will thrive best in different soils and climates, or give a particular style of wine at the end. For example, producers aiming to make a richer, buttery style of Chardonnay might often chose to plant Mendoza Chardonnay clones, as their thicker skins and smaller berries make them suitable for a Meursault style.

So now for a varietal wine which involves a lot of variety from within a single grape variety (it will make sense, I promise):

Quinta da Falorca T-Nac 2009 (€23.99, jnwine.com)

Quinta da Falorca T-Nac 2009
Quinta da Falorca T-Nac 2009

Quinta da Falorca is one of four vineyards which are part of the larger Quinta Vale Das Escadinhas in the Silgueiros sub-region of Dão in central Portugal. It was established on south-facing steep banks of the river Dão over a century ago by the Costa Barros de Figuerido family.

The Dão wine region in central Portugal (Credit: Elapsed)
The Dão wine region in central Portugal (Credit: Elapsed)

The Dão is home to dozens of indigenous grapes varieties, with the most popular being Touriga Nacional, Tinta Roriz, Jaen, Alfrocheiro Preto and Encruzado.  Indeed, the region is actually the original home of Touriga Nacional which is so vital in the Douro.  To honour this fact the Dão DOC regulations require a minimum 20% of Touriga Nacional in red wines.  

Quinta da Falorca T-Nac 2009
Quinta da Falorca T-Nac 2009

So it’s a good producer, but what’s so special about this bottle?  The name “T-Nac” gives us a clue that it’s made from Touriga Nacional, but that’s just the start.  It’s made from 100% Touriga Nacional, but 31 different clones of that variety!  It says something of the history of the area that over 30 clones of a single grape have been identified, and a lot more about a producer that can grow and vinify them!

Unlike some traditional style Dão wines it isn’t chock full of tannins from over-extraction, nor is it sullied by oak like some of the more modern style wines.  Instead it plots a happy medium course with excellent juicy black fruit fruit and fine-grained tannins that give it a real savoury edge.  This is a wine to pair beautifully with a steak or a hearty beef stew – in fact, a small glass in the stew would be perfection.

My thanks for the sample to JN Wines who will be showing this (and many other wines) at their Portfolio Tasting:

Time: Friday 6th November 18.00 – 20.00

Venue: Smock Alley Theatre, 6-8 Exchange Street Lower, Dublin 8

Tickets €15 online from Smock Alley